第一篇：《后天》影評(píng)

從電影中解讀地球 期末影評(píng) 12359060 羅舒婷 2012級(jí)中文系乙班

第一部分：觀后初感

不同以往的好萊塢大片 ——電影《后天》有感

“你有見過這么清澈的地球嗎”這是電影《后天》ending時(shí)的最后一句話。在一場(chǎng)肆虐的災(zāi)難過后，我們的地球又變得如此美麗。看完電影便知這是一部制作宏大的災(zāi)難片，但相比較我以前看過的好萊塢英雄主義的大片，這一次導(dǎo)演并沒有從某個(gè)人的偉績(jī)上著手，而是頻頻在鏡頭前表現(xiàn)人類在自然面前的無力甚至是無助之感。

其中有三個(gè)鏡頭我的印象特別深刻，第一個(gè)鏡頭是一開篇，氣候?qū)W家杰克霍爾要求他的同伴在冰下鉆26米，孰料，冰面突然裂縫，剎那間冰層分開左右，鏡頭外拉，裂開的兩地早已望不到頭。此時(shí)觀者我汗毛不禁豎起，為剛剛杰克去救那兩個(gè)試驗(yàn)品而差點(diǎn)掉入深淵而不禁捏一把汗。加之背景音樂肅殺的氣氛，一片冰冷冷的白，很好地渲染了災(zāi)難的可怕，給人以震撼。

接下來的第二個(gè)鏡頭幾股龍卷風(fēng)襲卷著洛杉磯城，一位大廈內(nèi)的清潔工人對(duì)外面發(fā)生的事情好像全然不知。一支的白光閃過他的眼睛，這時(shí)導(dǎo)演特寫他的臉部，帶著驚恐和小心翼翼，他拿著吸塵器一步步走到門前，再推開一間屋子的門，卻發(fā)現(xiàn)腳下已是深淵——龍卷風(fēng)早已席卷了這座大廈，以至于把大廈的外皮刮落！此時(shí)鏡頭外拉，整個(gè)洛杉磯城一片廢墟，滿眼荒涼。不得不震撼于此片對(duì)于大自然力量反撲社會(huì)的表現(xiàn)，在一種有些混沌的深灰之中，加之象征著恐怖的黑 1

色，連人們的著裝幾乎一概都是深色系，銀幕前光線一篇昏暗。引起觀者我對(duì)接下來人類如何面對(duì)災(zāi)難的好奇。

第三個(gè)鏡頭，也是我自己最喜歡的一個(gè)鏡頭，山姆去為父母報(bào)平安，杰克對(duì)山姆說，兒子待在那，風(fēng)暴旋會(huì)立刻席卷到你那里，盡可能的去燒火，一定要保暖，我會(huì)去救你。電話掛斷，那一頭山姆的父母相擁而泣，彼此為孩子的生死未卜，為杰克的北上而堅(jiān)定信心。另一頭，山姆和同學(xué)相擁，為活下去的希望而堅(jiān)定。從這個(gè)鏡頭開始，此片便開始探討起不同人對(duì)待災(zāi)難的不同，雖然手段不同，但目的卻鮮明的一致，那便是活下去。

無論是杰克霍爾還是他的兒子山姆亦或是其他的角色，他們都不是英雄，他們沒有拯救世界，從頭到尾都只是在拯救自己，拯救朋友，拯救親人，可正是這樣，才讓這部片子變得動(dòng)人。這種打破原有好萊塢模式的故事情節(jié)，以一種現(xiàn)實(shí)的手法去表現(xiàn)在災(zāi)難面前的愛，在災(zāi)難面前人們的堅(jiān)強(qiáng)，朋友受傷時(shí)的挺身相救，兒子遇險(xiǎn)不顧一切的北上救援，這一切才使這部片子變得有意義起來。不去問這種好萊塢大片的制作利益，僅僅只是去探討人性，去理解人類與自然的關(guān)系，帶著這種初心的片子，才是我們觀者所要去關(guān)注以及去探討的。

“如果我們不在明天就即及時(shí)采取措施,那么災(zāi)難就在后天”，面對(duì)大自然的災(zāi)難，人類要意識(shí)到這些年人類對(duì)自然的肆意的掠奪的破壞性，一切皆有靈，就如總統(tǒng)在結(jié)尾所言：“過去的幾周讓我們深刻認(rèn)識(shí)到人類有多渺小，大自然的反撲力量有多強(qiáng)大。一直以來，我們相信我們可以無休止地浪費(fèi)自然資源而不會(huì)帶來任何后果。而我想我錯(cuò)了，我們都錯(cuò)了”。是的，故事結(jié)尾我們?cè)倏吹侥且黄利惖牡厍?，藍(lán)白相間的它，清澈動(dòng)人。人類是可以與自然和諧共存的，作為這樣一部教育意義的災(zāi)難片，盡管一些科學(xué)知識(shí)的表現(xiàn)仍遭人詬病，但其深遠(yuǎn)的教 2

