第一篇：網(wǎng)絡(luò)小說(shuō)經(jīng)典作者及代表作

網(wǎng)絡(luò)小說(shuō)經(jīng)典作者

【藤萍】

藤萍是廣州中山大學(xué)法律系的才女，2000年以《鎖檀經(jīng)》榮獲第一屆花雨“花與夢(mèng)”全國(guó)浪漫小說(shuō)征文大賽第一名，此后作品便始終保持在浪漫小說(shuō)銷(xiāo)售榜的暢銷(xiāo)榜上。她的文筆優(yōu)雅美麗，創(chuàng)作故事簡(jiǎn)直就如同創(chuàng)造奇跡一樣，令人不忍釋卷。藤萍、桐華、匪我思存、寐語(yǔ)者這四個(gè)80 后作家并稱(chēng)為文壇新言情小說(shuō)“四小天后”。代表作品：

【麥洛洛】

2008年以其清爽的形象，美麗的故事在網(wǎng)絡(luò)爆紅；作為當(dāng)代網(wǎng)絡(luò)紅人的“領(lǐng)頭軍”人物，其在話劇，音樂(lè)，文學(xué)方面多有涉及，特別在文學(xué)作品方面造詣?lì)H深。2011年公布將正式預(yù)售發(fā)行其新作品《精靈歌》，未發(fā)先紅，形成了廣大的影響力，在當(dāng)代青年網(wǎng)絡(luò)作家中占有一席之地。

【煙雨江南】

網(wǎng)絡(luò)超人氣玄幻小說(shuō)作家，原名丘曉華，代表作玄幻類(lèi)小說(shuō)《褻瀆》，已達(dá)到1200多萬(wàn)點(diǎn)擊，550多萬(wàn)推薦，高居推薦榜榜首，收藏更是高達(dá)13萬(wàn)之多，足見(jiàn)火熱程度。

【顧漫】

顧漫，別名：烏龜、烏龜漫。晉江文學(xué)網(wǎng)的駐站作家，《仙度瑞拉》雜志編輯，已出版《何以笙簫默》、《微微一笑很傾城》等多部作品。

【樓主吐血也沒(méi)找到其照片，繼續(xù)吐血】

【貓膩】

起點(diǎn)中文網(wǎng)作家貓膩，本名曉峰，77年生，最優(yōu)秀的網(wǎng)絡(luò)作家之一。

貓膩的作品有《映秀十年事》，《朱雀記》（又名《燒雞記》），《慶余年》

【獨(dú)木舟】

魅麗文化A級(jí)簽約作者，17歲開(kāi)始寫(xiě)文。

曾任《螢火》雜志編輯。曾于《南風(fēng)》《愛(ài)格》《知音女孩》《花火》發(fā)表文字。

其人在《花火》多次年度寫(xiě)手人氣票選中，均穩(wěn)列第一，且壓倒性的超越其他寫(xiě)手。

長(zhǎng)篇《深海里的星星》上市一周內(nèi)，即沖到當(dāng)當(dāng)網(wǎng)青春類(lèi)暢銷(xiāo)榜第4的位置，上市兩個(gè)月，加印數(shù)次，銷(xiāo)量直逼10萬(wàn)冊(cè)，是《花火》雜志當(dāng)之無(wú)愧的銷(xiāo)量口碑雙料女王。

【柳下?lián)]】（左邊）

起點(diǎn)中文網(wǎng)的一名職業(yè)寫(xiě)手，真實(shí)姓名叫做黃衛(wèi)，以寫(xiě)都市文見(jiàn)長(zhǎng)，以前在幻劍寫(xiě)書(shū)的，筆名叫“坐懷不亂”，著名網(wǎng)絡(luò)作家大神級(jí)人物，都市YD流代表人物之一。柳下?lián)]寫(xiě)作風(fēng)格是走輕松調(diào)侃路線，經(jīng)常一句話就令人捧腹大笑。善于塑造人物，筆下人物各有特色，很有個(gè)性和親和力。

代表作《市長(zhǎng)千金愛(ài)上我》《鄰家有女初長(zhǎng)成》《愛(ài)你我就騷擾你》《近身保鏢》等

【張小嫻】

畢業(yè)于香港浸會(huì)學(xué)院傳理系。曾任職電視臺(tái)編劇及行政人員，亦曾編寫(xiě)電影劇本。香港著名言情小說(shuō)家。代表作品： 《面包樹(shù)上的女人》 《荷包里的單人床》《吉祥紋蓮花樓》系列

