第一篇：蘭艾俱焚近義詞

蘭艾俱焚的近義詞：

蘭艾同焚、蘭艾同燼、玉石同燼

蘭艾俱焚的近義詞詳細信息：

lan ai tong fen1、蘭艾同焚

示例：蘭艾同焚的出處是：《晉書·孔怛傳》：“蘭艾同焚，賢愚所嘆?！?/p>

lan ai tong jin2、蘭艾同燼

暫無關(guān)于蘭艾同燼的示例或者釋義信息，歡迎您的補充。

yu shi tong jin3、玉石同燼

釋義：美玉和石頭一樣燒壞。比喻好壞不分，同歸于盡

蘭艾俱焚拼音和解釋：

(A)、詞語蘭艾俱焚的拼音： lan ai ju fen;

(B)、詞語蘭艾俱焚的解釋：暫無詞語蘭艾俱焚的解析，歡迎您的補充。

第二篇：艾倫杜蘭大學(xué)畢業(yè)演講

Thank you, President Cowan, Mrs.President Cowen;distinguished guests, undistinguished guestsaluminialumisI really, I had no ambition, I didn't know what I wanted to do.I did everything from“and I'm gonna be the first woman in the history of the show to be called over to sit down.” 我開始寫作，心里涌出一段我和上帝的對話，雖然只是我一個人的獨白，寫完了之后我閱讀了這個劇本，對自己說，我還沒有做過脫口秀，那里沒有夜總會，我對自己說要在“今夜秀”上與強尼卡森一起表演這一段，強尼卡森是當(dāng)時天王級人物，我對自己說我要成為該節(jié)目史上第一個被邀請的女性，And several years later, I was the first woman in the history of the show, and only woman in the history of the show to sit down, because of that phone conversation with God that I wrote.And I started this path of stand-up and it was successful and it was great, but it was hard, because I was trying to please everybody and I had this secret that I was keeping, that I was gay.And I thought if people found out they wouldn't like me, they wouldn't laugh at me.數(shù)年之后，我成為這個節(jié)目史上第一位也是唯一一位被邀請參與的女性，就因為那段我寫的與上帝對話的己劇本，從此我開始做單人脫口秀，做得很成功，也很辛苦，因為我想討好每一個人，同時又不讓知道我是同性戀的秘密，我想要是別人發(fā)現(xiàn)了，就不會喜歡我了，就不會笑我了。

Then my career turned intothis was back, many years ago-and I finally decided that I was living with so much shame, and so much fear, that I just couldn't live that way anymore, and I decided to come out and make it creative.后來我又有了自己的情景喜劇，也很成功，更進一步的成功，我于是更擔(dān)心被別人擔(dān)心是同性戀后怎么辦，而且當(dāng)時是很久很久以前，那是只有白人當(dāng)總統(tǒng)的年代，好久好久以前。最終我還是決定，與其一直帶著恥辱和恐懼生活，不如對這種生活就此做個了結(jié)，于是我決定用創(chuàng)意的方式，讓劇中的主角和我自己同時出柜，And my character would come out at the same time, and it wasn't to make a political statement, it wasn't to do anything other than to free myself up from this heaviness that I was carrying around, and I just wanted to be honest.And I thought, “What's the worst that could happen? I can lose my career”.I did.I lost my career.The show was cancelled after six years, without even telling me, I read it in the paper.The phone didn't ring for three years.I had no offers.不是為了什么政治原因和其它，只是為了讓我自己從背負已久的學(xué)生枷鎖中釋放出來，我只是想做真我，我想，“最壞的結(jié)果是什么？我可能會失去我的演藝事業(yè)”。結(jié)果我失業(yè)了。我失去了我的事業(yè)，我的節(jié)目在做了6年后停播了，竟然沒有人通知我，我在報紙上才看到這一消息，家里的電話三年都沒有響起過，沒人找我做節(jié)目。

