第一篇：自轉(zhuǎn)色彩小說《簡愛》讀后感

《簡愛》是一部帶有自轉(zhuǎn)色彩的小說，它告訴人們一個人生的真諦。

《簡愛》的作者夏洛蒂勃朗特溫柔，清純，喜歡追求一些美好的東西，盡管她家境貧窮，從小失去了母愛，再加上她身材矮小，容貌不出眾，但也許就是這樣一種靈魂深處的自卑，反映在她的性格上就是一種非常敏感的自尊。她描寫的簡愛也是一個不美的，矮小的女人，但是她有著極其強烈的自尊心。

簡愛是一個孤兒，從小就出生于一個窮牧師家庭。父母患守喪傷寒，相繼去世。從小寄養(yǎng)在舅父母家里。一次，由于反抗表哥的歐打，簡被關(guān)進了紅房子。肉體上的痛苦和心靈上的屈辱和恐懼，使她大病了一場。舅母把她視作眼中釘，并把她和自己的孩子隔離開來，從此，她與舅母的對抗更加公開和堅決了。以后，被送進了羅沃德孤兒院。

簡愛的生活是不幸的。從小過著寄人籬下，任人驅(qū)使的悲慘生活中，使她過早的體會到了世態(tài)炎涼的滋味。為了逃避生活悲慘的現(xiàn)實，簡□愛投入了書的懷抱。書向她展開了一個光輝燦爛，美妙無比的世界。書豐富了她的感情世界，讓她懂得了愛，陶冶了她的性情，苦難又磨練了她，使她成為了一個倔強堅毅，外柔內(nèi)剛的性格。這個個子矮小貌不驚人的少女身上，竟有著一個不去的靈魂和烈火一般熱情。她是一個自強不息自尊自愛的少女，盡管社會地位卑微，卻不自卑。因為，在她看來，上帝面前，人人平等。為了爭取平等地位，為維護自己獨立的性格，為自由而抗?fàn)?，奮斗。

令我感動的是簡□愛和羅切斯特先生那一段一波三折的愛情，在桑菲爾德府，簡□愛和羅切斯特社會地位是天與地之間的差別，但簡愛并沒有因為社會的地位的差別自我貶低，而是勇敢的向自己和羅切斯特先生承認了內(nèi)心的感情。在這一場身份地位懸殊的愛情中，簡□愛表現(xiàn)的不卑不亢。對與世人來說，他們是多么不般配，但在上帝面前她和羅切斯特先生是平等的，正因為羅切斯特先生能夠平等的對待她，所以簡□愛才能把他當(dāng)作一位朋友，一位知己。在愛情面前，簡□愛的頭腦始終都保持著清醒，從未變成愛情的奴隸，或陷入愛情的漩渦不能自拔。我十分欣賞簡□愛為了保護愛情和尊嚴，毅然離開了羅切斯特先生，毅然棄開了愛情。她那種維護公道，維護愛情和尊嚴所做的不屈不撓的斗爭，深深地打動了我。

這本書使我明白了：“命運掌握在自己手中，我們不是人們手中的提線玩偶，任人擺布。我們有自己的尊嚴！人人都是平等的！”

[自轉(zhuǎn)色彩小說《簡愛》讀后感]相關(guān)文章：

第二篇：簡愛小說的英文讀后感

《簡·愛》是英國女作家夏洛蒂·勃朗特創(chuàng)作的長篇小說，是一部具有自傳色彩的作品。簡愛小說的英文讀后感，一起來看看。

簡愛小說的英文讀后感

1Jane eyer, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl.After we close the covers of the book, after having a long journey of the spirit, Jane eyer, a marvelous figure, has left us so much to recall and to think:

We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.We remember her pursuit of justice.It’s like a companion with the goodness.But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.We remember her self-respect and the clear situation on equality.In her opinion, everyone is the same at the God’s feet.Though there are differences in status、property and also in appearance, but all the human being are equal in personality.We also remember her striving for life, her toughness and her confidence…

