第一篇：體育教師工作總結(jié)王保宏

體育教師工作總結(jié)

2011上半年的一個學(xué)年即將過去，又到了本學(xué)年教學(xué)總結(jié)的時間，反思在這一學(xué)年里我深刻體會到了做體育老師的艱辛和快樂，我把自己的青春傾注于我所鐘愛的教育事業(yè)上，傾注于每一個學(xué)生身上；一個學(xué)年的工作已經(jīng)圓滿結(jié)束，收獲不少，下面我對本學(xué)年的工作做以下總結(jié)，并為新學(xué)年的工作確立新的目標。

一、思想認識

在一學(xué)年里，作為一名年輕老師，我在思想上嚴格律己，熱愛黨的教育事業(yè)，全面貫徹黨的教育方針，以黨員的要求嚴格要求自己，鞭策自己，力爭思想上和工作上在同事、學(xué)生的心目中都樹立起榜樣的作用。積極參加學(xué)校組織的各項政治活動。一學(xué)年來，我服從學(xué)校的工作安排，配合領(lǐng)導(dǎo)和老師們做好校內(nèi)外的各項工作。我相信在以后的工作學(xué)習(xí)中，我會在黨組織的關(guān)懷下，在同事們的幫助下，通過自己的努力，克服缺點，取得更大的進步。新的學(xué)年即將來臨，我將更加努力工作，勤學(xué)苦練，使自己真正成為一個經(jīng)受得起任何考驗的好同志。

二、教學(xué)工作

在教學(xué)過程中，教學(xué)進度和教學(xué)內(nèi)容的安排，按照由易到難，由簡到繁的原則，實行多次重復(fù)練習(xí)，使學(xué)習(xí)內(nèi)容在學(xué)生頭腦中留下較深刻的印象，有利于學(xué)生對技術(shù)動作的掌握和運動表象的形成。運動負荷由小到大，滿足了不同類型學(xué)生的要求，學(xué)生上課積極性高，能在老師的要求下積極鍛煉，對學(xué)生本身增強體質(zhì)，矯正和補償身心缺陷起到了很大的作用。使他們養(yǎng)成了良好的行為習(xí)慣和正確的課堂常規(guī)。

通過體育課的鍛煉，使那些有行動障礙的學(xué)生消除了自卑心理，感受到了學(xué)校、班級和老師的溫暖，有利于學(xué)生在今后的學(xué)習(xí)過程中樹立良好的自尊心，促進德、智，體等方面的全面發(fā)展。

整個體育教學(xué)，突出了實用性和趣味性的原則，既保證了學(xué)生得到積極鍛煉，又使學(xué)生在學(xué)習(xí)過程中感到愉快，養(yǎng)成了鍛煉身體的習(xí)慣。在教案的編寫上，突出了個別化教學(xué)原則，盡量使每個學(xué)生都能有適合自己的活動內(nèi)容和活動方式，更增強了學(xué)生的自信心，使他了解到自己在這個群體中重要性，是我們這個大家庭中不可缺少的一員。教師對學(xué)生的過高要求也是不利快樂體育的實施。教師在要求學(xué)生完成動作或訓(xùn)練時，有必要降低難度或要求，使身體素質(zhì)較差的學(xué)

生也能在運動中體驗到成功，如我在單足跳的練習(xí)中，可允許學(xué)生換一次腳，這樣就使學(xué)生嘗到了成功的滋味，有了很大的成就感。對待學(xué)生方面，既要求嚴格注重素質(zhì)的培養(yǎng)，提高他們的自信心方面，還多給予鼓勵和表揚，堅定他們克服困難決心，也培養(yǎng)他們吃苦耐勞，頑強拼搏的體育精神。

三、學(xué)校工作

我嚴格要求自己，工作實干，認真組織課余訓(xùn)練工作，精心計劃、籌備每次的課外活動和比賽，盡力豐富師生的校園生活。時刻為學(xué)生的活動安全著想，及時維護有隱患得體育設(shè)施和場地。作為體育組的一員，通過其他教師和我的共同努力和配合，我們出色地完成了2011年銀川科技職業(yè)學(xué)院田徑運動會徑運訓(xùn)練和比賽工作，還有2011年CUBA（寧夏賽區(qū)）我校女籃訓(xùn)練工作，并取得了四強的好成績。積極組織學(xué)生參加2011年教育部安排的學(xué)生體質(zhì)達標工作。增加了全校師生的運動參與熱情培養(yǎng)了他們對體育運動的愛好，強化了師生們的團結(jié)拼搏意識。在以后的工作，我將一如既往，腳踏實地，我會更加積極地配合學(xué)校領(lǐng)導(dǎo)完成各項任務(wù)，為學(xué)校的美好明天更加努力。

