第一篇：英語電影學(xué)期論文 《戀戀筆記本》

Summer Romance

------Film Review about the Notebook

It is a romantic story about love and memory.At the beginning of the film, an old man comes to read a book for an old woman, they seem don’t know each other, just two lonely people live in the nursing home.Here the story goes: Allie was a lovely beautiful girl who is born in a rich family.And Noah is a handsome boy working as a blue-collar.They met in summer, and madly fell in love with each other.However, their love is not blessed by Allie’s family.When the summer’s over, Allie has to leave the town for university.And her mother hides all the letters from Noah.Then the Second World War breaks out, Noah joins the army and they loses track of each other.Seven years later, Allie is engaged to a promising officer, while Noah buys their dream house and rebuilds it as Allie’s wish.Somehow, they meet again, clear all the misunderstanding and get their passion back.Then Allie ends her engagement and lives with Noah happily.After many years, because of Alzheimer’s, Allie loses her memory.So Noah comes to read their love story for Allie everyday.He reads time to time and she gets her memory back.Although the memory can last only a few minutes, they never give up.In the end, they die on her bed, hand in hand.As if they are telling others nothing can do them apart, not even the death.Before watching this movie, I thought this movie told a story of two young people’s sentimental love.After finishing it, my eyes are filled up with tears.As an old Chinese saying goes: to hold your hand, to grow old with you.It’s not easy to find the right person to spend our whole life with.How many couples are defeated by time, distance, money or any other things? But they do.After seven years, they still love each other.I guess that is so-called power of love.Although the story itself is common and old, Noah and Allie’s faithful love still moves everyone.The love in summer is the most beautiful and it symbolizes hope and passion.In particular, I’d like to mention the girl’s smile.That curvaceous smile is both sexy and vicious, just like the sun in summer.Whenever she smiles, I could see something in Noah’s eyes.That reminds me of the first scene that Noah meets Allie.I think that is love which fills up Noah’s heart as sunshine does, unresistingly.Behind every great story is a great love.We should cherish the person standing by our side and make every minute counts.

第二篇：戀戀筆記本英語影評

I have not read Nicholas Sparks' The Notebook, but I have heard good word-of-mouth about the novel.Sadly, the elements that made the book special did not survive the transition to the screen.The Notebook, as adapted by Nick Cassavetes from a screenplay by Jan Sardi and Jeremy Leven, comes across as an ordinary romantic melodrama with a maudlin and ineffective climax.It's the kind of story for which no term seems more appropriate than “soap opera.”

The film unfolds in two time frames featuring the same characters.In the modern day scenes, Noah is played by James Garner and Allie by Gena Rowlands(the director's mother).In the sequences that transpire around World War II, the leads are Ryan Gosling and Rachel McAdams.It turns out that Allie is suffering from dementia, so, to stir her memories, Noah reads from a notebook that recounts their tumultuous, improbable romance.They met as teenagers in pre-WWII America.For Noah, it was love at first sight, but it took him a while to convince Allie.Almost immediately, the disparity of their social classes became an issue-she came from money and he was a laborer.The disapproval of Allie's mother(Joan Allen)led to their break-up.But fate brought them together after the war, and before Allie married her soldier beau(James Marsden).The 1940s sequences are superior to those that transpire in the 2000s.Admittedly, the love affair between Allie and Noah is typical stuff, but Cassevetes directs the actors competently, the characters are likeable(you want them to end up together), and there's evident chemistry between Gosling and McAdams.The cinematography is evocative and the music never goes over-the-top.Unfortunately, things don't work nearly as well when Garner and Rowlands take over the parts.Their aspect of the story doesn't work.It comes across as a badly diluted imitation of Iris(which handles the issue of fading memory with more poignancy than The Notebook could hope for).And, not only are the modern-day scenes dramatically inert, but it's virtually impossible to accept that these are the same people as the ones falling in love in the '40s.Fortunately, only about 20% of the movie unfolds when the characters are in their twilight years.The Notebook represents an instance when the desire to obtain a particular MPAA rating has resulted in some bizarre choices.To avoid courting an R, the actors are forced to cover themselves with sheets and the camera is often positioned in a way that makes it seem almost as if the characters are posing.The material in The Notebook is inherently adult in nature(how many teenagers are going to see this movie?), so why neuter its sexuality in pursuit of a PG-13?

Fans of sudsy romances will adore The Notebook, but the film fails to manipulate the intellect with the same effectiveness that it tweaks the emotions.The best thing that can be said about the movie is that it's a worthy antidote to the usual testosterone-driven summer fare, but, in its inability to effectively develop the modern aspect of the story, it fails to throw the tear-jerking emotional punch it might have achieved.