Nobody wanted to touch me at all.Yet, I was getting letters from kids that almost committed suicide, but didn't, because of what I did.And I realised that I had a purpose.And it wasn't just about me and it wasn't about celebrity, but I felt like I was being punished...it was a bad time, I was angry, I was sad, and then I was offered a talkshow.And the people that offered me the talkshow tried to sell it.And most stations didn't want to pick it up.Most people didn't want to buy it because they thought nobody would watch me.沒有人愿意啟用我。然后我卻一直收到想要自殺的同性戀孩子給我的來信，他們因為我的出現(xiàn)而沒有自殺，我這才感到，我在這個世上是有意義的，不是因為我，也不是因為名聲，但我覺得自己好像是受了懲罰一樣，那是一段痛苦的日子，我很憤世嫉俗，很難過。后來有人找我做脫口秀，找我做節(jié)目的制作公司努力推銷我的節(jié)目，然而大多數(shù)電視臺都不愿意買，他們都不愿意買，因為他們以為沒有人會想看我的節(jié)目。

Really when I look back on it, I wouldn't change a thing.I mean, it was so important for me to lose everything because I found out what the most important thing is, is to be true to yourself.Ultimately, that's what's gotten me to this place.I don't live in fear, I'm free, I have no secrets.and I know I'll always be ok, because no matter what, I know who I am.每當(dāng)我回想起這段往事時，我覺得一切都應(yīng)該這樣，真的，對我而言，失去一切太重要了，因為我發(fā)現(xiàn)最重要的是要做真我。最終，是我的選擇才有了今天的我。生活中沒有恐懼和秘密，而且我知道自己是沒問題的，因為無論怎樣，我都清楚知道自己是誰。

So In conclusion, when I was younger I thought success was something different.I thought when I grow up, I want to be famous.I want to be a star.I want to be in movies.When I grow up I want to see the world, drive nice cars, I want to have groupies.To quote the Pussycat Dolls.How many people thought it was “boobies”, by the way? It's not, it's “groupies”.所以總的來說，我對成功的看法不同，我想等我長大以后，我要出名。我要當(dāng)明星，我要拍電影，長大后要環(huán)游世界，開名車，有一群影迷跟著，就象“小野貓”里說的那樣。順便問一句，有多少人聽成是“咪咪”？聽錯了，應(yīng)該是影迷。

But my idea of success is different today.And as you grow, you'll realize the definition of success changes.For many of you, today, success is being able to hold down 20 shots of tequila.For me, the most important thing in your life is to live your life with integrity, and not to give into peer pressure.To try to be something that you're not.To live your life as an honest and compassionate person.To contribute in some way.So to conclude my conclusion: follow your passion, stay true to yourself.Never follow anyone else's path, unless you're in the woods and you're lost and you see a path, and by all means you should follow that.Don't give advice, it will come back and bite you in the ass.Don't take anyone's advice.So my advice to you is to be true to yourself and everything will be fine.但今天我對成功的看法不一樣了。當(dāng)你長大，你會發(fā)現(xiàn)成功的定義在改變。對你們中的很多人來說，今天的成功是能灌下20杯龍舌蘭酒。對我來說，生命中最重要的事是：是真實地去生活！不要因為別人的壓力去逼自己做不是真正的自己，做一個真實的，有愛心的人，在某些方面有所貢獻的人。所以總結(jié)一下我的總結(jié)，追隨自己的熱情，絕對不要追隨別人的腳步，除非你在森林里迷路時看到了路，那你一定要跟上。別給別人忠告，吃力不討好；也別只是聽從別人的忠告。所以我忠告大家：做真實的自己，一切會好的。

And I know that a lot of you are concerned about your future, but there's no need to worry.The economy is booming, the job market is wide open, the planet is just fine.It's gonna be great.You've already survived a hurricane.What else can happen to you? And as I mentioned before, some of the most devastating things that happen to you will teach you the most.And now you know the right questions to ask in your first job interview.Like, “Is it above sea level?”.我知道在座的很多人都在擔(dān)心自己的前途，其實不用擔(dān)心，經(jīng)濟正“發(fā)展迅速”，就業(yè)機會“一大把”，地球也“好得很”，一切都會很棒，你們都經(jīng)歷過颶風(fēng)了，還有什么可怕的？就象我以前說的那樣，最慘痛的經(jīng)歷教育意義也最大。比如現(xiàn)在你第一次面試，就知道該問考官什么問題了，例如“咱公司的位置高于海平面嗎？”