真名：趙佳蓉。中國(guó)知名青春文學(xué)作家，最世簽約作家，《文藝風(fēng)象》雜志主編，《最小說(shuō)》別冊(cè)《ZUI Silence》文字總監(jiān)。代表作：《年華是無(wú)效信》《塵埃星球》《須臾》《不朽》《剩者為王》《千秋》《萬(wàn)象》

【說(shuō)不得大師】

原名邢山虎，做為中國(guó)最早的一批網(wǎng)絡(luò)玩家，他不僅非常擅長(zhǎng)網(wǎng)絡(luò)游戲產(chǎn)品的市場(chǎng)運(yùn)營(yíng)，還從事過(guò)游戲研發(fā)工作，在業(yè)內(nèi)更有“第一代網(wǎng)游經(jīng)理人”等美譽(yù)。

代表作品： 《人類(lèi)沒(méi)有未來(lái)》，《萬(wàn)王之王》,《傭兵天下》

【蕭潛】

看玄幻的人，不會(huì)不知道《飄邈之旅》這本書(shū)，它被稱(chēng)為網(wǎng)絡(luò)玄幻中修真類(lèi)作品的奠基之作，和《誅仙》、《小兵傳奇》一起被譽(yù)為“網(wǎng)絡(luò)三大奇書(shū)”。作者的筆名叫蕭潛。

【樂(lè)小米】

一部《涼生，我們可不可以不憂傷》贏得了眾多“米飯”熱捧，樂(lè)小米一炮而紅，2009年，樂(lè)小米關(guān)注“被拐賣(mài)兒童”的殘酷青春小說(shuō)———《蒼耳》再次以強(qiáng)悍的真實(shí)感沖擊青春文壇。

【月關(guān)】

綽號(hào)：菊花關(guān)?，F(xiàn)有作品：

長(zhǎng)篇小說(shuō)《步步生蓮》《回到明朝當(dāng)王爺》《一路彩虹》《狼神》《大爭(zhēng)之世》以及美文《美麗童年》、劇本《追愛(ài)跨世紀(jì)》。曾用“夢(mèng)游居士”馬甲發(fā)表小說(shuō)兩部《成神》、《顛覆笑傲江湖》。其中《顛覆笑傲江湖》被稱(chēng)為同人中的經(jīng)典之作

【耳根】

起點(diǎn)中文網(wǎng)著名作家，黑龍江省牡丹江人。八零后，喜愛(ài)中國(guó)古典神話故事，并以此為基礎(chǔ)，進(jìn)行網(wǎng)絡(luò)小說(shuō)的創(chuàng)作。作者現(xiàn)已成為起點(diǎn)仙俠類(lèi)小說(shuō)的一面旗幟。其主要代表作《仙逆》，《天逆》受到無(wú)數(shù)讀者的喜愛(ài)，為之傾倒。寫(xiě)作認(rèn)真，RP好。

【樹(shù)下野狐】

原名胡庚，福建人，畢業(yè)于北京大學(xué)。2001年7月開(kāi)始創(chuàng)作的《搜神記》，開(kāi)創(chuàng)了中國(guó)新神話主義的東方奇幻風(fēng)格，被譽(yù)為“本土奇幻扛旗人”、“北大蒲松齡”、“當(dāng)代新神話主義浪潮的領(lǐng)軍人物”。

【安東尼】真名：馬亮，《最小說(shuō)》專(zhuān)欄作家。

2008年3月出版了自己的書(shū)《陪安東尼度過(guò)漫長(zhǎng)歲月》?！哆@些 都是你給我的愛(ài)》很好看喔~

【 桐華】

網(wǎng)絡(luò)連載時(shí)用的筆名是張小三。文壇新言情小說(shuō)“四小天后”之一，被封為燃情天后，贊其文筆為“平淡入筆逐層深入戳人心痛，她的愛(ài)情會(huì)燃燒”。已出版作品有《步步驚心》《大漠謠》《云中歌》《被時(shí)光掩埋的秘密》《那些回不去的年少時(shí)光》《曾許諾》等。

辛夷塢】

代表作《致我們終將逝去的青春》也超好看的 還有《原來(lái)你還在這里》、《山月不知心底事》、《我在回憶里等你》、《許我向你看》、《浮世浮城》...大愛(ài)暖傷時(shí)代

