第一篇：hamlet英文

Reasons of hesitation of hamlet: the king is well-guarded and he is his dear mother’s husband.He is afraid of hurt his mother’s heart.He is a humanist before the murder happened.Therefore,he think its hateful and awful to kill another human.His melancholy and dispiritment also make him hesitated.Besides,he did not believe totally what the ghost said.Brief process:hearing the death, oastmeet the ghost ,disguise crazily to cover his nervous and supervise what the king do.Hesitate about what the ghost said.Perform a play to validate the words from the ghost.The queen talk with hamlet, then hamlet kill 剝奪立刻(father of hamlet’s lover), he thought he is the king hiding behind the purdah.then the queen agree to correct her faults.hamlet is popular with the people.Then he was sent to a country as an excuse to be killed.but he escaped.He is well treated by the pirates.When he came back, he found his lover was dead for her father’s death.Then the king suborn 奧菲利婭’ brother to make a duel with hamlet.Then leioutis(oufeoliya’s brother)is killed by hamlet.Hamlet also killed by the poison lain on the sword.And the queen is killed by drinking wrongly the poison prepared for hamlet.Finally hamlet killed the king.Hamlet do not think twice about his country.He should know that a country can’t live longer wiyhout a king when he is unable to live.有一千個讀者，就有一千個哈姆雷特

一臉肅穆的憂郁王子，但“劇前期”的哈姆雷特可是一個在人文主義思想策源地的威登堡大學學習的快樂王子，他對人類充滿了理性的信念：“人類是一件多么了不得的杰作！多么高貴的理性！多么偉大的能力！多么優(yōu)美的儀表！多么文雅的舉動！在行為上多么像一個天使，在智慧上多么像一個天神！宇宙的精華！萬物的靈長！”

第二篇：hamlet 哈姆雷特 讀后感 英文

?To be, or not to be‘ is the object of this drama, this sentence reflects the contradiction and struggle of the young prince.After struggling with his own heart, finally, the young hamlet summoned up courage and fight with his evil uncle.Act I, scene i.On a dark winter night outside Ellsinore Castle in Denmark, an officer named Bernardo comes to relieve the watchman Francisco.Shakespeare uses a dark night as the first background to establish the dark tone.It leads people to a dim kingdom.Act I, scene iii.The morning after Horatio and the guardsmen see the ghost;King Claudius gives a speech to his courtiers, explaining his recent marriage to Gertrude, his brother‘s widow and the mother of Prince Hamlet.Having established a dark, ghostly atmosphere in the first scene, Shakespeare devotes the second to the seemingly jovial court of the recently crowned King Claudius.If the area outside the castle is murky with the aura of dread and anxiety, the rooms inside the castle are devoted to an energetic attempt to banish that aura, as the king, the queen, and the courtiers desperately pretend that nothing is out of the ordinary.It is difficult to imagine a more convoluted family dynamic or a more out-of-balance political situation, but Claudius nevertheless preaches an ethic of balance to his courtiers, pledging to sustain and combine the sorrow he feels for the king‘s death and the joy he feels for his wedding in equal parts.Act I, scene IV also continues the development of the motif of the ill health of Denmark.Hamlet views the king‘s carousing as a further sign of the state‘s corruption, commenting that alcohol makes the bad aspects of a person‘s character overwhelm all of his or her good qualities.And the appearance of the ghost is again seen as a sign of Denmark‘s decay, this time by Marcellus, who famously declares, ―Something is rotten in the state of Denmark‖(I.iv.67)

The short scene that begins Act II is divided into two parts, the first of which involves Polonius‘s conversation with Reynaldo about Laertes and the second of which involves Polonius‘s conversation with Ophelia about Hamlet.The scene serves to develop the character of Polonius, who is one of the most intriguing figures in Hamlet.Polonius can be interpreted as either a doddering fool or as a cunning manipulator, and he has been portrayed onstage as both.In this scene, as he carefully instructs Reynaldo in the art of snooping, he seems more the manipulator than the fool, though his obvious love of hearing his own voice leads him into some comical misprisions(―And then, sir, does a this — a does — / what was I about to say? By the mass, I was about to say some / thing.Where did I leave?‖(II.i.49–51]).In the first two scenes of Act III, Hamlet and Claudius both devise traps to catch one another‘s secrets: Claudius spies on Hamlet to discover the true nature of his madness, and Hamlet attempts to ―catch the conscience of the king‖ in the theater(III.i.582).The play-within-a-play tells the story of Gonzago, the Duke of Vienna, and his wife, Baptista, who marries his murdering nephew, Lucianus.Hamlet believes that the play is an opportunity to establish a more reliable basis for Claudius‘s guilt than the claims of the ghost.Since he has no way of knowing whether to believe a member of the spirit world, he tries to determine whether Claudius is guilty by reading his behavior for signs of a psychological state of guilt.In Act III, scene iii, Hamlet finally seems ready to put his desire for revenge into action.He is satisfied that the play has proven his uncle‘s guilt.When Claudius prays, the audience is given real certainty that Claudius murdered his brother: a full, spontaneous confession, even though nobody else hears it.This only heightens our sense that the climax of the play is due to arrive.But Hamlet waits.As we saw in Act IV, scene ii, the murder of Polonius and the subsequent traumatic encounter with

