第一篇：盜夢空間英文版介紹

《Inception 》is a 2010 American science fiction film written, produced and directed by Christopher Nolan.The film stars is Leonardo DiCaprio,Dom Cobb（多姆，科布）is a skilled and special thief, he steal valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable [?v?ln?r?bl] situation.Cobb‘s rare ability has made him a player in this treacherous（不安全的）new world of corporate（公司的）espionage [?espi??nɑ:?]（間諜行為）, but it has also made him an international fugitive [?fju:d?itiv]（逃亡者）and cost him everything he has ever loved.Now Cobb is being offered a chance at redemption（贖回）.One last job could give him his life back but only if he can accomplish the impossible thing，Instead of the way before, their task is not to steal an idea but to plant one.If they succeed, it could be the perfect crimeBecause the crime is being existed to the person's thought

簡介：everything is on our thought.and cobb can take used of it.but he is be used for a commercial purple.Which make he lose a lot ,and then ,he have a chance to restart his life with

特色:1, it tell us a new thing that The brain cans accept a realistic scene and is like to manipulate the dream of it with clear state of mind.2, Because it is a movie that depends on a film content very much.What it wants to discuss of is all affair of dream world and memory

3, At all of the story , the directorChristopher Nolan.all insist using movie camera, computer at he there to be regarded as not worth a thing

4,there is also many famous stars

音樂片: musical film or musicals

The musical, in all its various forms, isa speciallivingart form

It is music combine at recount of connection in, and actually from recount inside of the person concretely perform or directly reflect

第二篇：盜夢空間英文影評

盜夢空間英文影評

In a not-too-distant future, no one’s secrets are safe, not even those buried in the deepest recesses of their minds: High-tech“extraction” technology allows teams of spies-for-hire to manipulate the dreams of others, creeping around their thoughts and riffling through their subconscious minds.Dominic Cobb(Leonardo DiCaprio)is the best in the business—good enough that even former victims like corporate hotshot Saito(Ken Watanabe)turn to him when they need someone to do the impossible.Saito is in a position to offer Cobb the one thing he wants most in the world: a way home.Saito’s connections can erase the murder charge that forced Cobb to flee his country and abandon his children to the care of their grandfather(Michael Caine), and all he has to do in return is get inside the head of Richard Fischer(Cillian Murphy), heir to a multinational empire, and plant the idea to dismantle it so deep that Fischer will believe he thought of it all by himself.Conventional wisdom has it that mental capital only flows one way: You can dig it out, but you can’t sneak it in.Cobb knows otherwise and assembles a team willing to do the mindwarp with him: chameleon Eames(Tom Hardy), who can assume any identity within a dream;chemist Yusuf(Dileep Rao), whose concoctions facilitate deep, prolonged sleep;architect Ariadne(Ellen Page), who imagines every physical detail of the dream world;and point-man Arthur(Joseph Gordon-Levitt), who sweats whatever details need sweating.The only newbie in the bunch, Ariadne quickly realizes what the others don’t: that the persistent dream presence of Cobb’s late wife, Mal(Marion Cotillard)—whom he was accused of killing—isn’t just a pesky sign of lingering grief.It’s a giant, flashing-neon warning that Cobb is on the fast track to a full-blown mental meltdown.By their nature, rubber-reality movies walk a thin line between clever and stupid.But when they work, the balancing act is breathtaking: Just think back to 1999, when The Matrix had fanboys, mall rats and cineastes alike lined up for a tumble down the rabbit hole.Inception owes both The Matrix and the all-but-forgotten Dreamscape(1984), in which a psychic is unwittingly drawn into a plot to assassinate the President of the United States in his dreams, a debt of imagination.But writer-director Christopher Nolan is much more than a crass recycler of other people’s cool ideas, and his greatest strength is the ability to tether pop-culture spectacle to authentic emotions.If Inception were all spectacle, it would be nothing more than magic trick of the month: nifty but disposable, at the mercy of smart alecks eager to reveal the cogs and wheels behind the illusion.But while one day soon the eye-popping effects will inevitably look dated, Cobb’s misery—a messy mix of grief, guilt, denial and resentment—will continue to feel painfully real.Whether or not history validates comparisons to Stanley Kubrick’s 2001: A Space Odyssey, Inception is a superior summer movie, one with heart and brains and loads of razzle-dazzle.