四、考勤方面

我在做好各項教育教學(xué)工作的同時，嚴格遵守學(xué)校的各項規(guī)章制度。處理好學(xué)校工作與個人之間的關(guān)系，在新學(xué)年中，我應(yīng)更加勤懇，為學(xué)校作更多的事，自己更加努力學(xué)習(xí)專業(yè)知識，使自己的工作知識水平更上一層樓。

五、主要成績

在這一年中，我認真對待、積極參與上級部門組織的各項活動。我上交的體育學(xué)科論文在縣教育局的論文評比中獲得二等獎；上交的五中區(qū)連片教研論文獲初中組優(yōu)秀獎，個人通過不斷努力和其他同事的幫助和指點使我的專業(yè)水平得到了極大的提高。在以后的教學(xué)和學(xué)習(xí)中我會更加努力學(xué)習(xí)。

教書育人是塑造靈魂的綜合性藝術(shù)。在課程改革推進的今天，社會對教師的素質(zhì)要求更高，在今后的教育教學(xué)此文轉(zhuǎn)自斐斐課件園工作中，我將立足實際，認真分析和研究好教材、大綱，研究好學(xué)生，爭取學(xué)校領(lǐng)導(dǎo)、師生的支持，創(chuàng)造性地搞好體育與健康課的教學(xué)，使我們的工作有所開拓，有所進取，更加嚴格要求自己，努力工作，發(fā)揚優(yōu)點，改正缺點，開拓前進，為美好的明天奉獻自己的力量

第二篇：王宏杰 工作總結(jié)

工作總結(jié)

時光荏苒，歲月如梭，轉(zhuǎn)眼間2017年已接近尾聲。2017年是系統(tǒng)體制改革、ETC收費車道順利開通的關(guān)鍵年。一年里，我們在收費工作上取得了一定的成績，但是離所要達到的目標還有一定的距離。作為收費班長，我深知自身應(yīng)該要擔(dān)當(dāng)起的責(zé)任。在帶好班集體，為領(lǐng)導(dǎo)分憂解難，做好收費班管理等工作上應(yīng)在多下功夫，為大時尼奇收費工作做出貢獻。關(guān)于一年工作，我做如下總結(jié)：

一．班組工作

我們收費一班，共有收費員7名，監(jiān)控員3名。我們都在為了同一個目標而努力，這個目標就是要把收費工作給做好，努力成為站級甚至是局級優(yōu)秀班集體。一年里，我們班從收費業(yè)務(wù)、文明服務(wù)、安全生產(chǎn)、工作紀律、打擊逃費與超限車輛、加強學(xué)習(xí)等方面展開工作。

1.收費業(yè)務(wù)

收費業(yè)務(wù)的好壞直接影響收費工作的順利開展。我們每月有目標、有計劃、有步驟的學(xué)習(xí)和考核，熟悉掌握各類收費政策及操作流程。努力提高應(yīng)對突發(fā)事件、特殊事件能力，保證收費現(xiàn)場的暢通。

2.文明服務(wù)

收費亭做為站所形象的窗口，我們的一言一行、一舉一動都代表著站所以及局里的形象。我們班要求每一個成員都嚴格做好文明服務(wù)，做到每一輛車必須做到唱收唱付，著裝整潔統(tǒng)一，面帶微笑、說文明用語。

3.安全生產(chǎn)

我在工作中時刻恪守“安全意識”，嚴把安全觀，嚴格按照局里和收費站要求做好安全工作，經(jīng)常組織學(xué)習(xí)安全知識及應(yīng)急安全演練。按時按標準完成班組安全日志、安全學(xué)習(xí)、安全檢查、安全會議，積極做到全年零事故。

4.工作紀律

無規(guī)矩不成方圓，經(jīng)常組織本班同志學(xué)習(xí)各項規(guī)章制度，做到人人都嚴格要求自己。平時工作從小事做起、從細節(jié)抓起，杜絕各類違紀違規(guī)現(xiàn)象的發(fā)生，當(dāng)班期間，堅決不做與工作無關(guān)的事情。