When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.簡愛小說的英文讀后感2

This is a story about a special and ueserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life.The story can be interpreted as a symbol of the independent spirit.It seems to me that many readers’ English reading experience starts with Jane eyer.I am of no exception.As we refer to the movie “Jane eyer”, it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.Jane eyer was a born resister, whose parents went off when she was very young, and her aunt，the only relative she had，treated her as badly as a ragtag.Since Jane’s education in Lomon person, just the same as any other girl around.The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside.Jane expected to change the life from then on, but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following

Rochester and led to his moodiness all the time----Rochester was also a despairing person in need of salvation.Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane eyer.The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned.After finding Rochester’s misfortune brought by his original mad wife, Jane chose to stay with him forever.I don’t know what others feel, but frankly speaking, I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end----especially when I heard Jane’s words “Never in my life have I been awaken so happily.” For one thing, this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person;for another, this should be what the audiences with my views hoped her to get.But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong coming with the excellence----perhaps not only should another section be added to eich the story, but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates, you never know what you would get.”(By Forrest Gump’s mother, in the film “Forrest Gump”)

What’s more, this film didn’t end when Jane left Thornfield.For Jane eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for Rochester, how he can get salvation?

The film gives the answer tentatively: Jane eventually got back to Rochester.In fact, when Jane

met Rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant Rochester would get retrieval because of Jane.We can consider Rochester’s experiences as that of religion meaning.The fire by his frantic wife was the punishment for the cynicism early in his life.After it, Rochester got the mercy of the God and the love of the woman whom he loved.Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides.The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.Life is ceaselessly changing, but our living principles remain.Firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the beacon over the capriccioso sea of life.In the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.In this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance.We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness.It’s our spirit that makes the life meaningful.Heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life.In

dubitably, “Jane eyer” is one of them.

第三篇：小說簡愛的英文經(jīng)典讀后感

《簡·愛》是英國女作家夏洛蒂·勃朗特創(chuàng)作的長篇小說，是一部具有自傳色彩的作品。小說簡愛的英文經(jīng)典讀后感，一起來看看。

小說簡愛的英文經(jīng)典讀后感(一)

Let me tell what I feel after reading the great work Jane Erye.I was really move by Jane Erye after closing the book.What a kind and good woman!

Mrs Eyre had a heart of gold.She really loved everyone around her,and gave others help sincerely.She respected herself and did her best to do everything.I really love her.She are both a great teacher and a good friend of mine.Sometimes when I am confuse,I will think of her.I will imagine what will she do if she is I.Why not read Jane Erye my friends!

小說簡愛的英文經(jīng)典讀后感(二)

I first read “Jane Eyre” in eighth grade and have read it every few years since.It is one of my favorite novels, and so much more than a gothic romance to me, although that's how I probably would have defined it at age 13.I have always been struck, haunted in a way, by the characterscharacter traits that never waned in spite of all the oppression she encountered in life.Ms.Bronte brings to the fore in “Jane Eyre” such issues as: the relations between men and women in the mid-19 century, women's equality, the treatment of children and of women, religious faith and hypocrisy(and the difference between the two), the realization of selfhood, and the nature of love and passion.This is a powerhouse of a novel filled with romance, mystery and passions.It is at once startlingly fresh and a portrait of the times.Ms.Bronte will make your heart beat faster, your pulse race and your eyes fill with tears.小說簡愛的英文經(jīng)典讀后感(三)

Jane Eyre — A Beautiful Soul

Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl.After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:

We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.We remember her pursuit of justice.It’s like a companion with the goodness.But still, a virtuous person should promote the goodneon one side and must check the badneon the other side.We remember her self-respect and the clear situation on equality.In her opinion, everyone is the same at the God’s feet.Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.We also remember her striving for life, her toughneand her confidence…

When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it.And some others even thought that she was easy to look down on and to tease, so when MiIngram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’.But as the little governehad said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulleand heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind.God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain.Her idea of equality and self-respect impreus so much and let us feel the power inside her body.In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more.For a long time, only a person’s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’.I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleneor humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.小說簡愛的英文經(jīng)典讀后感(四)