育意義，打破好萊塢傳統(tǒng)手法的敘事方式，仍是值得每一個(gè)有心的觀者靜心學(xué)習(xí)。

第二部分：分析電影中的科學(xué)性

《后天》：57攝氏度的“冰凍颶風(fēng)”

經(jīng)典鏡頭：紐約瞬間冰封。在冰凍颶風(fēng)卷過，紐約瞬間成了冰天雪地的極地，只剩下自由女神像佇立在那里，諷刺地看著只有冰和雪組成的大都市紐約。

科學(xué)謬誤：對(duì)紐約被冰封的原因，影片中的科學(xué)家的解釋是，颶風(fēng)迅速?gòu)牡厍虻膶?duì)流層吸收了大量溫度在零下100攝氏度的強(qiáng)冷空氣，然后來到地面，所以威力足以冰封一切。但事實(shí)上，對(duì)流層的空氣壓力僅為地面空氣壓力的約十分之一，當(dāng)空氣從對(duì)流層下降到地面，空氣的壓力增大，體積減小，根據(jù)熱力學(xué)第一定律，空氣在體積減小的過程中會(huì)釋放能量，同時(shí)由于空氣是很好的絕緣體，被釋放的能量不會(huì)流失，而是保持在空氣中，致使空氣溫度升高。那么，被颶風(fēng)吸收的零下100攝氏度的強(qiáng)冷空氣到達(dá)地面后，溫度是多少呢？答案是57攝氏度。這樣高的溫度，怎能產(chǎn)生冰封的效果？即使是最保守的計(jì)算，加入能量損失等因素，“冰凍颶風(fēng)”的最低溫度也就在零度左右，頂多叫“清涼颶風(fēng)”罷了?！緟⒖假Y料： 《好萊塢大片 作假?zèng)]商量》(節(jié)選)作者:溫俊華】

第三部分：電影中涉及到的地球科學(xué)知識(shí)的拓展介紹 冰河世紀(jì)的威脅 嚴(yán)重的溫室效應(yīng)

大陸冰雹，歐洲水災(zāi)、印度熱浪、美國(guó)一天16次龍卷風(fēng)，去年八月九日也創(chuàng)下百年最高溫38.7°C。這一切讓人不禁要問，地球究竟怎么了？世界衛(wèi)生組織研究指出，溫室效應(yīng)是地球氣候異變的元兇。氣候暖化使得兩極?融冰、海水增 3

溫、洋流改變，世衛(wèi)組織表示每年將有16萬人因溫室效應(yīng)外圍影響喪生，2020年死亡人數(shù)更會(huì)加倍。海平面上升更造成2500萬人遠(yuǎn)離家園，第三世界將因洪水、饑荒、干旱和農(nóng)作物歉收大舉移民，歐洲老年人將死于熱浪。

《后天》的歷史原型--新仙女木冰期

美國(guó)大片《后天》中描繪了全球變暖帶來的一個(gè)可怕的場(chǎng)景：由于格陵蘭和北極的冰山融化，大量淡水進(jìn)入北大西洋，降低了其鹽度，最終導(dǎo)致墨西哥灣暖流乃至全球海洋的熱鹽環(huán)流完全終止，赤道和低緯度地區(qū)因而停止向極地和高緯度地區(qū)輸送熱量，結(jié)果導(dǎo)致這些地方溫度劇降，進(jìn)入一個(gè)新的冰河時(shí)代。

這是否僅僅是科學(xué)幻想呢？確實(shí)，出于戲劇化的需要，這部電影中有大量夸張和不合理的地方，但整體而言，此片中的情節(jié)在科學(xué)上是講得通的，而地質(zhì)學(xué)家指出，歷史上地球確實(shí)發(fā)生過在極短時(shí)間內(nèi)溫度劇降的事件，其中最出名，對(duì)人類影響最大的就是新仙女木事件。

新仙女木事件名字的由來是因?yàn)樵跉W洲的地層堆積中發(fā)現(xiàn)了仙女木，這種現(xiàn)在只生長(zhǎng)于北極地區(qū)的草本植物，證明以前歐洲氣候曾經(jīng)比現(xiàn)在冷得多。之所以叫“新”仙女木事件，是因?yàn)樵诟绲牡貙又?，也發(fā)現(xiàn)過仙女木，故而仙女木事件不止發(fā)生一次。但是除了新仙女木事件以外，以前的歷次仙女木事件和《后天》中描述的發(fā)生機(jī)制都不太相同。