5.打擊逃費與超限車輛

在打擊逃費與超限車輛方面，尤其是沖卡車方面收效甚微，還需要改進工作方法和力度。

6.加強學(xué)習(xí)

今年是系統(tǒng)體制改革、ETC收費車道順利開通的關(guān)鍵年，許多新的制度、新的操作流程及操作技巧都發(fā)生了改變。我們積極組織開展學(xué)習(xí)，提升業(yè)務(wù)能力，加強自身素質(zhì)，努力做好收費工作。

二．個人方面 1.放眼大局

作為一名班長，就要比收費員擔(dān)待的多，吃苦在前，享受在后，處理特情的時候時刻站在站所的角度，去分析、去思考。上級領(lǐng)導(dǎo)下發(fā)的每一份文件，班長要在第一時間學(xué)習(xí)并熟記于心，通過班會傳達給員工。讓班組成員能夠在實際工作中從容應(yīng)對，最重要的是能夠認真熟練地貫徹和執(zhí)行。

2.抓業(yè)務(wù)

一班的業(yè)務(wù)水平一直不錯，但是下半年出現(xiàn)的操作失誤還是較多，究其原因是因為新進員工較多造成的，針對此現(xiàn)象我們進行了系統(tǒng)的培訓(xùn)，只有通過系統(tǒng)的培訓(xùn)才能夠從根本上解決問題。一點一點抓起，最終取得了很明顯的成效。

3.加強班組成員之間的溝通

班長要在班組成員之間搭建起交流的橋梁。別看平時大家都各忙各的，但是也會因為種種原因產(chǎn)生一些矛盾，這時候班長的協(xié)調(diào)能力就得到了體現(xiàn)，協(xié)調(diào)好了班組成員之間的矛盾，班組氛圍就好了，班長的工作也能順利的開展。

三、存在不足

在不斷系統(tǒng)實踐的同時，我應(yīng)當(dāng)要加強學(xué)習(xí)，提升自己的覺悟，及時跟領(lǐng)導(dǎo)溝通，讓領(lǐng)導(dǎo)了解班組的情況。我深刻知道，在大時尼奇收費所作為一名收費班長，需要的能力還應(yīng)該更多，對此我將在以后的工作中向領(lǐng)導(dǎo)及老員工學(xué)習(xí)，取長補短，爭取以更高的姿態(tài)去面對工作。

第三篇：王力宏演講

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week.I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music.See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address.It’s not the Oxford Union, it’s the union of East and West.I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West.And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade.Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”.I like that definition.But I want to put it in collegiate term for you students in the audience.The way I see it, East and West, are kinda like freshmen roommates.You don’t know a lot about each other aside that you’re living with each other in the same room.And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study.It has the potential to be absolute hell.We all have horror stories of that roommate, we all heard about those stories.I know a lot of students here in Oxford have their own separate bedrooms.But when I was a freshman at Williams College [crowd interjects] You’re kidding!Woohoo!Well I had a roommate.And he was that roommate.Let’s just call him Frank.So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day.And Frank had a 2-foot long bong under his bed that was constantly being fired up.For those Chinese speakers in the audience, Frank would 火力全開 on that bong.So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale.Every single day.Second hand.And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class.I was like, dude is it already 10 o’clock?

