第一篇：鄭豐喜自傳小說汪洋中的一條船讀后感

我們一出生便學(xué)會了爬行，爬行可以說是我們每個人的人生中必然經(jīng)歷的階段，然后隨著我們逐漸的長大才慢慢的學(xué)會了直立行走，可鄭豐喜從出生便一直爬著行走，因為他一出生便跛腳，直到考大學(xué)那年在好心人的資助下按上義肢，才像普通人一樣站立起來,他用自己的一生詮釋了“天道酬勤”這四個字，鄭豐喜自傳小說汪洋中的一條船讀后感。

鄭豐喜的一生出現(xiàn)了三次轉(zhuǎn)機，第一次是能和其他普通的孩子那樣上學(xué)，第二次是以優(yōu)異的成績考上了大學(xué)，第三次是在好心人的幫助下按上了義肢。鄭豐喜之所以可以得到改變自己命運的機會，并且通過努力把握了這三次機會，可以說是和他的性格有著密不可分的關(guān)系的。在鄭豐喜身上可以看到積極樂觀的人生態(tài)度，像野草般堅韌不屈的精神，這和他小時候同趙老伯流浪賣藝的經(jīng)歷是分不開的，鄭豐喜在這段經(jīng)歷中看到各種不同的人，感受到了生活艱辛，體會到了人世間的酸甜苦辣。更重要的是他在和趙老伯賣藝流浪的經(jīng)歷中逐漸融入到了社會中，雖然依然會被許多人嘲笑侮辱，雖然自己還是會對自己跛腳而感到自卑和不好意思，但為了生活鄭豐喜不得不面對各種各樣的人，而小時候的這種經(jīng)歷會讓他對社會和社會中的人不會產(chǎn)生排斥心理，才能讓他對于人生有著上進(jìn)和積極的態(tài)度。

鄭豐喜小時候差點被洪水淹死，因為反抗別人對自己的侮辱，差點被自己的家人拋棄。這些讓人痛苦與可怕的經(jīng)歷并沒有讓鄭豐喜墮落悲觀，反而是使他變得更加的堅強，不向命運屈服，他憑借著自己的毅力硬是跛著腳也學(xué)會了騎自行車，干農(nóng)活兒，自己在河邊打水，雖然每次做完這些事兒，身上都會流淌許多鮮血，但他覺得這并不可怕，也不覺得后悔，因為他用自己的實際行動證明了自己不是廢物，普通人能做的事他也能做到，讀后感《鄭豐喜自傳小說汪洋中的一條船讀后感》。

鄭豐喜能順利的完成自己的學(xué)業(yè)，一方面是通過自己的努力，另一方面同好心人的幫助是分不開的，學(xué)校的校長沒有因為他是殘疾兒歧視他，學(xué)校的老師給予了他許多的關(guān)心和照顧，在好心人的幫助下他按上了義肢，實現(xiàn)了能直立行走的愿望，這些經(jīng)歷讓鄭豐喜深深的體會到了人世間的關(guān)愛，更讓他相信在這個世上好人比壞人多.鄭豐喜畢業(yè)夠當(dāng)了老師，并娶到了一位美麗的妻子。他通過自己的努力過上了普通人的生活，可這種生活并沒有過上多久便患上癌癥而死去，讓人感嘆到上天的不公，這樣努力、樂觀、上進(jìn)、堅強的一個人，經(jīng)歷人世間這么多痛苦，才過上幸福的生活就把他收了去，可是鄭豐喜的精神不會死，會一直留在我的心中。

鄭豐喜雖是汪洋中得一條破船，卻乘風(fēng)破浪，度過了無數(shù)狂風(fēng)暴雨的日子，雖然前面依然暗礁密布，黑夜重重，但他在成功中變得越來越堅強，越來越自信。

第二篇：小說《喜福會》讀后感

小說《喜福會》讀后感

今天晚上花了兩個多小時，把《喜福會》（The Joy Luck Club）這本小說看完了。之所以看這本書，其實只是因為公選課需要讀這本書的關(guān)系，但是當(dāng)我讀完了之后，發(fā)現(xiàn)這本書其實還是很不錯的。雖然在公選課的經(jīng)典書單里面這本書不那么經(jīng)典，但是我覺得比起其它的書可能這一本反而要更加接地氣一點。