新仙女木事件的獨(dú)特之處，并不僅僅是平均氣溫降低---------歷史上，地球的平均氣溫曾經(jīng)降得更低，而在于她發(fā)生于冰川期結(jié)束，全球氣溫不斷上升這樣一個(gè)背景下。從18000年前的末次盛冰期，第四紀(jì)冰川期達(dá)到頂點(diǎn)開始，地球的氣溫就在不斷上升，冰川在不斷融化，但是在這個(gè)氣溫上升的過程中，卻突然 4

發(fā)生了新仙女木這樣一個(gè)氣溫驟降的反復(fù)，是非常有意思的，對(duì)我們今天研究全球氣候變化也是很有意義的。

新仙女木事件的起因現(xiàn)在一般認(rèn)為就是如同《后天》中所描述的那樣，冰川期結(jié)束時(shí)，全球氣溫升高，北美大陸的勞倫泰德冰架開始融化，在公元前1萬年左右的時(shí)候，冰川融解開始加速，大量淡水進(jìn)入北大西洋，導(dǎo)致全球海洋熱鹽環(huán)流終止，高緯度地區(qū)氣溫急劇下降，積聚了大量冰雪，潔白的冰雪對(duì)陽(yáng)光反射率較高，造成地球吸收的太陽(yáng)輻射減少，氣溫進(jìn)一步降低，而更低的氣溫又導(dǎo)致冰雪覆蓋的面積進(jìn)一步擴(kuò)張，如此反復(fù)，使得地球在短時(shí)間內(nèi)變得極其寒冷。

雖然新仙女木事件發(fā)生時(shí)氣溫下降速度并沒有《后天》中那么夸張，但確實(shí)是極快的。對(duì)于冰芯最新的研究表明，當(dāng)時(shí)北半球的平均氣溫可能在10年內(nèi)下降了20度左右。

作為對(duì)比，北京和廣州的平均氣溫相差大約10度。

那么，淡水進(jìn)入北大西洋為何會(huì)破壞墨西哥灣暖流乃至全球海洋熱鹽環(huán)流呢？

墨西哥灣暖流發(fā)源于加勒比海，終結(jié)于挪威。因?yàn)楸贝笪餮笊鲜⑿形黠L(fēng)，故而墨西哥灣暖流的熱量主要是通過空氣輸送給了西北歐（對(duì)北美也有加熱作用，但小一些），造成西北歐的氣候比同緯度地區(qū)要溫暖、濕潤(rùn)得多。

但是，墨西哥灣暖流雖然源源不斷地把溫度較高的海水從加勒比海帶到高緯度地區(qū)，加勒比海的海平面卻沒有下降，高緯度地區(qū)海洋的海平面也沒有上漲，這說明，除了墨西哥灣暖流之外，一定還另有洋流，把高緯度地區(qū)海洋多余的水體帶走，并補(bǔ)充給加勒比海，使得墨西哥灣暖流不中斷。這就是全球海洋的熱鹽環(huán)流。

事實(shí)上，墨西哥灣暖流只是全球海洋熱鹽環(huán)流的一部分，只不過全球海洋熱鹽環(huán)流因?yàn)楹芏嗖糠侄际窃诤Ｃ嫦?，所以不出名?/p>

墨西哥灣暖流在向北流去的過程中，不斷與空氣進(jìn)行熱交換，水溫降低；同時(shí)，因?yàn)槟鞲鐬撑髟诤Ｑ蟊砻孢M(jìn)行，所以水分會(huì)不斷蒸發(fā)，鹽度升高。溫度降低和鹽度升高都會(huì)造成密度增加，當(dāng)墨西哥灣暖流到達(dá)英國(guó)、挪威時(shí)，因?yàn)槠涿芏纫呀?jīng)非常高，就會(huì)沉入海底，再通過海底的洋流經(jīng)過印度洋、太平洋，補(bǔ)充回大西洋。墨西哥灣暖流之所以能不中斷，就在于北大西洋高緯度地區(qū)海洋表面的海水因?yàn)橄鲁?、流走，把加勒比海地區(qū)的溫水“拉”了過來；如果北大西洋高緯度地區(qū)的海水不下沉，就沒有給加勒比海的溫水的空間。而且，深海中的冷水流也會(huì)因?yàn)闆]有來源而停止，低緯度地區(qū)的海洋得不到補(bǔ)充，整個(gè)熱鹽循環(huán)就會(huì)終止。

而北大西洋高緯度地區(qū)海洋表面的海水之所以下沉，是因?yàn)槠錅囟取Ⅺ}度造成其密度較大；如果其溫度高一些，或者鹽度淡一些，則其密度就要降低；如果其溫度足夠高或者鹽度足夠淡，其密度可能就不足以大到下沉所需的密度，從而終止墨西哥灣暖流乃至全球海洋熱鹽環(huán)流。