So, how many of you have lived with that Frank, or be a Frank? Having a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had.See, Frank, he didn’t make it to second year.And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends.So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter.I’m assuming we all agree that this is the goal that we all strive for.Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe?], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press?], Human rights in China worse than US.Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid![laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous.Very dangerous.And what about how Westerners are viewed by Chinese? Well, we have terms for Westerners.The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on.So are these roommates heading for a best friend relationship? I think we need a little help.And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.China’s not just those headlines.The burgeoning economy with unique politics.It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two.And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold.And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up.Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world.That is the power of music.That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people.And in this era of instability and intolerance, we need to promote better understanding through the power of music.The UN Sec-Gen thinks that we need more music, and I think that he is right.Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester, New York, I barely spoke a word of Chinese.I didn't know the difference between Taiwan or Thailand.[laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable finally happened: I got teased for being Chinese.Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there.So this kid let’s call him Brian [x].He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed.But I laughed along with everyone.And I didn't know what else to do.It was like having an out of body experience.As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, right? Wrong, on many levels.And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%.And I was confused.I wanted to punch Brian.I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in.I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester.And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums.And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.And by the sixth grade, guess who asked me if I would the drummer of their band? Brian.And I said yes.And that’s when we together formed an elementary school rock band called… Nirvana.I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name!But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we [think?].And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music.It was a powerful tool of influence and inspiration.Sam [Nguyen?] was my high school janitor.He was an immigrant from Vietnam who barely spoke a word of English.Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years.He never talked to the kids, and the kids never talked to Sam.But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching me? And he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role.I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.And that letter just floored me.I was 15 years old and I was absolutely stunned.That was the first time I realized how music was so important.With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one.It was an even higher level;it influenced others I didn’t even know, in ways I could never imagine.I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English.Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.Then let’s take another look at this state of union, the East and West union, with this soft power bias.How is the soft power exchange between these two roommates? Are there songs in English that have become hits in China? Sure.How about movies? Well, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success.What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago.Well, I think there’s a bit of an imbalance here.It’s called “soft power deficit”, that is to say the West influences the East more than vice versa.Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.And it’s just intrinsically a problem, this imbalance in pop culture influence.And I think so.In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the other? And that this exchange needs to have a healthy balance? And how do we address this? As an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit exist? Is it because Chinese music just [is lame?].Do you want me to answer that? [laughter] Yeah I think I see some of you are like, stop complaining and write a hit song!Psy did it!But there’s truth in that.The argument being that, the content that we’ve created just isn’t as internationally competitive.But why shouldn’t it?

Look at Korean pop, look at K-pop for example.Korean is an export-based economy and they are outward looking and they must be outward looking.Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain.So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent.So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate Chinese music.Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner.'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head.I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beat? Where’s the screeching guitar solos? Here I am as an American kid in Asia listening to Chinese music for the first time and thinking that “this stuff is lame.I don’t like it!” I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay.It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way.The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.And I think this happens to everyone, really, who is on the outside looking in.It always looks strange if you looked at things from your perspective, you’re always going to think that these people are weirdos, what’s wrong with them, why are they listening to these stuff? And I’m saying that you can make the effort [x], it can be done, and I’m living proof of that.And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen.So what else can we do to reduce this imbalance in our popular cultures? Well, maybe we could talk a lot, tour more outside of China? But seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers, [53?][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days.There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge.It’s world pop, and I love that idea.It’s not World Music.There used to be section in HMV called World Music, and I was like Ethnomusicology class in college.But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apart for way too long.It’s a melting pot, and it’s mosaic, that even if we looked up close, we’d still see the colours and flavours of each culture in detail.And where can we go to listen to world pop? I don’t think there’s a world pop station or magazine, unfortunately, there are none--there should be.There is the internet, and YouTube has proven to be a driving force for world pop.Britain’s Got Talent made Susan Boyle the hottest act in the world, and she achieved that not through the record labels or the networks, but through grassroots sharing.Gangnam Style is another great world pop, and how that just took over became huge worldwide world pop phenomenon.So world pop as it suggests is a worldwide pop culture is something that can be shared by all of us and gives us a lot of common ground.So today, what’s my call of action? I’ve already proven multicultural exchange between the East and West, I think I have made that clear, but how? I think… you can all become pop singers, really, I think that’s the [x], unless that’s what you really want to.My call of action is this: build and protect that roommate relationship between the East and West.Value this relationship and take ownership of it.Don’t come to Oxford as an exchange student from Taiwan and only hang out with other Chinese students.Why would you do that? You could do that in [x] or Nanjing or wherever you came from.Don’t buy into the headlines or the stereotypes or in the hypernationalism.Think for yourselves, and this goes for the East and the West, both.Get to know one another and think for yourselves and don’t believe the hype.For just a moment, if we could just disregard the governments and what the media are saying, just for the sake of the argument, with our own tools of critical thinking, can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality? Of course we can do that.And that’s the goal and dream, I think of the romantic artists and the musicians, I think it’s always been there.And that’s what I reach for, and that makes music so powerful and so true, that breaks down instantly and disintegrates all the artificial barriers that we create between each other, government, nationality, black, brown, yellow, white, whatever colour you are, and shows each other our hearts, our fears, our hopes, our dreams, and it turns out in end that the East isn’t that far after all, and the west, well the west, ain’t so white.And through understanding each other’s popular cultures, we gain insight into each other’s heart and true selves.And for those of you who are just beginning that journey, the West and East, I want to invite you today on this amazing journey with me, and I, as an experienced traveller on this road, on this West and East road, I’ve prepared a mixtape for all of you today, of ten songs that I love.There, that’s a C-pop mixtape that you can check out.I was gonna bring you all CDs but my publicist reminded me lovingly that that would be illegal, that as a professional recording artist, I shouldn’t do that.But I still think that it works out nicely because you get to see the music videos as well on a lot of these songs.These ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think these guys are awesome.I just want to wrap up by saying that being here on the Oxford campus really makes me nostalgic for my days at Williams.And when I look back on those four years, some of my fondest memories are spending time with my roommates Stephan Papiano and Jason Price.In fact Jason is here in the audience today, and made a special trip from London just to see me.And I suppose in the beginning we were strangers, we didn’t know much about each other, and sometimes we did compete for the shower and there were times we did intrude on each other's privacy, but I’ve always loved listening to Stephan’s stories about growing up in a Greek family and his opinions about what Greek food really was.Or Jason’s stories, about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that, and I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt.They were always attentive and respectful when I told them what it was like for me growing up in a Chinese household with strict parents who always made me study.So we shared stories, but the strongest bonds between us were formed just sitting around and listening to music together.And I really do see that as a model for East and West.So I really want to share Chinese music with you today because it’s the best way I know how to create a lasting friendship that transcends all barriers and allow us to know each other truly, authentically and just as we are.