Jane Eyre was published in 1847 under the androgynous pseudonym of “Currer Bell.” The publication was followed by widespread success.Utilizing two literary traditions, the Bildungsroman and the Gothic novel, Jane Eyre is a powerful narrative with profound themes concerning genders, family, passion, and identity.It is unambiguously one of the most celebrated novels in British literature.Born in 1816, Charlotte Bronte was the third daughter of Patrick Bronte, an ambitious and intelligent clergyman.According to Newsman, all the Bronte children were unusually precocious and almost ferociously intelligent, and their informal and unorthodox educations under their father’s tutelage nurtured these traits.Patrick Bronte shared his interests in literature with his children, toward whom he behaved as though they were his intellectual equals.The Bronte children read voraciously.Charlotte’s imagination was especially fired by the poetry of Byron, whose brooding heroes served as the prototypes for characters in the Bronte’s juvenile writings as well as for such figures as Mr.Rochester in Jane Eyre(2)。Bronte’s formal education was limited and sporadic – ten months at the age of 8 at Cowan Bridge Clergy Daughters’ School(the model for Lowood Institution in Jane Eyre)，eighteen months from the age of 14 at Roe Head School of Miss Margaret Wooler(the model for Ms.Temple)(Nestor 3-4)。According to Newman, Bronte then worked as a teacher at Roe Head for three years before going to work as a governess.Seeking an alternative way of earning money, Charlotte Bronte went to Brussels in 1842 to study French and German at the Pensionnat Heger, preparing herself to open a school at the parsonage.She seems to have fallen in love with her charismatic teacher, Constantin Heger.The experience seems on a probable source for a recurrent feature in Bronte’s fiction: “relationships in which the inflammatory spark of intellectual energy ignites an erotic attraction between a woman and a more socially powerful man”(Newman 6)。The Brontes’ efforts to establish a school at the parsonage never got off the ground.Still seeking ways to make money, Charlotte published, with her sisters, the unsuccessful Poems by Currer, Ellis, and Acton Bell.Her first effort to publish a novel, The Professor, was also unsuccessful.Jane Eyre, published in October 1847, however, was met with great enthusiasm and became one of the best sellers.As “Currer Bell” Bronte completed two more novels, Shirley and Villette.She married Reverend William Bell Nicholls in 1854 and died nine months later, at the age of thirty-nine in 1855(Nestor 4-5)。

The story of Jane Eyre takes place in northern England in the early to mid-19th Century.(“Jane Eyre” 151)It starts as the ten-year-old Jane, a plain but unyielding child, is excluded by her Aunt Reed from the domestic circle around the hearth and bullied by her handsome but unpleasant cousins.Under the suggestion of Mr.Lloyd, an apothecary that sympathizes Jane, Mrs.Reed sends Jane to Lowood Institution operated by a hypocritical Evangelicalist, Mr.Brocklehurst, who chastises Jane in front of the class and calls her a liar.At Lowood, Jane befriends with Helen Burns, who helps the newly arrived Jane adjust to the austere

第四篇：張愛玲小說色彩

張愛玲對顏色有良好的感覺，她的作品無論是人物刻畫，還是氣氛渲染，處處都點染出玄妙多姿的色彩，具有獨特的繪畫美。

她大量的使用基本顏色詞“紅”、“綠”“藍”“白”“黑”“黃”“灰”“紫”“褐”等，不斷擴展基本顏色詞群的數(shù)量，憑借女性作家特有的細膩與敏感，感受顏色的細微的差別，對不同的顏色進行細致入微的描摹。

《張愛玲全集》中，對顏色的描摹是精確的，令人驚奇的。如

“紅色”就有33種：朱紅、大紅、粉紅、桃紅、橘紅、荔枝紅、淡紅、深紅、銀紅、通紅、蝦子紅、水紅、微紅、猩紅、象牙紅、棗紅色、霽紅、石榴紅、玫瑰紅、紅棕色、肉紅、暗紅、嫣紅、干紅、燥紅、杏子紅、慘紅、紅焰焰、紅通通、紅噴噴、紅隱隱、紅拉拉、紅剌剌；

如“綠色”就有30種：石綠、湖綠、明油綠、水綠、蘋果綠、玻璃翠、橘綠、淡綠、蒼綠、鸚哥綠、銹綠、蔥綠、海綠、墨綠、棕綠、苔綠、翡翠綠、油綠、橄欖綠、濃綠、翠綠、豆綠、灰綠色、綠瑩瑩、綠陰陰、綠幽幽、綠黯黯、綠翳翳、綠油油、綠累累；