如果足夠多的淡水進(jìn)入北大西洋，就可以把其高緯度地區(qū)的海水稀釋到不足以下沉的密度；這就是新仙女木冰期的發(fā)生機(jī)制，也是《后天》中所描述的。

一旦墨西哥灣暖流終止，西北歐地區(qū)氣溫就會(huì)降到同緯度其他地區(qū)--------加拿大北部和西伯利亞的水平，冰川會(huì)在挪威、瑞典、芬蘭和蘇格蘭等地開始發(fā)育，潔白的冰雪會(huì)把更多的太陽(yáng)輻射反射回太空，減少地球所能獲得的熱量，進(jìn)一步降低氣溫；氣溫降低又會(huì)促進(jìn)冰川的發(fā)育，如此反復(fù)。雖然溫度下降的速度 6

不會(huì)如《后天》中所描述的那么急劇，但是現(xiàn)在看，地球平均氣溫在10年內(nèi)下降20度左右是曾經(jīng)發(fā)生過的，以后再發(fā)生類似速度的降溫也是可能的。

在新仙女木冰期，氣溫接近于末次盛冰期。中緯度地區(qū)即使在盛夏，最高氣溫也從不超過10度，而冬季中緯度地區(qū)的氣溫普遍在零下20度以下。從9月到次年5月，暴風(fēng)雪幾乎從不間斷。站在直布羅陀海峽或者長(zhǎng)江口，就能看到漂在海上的冰山。當(dāng)冰期來臨時(shí)，雪線和林線會(huì)下移和南移；大量淡水被鎖在高緯度地區(qū)的冰雪中，低緯度地區(qū)的降水會(huì)劇減，這都會(huì)極大干擾人類的生活。新仙女木冰期對(duì)人類早期文明造成了極大的沖擊，一般認(rèn)為，北美大陸的克羅維斯文化的消失就是新仙女木冰期造成的。

當(dāng)然，人類也會(huì)適應(yīng)。在新仙女木冰期，西南亞和我國(guó)長(zhǎng)江三角洲地區(qū)誕生了農(nóng)業(yè)（歐亞大陸上其余地區(qū)的農(nóng)業(yè)全部是由這兩個(gè)地方傳播擴(kuò)散開來的），很有可能是寒冷干燥的氣候造成的惡劣環(huán)境使得狩獵/采集不足以支持生存，逼迫人們轉(zhuǎn)向農(nóng)業(yè)。至于農(nóng)業(yè)的發(fā)明并沒有一般想象的那么困難，很有可能早期的狩獵/采集者發(fā)現(xiàn)，如果把自己吃剩下的果實(shí)留下一些扔到地里，第二年再來的時(shí)候同一個(gè)地方就會(huì)有豐富的食物；重復(fù)幾次，農(nóng)業(yè)就誕生了?，F(xiàn)代分子生物學(xué)表明，在強(qiáng)人工選擇的條件下，馴化農(nóng)作物最短可能只需要30代（30個(gè)種植季）就能夠獲得足夠好的品種。

新仙女木冰期大約持續(xù)了1000~1300年，約在公元前9500年結(jié)束。其結(jié)束的原因現(xiàn)在還不清楚，但她的結(jié)束和開始一樣突然，大概是在幾年內(nèi)氣溫上升了7度。等到新仙女木冰期結(jié)束時(shí)候，人類進(jìn)入了文明時(shí)代?！緟⒖假Y料：百度百科】

以上是我看了電影《后天》之后，通過運(yùn)用地球科學(xué)知識(shí)分析、查閱資料整理出來的期末影評(píng)，本學(xué)期的《從電影中解讀地球》課程十分精彩，讓我這一文科生也不得不感慨地球科學(xué)的神奇魅力，吳老師的授課更是令我受益匪淺，感謝老師一個(gè)學(xué)期18周的辛苦勞動(dòng)！

祝： 工作順利！身體健康！

羅舒婷 2013年6月

第二篇：后天影評(píng)

絕得災(zāi)難片也不在是以前映像中憑空想象出來的東西了它多了一些真實(shí)性，感覺其實(shí)離我們的生活很近，不禁心里產(chǎn)生緊張感。而這時(shí)，我覺得導(dǎo)演想要的效果就達(dá)到了。

看完《后天》，說實(shí)話，讓我很是驚訝。想許多好萊塢的災(zāi)難大片一樣，《后天》呈現(xiàn)給觀眾，在溫室效應(yīng)的影響下，冰天雪地的情景叫人驚嘆不已。也叫人直感嘆我們?nèi)祟愒谧匀幻媲暗拿煨“?。我覺得，我們看《后天》不僅僅是看它的災(zāi)難有多嚴(yán)重，人們面對(duì)時(shí)地驚慌又怎么樣，我們應(yīng)該通過電影看本質(zhì)的，看出電影中導(dǎo)演想表達(dá)的更深一層的意思。