第四篇：王玉宏學(xué)習(xí)心得

用愛鑄就人生 擔(dān)當(dāng)促進發(fā)展

創(chuàng)新實現(xiàn)成果

——參加小店區(qū)社區(qū)專職社工培訓(xùn)學(xué)習(xí)心得

2011年12月21日區(qū)社區(qū)建設(shè)管理局為全區(qū)210名專職社工舉辦了一次主題為“統(tǒng)一思想、加強管理、提升服務(wù)水平、提高素質(zhì)”的培訓(xùn)班，我參加了這次培訓(xùn)班學(xué)習(xí)。

培訓(xùn)班和去年一樣仍然由郝曉軍副局長主持，仍然由區(qū)黨校著名講師陳雅萍講課，但帶給我的卻依然是新鮮的精神盛宴，吸引我們思維的依然是震驚和更高深的感悟；從陳老師的講解思維中，我看出了明明白白的責(zé)任，以及在全省全面轉(zhuǎn)型跨越發(fā)展的關(guān)鍵時刻，加強社工自覺學(xué)習(xí)、提升服務(wù)水平，提高社工自身素質(zhì)的重要想和必要性；落在我們社工肩上的是任重而道遠的重擔(dān)。

陳老師站在全世界經(jīng)濟和政治發(fā)展?fàn)顩r的最高平臺上，從省市區(qū)歷史發(fā)展的得失角度詳細和頗有邏輯的向我們解釋了省委袁純清書記在省第十次黨代會上題目為《率先走進資源型地區(qū)轉(zhuǎn)型跨越發(fā)展新路，為加快實現(xiàn)全面建設(shè)小康社會目標而努力奮斗》的講話，用奇特的“跳起來摘桃子”形象詮釋了省委省政府制定全省經(jīng)濟跨越轉(zhuǎn)型發(fā)展的科學(xué)思路的來源和形成思維體系的過程，使我們真正領(lǐng)會了黨和政府的每一項政策形成都是以服務(wù)于人民為最終目的，特別是使用許多數(shù)據(jù)對比、利用許多真實圖片來說明，我們不盡從中感到震驚，喚醒了埋在我們內(nèi)心深處的那份情感，一年來的工作，總認為上級讓干啥，自己就干啥，上級的總體思路與我何干，我們只需機械的干好本職工作就可，至于什么服務(wù)全方位、目標、定位、開拓思考、學(xué)習(xí)實踐、創(chuàng)新社會管理等詞語都不應(yīng)是我們社工應(yīng)該主動涉獵的。通過學(xué)習(xí)，我們從無所謂中驚醒，我們社工的任務(wù)不再是表面的，而應(yīng)是較深層的；我們所從事的職業(yè)不是低下的，而是值得我們引以為自豪的；我們肩負著民生工程的前沿職責(zé)重擔(dān)；肩負著改革成敗、社會和諧的重擔(dān)；是創(chuàng)新社會管理的主力軍。