如“藍色”就有16種：淺藍，深藍、孔雀藍、淡藍、濃藍、翠藍、寶藍、煙藍、品藍、粉藍、冰藍、銀藍、瓷藍、鋼藍色、藍汪汪、藍陰陰等，顏色描寫上出奇地精確，走進她的文章猶如走進一條色彩斑斕、美不勝收的畫廊，讓人驚喜、流連忘返、浮想聯(lián)翩。有人評說張愛玲筆下的顏色詞“已不復(fù)是一種單色，那是一團會說話會表演甚至?xí)樔说纳?，它能把作者掩映在色彩中的語言突兀而生動地表現(xiàn)出來”。張愛玲能如此準確地描繪出顏色的濃淡深淺，單單靠顏色詞嗎？不是。筆者帶著這個問題，仔細閱讀并研究了《張愛玲全集》精裝本的文學(xué)作品，找到了答案。

顏色詞是對客觀世界色彩的再現(xiàn)和表現(xiàn)，具有概括性和抽象性，但是張愛玲行文時常常異想天開，靈活地采用了通感、移就、夸張、比喻、拈連、擬人等修辭方式，將抽象的顏色訴諸于具體的物象，實現(xiàn)了異乎尋常的感知與傳達；同時在精心地點染色彩時運用修辭手法，讓具體的物象成了與情境相吻合的意象。下面具體闡述張愛玲在摹色時如何創(chuàng)造性地運用修辭手法。

一、通感

通感即移覺，用形象的語言，將一種感官的感覺移到另一種感官上。人們通過眼攝取事物的外部形象，通過耳聽取外界的各種聲音，通過鼻聞到各種氣味，通過舌嘗到各種味道，通過身體觸到身邊的許多事物。由于生理的原因，這些感覺可以相互變通。

張愛玲運用通感來描繪顏色主要體現(xiàn)在詞語層面和句子層面上。如在詞語層面上 “干紅、燥紅、紅潤、紅癟”和“紅嫩”分別以感覺中“干———濕”、“老———嫩”質(zhì)感來描寫紅色，“慘紅、寂寞紅、紅艷”則以內(nèi)在感覺寫紅色。在句子層面上，或用其他知覺中的事物來感知顏色，或以顏色來表現(xiàn)其他知覺中的事物，具體表現(xiàn)在四個方面：

1、視覺與聽覺相通

（1）嗚咽聲———寒冷赤裸，像一塊揭了皮的紅鮮鮮的肌肉。（《創(chuàng)世紀》）

（2）自嘲、荒誕意味的笑聲———像一串鞭炮上面炸得稀碎的小紅布條子，跳在空中蹦回到他臉上，抽打他的面頰。（《第二爐香》）

（3）黑夜里，她看不出那紅色，然而直覺地知道它是紅得不能再紅了，紅得不可收拾一篷篷一篷篷的小花，窩在參天大樹上，霹靂剝落燃燒著，一路燒過去，把那紫藍的天也熏紅了。（《傾城之戀》）

上面幾句以色彩表現(xiàn)聲音，或以聲音表現(xiàn)色彩。分別用“紅鮮鮮的肌肉”來表現(xiàn)“嗚咽聲”的穿透力，用“小紅布條子”抽打臉頰來表現(xiàn)自嘲的笑聲，用燃燒的聲音來表現(xiàn)紅色至燃的濃度。

2、視覺與觸覺相通

（4）她（川娣）的臉像骨架上繃著白緞子，眼睛就是緞子上落了燈花，燒成兩只炎炎的大洞。（《花凋》）

（5）木槿樹的上面，枝枝葉葉，不多的空隙里，生著各種的草花，都是毒辣的黃色、紫色、深粉紅———火山的涎沫。（《沉香屑———第二爐香》）

（6）火油爐子燒得久了，火焰漸漸變成美麗的藍色，藍汪汪的火，藍得像冰一樣。（《半生緣》）

（7）走過金黃色的窗子，她和她的頭發(fā)燃燒起來了。……（《沉香屑———第二爐香》）這四句中，以觸覺來感知色彩。為了表現(xiàn)川娣遭受病魔的情形，用“炎炎的大洞”來描寫眼睛的晦暗無光，用“火山的涎沫”來表現(xiàn)草花顏色的炫目毒辣，用冰的凝固感來表現(xiàn)火焰藍色的程度，用燃燒的狀態(tài)來描寫顏色的“金黃”。