影片講述的是由于溫室效應(yīng)造成地球氣候變異，全球即將陷入第二次冰河紀(jì)的故事?！逗筇臁分凶畲蟮目袋c(diǎn)，某過于那些通過特效喝成的災(zāi)難畫面，而它力圖展現(xiàn)和說明的是：如果溫室效應(yīng)和全球變暖的趨勢(shì)繼續(xù)發(fā)展下去，勢(shì)必會(huì)引發(fā)全球范圍內(nèi)的重大災(zāi)難，這無疑是一個(gè)有著十分現(xiàn)實(shí)危機(jī)感的大背景。而本部片中，也匯集了許多頂尖特效，由于影片中的氣候變異先是從海水因氣溫急速下降而結(jié)成的冰，因此一些大型建筑物包括自由女生像，埃菲爾鐵塔，大笨鐘等都被凍成了冰柱，場(chǎng)面極為壯觀。當(dāng)然，本片出了鋪天蓋地的自然災(zāi)害以外，也刻畫了一段段在災(zāi)難危害面前，人們表現(xiàn)出的親情，愛情，這種人與人之間刻骨銘心的情感刻畫，也極為本片的精彩。

看完這部電影我只有一個(gè)問題，如果后天就是冰河世紀(jì)，我們可以怎么辦？在這部電影里我看到了自然的力量，那些瞬間冰化的世界，可怕的龍卷風(fēng)，洶涌的海浪，即時(shí)吞沒一切。我被里面的情感動(dòng)者，信任和親情，幫助和責(zé)任，救護(hù)車出現(xiàn)的那一刻，杰克抱著薩姆的那一刻，總統(tǒng)認(rèn)錯(cuò)的那一刻，太陽(yáng)出來的那一刻……這些都是我們面對(duì)一切困難的時(shí)候最需要的信任和愛，不離不棄，我不知道有誰可以從電影里面真正認(rèn)識(shí)到環(huán)境的重要性，尤其是那些領(lǐng)導(dǎo)人。也許什么冰川世紀(jì)是騙人的，我們也許不會(huì)面臨這樣的時(shí)候，但是我們每個(gè)人的心底里都知道，也許，我們遲早有一天會(huì)看到自然的報(bào)復(fù)的，我們不是在改造自然嗎，自然也是可以改造我們的。我們都不希望看到壞結(jié)果，就算是電影吧，最后的鏡頭也是那些生存下來的人們，和一片燦爛的地球，可是我們現(xiàn)在所做的一切都是想著好的結(jié)果的方向發(fā)展了嗎，我們問問自己……

絕得災(zāi)難片也不在是以前映像中憑空想象出來的東西了電影《后天》結(jié)尾，山姆和其他幾個(gè)幸存者等到了前來營(yíng)救他的爸爸杰克。紐約劫后余生的人們等到了營(yíng)救他們的直升機(jī)。一個(gè)光明的結(jié)尾，一個(gè)撫慰人心靈的結(jié)尾，一個(gè)人們期待得到的結(jié)尾。像無數(shù)部好萊塢災(zāi)難大片一樣，《后天》總算讓我們吐出一口氣，帶著心有余悸的心滿意足走出電影院。

看到這里，相信有人也會(huì)像我一樣，悲觀地在心里默念：山姆等到了杰克，但是誰來拯救我們的未來？

對(duì)資深影迷來說，會(huì)習(xí)慣性地挑剔拷貝的質(zhì)量；會(huì)嘲笑凍裂樓體的嚴(yán)寒竟然像追蹤獵物的猛獸一般，在爐火前停步不前；會(huì)詫異科考探險(xiǎn)者居然能夠把臉單獨(dú)暴露在冰凍的天氣下而若無其事?？燎笳鎸?shí)在這里沒有太大的意義 因?yàn)檫@個(gè)光明的尾巴無非是一個(gè)象征。包括杰克和山姆，包括“大人物”們，都無非是象征。象征著人類的理智，象征著人類的未來，象征人類的短視和反省。理智讓我們對(duì)災(zāi)難保持警覺，未來命懸一線，而短視使我們對(duì)災(zāi)難毫無戒備并且自食苦果。在好萊塢大片里，每當(dāng)?shù)厍蚝腿祟悶?zāi)難臨頭，不管是彗星撞地球，還是外星人入侵，或者是致命病毒襲擊，總會(huì)有一個(gè)凡人英雄，憑著超人的意志和九死一生的好運(yùn)氣，拯救人類于生死邊緣?！逗筇臁防餂]有“救世主”，在巨大災(zāi)難面前，誰也不能充當(dāng)英雄，但卻不乏智者和勇士，杰克就是這樣一個(gè)主角。還有英國(guó)科學(xué)家萊遜。他們預(yù)見到了人類即將遭遇的悲劇性結(jié)局。在災(zāi)難片里，英雄常常是這樣一些人物，他們所從事的職業(yè)在平時(shí)與“英雄”和“勇氣”毫不沾邊，比如杰克，一個(gè)古氣候?qū)W家。而現(xiàn)實(shí)恰恰如此，假如不是“非典”，誰會(huì)知道一個(gè)叫鐘南山的疾病防治中心的醫(yī)生？