第三篇：盜夢空間觀后感

現(xiàn)實？

---觀《盜夢空間》有感在影片《盜夢空間》中男主角為了與家人重逢，彌補先前對已故妻子的過錯。從而在不斷地盜夢，接著以對一個富商的兒子植夢從而重遇前妻子的陰影。影片最后以男主與女兒團聚時那是欲搖欲墜的圖騰結尾，耐人尋味。似乎一切僅僅是一場夢又似乎是現(xiàn)實。實際上看完這部片我開始質(zhì)疑什么是現(xiàn)實?！笆裁唇姓妫磕阍鯓咏o真下定義，如果你說真就是你能感覺到的東西，你能聞到的氣味，你能嘗到的味道，那么這個真就是你大腦作出反應的電子信號?！焙诳偷蹏锏哪撬谷缡钦f。我們?yōu)槭裁创嬖?，一位改變了我對學習的態(tài)度的語文老師說過：“一切巧合均是必然?！睕]錯我們的一生似乎存在著許多的巧合，但這一切的巧合又指向了現(xiàn)在。從現(xiàn)在以前你認為一切巧合的東西的確不屬于巧合，假如只是一個輕微的改變?nèi)纾撼錾氖橇硪粋€我；則可以依據(jù)蝴蝶效應推得另一個世界。那么我們可以大致認為現(xiàn)實是一部戲劇，一部早已安排好的戲劇。未來并不存在可能性。一起的一切早已安排好。那么這種一切選擇均不是選擇的世界現(xiàn)實嗎？我們只不過在拍一場戲。這場戲的主角是每一個分子。這種已經(jīng)安排好走位的戲劇與活在夢中有什么不同呢？那么說吧，現(xiàn)實是不存在的。下一秒你會讀到這個字也已是必然的。

第四篇：盜夢空間觀后感(英文)

Some feelings about the Inception

Today I’d like to talk about a science fiction film called Inception,which is quite popular this year.In deed,many of my friends have seen it and we enjoyed sharing our opinions about this film.In this world, against what he had, there is a very strange titleimplanted in his mind a thought.No doubt, both from a technical or from the difficulty, it must be a perfect crime.The film shows us a different world of science, in-depth analysis of a team to steal a dream.I have to say it’s really an amazing film.It’s not only the success of Nolan but also for the screenwriters and directors.Because this film made so many guys begin to think deeply and they found happiness doing this and feel satisfied when got some consequence.The most wonderful film I think is what can make your idea free.I would like to describe the feeling as I drive a car in wild plains where I don’t need to obey the damn traffic rules and choose where to go just follow my own mind.For this film I got this feeling,I tried to understand the inner meaning by thinking reapeatly in many quite different ways.At last I got a clear understanding and felt I’ve just experienced a long and happy journey.In the helicopter Saito promised Cobb help him go back home after the task.But when he got into the limbo,he gradually lost his consciousness just like Cobb before.He failed to fulfill his promise and got older in regret.On the contrary Cobb gave the teammates and Saito the most full trust.He take a leap of faith in the circumstances of quite uncertainty and finish the task.He also went to limbo and gave him a chance to go back together to honor the agreement and restart as young men.In the end everyone woke up in the plane,Cobb finished the task and Saito fulfilled his promise to make Cobb’s family reunion.By means of this task Cobb and Saito both got the importance of trusting each other and save each other from their regres and finally get new life.So what I think the greatest value of this film is to tell us we should be honest to the choice of our deep mind no matter what forces you to change.The only way to be without regrets even when you get old is not to deceive yourself now.