So to conclude my conclusion that I've previously concluded, in the common cement speech, I guess what I'm trying to say is life is like one big Mardi Gras.But instead of showing your boobs, show people your brain, and if they like what they see, you'll have more beads than you know what to do with.And you'll be drunk, most of the time.So the Katrina class of 2009, I say congratulations and if you don't remember a thing I said today, remember this: you're gonna be ok, dum de dum dum dum, just dance.因此??總結(jié)一下我剛才總結(jié)過的總結(jié)，配合這個“常見的水泥”演講，我想我要說的是，人生猶如一場狂歡派對，不過要向人們展示你的頭腦，而不是你的胸部，如果人們欣賞你，你就不必擔(dān)心沒活干了，然后你就可以安枕無憂。2009年的畢業(yè)生們，恭喜大家，那怕我今天說的你全都會忘記，請記住這句：你沒問題的，噠噠噠，讓我們跳舞吧。

第三篇：讀種蘭不種艾有感

坦然面對生活

——讀《種蘭不種艾》有感

601 王一瑜

豐子愷先生寫過一篇散文：《種蘭不種艾》，這是一篇幽默的、很有啟發(fā)性的文章。

起初我讀不懂文章寫了些什么，在經(jīng)過反復(fù)的閱讀與思考后我漸漸的明白了——原來這篇散文寫的是豐子愷先生與自己的五個孩子在討論白居易的一首。詩的大意是：蘭草是香的，艾草是臭的，但蘭草旁邊總會長出艾草，兩種草的根會纏在一起，鋤也鋤不掉，詩人問如何解決。豐子愷與家人尋思了半天也沒有想到什么好辦法，卻想到了許多與其相似的事情——

小五說：肉粽子里的肉好吃，糯米不好吃，想吃肉不吃糯米不行，媽媽說要吃統(tǒng)統(tǒng)吃，不要吃統(tǒng)統(tǒng)不吃！

小三說：我最喜歡電燈的光，但不喜歡那些飛蟲，我想要光不要蟲，可光來蟲亦來。

老大說：盟軍的飛機想炸死日本鬼，就連中國人也炸死，想不炸死中國人，就連日本鬼子也炸不死。

……

看完了這篇散文后，我不禁開懷大笑起來：是呀，順其自然未嘗不是一件好事？為何一定要把艾草除去呢？在生活中，有惹人喜歡的蘭草，也有讓人生厭的艾草。有 “蘭草”大家自然開心，但有時一些“艾草”也會結(jié)伴而來，這時人們就會想盡辦法除去這些“艾草”，比如：一張試卷，有你會做的，也有你不會做的，但算分時都得算！幾個小朋友聚在一起玩“警察捉小偷”的游戲，大家都想當(dāng)小偷，因為小偷人數(shù)多，不容易被警察捉到，然而每次都必須有一個人當(dāng)警察的，只要參加了游戲就會有人會輪到當(dāng)“小偷”，逃也逃不掉的。

讀了這篇散文我明白了：在生活中，“蘭草”和“艾草”如同一對形影不離的姐妹，我們必須坦然面對它們，因為有了它們我們的生活才是完整的，才會出現(xiàn)精彩的瞬間！

有得必有失

——讀《種蘭不種艾》有感

作者：603班 孫一豐

豐子愷爺爺?shù)纳⑽模v求“脫離塵世”，放棄欲念不講工作，感受不一樣的快樂。而這篇《種蘭不種艾》就是豐子愷爺爺?shù)拇碜髦?，對我的感受印象頗深。

這篇散文主要講的是，在以前，有一位父親對兒女說：“白居易曾經(jīng)種了一盆蘭草，并沒種艾草。因為蘭草是香的，而艾草是臭的?？墒翘m草旁邊卻自己生出許多艾草來。蘭草的根和艾草的根搞在一起；蘭草的莖葉也和艾草的莖葉混雜了在了一起生長，香的莖和臭的葉，日日夜夜一同長大起來，他想鋤去艾草，恐傷了蘭草。想給蘭草澆水，又怕艾草得到水長得更旺了，左思右想都決定不了辦法，到底該怎么辦呢？以這件事為例，從而引發(fā)孩子的探索和孩子的親身經(jīng)歷，讓孩子明白世間有許多事，必須二選一，同這一樣難辦。情節(jié)令人情趣盎然，又一波三折，結(jié)尾幽默，又通俗易懂，實是一篇好的散文。