電影的主旨是提請(qǐng)每個(gè)人：關(guān)心我們的未來！片名“后天”(the day after tomorrow)無疑是一個(gè)警示——?jiǎng)e以為災(zāi)難離我們很遠(yuǎn)，它就在眼前。

山姆得到了來自父親的承諾，父親履行了自己的諾言，沒有棄自己的兒子不顧?？墒?，誰能給我們的后代以承諾，為他們的未來負(fù)責(zé)？

2012并不遙遠(yuǎn)，肯定是會(huì)有大災(zāi)難的，至于人類能不能活下去，更重要的是取決于我們有沒有充分的準(zhǔn)備應(yīng)對(duì)災(zāi)難。

九十年 路漫漫, 水迢迢,我黨依舊風(fēng)雨如磐。幸逢90圣誕，愿我黨與時(shí)俱進(jìn)，成功從希望走向新希望

滄桑幾度 風(fēng)雨如磐

九十年 水迢迢

與時(shí)俱進(jìn) 千錘百煉

九十年前

ml水迢迢

與時(shí)俱進(jìn) 千錘百煉 九十年前

第三篇：后天 英文影評(píng)(簡(jiǎn)短)

Imagine that you’re in another ice age, shuddering from stem to stern in the biting wind, struggling to find any possible food deep in the pristine layer of snow.This , however, can exactly be true, just as the movie indicated.While scientists today fiercely argue about global warming, people actually knows little about the terrible chain reaction it could produce during a long period of time.It can be easily noticed that the movie attempt to strike the audience with a series of catastrophes.The dominant hue is dark and cold, always put the viewers under a sombre occasion.Even scientists themselves were not able to make any difference in face of the centurial tremendous change.Everyone could only try to save people close to them, regardless of so-called heroism.There is also a spectacle in this film when comparing with other blockbusters.People have been convinced that we human beings can conquer all since Renaissance period.Optimistic movie directors tend to have a supreme hero just as a super man who can eventually settle the problem once for all.Realizing that, Roland Emmerich, together with other artists, have always been drawing our attentions to the reality.Therefore we saw the great success of and the later<2012>.They warn us in such deafening words:”No solution at the end of the world!”

We can’t wait until the last day, since no one can afford to pay for it.Gazing at the lovely world around you, how can you imagine its extinction? To make a change is painful, but also necessary.

第四篇：后天&2012英語影評(píng)