這本書里面設(shè)定了四對母女，而書中的故事基本上就是圍繞著母女之間因為代溝產(chǎn)生的矛盾展開的。這些故事之中有的關(guān)于成長，有的關(guān)于婚姻，但是我覺得這些故事無疑都圍繞著一個關(guān)鍵，那就是女人的幸福。書中的四位母親，都是成長在戰(zhàn)爭年代，有的富有有的貧窮，但是都因為機緣巧合有了人生的轉(zhuǎn)折，來到了美國。她們不懂得怎樣說一口流利的英文，但是卻希望自己的女兒們能夠在這里走向成功，獲得幸福，不會走母親們的老路。這種強烈的、帶有中國傳統(tǒng)色彩的愿望，與從小成長于美國文化的女兒們身上產(chǎn)生了巨大的碰撞。女兒們大都能夠理解母親們的苦心，然而卻不能夠接受他們母親的想法。以至于他們都陷入了困境，然而在母親的幫助下，又再次收獲了幸福。

書中給我印象頗為深刻的大概是母親們的故事。比如說琳達(dá)擁有對自己的強烈追求，而用自己的智慧獲得了自由；又比如安梅見證母親的命運而對自己的命運有著強烈的掌控欲望，這種不向命運屈服或者更直接的說不向男人屈服的特質(zhì)最終遺傳到了她的女兒露絲身上。而祖孫三代，也代表了從屈服、覺醒到抗?fàn)幍娜齻€階段。比起女兒們的故事，母親們的故事更加奇異更加特別，也更加發(fā)人深思。

然而這本書也并非完美。在我看來，作者采用了分鏡頭的方法，每一章都可以看做一個簡單的故事，而所有的故事又隱隱有一條線索穿行其中可以讓它們聯(lián)系在一起。這樣的寫法現(xiàn)在漸漸流行了起來，比如說非常熱門的《冰與火之歌》。分鏡頭的寫法固然可以讓故事不斷切換到第一視角，讓故事敘述更加方便而真實，但這種方式也造成了讀者閱讀的困難。尤其是其中有一些事件發(fā)生的時間并不明確，導(dǎo)致了故事間的因果也不甚清晰。所以這也可以說是這本書的一點瑕疵。

除此之外，對于我來說，或許還有一點不滿意的就是這本書的中譯本。這譯本給人的感覺過于生硬，感覺譯者對中美文化間的差異與相似沒有深入了解，翻譯技巧也有一定的不足。導(dǎo)致不少語言上的妙處需要注釋來點出，損失了原文的趣味。當(dāng)然，我還是很愿意再讀一讀這本書的原文或者其他的譯本。