his mother seem to leave Hamlet in a frantic, unstable frame of mind, the mode in which his excitable nature seems very similar to actual madness.He taunts Claudius, toward whom his hostility is now barely disguised, and makes light of Polonius‘s murder with word games.He also pretends to be thrilled at the idea of sailing for England with Rosencrantz and Guildenstern.As befits a scene full of anger and dark thoughts, Act IV, scene v brings a repetition of the motif of insanity, this time through the character of Ophelia, who has truly been driven mad by the death of her father.Shakespeare has demonstrated Ophelia‘s chaste dependence on the men in her life;after Polonius‘s sudden death and Hamlet‘s subsequent exile, she finds herself abruptly without any of them.In the final scene, the violence, so long delayed, erupts with dizzying speed.Characters drop one after the other, poisoned, stabbed, and, in the case of Rosencrantz and Guildenstern, executed, as the theme of revenge and justice reaches its conclusion in the moment when Hamlet finally kills Claudius.In the moments before the duel, Hamlet seems peaceful, though also quite sad.Throughout this drama, maybe I do not have enough ability to appreciate it absolutely;I learn that people will feel at sea at times, but we must keep up our spirits to struggle and find a correct way to strive.

第三篇：英文論文：William Shakespeare：Hamlet

陳越 翻譯12

0814140789

William Shakespeare

Hamlet: Corruptionphysical corruption-is a precursor, signifying to the audience the ultimate fate of all those characters exhibiting signs of corruption.Polonius may be the most obviously corrupt character, but the centre of evil of the play's plot and of the kingdom is Claudius.When Marcellus states, 'Something is rotten in the state of Denmark.' it could be interpreted that he is speaking of a threat of war, but when looked at as symbolic, nothing could better sum up Claudius' corrupting effect on the kingdom which is brought on by his unpunished crime.His evil deeds carry him to the throne and pollute the people around him causing chaos, sorrow and death.The image of rotting along with the released odour permeating far and wide symbolizes the

infectious quality of sin.The suggested transformation of a beautiful human into a disgusting, purposeless mass symbolizes the effect of sin on the human soul.Hamlet himself strives to separate his noble qualities, which we have

seen throughout the play, from the circumstance and treachery against which he has struggled, and in which he has been entangled.As a prince Hamlet cannot not rule, but he too has become corrupted, not in mind, but by history, by becoming the focus of the ancient revenger's dilemma.Any action he takes will be morally dubious.Not taking revenge will reduce him and make him unfit for rule by his own standards, and taking revenge will do the same.Though Hamlet retains our sympathy at the end of the play, he has

murdered five people and caused the suicide of one.But Hamlet can still decide Denmark's future, by effectively appointing a successor.Thus, the corruption dies with him;all the inevitable justice is carried out;and Hamlet's legacy remains.From a morally dubious situation, Hamlet is able to wrest an honourable death, and the chance of stability for the future of his country.From the fates of Polonius, Claudius and Hamlet we see that corruption originating from 'disease' leads to death.Hamlet and Polonius' emotions

clouded their judgement and led them to their death.Furthermore we see that those who killed others in the play were motivated by the stagnant disease that infected their minds and bodies.Hamlet, for example, was overcome by the disease and unintentionally killed Polonius, mistaking him for Claudius.Killing another character was clearly not the correct path to solving problems;there was no clear judgement behind rash behaviour that included secrecy, lies, deceit, and murder.Corruption such as this could only lead to death.As an aside, we can note that Fortinbras was an intelligent young man who made his mark through the play quietly and honourably because he was a character whose mind was never infected with the 'disease'.A stagnant disease, with no cure, that inevitably leads to death: corruption.

