第一篇：英文讀書報(bào)告

英語(yǔ)讀書報(bào)告范文 there is no standard form for a book report.however, every book report should contain the following four parts: 1.identification.give the title and author’s name.if the book is one with which your readers may not be familiar, identify it further.give the name of the publisher, the place and year of publication, the price, and the number of pages.later to relocate quotations or other information.4.evaluation.your opinion is the most important part of the report.it may be either your immediate reaction to the book or a judgment based on further study.in either case, your opinion impression of the material after you have finished the book.writing book reports can be a valuable exercise in clear thinking and precise writing.it also gives you the opportunity to improve your writing and to develop a style of your own.*** 題目統(tǒng)一為: a book report of thirty-nine steps 內(nèi)容的四個(gè)部分可以成四個(gè)段落寫，不能出現(xiàn)1，2，3，4字樣； 英文中沒(méi)有書名號(hào), 每個(gè)詞用大寫就可以或再加上下劃線表示，不用引號(hào);省略號(hào)為三點(diǎn)；

常見(jiàn)的表達(dá)法：簡(jiǎn)寫本 simplified version/abbreviated version 故事大意如下 the gist of the story is as follows 主人公 leading role/leading character/hero/heroine 以??為背景 it is set on the eve of?/it is set on the background that?

sample 1 a book report of the black tulip by li minli, class 5, 2005 the black tulip is a novel written by alexandre dumas pere, simplified by micle wester, and was published by shanghai translation press in 1983.the story is set in the 17th century in holland when fierce political conflicts prevailed while the society rioted.in this story, cornelius van baerle being so crazy about tulips tries to grow a black tulip without any other color on it at all in order to gain quite a substantial sum of money offered to the winner.however, boxtel, a man living in the next door, also has a crush on the money.he then supervises every movement of cornelius secretly for fear that cornelius may grow better tulips than his own.besides this, he also carries out many surreptitious activities to destroy cornelius’ tulips by all means.once a while, he accuses cornelius of harbouring letters that might be harmful to the government so that cornelius is sent to the prison without giving provocation.this nearly causes him to death.even here, cornelius manages to grow tulips with the help of rosa, the daughter of the prison-keeper.but unfortunately, their first black tulip is stolen by boxtel.it’s rosa who proves the truth and saves coenelius by herself!it’s a happy ending in this novel as it says “those who have suffered much, have a right to be happy.” this quotation brings the whole story to an end and will certainly motivate readers to go on.rosa herself will remain as quite a good example, too.besides, “justice could defeat evil however difficult it is and whatever the process would be” can be easily seen as the author’s deep philosophy towards life.by reading it, the reader can both enjoy the plots and be stimulated!sample 2 a book report of the black tulip by huang xin, talents class, 2006 i have recently read the simplified version of the black tulip published by shanghai translation press.this novel was written by the distinguished french writer alexandre dumas pere, the pioneer of the romanticism literature movement in france.he was so popular that his works had been translated into several languages this novel took 17th century dutch bourgeois revolutionary period of intense political struggle and the turbulent life as its background.dream and achieves happiness at last.earned through your own honest efforts.firstly, in order to obtain happiness, you should achieve your successful work, in order to achieve your successful work, you篇二：英文讀書報(bào)告撰寫格式

英文讀書報(bào)告撰寫格式

報(bào)告題目為3號(hào)黑體居中

學(xué)生姓名、專業(yè)班級(jí)、學(xué)號(hào)、正文及參考文獻(xiàn)均為小4號(hào)

雙倍行距

2．打印紙張規(guī)格：用a4紙單面打印。3．報(bào)告第一頁(yè)第一行應(yīng)為：報(bào)告題目

第二行靠右應(yīng)為：學(xué)生姓名、專業(yè)班級(jí)、學(xué)號(hào)

接下來(lái)是正文；參考文獻(xiàn)在正文之后。4.報(bào)告字?jǐn)?shù)為1000---1500字。

第二篇：英文讀書報(bào)告格式

英文讀書報(bào)告(BOOK REPORT)的格式

1.Introductory Paragraph

The first sentence should state for which instructor and class the book-report is being written.The second sentence should state the title of the book and the author's name.The third sentence should tell how many pages the book has and the name of the publisher.The fourth sentence can state basic bibliographic information about the book.Bibliographic information means not only the author and title but also what company published the book, what year it was published in and any other relevant information such as the edition and if the book has been translated, simplified or abridged.(see copyright page and the back of the title page.)