3、視覺與味覺相通

（8）烏沉沉的風(fēng)卷著白辣辣的雨（《沉香屑———第一爐香》）

（9）地下?lián)u搖擺擺走著的兩個小孩子，棉袍的花色相仿，一個像碎切腌菜，一個像醬菜，各人都是胸前自小而大一片深暗的油漬，像關(guān)公頷下盛胡須的錦囊。（《中國的日夜》）（10）梁家那白房子黏黏地溶化在白霧里，只看見綠玻璃窗里晃動著燈光，綠幽幽的，一方一方，像薄荷酒里的冰塊。（《沉香屑———第一爐香》）

雨是辣的，棉袍的花色像腌菜醬菜，讓人感覺是陳年舊衣了，燈光與冰塊相連，在這里，視覺與味覺完全相通。

4、視覺與感覺相通

（11）天是森冷的蟹殼青。（《金鎖記》）

（12）這穿堂在暗黃的燈照里很像一節(jié)火車，從異鄉(xiāng)開到異鄉(xiāng)。（《紅玫瑰與白玫瑰》）（13）薇龍一抬眼望見鋼琴上面，寶藍瓷盤那一顆仙人掌，正是含苞欲放，那蒼綠的厚葉子，四下里探著頭，像一窠青蛇；那枝頭的一捻紅，便像吐出的蛇信子。（《沉香屑———第一爐香》）

(14）童年的一天一天，溫暖而遲慢，正像老棉鞋里面，粉紅絨里子曬著的陽光。（《私語》）

上述四句中，賦色彩以心理感覺意義。天青得像蟹殼，讓人感覺森冷；暗黃的穿堂讓人恍惚迷離，遙遠不可知；靜態(tài)的葉子與花在薇龍眼里變成令人恐怖的蛇和蛇信子；童年的溫暖像棉鞋曬著的陽光，視覺與感覺相通。

二、移就

移就即將描寫甲事物情狀的修飾語，移來修飾表現(xiàn)乙事物情狀。《辭?！纷ⅲ骸凹滓覂身椣嚓P(guān)連，就把原屬于形容甲事物的修飾語移屬于乙事物，叫移就。”移就是詞語的異位和重新搭配，有較大的靈活性，分三種情況：一是移人于物，二是移物于人，三是移物于物，其中第一種情況又叫移用。

1、移人于物（15）娶了紅玫瑰，久而久之，紅的變成墻上的一抹蚊子血，白的還是“窗前明月光”；娶了白玫瑰，白的便是衣服上沾的一粒飯粘子，紅的卻是心口上一顆朱砂痣。（《紅玫瑰與白玫瑰》）作為“紅玫瑰”的王嬌蕊精于情場，一技之長是耍弄男人，但最終被佟振保玩弄后拋棄，“變成墻上的一抹蚊子血”；作為“白玫瑰”的孟煙鸝，則以婚姻為生存手段，喪失了起碼的人格，淪為丈夫的奴隸，最終“變?yōu)橐路险吹囊涣ｏ堈匙印保衙鑼懳锏摹拔米友焙汀帮堈匙印币朴糜谕鯆扇锖兔蠠燐Z身上，形象生動。再看下面三句：（16）電車單剩下一輛，神秘的，像被遺棄似的，停在街心。從上面望下去，它在半夜的月光中坦露著白肚皮。（《公寓生活記趣》）

（17）草色已經(jīng)轉(zhuǎn)入憂郁的蒼黃，地下找不出一點新鮮的花朵。（《秋雨》）（18）窗外就是那塊長方形的草坪，修剪的齊齊整整，灑上些小露，綠得有些生氣。（《沉香屑———第一爐香》）上述的“白肚皮”、“憂郁”、“生氣”等描寫人的詞語用于事物的描寫上，生動形象。