My Impressions of the Disastrous Films

I.Introduction The Day after Tomorrow and 2012 are the science fiction films, involving the advanced digital video effects and many horrible and disastrous scenes to demonstrate the power of the nature and to make people worry about the future of environment and human beings’ existence and habitat.Indeed, the plots of these two movies are similar to each other.The Day after Tomorrow mainly tells us that Jack Hall, who is the climatologist, predicts that global warming will lead to a new ice age and he issues a warning at a New Delhi conference, hoping the American vice-president can take measures to deal with it.However, the vice-president refuses to listen to Jack and he doesn’t believe that prediction will come true.Before long, some abnormal phenomena happen in man cities.Actually, the scary disaster comes much faster than Jack has imagined before.Afterwards, tornados, floods, the snow, and the hailstones attack many cities.Then the president starts to pay attention to Jack’ suggestion and decides to evacuate residents of the north so as to save people as soon as possible.At the center of the story, Jack tries to save the world from the effects of global warming while he promises to save his son, Sam, who is trapped in New York.Finally, Jack succeeds in rescuing his son through many difficulties.In 2012, the main character, Jackson, a writer in Los Angeles, who works as a driver for the Russian billionaire Yuri, accidentally finds the big secret that the heads of government officials choose 400000 people to get on gigantic arks in order to ensure the continuity of human life when the world ends.So Jackson rents a private plane, and escapes from the disaster of destruction with his ex-wife, his son, daughter and his x-wife’ boyfriend, Gordon.The center of plot mainly tells us the process of his adventurous journey to get on gigantic ark.Eventually, a small percentage of humans survive from the disaster.Generally, these two movies show us the unusual trips and feasts for eyes and ears, which make us experience some moving scenes and learn some meaningful things.II.we can experience the warmth of the brilliant humanity of people from these two films.2.1 The brilliance of the deeply love.Love is the film’s principle and eternal theme, so do these two disastrous movies.Although these two films show us the terrifying scenes during the disaster, we still see the earnest and deeply love anywhere, such as the love between parents and kids, the love between the lovers, the love between the doctor and the little cancer patient, the love between dogs and the love between the strangers.These beautiful loves fill in the films and make us deeply touched.In these two films, what impresses me is the love between Jack and his son, Sam, and the love between Jackson and his kids, Noah and Lilly.Jack and Jackson are busy in working and have no time in accompanying with their sons, so Sam and Noah misunderstand that their father don’t care about them.Actually, their fathers really love them all the time.When Sam is trapped in New York, Jack determines to go from Washington D.C.to New York to rescue Sam through the ice sheets.In 2012 when the disaster happens, Jackson tries his best to save his son and daughter;when Jackson frees the drill and its cable from the closing mechanism, Noah works together with his father because he is afraid that he will never see his father again.Love between the fathers and kids are always impressed and valuable, if people touch it in heat of hearts.Sincerely, love is the greatest gift on the earth and it shows in any form and in any occasions.Love makes people great and powerful especially in the terrible situation.Because of love, people can work together to fight against the disaster.Besides, there are many moving sights which are full of love.For example, Frank chooses to die in order to save his teammates from death;the beggar gives his last sausage to his beloved dog;Laura tries his best to help the French woman and her children;Nima, a Buddhist monk helps Jackson’s family to get on ark;the American geologist Adrian convince other G8 leaders to let the remaining people on board.Altogether, these warm sights just show the brilliance of humanity, the beautiful love.2.2 The significance of the valuable bravery.Bravery is one of the most beautiful brilliance of humanity in the film.In these two films, most people keep brave to struggle against the disaster.The reporters are bold in reporting immediate news and message about the weather and environment.Doctor, Lucy is the only one person who has enough encourage to stay with the little cancer patient to wait the ambulance when others leave the hospital.The three scientists, who are trapped in the snow area, have nothing to choose, but to wait for death.Honestly, they are so brave and calm to confront of the disaster.Because of braver, they can face the disaster and deal with the situation calmly and optimistically.Due to the bravery, they devote themselves to their jobs with the heart and soul.Thanks to bravery, we can see many people stand fast at their posts.Therefore, bravery is one of the important key to overcoming the difficulties, conquering natural disaster and surviving.Without it, lives are lost, and dreams are destroyed.I think without bravery, people are easy to damage.2.3 The generousness of the great sacrifice.With the heavy heart, I find the brilliance of humanity, sacrifice, which always makes me shed tears.In the films, we can see many scientists sacrifice their personal interests so as to save the humans from the death;many daring rescuing teams make efforts to rescue others at the risk of their lives.Especially, the president in 2012 declines to get on ark but stays along with his people, making me moved deeply.What surprise me is that Yuri, who is a mean and selfish man, sacrifices his life to get his sons on board at last.Even if the disaster is terrible, and many people are eager to survive, there still are many people sacrificing their lives to save others in that they are great and disinterested in most cases.III.we can draw some important and profound lessons from these two films.3.1To value what we have possessed.After experiencing the disaster and surviving finally, the main characters in these two films both learn that value is very significant.At fist, they regard their jobs as the priorities, so that they don’t have enough time to stay with their family and express their love to those who they really care about.As the disaster happens, they just find out what is most important to them.When the death is coming, they just find that family is significant and they just regret not spend time on their family, their friends and their relatives.Unfortunately, the main heroes survive eventually, and they are reconciled with their family through the experiencing the disaster.It is obvious that people should better possess what they have at present, or we may have no opportunities in the future.Most people always fail to value something they have, but they often regret not to value before.They always understand the meaning of value when they lose something.So just spare some time to value some people who are important in your life and value the present as soon as possible.3.2 To revere the nature and protect the environment.The Day after Tomorrow and 2012 delivering the environmental message, which making people take seriously to revere the nature and protect the environment.In reality, we human always believe that we are the most senior creatures who can dominate the nature.We think we are so wise and powerful that we can deliberately and recklessly demand what we want from the nature and destroy the nature and environment as we please.Gradually, human being tries their best take advantage of any resources on the earth, and we human beings are only concentrated on the development of economy at any cost, but ignore to care about our nature and our environment.As a result, our environment is worse and worse, which threatens our habitat.Anyway, the nature is powerful, and the environment is very fragile, so we’d better revere and protect the environment.Otherwise, we will be punished by the nature the day after tomorrow and suffer a lot in the future.Ⅳ.Conclusion