而關(guān)于其中的這個有得必有失，不能兩相全的道理，我也是深有體會。我在學(xué)習(xí)上有個缺點，就是很少聽英語，而把原本聽英語的時間花費在了看書上，看書固然能得到知識，但不聽英語，與班里同學(xué)英語的水平就差開了。更何況，學(xué)英語一旦錯過這個年紀就很難學(xué)會了，而書卻可以以后慢慢看。所以，每做一件事情，腦海里都要想清楚，做這件事在這時值嗎？

感謝豐子愷爺爺?shù)倪@篇散文，給了我啟發(fā)。

第四篇：美國著名脫口秀主持人艾倫杜蘭大學(xué)畢業(yè)演講

Thank you.President Cowan.Mrs.President Cowen.distinguished guests, undistinguished guests.You know who you are, honored faculty and creepy Spanish teacher.And thank you to all the graduating class of 2009, I realize most of you are hangover and have splitting headaches and haven?t slept since Fat Tuesday, but you can?t graduate ?til I finish, so listen up.When I was asked to make the commencement speech, I immediately said yes.Then I went to look up what commencement meant.Which would have been easy if I had a dictionary, but most of the books in our house are Portia?s, and they?re all written in Australian.So I had to break the word down myself to find out the meaning.Commencement.Common, and cement.Common cement.You commonly see cement on sidewalks.Sidewalks have cracks, and if you step on a crack, you break your mother?s back.So there?s that.But I?m honored that you?ve asked me here to speak at your common cement.I thought that you had to be a famous alumnus –alumint –alumini – aluminum – alumis – you had to graduate from this school.And I didn?t go to college here, and I don?t know if President Cowen knows, I didn?t go to any college at all.Any college.And I?m not saying you wasted your time, or money, but look at me, I?m a huge celebrity.Although I did graduate from the school of hard knocks, our mascot was the knockers.I spent a lot of time here growing up.My mom works at(?)and I would go there every time I needed to steel something out of her purse.But why am I here today? Clearly not to steel, you?re too far away and I?d never get away with it.I?m here because of you.Because I can?t think of a more tenacious, more courageous graduating class.I mean, look at you all, wearing your robes.Usually when you?re wearing a robe at 10 in the morning, it means you?ve given up.I?m here because I love New Orleans.I was born and raised here, I spent my formative years here, and I like you, while I was living here, I only did laundry six times.When I finished school, I was completely lost.And by school, I mean middle school, but I went ahead and finished high school anyway.And I – I really, I had no ambition;I didn?t know what I wanted to do.I did everything from I shucked oysters, I was a hostess, I was a bartender, I was a waitress, I painted houses, I sold vacuum cleaners, I had no idea.And I thought I?d just finally settle in some job, and I would make enough money to pay my rent, maybe have basic cable, maybe not, I didn?t really have a plan.My point is that, by the time I was your age, I really thought I know who I was, but I had no idea.Like for example, when I was your age, I was dating men.So what I?m saying is, when you?re older, most of you will be gay.Anyone writing this stuff down? Parents? Anyway, I had no idea what I wanted to do with my life, and the way I ended up on this path was from a very tragic event.I was maybe 19, and my girlfriend at the time was killed in a car accident.And I passed the accident, and I didn?t know it was her and I kept going, and I found out shortly after that, it was her.And I was living in a basement apartment, I had no money, I had no heat, no air, I had a mattress on the floor and the apartment was infested with fleas.And I was soul-searching, I was like, why is she suddenly gone, and there are fleas here? I don?t understand, there must be a purpose, and wouldn?t it be so convenient if we could pick up the phone and call God, and ask these questions.And I started writing and what poured out of me was an imaginary conversation with God, which was one-sided, and I finished writing it and I looked at it and I said to myself, and I hadn?t even been doing stand-up, ever, there was no club in town.I said, I?m gonna do this on the Tonight Show with Johnny Carson.At the time he was the king “and I?m gonna be the first woman in the history of the show to be called over to sit down.” And several years later, I was the first woman in the history of the show, and only woman in the history of the