很多人說(shuō)她是才貌雙全

代表作：《人生若只如初見(jiàn)》

【步非煙】

【匪我思存】

匪我思存作為國(guó)內(nèi)原創(chuàng)都市愛(ài)情小說(shuō)的領(lǐng)軍人物，讀者年齡層跨度比較大，在80后及90后的女性讀者群中倍受歡迎。古代故事以《寂寞空庭春欲晚》為代表，民國(guó)故事以《碧甃沉》為代表，現(xiàn)代故事以《佳期如夢(mèng)》系列為代表，匪我思存創(chuàng)造出了獨(dú)特的愛(ài)情小說(shuō)風(fēng)格——悲情，并影響了最近兩年青春小說(shuō)的閱讀風(fēng)向。曾用筆名思存，又名費(fèi)小存。2005年正式出版第一部小說(shuō)，現(xiàn)定居湖北武漢，一直從事財(cái)務(wù)工作。

【金子】 她最出名的大概就是《夢(mèng)回大清》了~清穿的鼻祖！

【小椴】

在新武俠這些寫(xiě)手中，小椴一直有文體家之稱(chēng)。

有人說(shuō)他的小說(shuō)中武俠的成分不夠，有人說(shuō)他的情節(jié)不那么奇妙，還有人說(shuō)他的想象力有些中規(guī)中矩……但是，不影響小椴的大名。

美女武俠作家滄月的QQ簽名就是小椴的一首七律：

百歲人生漫自耽，小酌天地問(wèn)華年。

壑舟畢竟歸何處？執(zhí)手?jǐn)?shù)度及斯言。

也擬窮讀終一世，每當(dāng)皓夜寡清眠。

任是江海憑恣肆，何如與子相見(jiàn)歡？,

第二篇：Mark Twain作者、寫(xiě)作風(fēng)格及代表作簡(jiǎn)介

Mark Twain's(1835-1910)real name was Samuel Clemens.“Mark Twain”, which means“watermark two”, was a call used by sailors on the Mississippi to warn shipmates that they were coming into shallow water.Mark Twain was a great American writer, and he was also a famous speaker.Twain was born in Florida and he was not a healthy baby.In fact, he was not expected to live through the first winter.But with his mother's tender care, he managed to survive.As a boy, he didn't like to go to school, and he constantly ran away from home.He used to be a journey man printer at the age of 18 and a pilot in the Mississippi River.His first novel, The Gilded Age, written in collaboration with Charles Dudley Warner, was an artistic failure.In 1867, The Celebrated Jumping Frog of Calaveras County(1867), a collection of short stories, makes Mark Twain's national reputation now well established as “the wild humorist of the Pacific slope”.Twain's humour are always hoax, puns, tall tales, straight-faced exaggeration, anti-climax and tricks of travesty and invective.The Adventures of Tom Sawyer was an immediate success as “a boy's book” when it was published;its sequel, The Adventures of Huckleberry Finn which Twain wrote some years later, became his masterwork, the one book from which, as Ernest Hemingway noted, “all modern American literature comes.”

The Adventures of Huckleberry Finn was written with the idea of lost boyhood.Twain used the first person narration.It is Mark Twain’s greatest achievement.It presents the world’s view of America and has a profound impact on the development of American writing.Twain's influences on American writers of the 20th century was his presentation of native American material, his art of the vernacular idiom, his departure from the tradition of the 19th century gentility, and his sense of alienation.This novel shows Twain's satire on southern culture before the Civil War, around 1850, when the Mississippi Valley was still being settled.Twain condemned racial discrimination.It also shows his satire on the poor whites, their ludicrous idea—they were white and they were better than black slaves, and that his satire on the genteel upper-class southerners—a very aristocratic life and being violent accepting their violence as right.The novel uses vernacular language, unpretentious, colloquial, and poetic style and the directness of the language.Twain depicted social life through descriptions of local places and people he knew best.The Adventures of Huckleberry Finn is the major achievements of his art—the carefully controlled point of view, with its implicit ironies expressed through the voice of a semiliterate boy;the masterful use of dialects;the felicitous balancing of nostalgic romanticism and realism, humor and pathos, innocence and evil.This novel shows his ability to capture the enduring, archetypal, mythic images of America and to create the most memorable characters in all of American fiction.