2、移物于人

（19）火光一亮，在那凜冽的寒夜里，她的嘴上仿佛開了一朵橙紅色的花?；r謝了，又是寒冷與黑暗……《沉香屑———第一爐香》（20）她低頭看著自己雪白的肚子，白皚皚的一片?！都t玫瑰與白玫瑰》（21）她中間露出長長一截白蠶似的身軀。《紅玫瑰與白玫瑰》

花開在嘴上，注定要凋謝，葛薇龍把靈魂押給魔鬼，自甘墮落，再溫?zé)崦利愖罱K毀滅，暗示了情節(jié)的發(fā)展；白玫瑰的肚皮與冰雪相連，身軀似“白蠶”，寫出了白玫瑰已失去做人的尊嚴，像動物一樣的活著，以及佟振保對孟煙鸝的厭惡，體現(xiàn)人物的思想感情。

3、移物于物

（22）我喜歡那時，那仿佛是一個興興轟轟橙紅色的時代。

(《存稿))“橙紅色”是一種具體可感的顏色，能使人產(chǎn)生熱烈、溫暖、快樂之感，以此來表現(xiàn)對那個時代的抽象的感覺。

（23）我們住著很小的石庫門房子，紅油板壁。對于我，那也是一種緊緊的朱紅的快樂。(《私語》)“朱紅”很喜慶，“我”的快樂就如同喜慶一般的感覺。

三、夸張

夸張就是有意強調(diào)事物色彩方面的特征，并對其加以渲染和擴大。

（24）黑夜里，她看不出那紅色，然而直覺地知道它是紅得不能再紅了，紅得不可收拾一篷篷一篷篷的小花，窩在參天大樹上，霹靂剝落燃燒著，一路燒過去，把那紫藍的天也熏紅了（《傾城之戀》）。

作品中夸大紅色的“紅”暗示白流蘇的命運就如同“野火花”一般,紅過之后成了“黑色剪影”，“零零落落顫動著”，是不成腔的音符，“象檐前鐵馬的叮當(dāng)”。（25）月光里，她的腳沒有一點血色———青，綠，紫，冷去的尸身的顏色（《金鎖記》）?？浯笾勰_的顏色，是為了突出芝壽被婆婆折磨的臨近死亡。（26）《封鎖》里的老頭子“紅黃皮色，滿臉浮油，打著皺，整個頭像一個核桃?！笨鋸埧梢愿鶕?jù)需要可以夸大也可以縮小，把老頭子的頭進行縮小性地描寫，寫出了他感覺生活是甜的，滋潤的，可是沒有多大的意思。上面三句對“紅色”、“腳”、“頭”的描寫都用了夸張的修辭手法，產(chǎn)生了強烈的視覺效果。

四、比喻

比喻是張愛玲最常用的一種修辭方式，比喻有三種形式：明喻、暗喻、借喻。張愛玲喜歡用明喻、暗喻，用中介詞“像”、“如同”、“是”等連接本體和喻體，形式明快簡潔、直截了當(dāng)，但它呈現(xiàn)的顏色內(nèi)涵卻深刻雋永。喻體的作用是把抽象的事物說得具體、明白，使人認識得格外清楚；把深奧得道理說得淺顯易懂，使人易于理解；把陌生的東西說得如同親身經(jīng)歷一樣，把難以感知的東西說成熟悉的，因此比喻是增強言語形象、生動性的一種重要修辭手段，是修辭方式中最基本的方式。下面的比喻運用使得顏色表現(xiàn)的內(nèi)涵豐富而耐人尋味。

（27）沿街化緣的道士：彎垂著一顆頭，動作是黑色的淤流，像一朵黑菊花徐徐開了。（《中國的日夜》）

（28）女傭的菜籃里一團銀白的粉絲，像個蓬頭老婦人的髻。（《中國的日夜》）（29）檐前掛下了牛筋繩索那樣的粗而白的雨。（《私語》）

（30）滿頭珠鉆，嚴妝的貴族婦人，昂然立在那里像一座小白山。（《談畫》）

（31）她的臉黃而油潤，像飛了金的觀音菩薩，然而她的影沉沉的大眼睛里躲著妖魔。（《傾城之戀》）

（32）那堆在天上的灰白色的云片，就像屋頂上剝落的白粉?！肚镉辍纷x到這樣的句子，第一感覺就是新奇，（27）作者由“道士化緣的動作”想到“黑菊花徐徐地開放”，多么幽默地描寫，像電影中的特寫鏡頭。（28）“一團銀白的粉絲”像“蓬頭的發(fā)髻”，讓靜止的事物產(chǎn)生了立體感，一個滄桑、滿頭亂發(fā)的老婦人的后背像。