show to sit down, because of that phone conversation with God that I wrote.And I started this path of stand-up and it was successful and it was great, but it was hard, because I was trying to please everybody and I had this secret that I was keeping, that I was gay.And I thought if people found out they wouldn?t like me, they wouldn?t laugh at me.Then my career turned into I got my own sitcom, and that was very successful, another level of success.And I thought, what if they find out I?m gay, then they?ll never watch, and this was a long time ago, this was when we just had white presidents this was back, many years ago and I finally decided that I was living with so much shame, and so much fear, that I just couldn?t live that anymore, and I decided to come out and make it creative.And my character would come out at the same time, and it wasn?t to make a political statement, it wasn?t to do anything other than to free myself up from this heaviness that I was carrying around, and I just wanted to be honest, And I thought, “What?s the worst that could happen? I can lose my career”.I did.I lost my career.The show was cancelled after six years, without even telling me, I read it in the paper.The phone didn?t ring for three years.I had no offers.Nobody wanted to touch me at all.Yet, I was getting letters from kids that almost committed suicide, but didn?t, because of what I did.And I realized that I had a purpose.And it wasn?t just about me and it wasn?t about celebrity, but I felt I was being punished…it was a bad time, I was angry, I was sad, and then I was offered a talk show.And the people that offered me the talkshow tried to sell it.And most stations didn?t want to pick it up.Most people didn?t want to buy it because they thought nobody would watch me.Really when I look back on it, I wouldn?t change a thing.I mean, it was so important for me to lose everything because I found out what the most important thing is, is to be true to yourself.Ultimately, that?s what?s gotten me to this place.I don?t live in fear, I?m free, I have no secret, and I know I?ll always be ok, because no matter what, I know who I am.So in conclusion, when I was younger I thought success was something different.I thought when I grow up, I want to be famous.I want to be a star.I want to be in movies.When I grow up I want to see the world, drive nice cars, I want to have groupies.To quote the Pussycat Dolls.How many people thought it was “boobies”, by the way? It?s not, it?s “groupies”.But my idea of success is different today.As you grow, you?ll realize the definition of success change.For many of you, today, success is being able to hold down 20shots of tequila.For me, the most important thing in your life is to live your life with integrity, and not to give into peer pressure, to try to be something that you?re not, To live your life as an honest and compassionate person.To contribute in some way.So to conclude my conclusion: follow your passion, stay true to yourself.Never follow anyone?s path, unless you?re in the woods and you?re lost and you see a path, and by all means you should follow that.Don?t give advice, it will come back and bite you in the ass.Don?t take anyone?s advice.So my advice to you is to be true to yourself, and everything will be fine.And I know that a lot of you are concerned about your future, but there?s no need to worry.The economy is booming, the job market is wide open, the planet is just fine.It?s gonna be great.You?ve already survived a hurricane.What else can happen to you? And as I mentioned before, some of the most devastating thing that happen to you will teach you the most.And now you know the right questions to ask in your first job interview.Like, “Is it above sea level?”.So to conclude my conclusion that I?ve previously concluded, in the common cement speech, I guess what I?m trying to say is life is like one big Mardi Gras.But instead of showing your boobs, show people your brain, and if they like what they see, you?ll have more beads than you know what to do with.And you?ll be drunk, most of the time.So the Katrina class of 2009, I say congratulations and if you don?t remember a thing I said today, remember this: you?re gonna be ok, dum de dum dum dum, just dance.