第三篇：戀戀筆記本英語影評

I have not read Nicholas Sparks' The Notebook, but I have heard good word-of-mouth about the novel.Sadly, the elements that made the book special did not survive the transition to the screen.The Notebook, as adapted by Nick Cassavetes from a screenplay by Jan Sardi and Jeremy Leven, comes across as an ordinary romantic melodrama with a maudlin and ineffective climax.It's the kind of story for which no term seems more appropriate than “soap opera.” The film unfolds in two time frames featuring the same characters.In the modern day scenes, Noah is played by James Garner and Allie by Gena Rowlands(the director's mother).In the sequences that transpire around World War II, the leads are Ryan Gosling and Rachel McAdams.It turns out that Allie is suffering from dementia, so, to stir her memories, Noah reads from a notebook that recounts their tumultuous, improbable romance.They met as teenagers in pre-WWII America.For Noah, it was love at first sight, but it took him a while to convince Allie.Almost immediately, the disparity of their social classes became an issue-she came from money and he was a laborer.The disapproval of Allie's mother(Joan Allen)led to their break-up.But fate brought them together after the war, and before Allie married her soldier beau(James Marsden).The 1940s sequences are superior to those that transpire in the 2000s.Admittedly, the love affair between Allie and Noah is typical stuff, but Cassevetes directs the actors competently, the characters are likeable(you want them to end up together), and there's evident chemistry between Gosling and McAdams.The cinematography is evocative and the music never goes over-the-top.Unfortunately, things don't work nearly as well when Garner and Rowlands take over the parts.Their aspect of the story doesn't work.It comes across as a badly diluted imitation of Iris(which handles the issue of fading memory with more poignancy than The Notebook could hope for).And, not only are the modern-day scenes dramatically inert, but it's virtually impossible to accept that these are the same people as the ones falling in love in the '40s.Fortunately, only about 20% of the movie unfolds when the characters are in their twilight years.The Notebook represents an instance when the desire to obtain a particular MPAA rating has resulted in some bizarre choices.To avoid courting an R, the actors are forced to cover themselves with sheets and the camera is often positioned in a way that makes it seem almost as if the characters are posing.The material in The Notebook is inherently adult in nature(how many teenagers are going to see this movie?), so why neuter its sexuality in pursuit of a PG-13? Fans of sudsy romances will adore The Notebook, but the film fails to manipulate the intellect with the same effectiveness that it tweaks the emotions.The best thing that can be said about the movie is that it's a worthy antidote to the usual testosterone-driven summer fare, but, in its inability to effectively develop the modern aspect of the story, it fails to throw the tear-jerking emotional punch it might have achieved.

第四篇：戀戀筆記本

這就是愛

——《戀戀筆記本》觀后感

學(xué)校：北京交通大學(xué) 班級：機電1104班 姓名：呂鑫 學(xué)號：1122110

1這就是愛

——《戀戀筆記本》觀后感

班級：機電1104班姓名：呂鑫學(xué)號：11221101安靜卻優(yōu)美的音樂，伴之以散發(fā)自然韻味的河流，河面上的一葉扁舟，扁舟上劃著雙槳的男人，河邊高高的樹，河中的孤島、蘆葦，偶爾飛過一群純白的鳥，還有落日余暉在水上的倒影??《戀戀筆記本》所講述的一個非比尋常的愛情故事就在這樣一幅唯美的畫面中展開了。

這是一個很簡單的愛情故事，一對初戀情人經(jīng)歷種種悲歡離合終于破鏡重圓。然而讓人覺得眼前一亮的是，整個故事是穿插在老年的回憶里，年老的諾亞把這段往事讀給已經(jīng)失去記憶的妻子（艾麗）聽。

在老人講著故事的期間，我們可以漸漸的猜到整個故事的情節(jié)，到了最后就像老婦人的問題一樣“那么，他們兩個人究竟有沒有在一起呢？”是的，從老婦人最后的覺悟中，我們終于知道這段稱得上刻骨銘心的愛情是有多么的令人感動。也許，當愛情面臨這種情況時，我們也會迷茫，我們也會困惑。你愛的人失憶了，不記得你了，而你知道她還深愛著你，同時你也深愛著他。這樣的場面是多么的令人痛苦啊，當我們在面臨這種情況時，我們又會如何選擇呢？是選擇拋棄自己的愛人還是選擇堅守在自己愛人的身邊呢？影片中的諾亞選擇了堅守在自己愛人的身邊，選擇喚醒女主角的記憶。這個選擇是無價的，這個等待是無期的，我們不禁被諾亞對艾麗那深深的感情所感動。而當故事讀到了結(jié)局，艾麗也終于想起諾亞。雖然只是很短暫的時間，艾麗哭著擁抱著諾亞，對他說我愛你??看到這里，我們不禁淚流滿面。

到底什么是愛情？很多人認為愛情很脆弱，兩個人的感情會隨著時間的增長而慢慢的變淡，直至最后只是因為組建了家庭才勉強維持著愛。而影片則用告訴了我們什么是愛，愛情不在乎彼此的家庭背景，愛情不在乎世俗的眼光看法，愛情不在乎戰(zhàn)爭時間的消磨。愛了就是愛了，這種愛是自由的，是奔放的，是義無反顧的。這種愛情不會因為一個人的失憶而改變，這種愛情不會因為時間的推移而變淡。影片中諾亞的孩子們勸他回家，他堅持留在醫(yī)院陪著艾麗。他說：“孩子們，那是我最心愛的人，我不會離開她，這里就

是我家，你們的母親就是我的家。”諾亞正在實現(xiàn)對她一生的承諾：“我永遠要你，要我們一起廝守每一天。”最終，這對猶如天鵝一般傾盡終生的璧人攜著手，坦然而滿足地面對上帝的召喚，離開了他們深愛的世界。這份超越金錢和階級障礙的愛情不再是夢幻。這種愛情永遠是這樣強烈，執(zhí)子之手，與子偕老，簡單的幸福，一生一世，不離不棄??