（29）看著檐下的雨想到粗而白的牛筋繩索。

（30）嚴妝死板的婦人與一座白山相聯(lián)系，有生命的人看上去毫無生機、令人發(fā)寒。（31）把洋妓女薩黑彝鈮公主比作“觀音菩薩”，暗含諷刺。（32）把“天上的灰白色的云片“比作“屋頂上剝落的白粉”，感覺非常不爽。

五、拈連

利用上下文的聯(lián)系，把用于甲事物的色彩詞巧妙地運用于乙事物。這種修辭手法就叫拈連，又叫“順拈”。運用拈連，可以使上下文聯(lián)系緊密自然，表達生動深刻。如：

電梯上升，人字圖案的銅柵欄外面，一重重的黑暗往下移，棕色的黑暗，紅棕色的黑暗，黑色的黑暗……襯著交替的黑暗，你看見司機人的花白的頭（《公寓生活記趣》）。

幾個“黑暗”詞語不斷地重復(fù)，語義也不斷地推進，時間在不斷地推移，歲月不斷地流逝，司機人的頭發(fā)由黑變白。

六、擬人

把人以外的物當(dāng)作人來描寫，賦予它人的動作或思想感情，這就叫擬人。運用擬人，不僅可以使描寫的事物生動形象，而且能鮮明地表現(xiàn)作者對所描寫的事物的感情。擬人手法又可分為三種情況：把非生物擬人化、把有生物擬人化、把抽象概念擬人化。

如：桔紅色的房屋，像披著鮮艷的袈裟的老僧，垂頭合目，受著雨底洗禮（《秋雨》）。這是屬于非生物擬人化，把“桔紅色的房屋”看做是“披著鮮艷的袈裟的老僧”，“垂頭合目，受著雨底洗禮”，擬人使得雨中的房屋像人一樣有了生命，顯得活靈活現(xiàn)；關(guān)鍵房屋的顏色是“桔紅色”，雖然是惱人的秋雨，仍然給人暖暖的。如果不是“桔紅色”而是“黑的”“綠色的”房屋，用擬人的手法就不會如此傳神，表達的意境就不會這樣和諧。

從以上例子可以看出，張愛玲對顏色的勾勒非常精細，運用的修辭方式非常貼切，表現(xiàn)的內(nèi)涵含蓄雋永，尤其是把色彩描寫和意象刻畫結(jié)合起來，作者選擇與人物主觀情緒相吻合的色彩意象構(gòu)造出一定的情境，并讓某種顏色穩(wěn)定地或臨時地與人物的行為或某種心態(tài)相聯(lián)系而產(chǎn)生。如：

（33）那是天色已經(jīng)暗了，月亮才上來，黃黃的，像玉色緞子上，刺繡時彈落了一點香煙，燒糊了一小片。（《沉香屑———第一爐香》）

（34）十一月的纖月，僅僅是一鉤白色，像玻璃窗上的霜花。（《傾城之戀》）

（35）整個的山洼子像一只大鍋，那月亮是一團藍陰陰的火，緩緩地煮著它……《沉香屑———第二爐香》

（36）大半個月亮，不規(guī)則的圓形，如同冰破之處的銀燦燦的一汪水。（《沉香屑———第二爐香》）

就月的描寫，作者獨運匠心給予它金、銀、白、黃、藍等顏色外衣，運用比喻的修辭手法，有意偏離物象的常色態(tài)，造成不同的月色意象，這種不同顏色的月色意象正是作品中不同人物在不同心境下，關(guān)照物象的不同感覺所致。五顏六色的月實際上成了情愫的物化形態(tài)，情景中的月亮具有了鮮明的象征性。