第三篇：看《喜福會》小說后的英文讀后感

The Reading Report about The Joy Luck Club Reading the novel is not the first time of my knowing The Joy Luck Club.When I watched the film , the meaning of the title , the theme of the novel , the reason for the arrangement of stories from four mothers and their daughters and other important things were all unknown to me.But I knew that was my type for it is about feelings between mothers and daughters , and especially chinese speaking Eglish.Amy Tan , a Chinese American writer , is the author of the book in which she explors the mother-daughter relationships.Originally , the relationships between mother and daughter seem to be quite complex in a family but in Amy Tan's work , it is perfectly typical for its portrayal of conflicts between the traditional Chinese mothers speaking shabby English and the open wholly Americanized daughters who just wear a Chinese face but speak fluent English.I never think it is richly dramatical , and instead these kinds of conflicts , in fact , truly ecists in many Chinese immigrants' family.The novel is written impressively and deeply especially , I think , in understanding of mothers' love for their daughters for reasons that the previous experience of her with her mother provided the basis for her novel.It is said that the exprience of anthor is similar to that of Jingmei woo.Maybe , the novel implies the deep and complex feelings of auther for her mother and her closest relatives in China.It gives me a greatly deep impression that the book is begun with Feathers From a Thousand LI Away.It penetrates the mothers' hope and love for their daughters through a swan's feather.Through the old woman's words “In America I will have a daughter just like me.But over there nobody will say her worth is measured by the loudness of her husband's belch.Over there nobody will look down on her, because I will make her speak only perfect American English.And over there she will always be too full to swallow any sorrow!She will know my meaning, because I will give her this swan—a creature that became more than what was hoped for.” and the mothers' former tragic sufferings , we will find that all the mothers are in hope of their daughters never suffering from their sufferings.And the mothers waited, year after year, for the day , they could tell their daughters it is their hope through a feather of the swan in perfect American English.At first , it is a little difficult to understand the reason for these words.However , through the whole novel , in fact , you will find the old woman represents the four mothers , the feather of swan embodies the hope of mothers for their daughters.These sentences show implicitly the feelings of author and her understandings for mothers.In fact , in the Joy Luck Club , the feather indeed is gained by Jingmei Woo.And from the beginning to the end ,the feather has been existing.Only if one high-quality novel , like a perfect verse , needs you spending much time reading once more , you will understand something.I thought that the novel is loosely plotted and is in disorder.But the fact verifies that I am wrong.Through the whole story , the novel begins with the death of Jingmei's mother and ends in Jingmei visiting China to see the twin-half sisters whom her mother had been forced to abandon when the Japanese attacked China many years ago.What's more , in detail , the stories of four mothers and four daughters have relative connections in theme about love between them and the mothers' hope for their daughters.And the theme shows the comflicts and harmonization between different cultures.Then I think why the author titled the novel “ Joy Luck Club ”.I am puzzled by it and the purpose of writer.The name of club made mention of by Jingmei's mother.And the author directly titling the novel the name of their meeting implies her feelings for her mother.I can guess that the title originated from a kind of hope or belief.According to mothers' former sufferings , they were not happy.Even at the present , all of them hides the previous tragic experiences.Maybe , the club is a place where they can pretend to be happy or avoid the past memory or worries or even the shock of culture.Reading the novel is as we are reading our life and then think our past , present and futere.Especially , the conflict between Waverly Jang and her mother impresses me most.Waverly is a woman who is quite independent-mined and intelligent , but her mother's constant criticism is terribly annoying.She once had a gift for international chess.however , when she realized her mother taking advantage of her achievement and talent to show off in public , especially to the strangers , she felt terribly ashamed and annoyed.She shouted to “ you can not make me ”.From then on , her mother felt cold at Waverly and were particularabout her favorite things.In fact , I think Waverly felt sacred subconsciously at letting her mother down and something that she did was aimed at flattering her mother.When waverly brought her boyfriend , Rich , to her families , her mother just smiled but she still was particular about Rich's appearance , having many spots on his face.Description about the conflicts of manners between Chinese tradition and American notions has given me a greatly deep impression and quite interesting.These words of “ And then he had helped himself to big portions of the shrimp and snow peas , not realizing he should have taken only a polite spoonful, until everybody had had a morsel.” vividly express the American character of being casual which counts as discourtesy in China.The part of Rich criticizing her mother's cooking is quite funny and impressive.Our Chinese habit of making disparaging remarks seems to be extremely common.Being modest and avoiding showing off are parts of Chinese traditional manners.Her mother complaining about “ This dish not salty enough , no flavor ” , in fact , was a cue to eat some and proclaim it it the best she had ever made.But the Rich did not understand.From the following description of her mother being horrified , I judged that her mother was strongly objective against Rich and even their marriage.Waverly also had such an opinion.But I am wrong and from their conversation I understand something more important.Mother is the only one that understands their daughters or sons in the world.And none of the mothers do not love their children.And the heaty conversattion can make a strong bridge between the different generation or even the peonple from the different cultures.I find that if you would not like to tell your hearty words out , others are not able to know what you are and what you think.People each have different opinions about the same things.Waverly had thought that her mother disapproved of her marriage and hated her Rich.However , her mother's meaningful words surprised Waverly and even me.Just be particular about who I really care for and love.It occured to me that whoever we hurt is always who we really love for reasons that others would not care for our complaint.Yes , who will care for those who you do not love ? The answer is known by us fron the beginning to the end.It is the love for Waverly that her mother has been showing her.Waverly , a wholly Americanized girl , never trully knew her mother and was ignorant of the love for her.Indeed , the language and the culture did make a great difference in the exchange of feelings , which is a terribly high barrier between Waverly and her mother , also between other three mothers and their daughters.But love and understandings , finally will prevail over others.Personally , through the whole novel , the conflict between mothers and daughters , virtually , is that of the cultures between the East and the West.Mothers represent the classic, traditional Chinese culture but the daughters are the symbol of just , free , open and modern American one , which are two kinds of contradictory elements.However , through the whole novel , it is easier to find that finally they can understand each other and be in harmony.When Jing-Mei saw her twin-half sisters , she was surprised at this kind of familiarity.“And now I also see what part of me is Chinese.It is so obvious.It is my family.It is in our blood.After all these years, it can finally be let go.” shows that Jing-Mei understood her mother's stubbornness and love and was struck by mother's greatness.The resolution of the contradiction shows that the cultures of the East and the West can be in harmony with each other.