The next sentence should state the reason(s)you decided to read this book.Why did you choose this particular book? Typical reasons might be:

o You like the author.o You like this type of book(i.e.mystery, western, adventure or romance, etc.).o Someone recommended the book to you.o It was on a required reading list.o You liked the cover.These reasons do not have to be complex.Most people choose the books they read because they like the author or somebody recommended it to them.If you chose the book because you like the author, then state why you like that author.An optional sentence can be used if the cover(back cover)of the book gives you any additional information then add a sentence with that information.o Was the book a best seller?

o Are there X million copies in print?

o Did it win any major awards?

2.Main Character(s)Paragraph

The first sentence of this paragraph should state who the main character or characters of the book are, and why they are important.Refer to this person or these persons as the Main Character or Main Characters.You will need at least a complex sentence for this, and probably more than one sentence.3.Other Characters Paragraph

You should compose at least one sentence for each of the other prominent or important characters in the book.State the name of each of the other important characters, and the key role that each one plays in the book

Most books have five or six prominent characters besides the main character, so simply listing each one and stating their role in the book will give you a good sized paragraph.4.Plot Summary Paragraph

This is perhaps the hardest paragraph to write in five sentences or so.If you have to write a bit more don't worry.Here are the main points to cover:

o State the type of book(Mystery, Western, etc.).o What place or country was the book set in?

o What time period was the book set in?(19th century, the present, ancient Rome, the 23rd century).o Other physical locations which are important, like: ships, airplanes, houses, or buildings.o Other notable attributes of the book.(Was it violent, scary, fast paced, etc.).o What is the main character trying to do?

o What is the outcome of the book?

o etc.Make sure you cover all of the major parts of the plot.You might have to go back through the book, chapter by chapter, and make a few notes.5.Personal Impressions and Conclusion Paragraph

Simply talk about what you liked or did not like about the book.Use this paragraph as your conclusion.It should summarize your overall impressions of the book and bring the report to a close.o Start with a sentence that states that you are now writing a conclusion.(For example: “My final thoughts on 'A Fine Balance' are that it is a fascinating book but I am not entirely sure if I completely understood the thematic message of the book.”

o Restate your reasons why you liked and/or disliked the book using different words.o Write two sentences that talk about the books good points and weak points.o Write a sentence or two about what you learned from the book.o Close with a sentence that states whether you would recommend the book to others.Don't be afraid to give your own honest impressions of the book.After all, if you've read the book thoroughly, you are entitled to your own interpretation of it.Typically, your book report should not exceed two double-spaced pages, and it should be somewhere between 600 and 800 words in length.Book report on Robinson Crusoe

gone with the wind

第三篇：英文讀書報(bào)告

Class: 08本二班

Name：李秀清 NO：200841010234 page: 1

Afterthought of “Shuang Leng Chang He”

Friendship

Recently, I read a book named ?Shuang Leng Chang He?which is written by Yu Qiuyu.There are some essays about philosophic theory of human life in this book.However, I was attractive by the essay of friendship for I was told the essence of friendship and learnt how to make friends with others.Friendship is an eternal theme we examine and explore.But what is friendship? What is the real meaning of friendship? As we know, friendship is a life-long treasure.With friends, we share our joys and tears.Friendship is not a commodity with a price, nor should we alienate our friends by questioning or judging their virtues.In traditional culture of China, most of the literary men admire the friendship between Yu Boya and Zhong Ziqi.They hold the point that mountain stream with a knowing ear is the luckiest thing and looking forward to this kind of friendship in their whole life.However, a bosom friend is not easy to find in the real world.It usually comes that the person is your friend today, and tomorrow would be your enemy.Even more, when a person was deceived or betrayed by his friends, he would never trust any friends.Usually, people will try their best to help their friends, even their lives when needed.However they find it hard to forgive the friend who betrayed them.Hence, how to establish friendly relationship is very important and necessary for human beings.There is a Chinese saying goes, you depend on your parents when you stay at home, and you depend on your friends when you go out.This kind of saying indicates that the importance of friends, at the same time it means the value of friends is for dependence.Therefore, will you make friends with a person who has no use for you? Or anyone helped you can become your friends? What do we expect from our friends? From my point of view, a real friend does not care your background, your wealth, your appearance.The truest friend of all is one that reads your very soul, one who is always there when needed.A real friend does not expect something from their friends or depend on his friends.Friendship is an in-depth relationship combining trust, communication, and understanding.Some people hold the idea that finding a friend is like coming home.When you come “home” to a friend, you can relax;unbosoming you pains and sorrows and you needn?t pretend or act tough.But do not forget one point that is keeping distance between you.Most people of China are likely to ignore this kind of problem, which sometimes causes some unnecessary troubles.From my point of view, we should better keep proper distance with our friends if you want keep a stable relationship.Generally, as a Chinese, people would rather receive excessive kindness than say “NO?? to their friends.In their opinion, a good friend should not turn down their friends, if this happened, their friends would be regarded that they were looked down by their friends and felt loosing face.For example, one of your friends is afraid of exam and he asks for your help during the examination.What would you do? To be or not to be? Even though you are unwilling to cheat in the exam, you still promise to offer help and endure the suffering yourself from treating.Every man alone is sincere.At the entrance of a second person, hypocrisy begins.Emerson said “A friend is a person with whom I may be sincere.I do not wish to treat friendship daintily, but with roughest courage.” From these words, we know that friendship is built on sincerity, and sincerity is based on equality of personality.Without sincerity and equality of personality, people will not trust others and make friends with others in heart.In addition to this, Aristotle also said that wishing to be friends is quick work, but friendship is a slow-ripening fruit.Maybe it only takes one second time to be friends, but you will spend more time to establish friendly relationships.Pure friendship without judgment can enrich our life.We have our own judgments on our friends according to their virtues.Though you find virtues in your friends, he was your friend before you found them.If you choose your friends on the ground that you are virtues and want virtuous company, you are no nearer to true friendship than of choosing them for commercial reasons.Though you may choose the virtuous to be your friends, they may not choose you as a friend.Nevertheless, without judgment does not mean that you should ignore what is right and wrong to support you friends without condition.Unquestioning support will bring disaster finally.From this article, people may feel that it is not easy to find a real friend.In fact the problem is we require too much from friendship, such as the sense of belonging, obligation and other virtues.If we get rid of this kind of demand and fetter, we will understand the friendship clearly and enjoy it completely.Friendship is just like a seed which we should look after carefully.Cherish is a virtue.A friend is a friend;you should cherish the relationship maintain it with hearts.What?s more, we should