談及心得，通過學(xué)習(xí)我要從以下三點說一說我的思考：

一、用愛來鑄就自己燦爛的社工人生。

孫子曰：求其上，得其中，求其中，得其下，求其下，必敗。作為專職社工的人生（或者就說叫社工生涯吧）是否燦爛，完全取決于自己對自己的定位，高標準、高要求才能有較高的人生創(chuàng)建，社工的價值觀就是無償奉獻，用愛去播種服務(wù)之樹。袁純清書記再造新山西的發(fā)展目標中有：區(qū)域發(fā)展的新格局（幸福指數(shù)），民生福祉有新的水準，社會管理有新作為，發(fā)展環(huán)境有新氣象，幾條都與社區(qū)工作息息相關(guān)，機遇就在面前，就要到手邊靜等抓手可得，項項與我們社工有著緊密的聯(lián)系。愛崗敬業(yè)體現(xiàn)的是社工的工作根本；端正作風(fēng)，服務(wù)于民，體現(xiàn)的是社區(qū)工作的真諦；雷厲風(fēng)行，不拖拉，及時解決，體現(xiàn)的是社工工作的效果和目標，艱苦奮斗，體現(xiàn)的是社工工作的思想精神。季羨林老先生在與溫家寶總理的談話時說“講和諧不僅要人與人的和諧，還要講人與自然的和諧，重要的是人的心理的和諧”，在社區(qū)，心理和諧的調(diào)解是社區(qū)工作的重中之重，這項工作是一項充滿愛、充盈愛、啟發(fā)愛、傳播愛的工作，愛的無私奉獻才能真正體現(xiàn)社工的價值。近期，區(qū)政府將社區(qū)工作人員的工資待遇提高問題一度提升到政府工作的重要位置，體現(xiàn)社工的工作在轉(zhuǎn)型發(fā)展中的重要性，為此，我認為：燦爛的人生，社工也能創(chuàng)建，不過需要社工們用心和誠摯的愛為居民服務(wù)贏得。

二、用勇于擔(dān)當(dāng)來促進社區(qū)管理工作的大發(fā)展。2000年從在城市建立社區(qū)以來，社區(qū)工作在企業(yè)機制轉(zhuǎn)變、社會轉(zhuǎn)型中的重要作用越來越體現(xiàn)出來，心理專家說過，每一個生活在社會的人，他對生活在周圍的每一個人都負有100%的責(zé)任，作為社區(qū)工作人員，勇于承擔(dān)責(zé)任，才能真誠為民負其責(zé)，才能真正造就全心全意為人民服務(wù)的真諦，才能成為居民的真正公仆。一年來，我在平陽路街道汽造社區(qū)的工作過程中體會到一點，社區(qū)工作大多是雜事，碎事，有些事你認真去做，他就是事，你視而不見，它好像也無關(guān)大局，用這樣的態(tài)度去做社區(qū)工作，得到的效果肯定不會好的；工作中我認真觀察到，往往用不負責(zé)任的工作作風(fēng)工作的社區(qū)的管理工作肯定沒有進展，甚至?xí)雇?，所以我認為：作為社區(qū)工作主力軍的社區(qū)專職社工就應(yīng)培養(yǎng)勇于擔(dān)當(dāng)?shù)墓ぷ髯黠L(fēng)，樹立“居民的事再小，也是我們的大事”的工作理念，這樣，社區(qū)的每項工作才能夠做細，做到位、做完美，同時也能無遺漏，居民接受服務(wù)就更便捷，更全面，居民才能認可你，才能在得到幫助后，愿意來配合和參與社區(qū)整體建設(shè)的集體活動中，起到調(diào)動居民積極參與社會的效果，所以我認為，以勇于承擔(dān)責(zé)任的態(tài)度工作才能大力促進社區(qū)整體管理水平的長足進展。

三、結(jié)合本社區(qū)實際創(chuàng)新和探索社區(qū)管理新思路、新方 法實現(xiàn)和諧社區(qū)建設(shè)的新成效。

通過這次培訓(xùn)，結(jié)合我社區(qū)工作的實際，理順自己對社區(qū)管理的思考，我要講一講我社區(qū)對創(chuàng)新管理的新方法的探索和真對工作中遇到的問題向領(lǐng)導(dǎo)提出一項建議。