第五篇：讓-艾福蘭.巴維的音樂會與大師班

讓-艾福蘭.巴維的音樂會與大師班

音樂會

在幾乎所有鋼琴音樂會都是肖邦、舒曼的2010年，中山音樂堂5月16日的整場拉威爾音樂會，太讓人期待。

演奏所有拉威爾的鋼琴獨奏作品，單論這個曲目數(shù)量也是很有票房吸引力的。

整整三個小時的音樂會，對于聽演雙方都是一個巨大的挑戰(zhàn)，音樂會的質(zhì)量很高。很多人可能認為鋼琴家的演奏沒有太多的起伏或者非常有表情，但這個時候我腦中響起了鋼琴家的話：“你必須節(jié)制你的感情，和作品保持距離，絕對不可以像演奏俄羅斯作品那樣敞開心扉。事實上只有在這樣的距離和節(jié)制下才能展現(xiàn)最優(yōu)美的拉威爾。這也是拉威爾最喜歡的方式。”看起來要改變觀念了，不是撕心裂肺都是好的。

鋼琴家音色處理得不錯，很透，很清澈。跟去年的貝多芬作品音樂會比較，我更喜歡他這次演奏的法國作品。當(dāng)然作為法國人，演奏好本國作曲家也是自然的事情，畢竟有融于血脈之中的文化積淀。

音樂會曲目順序是按照作曲家作品的創(chuàng)作年代作主線，從最早創(chuàng)作的《怪誕小夜曲》開始，接著是拉威爾發(fā)表的第一部作品《古風(fēng)小步舞曲》，此曲創(chuàng)作于1895年，作品雖然不成熟但是已經(jīng)具有作曲家明顯的音樂風(fēng)格。接下來演奏的就是大家都熟悉的《為夭亡的公主而作的帕凡舞曲》《水的嬉戲》《小奏鳴曲》《鏡子》《海頓小步舞曲》《高貴而傷感的圓舞曲》《夜之幽靈》《夏布里埃之風(fēng)》《鮑羅丁之風(fēng)》《前奏曲》《庫普蘭之墓》。

這次音樂會我最喜歡他彈的《為夭亡的公主而作的帕凡舞曲》，還有就是《夜之幽靈》以及《夏布里埃之風(fēng)》、《鮑羅丁之風(fēng)》?！杜练参枨肥亲髑铱戳吮R浮宮的一幅美術(shù)作品之后的有感之作，拉威爾曾表示：“我在尋找此曲標(biāo)題時，只是對反復(fù)同樣的發(fā)音(Pavanepour une infante defunte)感興趣而已。”也就是說，“悼念公主”本沒有意義。鋼琴家的演奏清新淡雅，每個聲部交代得很清楚，而且聲部之間互有呼應(yīng)，非常有啟發(fā)性。

《夜之幽靈》是個有故事的曲子，整部作品取材于貝朗特詩歌中的三首《水妖》、《絞架》、《幻影》。第一首講述了一個美妙的故事，水妖愛上了一個水手，水手卻告訴美麗的水妖自己另有愛人，悲傷的水妖受到打擊，潛回水底。以前聽這個曲子的時候都不是很有感觸。這次鋼琴家的演奏給了我一個很明確的指向性，尤其是尾聲之前的那個哀傷的單旋律。鋼琴家的觸鍵似斷仍連、朦朧哀傷的音響恰到好處。

兩首拉威爾小品演奏的人不多，也許是因為太短小了，往往只有灌錄全部作品的鋼琴家才會演奏。這兩首作品技巧并不像其他的作品那樣繁難，但是鋼琴家演奏得一絲不茍，清新宜人，的確是很顯功力。

聽鋼琴音樂會，鋼琴家很容易演奏得很輝煌，換來熱烈掌聲，但彈得又輝煌、義清晰往往很少聽到。尤其是拉威爾作品，聽起來似乎不難，就是旋律和伴奏，但是對于演奏者來說，彈得舉重若輕實在是不容易。

鋼琴家演奏時沒有很多花哨的肢體動作，更多的都是服務(wù)于樂曲，手指抬的不高，非常貼鍵。他彈得最好的是《鏡子》和《庫普蘭之墓》，其次是那首《小奏鳴曲》。而《鏡子》和《庫普蘭之墓》剛好從兩個側(cè)面映射出拉成爾是印象與古典的結(jié)合體。兩組都是題獻給朋友的《鏡子》組曲，表現(xiàn)的是作曲家由鏡中看到的鏡像，題獻給他的五位朋友，其中一位Ricardo Vifies首演了這套組曲。《庫普蘭之墓》與我自己聽過的鋼琴家相比，佩勒姆泰比他彈得更規(guī)整，蒂博戴彈得比他有靈氣，而他則勝在有活力，我想如果這套曲目要是放在開場，而不是壓軸的話他也許彈得更好，畢竟已經(jīng)演奏兩個多小時了。有人說“巴鐵人’’彈得最好的還是他獲獎無數(shù)的德彪西?？上o緣親耳聽到，不知道何時圓夢了。