learn how to keep distance, how to keep the independence of spirit and personality;learn to distinguish what is right and what is wrong and make the exact choice.Person whom possesses his own idea and character would win the real friendship.Last but not least, no matter how eager we are to make friends with others, we should not forget the point, that is, action is one of the best ways of expression of your sincerity.Beautiful words do not give any sense.An action is better than thousands words.2011年 3月20日

第四篇：讀書報(bào)告 傲慢與偏見(jiàn) 英文

浙江萬(wàn)里學(xué)院

外語(yǔ)學(xué)院英語(yǔ)專業(yè)

（2011級(jí)）

讀

書

報(bào)

告

學(xué)號(hào) _2011013041____姓名___潘圣玲______ 班級(jí)___英語(yǔ)118班___專業(yè)____英語(yǔ)_________ 完稿日期_2012/12/8___成績(jī)______________________

Title: Pride and Prejudice

I.Bibliographical information

Author(s):_ Jane Austen______Edition:_ 段鴻欣編譯__________

Year of publication:____ 2010年6月_______________

Place:___ 北京復(fù)興門外大街2號(hào)___ Publisher:___ 中國(guó)國(guó)際廣播出版社____

II.Information about your reading

1.The reasons why you selected the book:(≥20words)_ because Jane Austen was hailed as a truly great British novelist by critics and literary historians in

twentieth century and the novel is regarded as the most classic sense of the novel.2.The amount of time you spent reading the book:two weeks

3.If you finished reading the entire book, sign your name here:__潘圣玲

If you did not finish reading the book, how many pages did you read? ______

III.A brief summary of the book(≥150words)

Pride and Prejudice is the story of four marriages in British country of 18th century.Jane Austen shows the pictures of the current social life in Britain through the marriage matter, it also reflects her views on marriage.The book describes the

virtuous and emotional entanglements among the single young Darcy and the second Miss.Elizabeth, and the wealthy single Bingley and the eldest Miss.Jane.The most important love story naturally happens between Elizabeth and Darcy.There’re three marriages interspersed in it.Collins and Charlotte’s business marriage just satisfies their dreams.Collins wants a wife, and Charlotte wants a husband.Wickham and Lydia’s frivolous marriage just meets their benefits.Lydia completes her “pursuit”, and Wickham gains some money.Bingley and Jane’s marriage is happy with true

feelings, like Darcy and Elizabeth’s.They have feelings for each other in the ball, and have deeper contacts with each other.But they two can’t determine the other’s mind;Bingley is persuaded by Darcy to give the affection and he leaves Jane.Jane lives in sadness.So does Bingley.He comes back to chase Jane and the lover immerses in the joy.They two are all gentle persons, so their marriage will be comfortable and filled with tender and sweet.(207 Words)

IV.Comments on the book

1.What are the strengths and weaknesses of the book?(≥50words)