（一）新方法。兩年來，我社區(qū)黨支部書記兼主任楊改萍帶領(lǐng)全體工作人員嘗試一種我們給這種方法起名叫網(wǎng)格式包干服務(wù)法。汽造社區(qū)工作人員14人，轄區(qū)共20個小區(qū)，各小區(qū)狀況差異較大，根據(jù)實際情況，2010年年初，經(jīng)黨支部研究，嘗試將工作人員13人分成4小組，再將社區(qū)內(nèi)20個小區(qū)按區(qū)域分成四組，4組工作人員對應(yīng)承包4個小組，各小組都有社區(qū)主任楊改萍統(tǒng)一協(xié)調(diào)指揮下工作，各小組形成網(wǎng)格中的經(jīng)線，小組成員的配備根據(jù)承包小區(qū)特點來定，比如奧林花園、裕豐、供電、軍轉(zhuǎn)、人事這一組中，有計生工作較難抓的奧林花園和裕豐小區(qū)，這組中，城建工作普遍較難開展，就將計生工作人員和城建工作人員配置好一點。網(wǎng)格中的緯線是指每一組包干成員都是要具有綜合各口服務(wù)的能力，以及社區(qū)工作人員的相互協(xié)作的虛擬緯線。這種管理方法的特點是，1.居民接受服務(wù)較便捷，效率也高，所謂的“社區(qū)一人跑免去居民全跑動”。

2、小組服務(wù)對自己承包的區(qū)域情況了解較熟，能夠更加細化服務(wù)，服務(wù)和解決問題較便宜。經(jīng)過兩年的管理實踐，這種方法較適合我社區(qū)的實際，管理效果較顯著。

（二）建議：關(guān)于建立全區(qū)志愿者展示平臺，實現(xiàn)區(qū)域志愿者資源共享的建議。

近幾年社區(qū)志愿者隊伍也在不斷壯大，隨著今年的志愿者注冊活動的開展，志愿者工作管理更加規(guī)范，但是志愿者隊伍建設(shè)中還存在資源不平衡的現(xiàn)象，如有的社區(qū)是醫(yī)護人員集中的社區(qū)，這個社區(qū)的醫(yī)護志愿者就多，有的社區(qū)是軍隊社區(qū)，國防知識宣傳志愿者就較多，有的社區(qū)老年人較多，老年志愿者就多，這樣老年人較多的社區(qū)就需要醫(yī)護志愿者可在本社區(qū)就找不到，給普及志愿服務(wù)進社區(qū)工作開展形成障礙。所以我認為，如同商業(yè)廣告一樣，建議社區(qū)局出面，聯(lián)合志愿者協(xié)會，在網(wǎng)絡(luò)上開辟一個工作平臺，將注冊的全區(qū)志愿者的資料展示其中，當(dāng)某個需要志愿者服務(wù)的居民有這方面的需求時，就可通過平臺尋找到適合于他的志愿服務(wù)者，達到資源共享，更好地為需要志愿幫助的居民服務(wù)。

以上是我的學(xué)習(xí)心得，可能許多方面都很不深入，認識不是太深刻，懇請領(lǐng)導(dǎo)們能夠多提寶貴意見，幫助指導(dǎo)我提高自身素質(zhì)，為社區(qū)建設(shè)和服務(wù)做出應(yīng)有的貢獻。

2011

平陽路街道汽造社區(qū)社工：王玉宏年12月25日 用愛鑄就人生

擔(dān)當(dāng)促進發(fā)展

創(chuàng)新實現(xiàn)成果

--參加小店區(qū)社區(qū)專職社工培訓(xùn)

學(xué)習(xí)心 得

平陽路街道汽造社區(qū)

王玉宏

第五篇：小學(xué)體育教師期末工作總結(jié) 王琮

體育教學(xué)期末工作總結(jié)

這學(xué)期我較好的完成了學(xué)校的體育工作，如制定計劃和在大綱的指導(dǎo)下有目的、有計劃、有組織的完成了教學(xué)任務(wù)，向?qū)W生傳授體育知識、技術(shù)和技能，有效地發(fā)展學(xué)生的身體，增強學(xué)生體質(zhì)，培養(yǎng)優(yōu)良的道德意志品質(zhì)。其特點是：學(xué)生在整個教學(xué)過程中，在教師的指導(dǎo)下從事各種身體練習(xí)，通過身體活動與思維活動的緊密結(jié)合，來掌握體育的知識、技術(shù)與技能，并達到培養(yǎng)學(xué)生優(yōu)良道德意志品質(zhì)和發(fā)展身體，增強體質(zhì)的實效。