第四篇：看《喜福會》小說后的英文讀后感

The Reading Report about The Joy Luck Club

Reading the novel is not the first time of my knowing The Joy Luck Club.When I watched the film , the meaning of the title , the theme of the novel , the reason for the arrangement of stories from four mothers and their daughters and other important things were all unknown to me.But I knew that was my type for it is about feelings between mothers and daughters , and especially chinese speaking Eglish.Amy Tan , a Chinese American writer , is the author of the book in which she explors the mother-daughter relationships.Originally , the relationships between mother and daughter seem to be quite complex in a family but in Amy Tan's work , it is perfectly typical for its portrayal of conflicts between the traditional Chinese mothers speaking shabby English and the open wholly Americanized daughters who just wear a Chinese face but speak fluent English.I never think it is richly dramatical , and instead these kinds of conflicts , in fact , truly ecists in many Chinese immigrants' family.The novel is written impressively and deeply especially , I think , in understanding of mothers' love for their daughters for reasons that the previous experience of her with her mother provided the basis for her novel.It is said that the exprience of anthor is similar to that of Jingmei woo.Maybe , the novel implies the deep and complex feelings of auther for her mother and her closest relatives in China.It gives me a greatly deep impression that the book is begun with Feathers From a Thousand LI Away.It penetrates the mothers' hope and love for their daughters through a swan's feather.Through the old woman's words “In America I will have a daughter just like me.But over there nobody will say her worth is measured by the loudness of her husband's belch.Over there nobody will look down on her, because I will make her speak only perfect American English.And over there she will always be too full to swallow any sorrow!She will know my meaning, because I will give her this swan—a creature that became more than what was hoped for.” and the mothers' former tragic sufferings , we will find that all the mothers are in hope of their daughters never suffering from their sufferings.And the mothers waited, year after year, for the day , they could tell their daughters it is their hope through a feather of the swan in perfect American English.At first , it is a little difficult to understand the

reason for these words.However , through the whole novel , in fact , you will find the old woman represents the four mothers , the feather of swan embodies the hope of mothers for their daughters.These sentences show implicitly the feelings of author and her understandings for mothers.In fact , in the Joy Luck Club , the feather indeed is gained by Jingmei Woo.And from the beginning to the end ,the feather has been existing.Only if one high-quality novel , like a perfect verse , needs you spending much time reading once more , you will understand something.I thought that the novel is loosely plotted and is in disorder.But the fact verifies that I am wrong.Through the whole story , the novel begins with the death of Jingmei's mother and ends in Jingmei visiting China to see the twin-half sisters whom her mother had been forced to abandon when the Japanese attacked China many years ago.What's more , in detail , the stories of four mothers and four daughters have relative connections in theme about love between them and the mothers' hope for their daughters.And the theme shows the comflicts and harmonization between different cultures.Then I think why the author titled the novel “ Joy Luck Club ”.I am puzzled by it and the purpose of writer.The name of club made mention of by Jingmei's mother.And the author directly titling the novel the name of their meeting implies her feelings for her mother.I can guess that the title originated from a kind of hope or belief.According to mothers' former sufferings , they were not happy.Even at the present , all of them hides the previous tragic experiences.Maybe , the club is a place where they can pretend to be happy or avoid the past memory or worries or even the shock of culture.Reading the novel is as we are reading our life and then think our past , present and futere.Especially , the conflict between Waverly Jang and her mother impresses me most.Waverly is a woman who is quite independent-mined and intelligent , but her mother's constant criticism is terribly annoying.She once had a gift for international chess.however , when she realized her mother taking advantage of her achievement and talent to show off in public , especially to the strangers , she felt terribly ashamed and annoyed.She shouted to “ you can not make me ”.From then on , her mother felt cold at Waverly and were particularabout her favorite things.In