結(jié)合作品看，（33）薇龍對喬琪有了模糊的愛意，情境中的月亮具有了抬頭看見“燒糊了一小片”黃黃的月亮，象征朦朧的初戀。（34）流蘇發(fā)現(xiàn)柳原對她有野心時看到霜花似的月亮，象征著傷感。（35）喬琪夜闖薇龍臥室時看到藍陰陰的月亮，象征著一種欲望。（36）愫細初婚之夜從家里跑出來頭上銀燦燦的月亮，象征著寒冷?？梢婎伾~的象征含義是在形象的顏色詞背后另埋進一層新義，引人品味、聯(lián)想、開掘。綜上所述，張愛玲作品中的顏色是五彩斑斕的，沾染顏色的物象是栩栩如生的，包含的意象是含蓄雋永的，修辭方式是靈活多變的，她選擇的修辭方式看似隨意，實則妙不可言，都是為體現(xiàn)作品的意象服務(wù)的。顏色詞的數(shù)量繁多，避免陳詞舊用，使摹色顯得新穎、立體、豐滿，而貼切地修辭更傳神地表達色彩和意象，使得文章妙語連珠，精彩紛呈，顯示了她獨特的想象力，天才般的才情，細膩敏感地藝術(shù)感受力，單看摹色與修辭，就可以發(fā)現(xiàn)張愛玲獨特的藝術(shù)氣質(zhì)，恰如窺一斑而知全貌了。

第五篇：小說《簡愛》的英文簡介

《簡愛》是英國小說阿基夏洛蒂?勃朗特的作品，刻畫了一個女性的成長歷程。就讓我們一起重溫這部經(jīng)典，來看看《簡愛》的英文簡介。

Jane Eyre is a novel by English writer Charlotte Bront?.It was published in London, England, in 1847 with the title Jane Eyre.An Autobiography under the pen name “Currer Bell”.The Penguin edition describes it as an “influential feminist text” because of its in-depth exploration of a strong female character's feelings.《簡愛》是英國小說作家夏洛蒂?勃朗特的作品，1847年在英國倫敦出版，書名定為自傳《簡愛》，以筆名“庫瑞爾?貝爾”署名。Penguin出版社的版次將小說譽為“具有影響力的女權(quán)主義文本”，因為小說深入探索了女主角的強烈情感。

The novel merges elements of three distinct genres.It has the form of a Bildungsroman, a story about a child's maturation, focusing on the emotions and experiences that accompany growth to adulthood.The novel also contains much social criticism, with a strong sense of morality at its core, and finally has the brooding and moody quality and Byronic character typical of Gothic fiction.小說融合了三截然不同的寫作風(fēng)格。小說文本是教育小說，講述了一個小孩的成長過程，聚焦陪伴孩子成長到成人的情感和經(jīng)歷。小說同樣含有不少社會批判的內(nèi)容，強烈的道德感尤為突出。最后，小說還有哥特式小說特點，婉約曲折，人物嘲諷而浪漫。

It is a novel often considered ahead of its time due to its portrayal of the development of a thinking and passionate young woman who is both individualistic, desiring for a full life, while also highly moral.Jane evolves from her beginnings as a poor and plain woman without captivating charm to her mature stage as a compassionate and confident whole woman.As she matures, she comments much on the complexities of the human condition.Jane also has a deeply pious personal trust in God, but is also highly self-reliant.Although Jane suffers much, she is never portrayed as a damsel in distress who needs rescuing.For this reason, it is sometimes regarded as an important early feminist(or proto-feminist)novel.這部小說被認為走在時代的前面，因為小說刻畫了一個有思想、有熱情的年輕女子，她熱衷個人主義，期望完整的生活，同時有著高尚的道德操守。簡愛從一個清貧而平凡無奇的姑娘演變成一個富有同情、充滿自信的完整女性。隨著她的成熟，她開始對人性的復(fù)雜表達自己的見解。簡愛極度忠誠于上帝，但又非常獨立自主。雖然簡愛經(jīng)歷許多苦難，她給人的印象從來不是一個需要救贖的可憐姑娘。因為這些原因，這部小說被認為一部重要的早期女權(quán)主義（或原始女權(quán)主義）小說。

浪漫小說《簡愛》不知道激勵了多少女生成為獨立的女性。從《簡愛》的英文簡介中我們也多少可以感受到它的力量。