第三篇：Jane Austen作者、寫(xiě)作風(fēng)格及代表作簡(jiǎn)介

Jane Austen

Jane Austen(1775-1817)is a famous English female writer.She is the first mature novelist.Although she was born in the romantic period, she is not a romantic writer.She tends to be realistic, but is influenced by romanticism in some ways.Austen came from a well-cultured country family.As she published her novels anonymously, she was not famous in her lifetime.Scott admired her talent for portraying ordinary life in a wonderful way.Among her numerous strengths are her exquisite, compact prose, her moral judgment, her wit, and her vivid character portrayal.She was not married in her lifetime.One thing to note about her fiction is its limited subject.She wrote her novels for her own family circle.Her novels cover just that section of society to which she belonged: the country gentry and their lives in the rural village setting.There is hardly any aristocrat or a poor peasant to feature as her major characters.It reveals a principle in literary creation that one can show one’s best when one makes the best of one’s best knowledge.Austen’s writing feature is unifying the realistic and detailed portrayal of outward manners and behaviors combined with inward psychological exploration.Other features of her writing are the complex and subtle portrayal of characters, a classic precision of structure, a vivid and humorous dialogue, her quiet irony and her simple delicate analysis of character.Because of her “l(fā)imitation”, her novels have neither heroic passions nor astounding adventures.Austen is the founder of the novel dealing with unimportant middle-class people.Her writing style is easy and effortless.Pride and Prejudice is Austen’s masterpiece.The story is mainly about Mrs.Bennet’s four daughters’ marriage.Elizabeth, the second oldest daughter and Darcy’s love is used as the main plotline and the other three daughters’ marriage as the subordinate plot.In the story, Charlotte and Mr.Collins marry for material wealth and social position.Lydia and Wickham marry for passion.While, Elizabeth and Darcy, Jane and Bingley marry for true love.The gallery of woman here is simply glittering.It is the panorama view of the female gender in the world of men.Austen uses love and marriage as the subject matter, and dedicatedly describes the middle class and upper class’s life during late 18th to early 19th century.The theme of the story is that maturity is achieved through the loss of illusions.

第四篇：網(wǎng)絡(luò)小說(shuō)讀后感

對(duì)網(wǎng)絡(luò)小說(shuō)的一點(diǎn)感悟

十二月份網(wǎng)絡(luò)小說(shuō)閱讀書(shū)目：《你是我的UFO》《我的笨熊女友》《賈寶玉日記》《那小子真帥》《貓的誘惑》

我是讀完一部軍事歷史小說(shuō)后讀的這幾本網(wǎng)絡(luò)愛(ài)情小說(shuō)，我的切身感受是不言而喻的，“淺顯”，“通俗”，是非常的“淺顯”“通俗”，我久久不敢下筆，不知該寫(xiě)些什么。

我在想，這些書(shū)之所以被稱(chēng)為“網(wǎng)絡(luò)小說(shuō)”是不無(wú)道理的，因?yàn)樯晕⒆非笠稽c(diǎn)文化底蘊(yùn)的出版社顯然不會(huì)在第一時(shí)間考慮到發(fā)行這樣一些書(shū)，當(dāng)然這也是以沒(méi)有考慮經(jīng)濟(jì)利益的前提下的假設(shè)。然而，還是耐著性子認(rèn)真讀了，通過(guò)比較體會(huì)，莫可可作品《你是我的UFO》算是差強(qiáng)人意。

這部作品有以下幾點(diǎn)值得肯定：

第一，詩(shī)性描寫(xiě)。整部作品描寫(xiě)細(xì)膩，詩(shī)意較濃，尤其是環(huán)境和景物描寫(xiě)，清新淡

雅，意境悠遠(yuǎn)，給人以美感。這與大多數(shù)充斥著大量表情符號(hào)和松散嘻哈的口語(yǔ)的網(wǎng)絡(luò)愛(ài)情小說(shuō)大為不同，從而使作品具有一定的文學(xué)藝術(shù)性。

第二，語(yǔ)調(diào)平和。在上述所列書(shū)目中這是唯一一部讓我讀著舒服的作品，語(yǔ)調(diào)不溫

不火，情節(jié)徐徐展開(kāi)，既不冒進(jìn)也不滯后，真正做到讓讀者平靜下來(lái)聽(tīng)作者

講故事，而不是硬著頭皮只求盡快翻完這本書(shū)。

第三，別樣愛(ài)情。在英雄美人模式下的網(wǎng)絡(luò)愛(ài)情小說(shuō)無(wú)論是以悲劇結(jié)尾還是以喜劇

收?qǐng)?，情?jié)描寫(xiě)、人物刻畫(huà)都大同小異，毫無(wú)創(chuàng)新。而這部作品打破常規(guī)，塑造的女主角不是美女而是胖女，甚至長(zhǎng)相是有些難看的女孩，著重突出人