大師班

巴維在北京逗留的三天半中，最后一天的上午是去中央音樂學(xué)院鋼琴系上大師班課。本著圓滿的目的，我準(zhǔn)時坐在了中央音樂學(xué)院鋼琴系新的演奏廳里面。聽課的除了上課的人、翻譯和幾個聽課的學(xué)生，還有周廣仁老師。

一共有三個學(xué)生演奏。演奏李斯特《第一鋼琴協(xié)奏曲》和《但丁幻想曲》的學(xué)生可能準(zhǔn)備得不夠充分。巴維主要精力都在強調(diào)譜子上作曲家的表情記號要做到、拍子要分清楚以及音樂段落劃分這些問題上。

還有一個學(xué)生彈了《水妖》。巴維說，在法國版中，作品之前都有一首詩歌，這首作品是一個誘惑之歌。然后在琴上示范了一些具體的、有指向性的音樂段落，比如一些低音部分可以想象成描寫海王水下城堡的樂段。這首作品使用了全部的鍵盤，所以音響必須要有動態(tài)感。

他還重點講了音樂的呼吸問題。拉威爾作品中的歌唱性樂句表現(xiàn)有兩點要做到：一是流動性，二是句子之間要像古典作品那樣分開交代清楚，絕對不可以彈成浪漫派的那種句句相融。然后還具體修正了一些演奏者的細節(jié)問題，比如力度轉(zhuǎn)折、困難段落的練法等。

下午，巴維參觀了故宮，終于心滿意足地走了。他給我們留下了精彩的演奏、好聽的音樂以及很多啟示，尤其他每天雷打不動的練琴實在讓我敬佩。鋼琴家是寂寞的，因為需要把時間用在練琴上，巴維說自己很多時候都在練琴，沒有太多時間給自己的孩子。

為了幫助大家更好的理解《夜之幽靈》。特將三首題詩的譯文附在文后。譯文由上海音樂學(xué)院鋼琴系江晨教授提供，在此一并致謝。

《水妖》……我覺得在夢中隱約聽到了音樂，身邊有一個親切而凄婉的聲音在輕聲歌唱。

――勃魯尼奧《兩位天才》

聽吶!聽吶!是我，水妖，把水珠灑在你的玻璃窗上，窗前是一片慘淡的月光。莊園里的那位夫人正婷立陽臺，對著這星光燦爛的夜色和沉睡的湖面默默凝望。

每一朵小小的浪花都是一個順著流水邀游的水妖，每一股流水就是一條通往我宮殿的通道。我的宮殿坐落在湖底用火焰、泥土、空氣構(gòu)成的三角形中。筑成的宮殿水浪滔滔。

聽吶!我的父親正在把綠色的檀木浸入汩汩流水，那飛濺的水泡，是我的姐妹們透明的手臂。在長滿青草、睡蓮和菖蒲的陰涼島嶼上輕輕摩挲。彎彎楊柳在溪中垂釣，引起她們笑聲朗朗。

一曲清歌唱罷，她卸下指環(huán)要我戴上，求我與她配成佳偶，一起歸去，到宮中做一位萬湖之王。

我告訴她我愛著一位人間的姑娘。她懊喪失望，淚珠兒沾濕衣裳，繼而又放聲大笑，突然消融于萬頃波濤，只留下我的藍色玻璃窗上閃閃水光。

《絞刑架》我看見什么東西在絞架旁蠕動?

――浮士德

啊!我聽到的是什么聲音?是晚風(fēng)在呼嘯，還是絞刑架上的尸體在哀鳴?

是樹林邊可悲的不能結(jié)果實的常青藤叢中，一只蟋蟀蜷縮在苔蘚中歌唱?

是一只蒼蠅在對著那兩只不再聽得見的耳朵把獵號吹響?

是一只金龜子抱著一根從禿頭上拔下來的頭發(fā)，走得跌跌撞撞?