每個人對待愛情都應(yīng)該堅貞不渝，也許這只是一個看似容易卻很難完成的使命，但是人們對于愛情的向往，卻一直都在驅(qū)使著我們達到愛情勝利的最高點：愛就是追求，守候，守護。

五百年的回眸一笑才換來今生的擦肩而過，兩個人在一起很容易，可是堅守卻很難。愿世上有情人終成眷屬，相守到老。讓我們揚起追求真愛的風(fēng)帆，與諾亞和艾麗一起享受真愛：“If you are a bird,I’m a bird.You are my home.”

第五篇：戀戀筆記本

這就是愛

——《戀戀筆記本》觀后感

學(xué)校：北京交通大學(xué) 班級：機電1104班 姓名：呂鑫 學(xué)號：11221101 幸福心理學(xué) 《戀戀筆記本》觀后感 11221101

這就是愛

——《戀戀筆記本》觀后感

班級：機電1104班

姓名：呂鑫

學(xué)號：11221101

安靜卻優(yōu)美的音樂，伴之以散發(fā)自然韻味的河流，河面上的一葉扁舟，扁舟上劃著雙槳的男人，河邊高高的樹，河中的孤島、蘆葦，偶爾飛過一群純白的鳥，還有落日余暉在水上的倒影??《戀戀筆記本》所講述的一個非比尋常的愛情故事就在這樣一幅唯美的畫面中展開了。

這是一個很簡單的愛情故事，一對初戀情人經(jīng)歷種種悲歡離合終于破鏡重圓。然而讓人覺得眼前一亮的是，整個故事是穿插在老年的回憶里，年老的諾亞把這段往事讀給已經(jīng)失去記憶的妻子（艾麗）聽。

在老人講著故事的期間，我們可以漸漸的猜到整個故事的情節(jié)，到了最后就像老婦人的問題一樣“那么，他們兩個人究竟有沒有在一起呢？”是的，從老婦人最后的覺悟中，我們終于知道這段稱得上刻骨銘心的愛情是有多么的令人感動。也許，當愛情面臨這種情況時，我們也會迷茫，我們也會困惑。你愛的人失憶了，不記得你了，而你知道她還深愛著你，同時你也深愛著他。這樣的場面是多么的令人痛苦啊，當我們在面臨這種情況時，我們又會如何選擇呢？是選擇拋棄自己的愛人還是選擇堅守在自己愛人的身邊呢？影片中的諾亞選擇了堅守在自己愛人的身邊，選擇喚醒女主角的記憶。這個選擇是無價的，這個等待是無期的，我們不禁被諾亞對艾麗那深深的感情所感動。而當故事讀到了結(jié)局，艾麗也終于想起諾亞。雖然只是很短暫的時間，艾麗哭著擁抱著諾亞，對他說我愛你??看到這里，我們不禁淚流滿面。

到底什么是愛情？很多人認為愛情很脆弱，兩個人的感情會隨著時間的增長而慢慢的變淡，直至最后只是因為組建了家庭才勉強維持著愛。而影片則用告訴了我們什么是愛，愛情不在乎彼此的家庭背景，愛情不在乎世俗的眼光看法，愛情不在乎戰(zhàn)爭時間的消磨。愛了就是愛了，這種愛是自由的，是奔放的，是義無反顧的。這種愛情不會因為一個人的失憶而改變，這種愛情不會因為時間的推移而變淡。影片中諾亞的孩子們勸他回家，他堅持留在醫(yī)院陪著艾麗。他說：“孩子們，那是我最心愛的人，我不會離開她，這里就 幸福心理學(xué) 《戀戀筆記本》觀后感 11221101 是我家，你們的母親就是我的家?！敝Z亞正在實現(xiàn)對她一生的承諾：“我永遠要你，要我們一起廝守每一天。”最終，這對猶如天鵝一般傾盡終生的璧人攜著手，坦然而滿足地面對上帝的召喚，離開了他們深愛的世界。這份超越金錢和階級障礙的愛情不再是夢幻。這種愛情永遠是這樣強烈，執(zhí)子之手，與子偕老，簡單的幸福，一生一世，不離不棄??

每個人對待愛情都應(yīng)該堅貞不渝，也許這只是一個看似容易卻很難完成的使命，但是人們對于愛情的向往，卻一直都在驅(qū)使著我們達到愛情勝利的最高點：愛就是追求，守候，守護。

五百年的回眸一笑才換來今生的擦肩而過，兩個人在一起很容易，可是堅守卻很難。愿世上有情人終成眷屬，相守到老。讓我們揚起追求真愛的風(fēng)帆，與諾亞和艾麗一起享受真愛：“If you are a bird,I’m a bird.You are my home.”