fact , I think Waverly felt sacred subconsciously at letting her mother down and something that she did was aimed at flattering her mother.When waverly brought her boyfriend , Rich , to her families , her mother just smiled but she still was particular about Rich's appearance , having many spots on his face.Description about the conflicts of manners between Chinese tradition and American notions has given me a greatly deep impression and quite interesting.These words of “ And then he had helped himself to big portions of the shrimp and snow peas , not realizing he should have taken only a polite spoonful, until everybody had had a morsel.” vividly express the American character of being casual which counts as discourtesy in China.The part of Rich criticizing her mother's cooking is quite funny and impressive.Our Chinese habit of making disparaging remarks seems to be extremely common.Being modest and avoiding showing off are parts of Chinese traditional manners.Her mother complaining about “ This dish not salty enough , no flavor ” , in fact , was a cue to eat some and proclaim it it the best she had ever made.But the Rich did not understand.From the following description of her mother being horrified , I judged that her mother was strongly objective against Rich and even their marriage.Waverly also had such an opinion.But I am wrong and from their conversation I understand something more important.Mother is the only one that understands their daughters or sons in the world.And none of the mothers do not love their children.And the heaty conversattion can make a strong bridge between the different generation or even the peonple from the different cultures.I find that if you would not like to tell your hearty words out , others are not able to know what you are and what you think.People each have different opinions about the same things.Waverly had thought that her mother disapproved of her marriage and hated her Rich.However , her mother's meaningful words surprised Waverly and even me.Just be particular about who I really care for and love.It occured to me that whoever we hurt is always who we really love for reasons that others would not care for our complaint.Yes , who will care for those who you do not love ? The answer is known by us fron the beginning to the end.It is the love for Waverly that her mother has been showing her.Waverly , a wholly Americanized girl , never trully knew her mother and was ignorant of the love

for her.Indeed , the language and the culture did make a great difference in the exchange of feelings , which is a terribly high barrier between Waverly and her mother , also between other three mothers and their daughters.But love and understandings , finally will prevail over others.Personally , through the whole novel , the conflict between mothers and daughters , virtually , is that of the cultures between the East and the West.Mothers represent the classic, traditional Chinese culture but the daughters are the symbol of just , free , open and modern American one , which are two kinds of contradictory elements.However , through the whole novel , it is easier to find that finally they can understand each other and be in harmony.When Jing-Mei saw her twin-half sisters , she was surprised at this kind of familiarity.“And now I also see what part of me is Chinese.It is so obvious.It is my family.It is in our blood.After all these years, it can finally be let go.” shows that Jing-Mei understood her mother's stubbornness and love and was struck by mother's greatness.The resolution of the contradiction shows that the cultures of the East and the West can be in harmony with each other.

第五篇：《采桑子》(葉廣苓的自傳小說)讀后感

最近癡迷地閱讀葉廣苓的小說《采桑子》，心中唏噓不已，《采桑子》(葉廣苓的自傳小說)讀后感。這是一部十足的京味自傳體小說，講述民國以來滿族貴胄后裔生活的長篇小說，一幅描摹人物命運、充滿文化意蘊的斑斕畫卷，一曲直面滄桑、感喟人生的無盡挽歌。一個世家的衰落，一群子弟的遭際，展現(xiàn)近百年間中國歷史的風(fēng)云、社會生活的變造與傳統(tǒng)文化的嬗變?！安缮Ｗ印北緸樵~牌，滿族著名詞人納蘭性德所著《采桑子·誰翻樂府凄涼曲》。葉廣苓借用作為其書名。

順便提一下，個人認(rèn)為現(xiàn)代的京味小說應(yīng)該首推葉廣苓的家世小說，那是真正的京派文學(xué)，而不是王朔為代表的京痞文學(xué)；當(dāng)代的海派文學(xué)/小說當(dāng)屬王安憶的作品，而不是附庸風(fēng)雅的淳子、馬應(yīng)龍等等極力渲染上海人、上海生活的小資老資的滬上文人。

從民國初年到抗戰(zhàn)期間，京、津確有一奇特的群體：有文化、沒職業(yè)，有教養(yǎng)、沒技能，衣著寒酸、舉止高雅，手不能提卻能寫對聯(lián)畫畫，肩不能挑卻能拉山膀起霸；對人有禮貌，說話有分寸，舉止有風(fēng)度，文墨有根底，窮愁潦倒，目空一切。。等自己一點點有了人生經(jīng)歷和閱歷后，對他們漸漸有了了解，方才知道他們是無辜的，這是一場殘酷的民族悲劇。他們（文化教養(yǎng)和品德素質(zhì)比漢人高得多）缺乏謀生技能或命運坎坷不是個人造成的，而是清朝皇上賞賜特權(quán)那天起就決定了他們的命運，同時也斷了他們?nèi)蘸蟮纳嬷?。正如鄧友梅評價的，“天下沒有不換的朝代，也沒有永存的特權(quán)！”