莫非是一只蜘蛛在編織紗巾，讓

那被絞勒的頸項作領(lǐng)帶戴上?那是城墻上的鐘聲回蕩，城墻在遠處地平線上，夕陽的余暉照得絞刑架上的尸體泛出紅光。

《幻影》

他查看了床底下，煙囪上與碗櫥――那兒誰也沒有。他搞不懂它是怎么走進來，又是從哪里逃出去的。

――霍夫曼《夜的故事》

噢!多少次我看到幻影并聽到它的聲音，總是在夜半三更的時光，月亮像一塊白銀鑲嵌在灑滿了金色蜜蜂的蔚藍天幕上。

多少次我聽到它在花園涼亭的蔭形下笑聲如狂，多少次我聽到它在我的絲織帷幔上摩拳擦掌!

多少次我看見它從天花板飄然下降，踮起腳尖急速旋轉(zhuǎn)，滾過地板就像女巫紡織機上落下的紡錘一樣。

我以為它暈厥過去了?這個侏儒卻越長越高，像大教堂的塔尖，矗立在我與月亮中間。它尖角帽頂?shù)慕鹕忚K叮咚作響。

但是，不久它就通體變成藍色，像蠟燭一樣透明，臉色也變成燭光一樣蒼白――然后突然消失。

樂訊

北京市第十屆“希望杯”鋼琴比賽即將開始

2010年8月13日下午18：00，北京市第十屆“希望杯”鋼琴比賽新聞發(fā)布會在北京樂成中心召開。首都師范大學(xué)副校長何奕醌，首都師范大學(xué)音樂學(xué)院院長楊青教授，歷屆總顧問中央音樂學(xué)院周廣仁教授，著名鋼琴家鮑蕙蕎，評委會主席唐重慶教授，以及《音樂周報》、《鋼琴藝術(shù)》、《北京晚報》、《北京青年報》、《北京晨報》等媒體記者出席了新聞發(fā)布會。

第十屆“希望杯”青少年兒童鋼琴比賽將于2010年9月30日至10月7日，在首都師范大學(xué)舉行，選手報名時間是8月28日、29日，預(yù)計將有近千名選手報名參賽。比賽分兩個階段進行，第一階段為鋼琴音樂節(jié)，以音樂會演出的方式進行，評委現(xiàn)場講評并評分，頒發(fā)演奏證書。第二階段為鋼琴比賽，最終評選出一、二、三等獎及優(yōu)秀獎和優(yōu)良獎，以及中國作品演奏獎。獲獎選手還將走上頒獎大會的舞臺，領(lǐng)取獎杯和獎牌。

“希望杯”鋼琴比賽自1992年開賽以來，每兩年舉行一次，在18年內(nèi)共舉辦過九屆。在北京地區(qū)各類鋼琴比賽中“希望杯”參與的人數(shù)最多，達8513人；年齡跨度最大，從4歲的幼童到93歲的老者均有。第十屆增加了專業(yè)組別的選手比賽?！跋Ｍ变撉俦荣惖淖谥际菫閺V大鋼琴學(xué)習(xí)者提供舞臺表演和演奏交流的平臺，提高廣大學(xué)習(xí)者學(xué)習(xí)鋼琴的興趣和積極性，鼓勵大家在一起相互學(xué)習(xí)、取長補短、開闊眼界、共同進步，推動首都鋼琴基礎(chǔ)教育的發(fā)展。當(dāng)然，“希望杯”鋼琴比賽的意義并不僅僅是發(fā)現(xiàn)和培養(yǎng)音樂人才，它更是高校服務(wù)社會、提升國民素質(zhì)所做的一項公益事業(yè)，對社會和諧發(fā)展起到積極的推動作用。

本次比賽由首都師范大學(xué)校長任比賽組委會主席，著名鋼琴教育家周廣仁教授任總顧問，首都師范大學(xué)音樂學(xué)院唐重慶教授任評委主任，鋼琴家鮑蕙蕎、中央音樂學(xué)院鄭麗琴、黃佩瑩、泰爾、韓劍明、凌遠、趙屏國、金愛平、吳元、鐘慧教授、北京師范大學(xué)音樂系周銘孫教授及首都師范大學(xué)音樂學(xué)院鋼琴系全體教師擔(dān)任評委。

“希望杯”以擁有高規(guī)格的權(quán)威評委，以每位選手都能獲得文字或當(dāng)面點評的邊賽邊評的特別方式，以它公正、嚴謹、和諧的群眾性、普及性，成為首都北京較有影響、廣受歡迎的鋼琴賽事。