第四篇：hamlet的賞析

CommentaryonFiguresofSpeech

Abstract:In dramma Hamlet,there are several reasons accomplish its success,such as the unique description of figure Hamlet’s characteristic,which is reached by psycho-analytical approach,the beauty of sound, as well as the rhetorical language.And among these factors ,as far as I’m concerned,figures of speech functioned dramatically.By using rhetorical languages ,the soliquy is made to be more attractable.And only in this way,can this drama arise reader’s resonation and be considered to be the summit of shakespeare’s art.Key words:figure of speechrepetitionmetaphoralliterationtenorvehicle there are mainly three kinds of figures of speech accuring in this soliquy,followings are they:Repetition,Metaphor,Alliteration.The function of each one is different.Repetition and Alliteration both are devices of sound,while alliteration can produce a beauty of music except Repetition’s clear and beautiful sentence structure.Then Metaphor can add emotional intensity,it can lead us to grasp the nature of described objects.Now let me illustrate the three tools in damma respective ly.Firstly, we begin with the Repetition,from the second sentence, the beginning phrase”to die,to sleep” is used again in the third sentence,this repetition of synonym called sound rhetoric.When this”to die, to sleep” is presented , it brings us a smooth feeling and comfort our soul,readers can even relax themselves to imagine the picture of dying.Besides,there are many other repetition structures,such as the eighth line”that flesh is heir to tis a consummation”the fourteenth line,’’that makes calamity of so long life ‘’and so on.Secondly,Iwill talk about the most common rhetoric use in this dramma,namely Metaphor.looking at this soliquy, Metaphor almost can be seen in every sentence and the effective result is of equivalent importance as other methods.Now I’ll give several examples.From the third line ,’’the slings and arrows of outrageous fortune’’,the slings is a kind of stone weapon,the arrows is a kind of sword.Here the tenor is outrageous fortune ,the vehicle is slings and arrows.Shakespear compared the slings and arrow to outrageous fortune ,implying that the Hamlet’s fate is full of dangers,and there are many obstacles along his life road.Then,’’or to take arms against a sea of troubles.’’the tenor is troubles, vehicle is sea,sea,as we know,the water in the sea is infinite, here describing the uncountable troubles and possess us a melancholy man.In the middle ofthe soliquy ‘’For who would bear the whips and scorns of time ‘’.the whips and scorns implying the unpleasant things and miseries.All these metaphor structures add literal effections to this drama.Thirdly, the use of Alliteration is also an essential part on contributing to the excellence of Hamlet,such as ‘’For who would bear the whips and scorns of time.’’,within the ‘’who’’,’’would’’,and ‘’whips’’,the same letter of each word’s starting showed us a sense of music.Then shakespear specified the intolerant harms in our life,used alliteration structure‘’the+noun’’.It not only makes the theme clear but also produced a beauty of sound, which when we appreciate it we can easily been impressed by it.Though the figure of speech is not the most remarkable character, it matters a lot in pushing the drama to a higher level than if it is usedinplain words.

第五篇：hamlet 論文題

詮釋與想象的空間:批評史中的莎士比亞與《哈姆雷特》

正義之辯:哈姆雷特形象的再闡釋

哈姆雷特:政治意識形態(tài)陰影中追蹤死亡理念的思想者

凋零的愛——論哈姆雷特與奧菲利婭的愛情悲劇

后現(xiàn)代主義視角下的《哈姆雷特》研究

《哈姆雷特》之獨白賞析——哈姆雷特復仇之路上的痛苦與掙扎

從弗洛伊德的人格三結(jié)構(gòu)闡釋哈姆雷特的猶豫

哈姆雷特之謎新解:拉康的后精神分析批評

哈姆雷特:一個為追尋生命意義而沉淪的人——兼“哈姆雷特非人文主義者”之論辨析

欲望及對《哈姆雷特》中欲望的闡釋

本我回歸——哈姆雷特向死而生的心路歷程

綜觀哈姆雷特性格延宕批評之得失——兼論哈姆雷特延宕之因

愛情·理想·瘋狂與死亡——論哈姆雷特與奧菲利婭

責任的重負——哈姆雷特的倫理困境

善與惡的對決——從基督教文化視角審視莎氏悲劇《哈姆雷特》

俄狄浦斯情結(jié)的再現(xiàn)——以弗洛伊德精神分析學分析莎士比亞《哈姆雷特》