The Day after Tomorrow and 2012 are the same types of the disastrous films, in general.Personally, I like The Day after Tomorrow better.In The Day after Tomorrow, the disaster results from that people excessively exploit the natural resources on the earth, which destroys the ecological balance of the earth.Just as the vice-president say that“we are wrong, I am wrong.We are wrong to treat the environment badly.” So the reason of the disaster and the president’s word are good for people to reflect and think deeply about the nature’s power and the environmental protection.While in 2012, the disaster happens because of solar flare bombardment the Earth's core begins heating up at an unprecedented rate, eventually causing crustal displacement.Seemingly, people are just the victims of disaster.So people hardly repent their errors and they cannot aware of the consciousness of environmental protection.What’s more, comparing these two movies, I am totally affected by the The Day after Tomorrow due to its deeply and strong emotions, and I am satisfied with its ending.While, I don’t agree the result of 2012, in which only some rich people and scientists and government officials survive.In fact, many people have no any opportunities to know the fact that the big disaster will comes because everything was kept by government around the world from the ordinary people.As far as I am concerned, all people have right to survive, whether they are rich or not.After all, everyone is equal and important.Generally speaking, I can benefit something meaningful and helpful from these two films.

第五篇：后天影評(píng)（最終版）

《后天》（The Day After Tomorrow）觀后感

隨著好萊塢電影事業(yè)的發(fā)展，越來越多的世界大片呈現(xiàn)在我們面前，盡管《2012》已經(jīng)給了我許多視覺上的刺激，但是《后天》的情景卻依舊歷歷在目，影片主題給我第一印象是人類因無節(jié)制利用自然而受到報(bào)復(fù)，于是全球氣候變暖，海平面上升，大氣環(huán)流異常，以美國(guó)為代表的地球一天之內(nèi)突然急劇降溫，進(jìn)入冰期的科幻故事，盡管故事中氣候?qū)W家杰克霍爾在觀察史前氣候研究后已經(jīng)指出溫室效應(yīng)帶來的全球暖化將會(huì)引發(fā)地球空前災(zāi)難，杰克博士呼吁過政府官員采取預(yù)防行動(dòng)，卻遭到副總統(tǒng)駁斥。

我覺得《后天》是在一種嚴(yán)肅、沉重的氣氛中發(fā)展情節(jié)，在《后天》里面我發(fā)現(xiàn)電影的視角總會(huì)從小人物開始，描述的是人們?nèi)绾握茸约旱男〖彝ヒ约邦B強(qiáng)的與世界決戰(zhàn)，這一幕幕總是來得更真切、動(dòng)人及令人深思，龍卷風(fēng)、颶風(fēng)肆虐，冰雹，城市被海水淹沒，氣溫驟降，這一切都時(shí)刻在告知我們，人的生命與人創(chuàng)造的文明成果產(chǎn)生了矛盾，于是大自然報(bào)復(fù)了我們。

雖然后天并不是特效做的最好的，但是導(dǎo)演在策劃的時(shí)候總是有不少震撼的細(xì)節(jié)可以觸動(dòng)我們的心靈，給我印象最深的是在偏遠(yuǎn)觀察站為美國(guó)提供寶貴數(shù)據(jù)后卻面臨冰凍時(shí)，三個(gè)人“幸?！钡睾韧曜詈蟮木疲褪沁@種不言而喻的感覺，不需要言語的表達(dá)，就可以喚醒那些苦于大城市里壓力的人們最深處的感知。而且更值得關(guān)注的是《后天》照顧到各人物的豐富表現(xiàn)，我想在世界末日來臨的時(shí)候，你或許最想知道的就是每一個(gè)人的感受與經(jīng)歷，這樣的場(chǎng)景已足以滿足觀眾們的視覺欲望。

每一部電影最不可缺少的就是主角，霍爾博士得知兒子山姆只身前往紐約去營(yíng)救女友，于是決定冒險(xiǎn)前進(jìn)紐約在冰天雪地中展開救援行動(dòng)。這時(shí)候?yàn)?zāi)難卻從紐約開始，曼哈頓摩天大樓遭到強(qiáng)烈旋風(fēng)的襲擊與大肆摧毀。突然間，地鐵隧道里涌出狂暴不止的洶涌洪水。大水吞沒，而我們只能坐在臺(tái)下感受到他們的驚心動(dòng)魄，《后天》總是制造出來逐層遞加的心理緊迫感，災(zāi)難過后，經(jīng)受死亡洗禮的戲里戲外的人，總是會(huì)想自己該干什么，一切都肇始于人類與自然的關(guān)系。如果繼續(xù)自私地生存和發(fā)展下去，大自然的報(bào)復(fù)或許會(huì)更加嚴(yán)重，天災(zāi)面前，死亡被無限放大，生命脆弱得就像被踩在腳下的螞蟻，這些電影或許都是預(yù)演，那么誰也不敢想象實(shí)戰(zhàn)的恐怖，因此我們應(yīng)該在正確對(duì)待人與自然的發(fā)展關(guān)系，力求平衡發(fā)展。