物精神美與內(nèi)在美，追求一種真正的愛(ài)情，藝術(shù)的愛(ài)情，顛覆了只有美女才

能配帥哥的童話，這在構(gòu)思上顯然是一大亮點(diǎn)，更真實(shí)，更能打動(dòng)人心。

第四，現(xiàn)實(shí)啟迪。這部作品無(wú)論是在愛(ài)情方面，還是成長(zhǎng)方面都宣揚(yáng)出一種無(wú)所畏

懼、勇往直前的敢想敢做的精神。對(duì)于屬于自己的愛(ài)情怎樣經(jīng)營(yíng)，對(duì)于挖掘

自身潛能怎樣滿懷自信，對(duì)于人生路上的困難挫折如何面對(duì)，作品通過(guò)大量

心理描寫(xiě)表現(xiàn)得很到位，這無(wú)疑具有一定的現(xiàn)實(shí)啟迪意義。

綜上所述，莫可可的這部網(wǎng)絡(luò)作品是值得肯定的，盡管如此，這樣優(yōu)秀的網(wǎng)絡(luò)小說(shuō)仍然只是適宜做休閑書(shū)，用來(lái)放松讀者心情，沒(méi)有較深層的文學(xué)意義及現(xiàn)實(shí)意義以供挖掘。盡管網(wǎng)絡(luò)為我們的廣大寫(xiě)作愛(ài)好者提供了展示自我的自由空間，但我仍期待大家能拿出真正的作品，用心與感情寫(xiě)的作品來(lái)體悟這個(gè)時(shí)代，這個(gè)人生，文學(xué)的精神追求畢竟是神圣的。

文學(xué)院06級(jí)3班

200600100194李毓杰

第五篇：Thomas Hardy作者、寫(xiě)作風(fēng)格及代表作簡(jiǎn)介[小編推薦]

Thomas Hardy

Thomas Hardy(1840-1928)is the last of the great Victorian novelist.Hardy was born in Dorset, southern England.Son of a builder, he became a builder himself.At the age of 22, he began to write poetry.He insisted in studying literature and philosophy by himself.Then in 1867, he began to write novels.While, for the last three decades of his life, he turned back to poetry and became one of the major Victorian poets.Hardy was the most pessimistic novelist of the Victorian Age.Life after 1870s became drastically different with drastic changes in mood and tenor.The age of Emile Zola’s naturalism had arrived.Hardy was apparently affected: the spirit of determinism characteristic of the naturalistic works of the period permeated his later novels as well.But Hardy is not a naturalistic writer.Hardy was a prolific writer.His Victorian novels were divided into 3 groups, novels of character and environment, romances and fantasies and novels of ingenuity.He also wrote short stories and post-Victorian poetry.Hardy’s writing features lie in his determinist stance on the nature of life and the cosmos, his sharp sense of the humorous and absurd and his love and observation of the natural world with strong symbolic effect.Hardy’s stories are always moving and bewitching.He deviates consciously from traditional Victorian realism that emphasizes plot more than characterization.It is definitely to his credit that he manages to bring back to fiction a high sense of tragedy, the Greek sense of fatality.What’s more, Hardy places emphasis on the deeper psychology of his characters.Hardy’s language possesses a silent power and charm.His prose is studded with rhetorical devices and poetic imagery, and is richly connotative.He is also famous for his uneven style.While there are some minor flaws in Hardy’s works-his ideas are not always clear, and his plots may occasionally jump and dislocate.Tess of the D’Urbervilles is the most famous novel of Hardy.The story is about the tragic fate of Tess.Tess is a beautiful and pure girl at first.Then tragedies happen to her constantly.Under the torment of the hate for Alec and the love for Angel, Tess falls into great despair and she stabs Alec and runs away with Angel.But she is finally arrested and hanged.The story reveals the spirit of determinist defeatism and enforces its shibboleth of predestination, and no amount of human effort can alter its design of darkness.Tess is a paragon of innocence.What she asks for life is simple enough: to be loved and happy.But she is not get it because she is at the mercies of the odds against her.(Two men must appear in her life to confuse and distract her.One is totally evil;the other apparently good.The two both serve as the instruments of Chance.So many coincidences occur in Tess’ life that the hand of Chance is in evidence wherever she goes.)This novel is a mirror for the spirit of the time.Hardy describes his critical attitude towards the unjust treatment of women and his denunciation of the hypocrisy of the social structures an moral codes of Victorian England.