葉廣苓，女，1948年10月生于北京，滿族，祖姓葉赫那拉，中共黨員（自述：我是隆?；屎蟮挠H侄女，慈禧太后的親侄孫女，作品《采桑子》的后記中提及：葉赫那拉是一個龐大而輝煌的姓氏，以出皇后而著名，從高皇帝努爾哈赤的孝慈高皇后到景皇帝光緒的孝定景皇后，葉赫那拉氏中先后有五位姑奶奶入主過中宮，至于嬪、妃之類就更不在話下了——辛亥革命后，這個家族才簡姓“葉”。小說里面稱為統(tǒng)姓“金”）；中學(xué)就讀于北京女一中，后考入北京七二一護(hù)校，1968年分配來西安，在黃河廠衛(wèi)生科任護(hù)士。1983年調(diào)入《陜西工人報》社，任副刊部主任，同年進(jìn)入中國人民大學(xué)新聞專業(yè)函授部學(xué)習(xí)，1990年至1992年，在日本千葉大學(xué)法經(jīng)學(xué)部學(xué)習(xí)。1995年調(diào)入西安市文聯(lián)，在創(chuàng)作研究室任專業(yè)作家?，F(xiàn)為中國作家協(xié)會會員，陜西省作家協(xié)會理事，西安市文化藝術(shù)聯(lián)合會副主席，西安作家協(xié)會副主席，西安市政協(xié)委員。葉廣苓的小說可以分為三大類型：家世；下鄉(xiāng)；游學(xué)。三大類型分別集中于三大地域：北京、西北、日本。三大類型中以家世寫得最好?！恫缮Ｗ印芬约{蘭性德的 《采桑子》詞句為篇章。一句一篇，六篇珠璣相連，一氣貫之。篇以詞顯，詞以篇彰。納蘭容若《采桑子》中感于人世無常的百無聊賴在這里豁然蕩開來，一時悲涼 之霧遍布紅塵——嗟爾宇宙之大，四顧惟見茫茫。猶如蒼涼古戰(zhàn)場上一聲寥落的馬嘶，四野回蕩、余音裊裊卻終落得無跡可尋、不知所終。難怪作者六篇寫就仍綴上 一篇“曲罷一聲長嘆”以做終章。看來總有太多不盡之意寄于言外，總是言有盡而意無窮，非人力可盡為也！

《采桑子》是一部自傳小說，主要人物簡介：

金載源（作者的父親，滿族稱呼父親為阿瑪）：有清廷授予的鎮(zhèn)國將軍頭銜，曾留學(xué)日本，畢業(yè)于日本慶應(yīng)義塾大學(xué)。生有七子七女，20世紀(jì)50年代初期逝世于北京。

大福晉：瓜爾佳氏，清廷責(zé)任內(nèi)閣大巨裕成之女。生有長子舜铻、五子舜锫，長女舜錦、三女舜鈺。

二夫人：張氏，安徽桐城人，康熙保和殿大學(xué)士張廷玉后裔。生有二子舜镈、三子舜錤、四子舜鏜、六子舜針、七子舜銓，二女舜镅、四女舜鐔。

三夫人：陳氏（作者的生母），北京人，貧民出身。生有五女舜鈴、六女舜鏝、七女舜銘（作者葉廣苓本人）。

金舜铻：長子，國民黨軍統(tǒng)高官，1949年去臺灣，20世紀(jì)90年代末病逝于臺灣高雄。

金舜镈：次子，國家一般干部，“文革”期間自殺。

金舜錤：三子，文物鑒定專家，生子金永日。

金舜鏜：四子，一般工人，生有三子。

金舜锫：五子，無業(yè)，1947年在北京后門橋凍餓而死，留有一子金瑞。

金舜針：六子，早殤。

金舜銓：七子，畫家，有一女金青青。

金舜錦：長女，著名京劇票友，嫁北平偽警察總署署長宋寶印之子北平德國醫(yī)院副院長宋家駟。

金舜镅：次女，嫁袁世凱管家沈致善養(yǎng)子沈瑞方，生有一子兩女。

金舜鈺：三女，北平中共地下黨員，1947年遭國民黨殺害。

金舜鐔：四女，中國古建專家，有一子一女。

金舜鈴：五女，國家干部，初嫁金世宗二十九世孫完顏占泰，后改嫁王姓局長，有三子，讀后感《《采桑子》(葉廣苓的自傳小說)讀后感》。

金舜鏝：六女，協(xié)和醫(yī)院護(hù)士長，退休后從商，任某公司董事長。

金舜銘：七女，作家（作者本人）。

鄧友梅的序酣暢淋漓地寫盡了我的感觸，那也是我的感觸。以下轉(zhuǎn)載在此。

評論家發(fā)明“京味小說”一詞已有多年，我一直沒弄明白其界定標(biāo)準(zhǔn)。我猜除了“用京白寫京事”之外，還必須得有點“味兒”，不然怎么叫“京味”呢？按這標(biāo)準(zhǔn)，近年亮相的年輕高手中，有兩人作品我讀著最解渴：袁一強寫的京杠房別無分號；葉廣芩寫的老宅門兒自成一家。一俗一雅。俗得不粗卑，雅而不拿捏，不易！