第五篇：盜夢空間影評

英語電影賞析

----夢中鏡

[摘要] 作為一部叫好又叫座的影片，導演克里斯托弗·諾蘭的最新力作《盜夢空間》上映以來，就廣受影迷和影評人的關注。該片融合了好萊塢類型電影的眾多表現(xiàn)元素。諾蘭以往所擅長的迷幻色彩和遐想空間在該片中都被發(fā)揚到了極致。筆者認為，影片《盜夢空間》之所以能夠成功，首先在于其主題的選定——夢境；其次，迷宮一樣的結構設計，調(diào)動了觀眾的參與熱情；更為重要的是，影片充滿了情感的抉擇。自我的覺醒和蛻變；最后，成功的商業(yè)運作為這部電影錦上添花。

【關鍵詞】盜夢空間復雜性邏輯性結合體夢境

迷宮情感商業(yè)運作

一、夢境與現(xiàn)實昔者莊周夢為蝴蝶，栩栩然蝴蝶也，自喻適志與！不知周也。俄然覺，則蘧蘧然周也。不知周之夢為蝴蝶與，蝴蝶之夢為周與？周與蝴蝶，則必有分矣。此之謂物化。（《莊子·內(nèi)篇·齊物論》）

盜夢空間（Inception），看完148分鐘的電影，感覺就如片名所示，像做過一場夢一樣，一場關于好電影的夢。

認識克里斯托弗·諾蘭是從他的《致命魔術》和《黑暗騎士》開始的，他電影劇本的細膩讓我記住了這個70后的導演，盜夢空間更是吸引我的又一強作！它符合了我對電影的諸多期望：精致而讓人思考、沉浸其中的故事情節(jié)，演員到位的演技，華麗大氣的攝影風格，排山倒海的壯麗音樂，以及那巧奪天工的電腦特效?！侗I夢空間》的電腦特效不同于《變形金剛》，那是一種從頭轟炸到尾的標準美式快餐，而《盜夢空間》則會在很真實的場景里逐漸的做出一些讓你驚嘆的特效場面。

從《盜夢空間》的主題來看它無疑是屬于科幻片范疇的；如果細看其中的戰(zhàn)斗場面，你會發(fā)現(xiàn)其實第一層夢境就是《黑暗騎士》里常見的雨中街道的槍戰(zhàn)戲，第二層夢境就像《2001漫游太空》的太空失重加上美國歌舞大王弗雷德·阿斯泰爾那種天花板上打斗，第三層夢境就像在《俠影之謎》一開始的茫茫日本雪山上進行一場堡壘攻堅戰(zhàn)。如果從場面效果來看，這又可以是屬于動作片、槍戰(zhàn)片的類型的。

二、走不出的迷宮

夢幻，這是我對這部電影的第一映象，虛虛實實，實實虛虛，水中鏡，月中花，一切都顯得那么的不真實，寫這個影評作業(yè)之前也在網(wǎng)上看了一些大大寫的影評，頭有點疼??真的，他們有的把電影剖析到了哲學以及跟高層次，或是用無比華麗的辭藻來堆積起對對影片的贊賞，對此我表示無能為力??扯遠了，讓我們再回到電影中來，電影概要在這里就不多說了，大家都知道，主角Dom是個造夢大師，但他卻被自己的亡妻Mal的執(zhí)念所抓住，這一直困惑著他，齋藤雇傭Dom小組對一個富二代進行盜夢，這引出了四層夢境，層層相扣，在有關夢境的元素中，時間是最不可相信的。一個一閃而過的夢，在鏡頭中似乎是永無止境的，它在時間的長河中是沒有盡頭的，這給了我們豐富的想象力。也給力鏡頭無可比擬的表現(xiàn)力，片中inception一詞很有深意，《盜夢空間》英文名“inception”字面意思是(某個機構或組織的)的開端、創(chuàng)始、初期，所以該片也被譯為《奠基》。作為片名有三層含義：首先它是個整個盜夢任務的代號；其次，它的動詞形態(tài)是incept，具有“欺騙、獲取、攝取”的意思，代表考博慣用的盜夢手法；另外它還解釋了被盜思想(理念創(chuàng)意)的形態(tài)。在影片中指的思想植入就是它了，改變他人原本根深蒂固的思想，這也是盜夢空間的中心。

為什么能在巴黎看到他老爸？看樣子像是老師，那樣不就能和兒女直接聯(lián)系么，為什么始終是很抽象的概念。所以整個電影可能都是夢

在巴黎的時候和他老爸的對話就說他老爸應該也是夢境研究這個領域的教授，所以他才能夠介紹Ellen給Leo做Architect。另外，Leo的兒女應該是在LA和他們的奶奶一起居住的（參照Leo在東京打的那通電話）。