一、下面我通過幾個原則對這學(xué)期的教學(xué)工作進行總結(jié)：

1、自覺積極性原則；2.循序漸進原則；3.合理的運動負荷原則；

4、精講多練的原則；5.全面鍛煉的原則。

（一）、自覺積極性原則

這是指教師在教學(xué)過程中，教育學(xué)生明確學(xué)習(xí)目的，調(diào)動他們學(xué)習(xí)的積極性和主動性，并培養(yǎng)學(xué)生獨立思考的能力，使他們的學(xué)習(xí)成為自覺的行動。在體育教學(xué)中，為了使學(xué)生能自覺積極地學(xué)習(xí)和鍛煉。首先必須使學(xué)生明確學(xué)習(xí)的目的，有了目的才使學(xué)生自覺積極主動的去完成任務(wù)，明白總結(jié)學(xué)到了什么？其次，要注意培養(yǎng)學(xué)生的興趣，這樣才有利于調(diào)動學(xué)生的學(xué)習(xí)積極性和自動性。最后，科學(xué)合理選擇游戲內(nèi)容，正確地運用游戲的方法以學(xué)生的想象力、思維能力，是體育上的有聲有色，學(xué)生愛學(xué)，教師愛教，教學(xué)就能

收到良好的效果。

（二）、循序漸進的原則

貫徹循序漸進的原則。首先要正確認識和善于把握“序”的實質(zhì)。“序”就是反映客觀規(guī)律的程序。正確認識和把握了“序”，教學(xué)工作就是獲得預(yù)期的效果。其次，要立足“進”在打好“雙基”的同時，逐步深化。只有按照學(xué)生認識發(fā)展的規(guī)律和人體機能活動的特點，由淺入深，由易到難，由簡到繁，由少到多，由小到大，循序漸進的教學(xué)。才能使學(xué)生獲得系統(tǒng)的知識，提高技術(shù)和技能。

（三）、合理的運動負荷原則

在體育教學(xué)中，合理安排學(xué)生身體所承受的生理負荷，就是使學(xué)生身體既有一定程度的疲勞，又能承受住，并與休息合理交替，以便更好地掌握體育技術(shù)，技能，有效地發(fā)展身體，增強體質(zhì)。

（四）、精講多練的原則

這是指教師在體育教學(xué)中，為了更好地完成任務(wù)課的任務(wù)，根據(jù)學(xué)生的接受能力，用最精練的語言和最短的時間，簡明扼要地將教材的概念動作要領(lǐng)和練習(xí)方法講解清楚，讓學(xué)生有充分時間進行身體練習(xí)。

（五）、全面鍛煉的原則

實行這一原則，是由小學(xué)體育目的的任務(wù)和學(xué)生的年齡特征所決定的，全面提高身體各器官系統(tǒng)的機能和全面發(fā)展各種身體素質(zhì)，對促進學(xué)生身體的發(fā)育和提高各種基本活動能力，具有重要意義。

二、本人工作成果及收獲

在本學(xué)期的教學(xué)中，我教的一、三、五六年級班級都以90%的合格率體育成績達到合格率，我所帶的的跳長繩訓(xùn)練隊在穆老師的幫助下獲得了中心校長繩比賽第一名的好成績。在課堂上，合理安排學(xué)生們的教學(xué)內(nèi)容，使學(xué)生學(xué)到了很多有趣的內(nèi)容，得到了領(lǐng)導(dǎo)和同事的肯定，在經(jīng)過半年的歷練自己收獲匪淺。

三、本人工作不足及展望

當(dāng)然，我在工作中還有著些許的不足，對學(xué)生的課堂要求上面還是有很多的不足，比如對學(xué)生的熱身訓(xùn)練的強度不夠，在訓(xùn)練校訓(xùn)練隊時，因工作業(yè)務(wù)的不熟練，導(dǎo)致學(xué)生在訓(xùn)練時經(jīng)常出現(xiàn)不用功的情況，需要改進。

在下學(xué)期，在體育方面要迎來一系列的重大活動，我將緊我的最大努力，為我校在比賽中取得優(yōu)異的成績貢獻自己的力量。

我工作中的榜樣是馮瑩，她對工作認真負責(zé)，一絲不茍的態(tài)度，值得我在工作，學(xué)習(xí)中認真反思，努力學(xué)習(xí)。

總之，在今后的教育教學(xué)工作中，我將更嚴格要求自己，努力工作，發(fā)揚優(yōu)點，改正缺點，開拓前進，為美好的明天奉獻自己的力量。

棗林莊民族小學(xué)體育教學(xué)工作總結(jié)

棗林莊民族小學(xué)

王 琮 2014年1月15日