葉廣芩的“京味小說”多取材旗人上層。不是九王多爾袞進(jìn)北京或乾嘉盛世時的貝勒貝子，是宣統(tǒng)退位廢了黃帶子砸了鐵飯碗的旗主兒們。

大清皇帝為保江山不落外族之手，進(jìn)關(guān)后多次頒布旨意，要把粗獷剽悍、騎射見長而文化落后的滿洲一族改造得既通經(jīng)史翰墨又富尚武精神，專事統(tǒng)治事務(wù)；一面發(fā)給鐵飯碗使旗人生下來就無衣食之虞，同時禁止他們務(wù)農(nóng)經(jīng)商學(xué)手藝，斷了他們從俗的后路，只留下習(xí)文練武，入考場或進(jìn)教場一條路。篩選后尖子走進(jìn)高層統(tǒng) 治集團；一般的仍留旗下做保衛(wèi)大清的基本隊伍，但一改進(jìn)關(guān)前目不識丁的傳統(tǒng)。變成識文斷字有文化的巴圖魯了。舉個例子，“單弦岔曲”的風(fēng)格意境、遣詞用字 在北方曲藝中最為高雅。就因為它是八旗兵丁軍旅中的“業(yè)余創(chuàng)作”，所以也叫“子弟書”。可見早在乾嘉之時，滿洲旗兵的文化水平已為綠營兵望塵莫及。

有一利必有一弊。享有衣食、教育特權(quán)的同時，八旗子弟就漸漸生疏耕織漁獵等勞動技能。幾百年后大清朝一垮臺，特權(quán)一喪失，才發(fā)現(xiàn)后學(xué)會的本事?lián)Q不來口糧，換口糧的本事又都不會了，一下子從人上人跌落到了窩囊廢地步!于是從民國初年到抗戰(zhàn)期間，京、津等地出現(xiàn)了一個奇特的群體：有文化沒職業(yè)，有教養(yǎng)沒技能，衣著寒酸舉止高雅，手不能提卻能寫對聯(lián)畫畫，肩不能挑卻能拉山膀起霸。只可惜書畫還不到賣錢水準(zhǔn)，唱做仍停留在玩票階段。他們對人有禮貌，說話有分寸，文墨有根底，舉止有風(fēng)度，窮愁潦倒卻又目空一切，有的漢人就帶著不友好的情緒說他們“倒驢不倒架兒！”坦白地說，多年的階級矛盾、民族隔閡，使一些漢族同胞心里存有偏見，對旗人的處境往往嘲笑多于理解，鄙視多于同情。我小時就聽過不少挖苦旗人的笑話。成年之后我結(jié)交下旗人好友，對他們有了深入的了解，才悟到這是一場殘酷的民族悲劇。坦白地說，論文化教養(yǎng)和品德素質(zhì)，旗人的平均水平遠(yuǎn)比我們有數(shù)億文盲的漢族高。他們?nèi)狈χ\生技能或命運坎坷不是個人智能、品行、性格造成的，而是因為從老皇上賞賜特權(quán)那天起就斷了他們?nèi)蘸蟮纳嬷贰Ｌ煜聸]有不換的朝代，也沒有永存的特權(quán)！從一個京城平民的命運，一個八旗世家的興衰，折射出中國歷史的發(fā)展、社會生活的變動，這為寫作人提供了寶貴、豐厚的礦藏。從“五四”后老舍、曹禺、梁實秋等前輩開創(chuàng)性的作品開始，寫這類京味文學(xué)的人時隱時現(xiàn)，不絕如縷。解放初期活躍一陣(見早期《說說唱唱》《北京文藝》《北京新民報》副刊)，“反右”后沉寂了。改革開放的80年代，文學(xué)新 時期中掀起一個高潮。眾多高手同臺亮相：汪曾祺、林斤瀾、劉紹棠、浩然、陳建功、中杰英、趙大年、袁一強……一個賽過一個能耐。而葉廣芩應(yīng)算是最近出現(xiàn)、也最年輕的一位能耐人。