三、情感的漩渦

《盜夢空間》有太多精彩的地方，他非線性的敘事，回歸傳統(tǒng)的拍攝模式以及

強大的演員陣容，足以吸引觀眾的眼球和評論焦點。但是靜下心來，你會發(fā)現(xiàn)《盜夢空間》不僅僅旨在探求夢境與現(xiàn)實之間的關系，而是從一開始，技術和情感的矛盾就一直貫穿始終，這種情感的脈絡也是以一種非線性的敘述方式表現(xiàn)出來，較之于傳統(tǒng)好萊塢的愛情題材，雖然沒有《泰坦尼克號》的奔放，沒有《魂斷藍橋》的凄美，沒有《廊橋遺夢》的耐人、，味?？伤噪[秘的方式再現(xiàn)了人們內(nèi)心對親情和愛情的渴望．冉現(xiàn)廠人在自然狀態(tài)下面對自己欲望的抉擇和反思。這也是該片所帶給我們的深層思考。

“執(zhí)子之手，與子偕老”，多么美麗的愿望，如果沒有這么多的欲顰，或許原本兩個相愛的人可以終老。但人畢竟是復雜多面的，面對著利益沖突，面對著各種各樣的誘惑，一步走錯，悔恨終身。當柯布執(zhí)著于夢境的研究，執(zhí)著于思想可以被植入的想法時，實踐的結果是：他成功了，可妻子卻執(zhí)著地認為夢境中的長相廝守才是真正的世界。雖然柯布試圖崩技術挽同，但根植于人內(nèi)心的那種思想一旦被喚醒就不可遏止，最終的解脫就是死亡。當柯布眼睜睜地看著愛人墜樓的那一刻，內(nèi)心的歉疚讓他也迷失在現(xiàn)實與夢境之中，難以自拔，那兒可以無拘無束，可以造房子，隨意實現(xiàn)自己的愿望，那個世界他的妻子還活著。夢中，妻子的不斷出現(xiàn)，實際是柯布在和自己的潛意識作斗爭。他一直不愿意相信妻子已經(jīng)離開自己了，也一直不愿意承認是自己的欲望害了妻子。直到最后的那～槍才讓自己明白，要同到現(xiàn)實，和孩子們在一起。

《盜夢空間》的情節(jié)是一環(huán)套一環(huán)的，一層夢境是連著一層夢境的，劇情是有著很強的邏輯性的,讓人在享受電影的同時要很費腦子才可以跟隨柯布的節(jié)奏。整部電影的節(jié)奏還是比較緊湊的，當他們在夢境中遇到莫名其妙的攻擊或是襲擊時的那種深深地恐懼出現(xiàn)時，有幾場正在小巷子里追逐的戲，是常常使用攝影上的構圖。角度、運動來控制場面的。在那個時刻，黑色電影的感覺就會出現(xiàn)，其實從某種角度上看《盜夢空間》有時也可以被看做是含有黑色電影的混合類型電影。

類型片的交叉可以在一部電影中展現(xiàn)多種不同的元素，使電影顯得更加刺激，節(jié)奏更加明快，并且可以涵蓋更多的內(nèi)容、更好玩的因素。

四、商業(yè)運作和宣傳

除了動作、科幻、愛情、帥哥、美女等這些商業(yè)大片元素一樣都不少之外，《盜夢空問》在商、Ip運作和宣傳策略上也像該片一樣．充滿了奇幻色彩，使得媒體和大眾對這部片始終充滿了好奇和猜測。

討論類型電影的前提是這部片子必須是商業(yè)電影，類型電影是要經(jīng)歷市場的考驗的，是要講票房收入的和音像制品的銷售量的。除了這些，圍繞著電影的海報、書籍、玩具也帶來了巨大的收益?！侗I夢空間》中的那個圖騰——陀螺，在網(wǎng)上賣到脫銷?？梢娨徊亢玫碾娪白髌肥强梢宰屩苓叺难苌肥盏脻M盆金的。

【參考文獻】《外國電影史教程》（復旦大學出版社）

《外國電影發(fā)展史》（華東師范大學出版社）

《西方電影》（湖北美術出版社）

《諾蘭兄弟對話錄》

姓名：周臨軒

學號：091001125