葉廣芩的作品好就好在“夠味兒”，不僅有京味共性，還有她葉赫家的個性！好比穆柯寨的“炒疙瘩”，一樣的面，她炒出來就另個味兒！

頭一條是有“墨香”。不造作，不拿捏，從容舒展中流露書卷翰墨之氣?！罢l翻樂府凄涼曲，風(fēng)也蕭蕭。雨也蕭蕭，瘦盡燈花又一宵”，把題目連起來竟是半闕 納蘭詞。難得她用得那么自然而現(xiàn)成。讀其作品又令人禁不住感到“誰念西風(fēng)獨自涼，蕭蕭黃葉閉疏窗，沉思往事立殘陽”的意境。敘事寫人如數(shù)家珍，起承轉(zhuǎn)合不 瘟不躁，舉手投足流露出閨秀遺風(fēng)、文化底蘊。內(nèi)行看門道，這文風(fēng)這品位，裝不出來學(xué)不到家，只能是生活磨煉環(huán)境熏陶先天素質(zhì)后天修養(yǎng)多年浸泡釀造而成。這 里也少不得鄧少平同志領(lǐng)導(dǎo)改革開放這個時運因素。她這份才華若早出現(xiàn)幾十年，不劃入另冊也在除“四舊”中被清除了！

光有黑香不算好，這作品還有革命意識、時代特征，可算是源于生活又高于生活。作者是受過社會主義教育，經(jīng)過革命磨煉，又有了城外生活作參照之后，這才回頭審視自己沖出來的那個“舊世界”的，所以看得清，想得深，揭得透。

正因作者曾從屬于那個社會群體，文學(xué)寫作什么都能作假，惟感情作不得假，于是她在批判、否定那些過時、陳腐、消失了的一切時，字里行間又剪不斷理還亂 地流露出認(rèn)同、懷戀的情結(jié)。這從社會學(xué)、政治學(xué)方面說，或許是不宜贊同必須澄清的成分，但在文學(xué)上恰好成了不可替代的“這一個”，使這些作品有了特殊的藝 術(shù)魅力。

葉廣芩是多面手，在這之前她也寫過別的題材別的風(fēng)格的小說，也不錯。但我認(rèn)為惟有在寫這批京味小說時她才發(fā)現(xiàn)了自己特有的靈性。寫作這行要以己之長比人之短才有你存在的竹值。

寫小說的不一定會評小說。我愛讀葉廣芩的小說，但要把它說明白卻力不從心。好在書已出版，是耶非耶，讀者自有明斷。

彤霞久絕飛瓊宇，人在誰邊。人在誰邊，今夜玉清眠不眠。

香銷被冷殘燈滅，靜數(shù)秋天。靜數(shù)秋天，又誤心期到下弦。

又

誰翻樂府凄涼曲？風(fēng)也蕭蕭，雨也蕭蕭，瘦盡燈花又一宵。

不知何事縈懷抱，醒也無聊，醉也無聊，夢也何曾到謝橋。

又

非關(guān)癖愛輕模樣，冷處偏佳。別有根芽，不是人間富貴花。

謝娘別后誰能惜，飄泊天涯。寒月悲笳，萬里西風(fēng)瀚海沙。

又

桃花羞作無情死，感激東風(fēng)。吹落嬌紅，飛入窗間伴懊儂。

誰憐辛苦東陽瘦，也為春慵。不及芙蓉，一片幽情冷處濃。

又

撥燈書盡紅箋也，依舊無聊。玉漏迢迢，夢里寒花隔玉簫。

幾竿修竹三更雨，葉葉蕭蕭。分付秋潮，莫誤雙魚到謝橋。

又

謝家庭院殘更立，燕宿雕粱。月度銀墻，不辨花叢那辨香？

此情已自成追憶，零落鴛鴦。雨歇微涼，十一年前夢一場。

又

而今才道當(dāng)時錯，心緒凄迷。紅淚偷垂，滿眼春風(fēng)百事非。

情知此后來無計，強說歡期。一別如斯，落盡梨花月又西。

又

明月多情應(yīng)笑我，笑我如今，孤負(fù)春心，獨自閑行獨自吟。

近來怕說當(dāng)時事，結(jié)遍蘭襟。月淺燈深，夢里云歸何處尋？