Although Austen’s theme is narrow, the story is quite dull, but she is good at

shape distinctive characters in ordinary daily things.Whether Elizabeth and Darcy that the author thinks should be positive character, or Collins this kind of being the object of sarcasm, she presents themin a real way.At the same time, Austin’s language is after temper, she in a dialogue art exquisite humor, satire, often with funny witty language to foil character's personality.This kind of artistic

innovation made her works have their own characteristics

2.What is the part of this book that had the greatest impact on you? Why?(≥

50words)

With the revealing of the truth, Elizabeth’s prejudice on Darcy becomes deeper.Until when Elizabeth refuses Darcy’s long love letter, she experiences the fierce shock.After undergoing a period of painful and profound thought, she could not help but to shout how despicable she is。When we see the blame from heart, we find her

shortcomings and the courage that she could face herself directly.It is her bringing that plays a role;she starts to give up the bias caused by self-esteem, truly and seriously understand Darcy.Elizabeth wouldn't believe the shameless lies about

Darcy said by Han and eliminate the misunderstanding and prejudice.She finally falls in love with Darcy.Is the writing effective, powerful, difficult, or beautiful?(≥50words)

I think it is helpful.The different treatments and attitudes towards these marriages reflect Jane Austen’s views on marriage.It’s wrong for marriage to pursue property,money and high status.She stresses the importance of an ideal marriage and takes the feelings of both men and women as the cornerstone of the ideal marriage.We also learn that pride and prejudice are the very common problems and weaknesses in human’s personality.Everyone is easy to be driven by their own subjective

consciousness or other people’s wrong comments.It may cause a misunderstanding toward a thing or a person.What we should do is to avoid these weaknesses and make them under good regulation.Everything must be based on objective sense and commented with a deeper understanding.1.If you could talk to the author, what would you say?(≥50words)

In this great book, you amply demonstrates your point about love and marriage.And you let me know that at that time, according to the social conditions in

Britain, a good marriage for a young woman was critical.And in the 19th

century, women were not well respected compared with the ones in the present society.There was no equality.between woman and man.Women were

considered to be inferior to men in terms of intelligence and capacity.Now

through this book I find the courage to show ourselves.What did you learn about yourself as a result of reading this book?(≥50words)Thank you.after reading your book I form a positive attitiud to the marrige.now, I thinklove and marriage only by appreciating the marriage founded on the basis of mutual understanding and true love, but also by satirizing the marriage founded on the basis of origin and desire.The marriage based on social position and money can’t bring happy life.3.Note down five useful expressions you learned from your reading and make

on sentence for each expression.1)[Useful expression](p.6)She was a woman of mean understanding, little information, and uncertain temper.[Sentence you made]: He is a man in possession of a good fortune.2)[Useful expression](p.4)``My dear Mr.Bennet,'' replied his wife, ``how can you be so tiresome!You must know that I am thinking of his marrying one of them.''

[Sentence you made]: From the fact that after 100,000 years or a million years or whatever it is, eventually life would grow tiresome, that hardly shows that life has grown tiresome after 50 years or 80 years or 100.3)[Useful expression](p.60)``Indeed I have, Sir,'' was her answer.``She is a great deal too ill to be moved.Mr.Jones says we must not think of moving her.We must trespass a little longer on your kindness.'

[Sentence you made]: I will trespass on your hospitality

4)[Useful expression](p.124)``I remember hearing you once say, Mr.Darcy, that you hardly ever forgave, that your resentment once created was unappeasable.You are very cautious, I suppose, as to its being created.'’

[Sentence you made]: I remember hearing you once say , that you hardly ever forgave, that your resentment once created was unappeasable

5)[Useful expression](p.292)Elizabeth could not repress a smile at this, but she answered only by a slight inclination of the head.[Sentence you made]: However, because they don’t have the emotional tools to integrate the hurt caused by abusive adults, they often repress their feelings as their first line of defence.General remarks:(≥200words)

The writer Jane Austen disclosed mid-class young ladies’ different ideas of marriage and love through describing the different ways in which the Bennet girls doing with their marriage problems, and this undoubtedly shows the writer’s idea about love and marriage: it’s wrong to get married just for property, wealth and status while neither would it be without caring about those elements.Jane Austen just attached great

significance to marriage through her novel by telling people that marriage should be regarded carefully because it is not a game you could just enjoy without prudent

consideration.She also wanted to deliver information that marriage should be based on real love between the lovers.The female subject Elizabeth is a mid-class girl, and Darcy proposed to her regardless of the gap between them, but Elizabeth refused

because of his pride had formed Eli’s prejudice.Cause Darcy’s pride was a suggest of status gap between he and Eli, he wouldn’t have the same thought with Eli and

consequently the ideal marriage.But later Darcy’s doings especially his change of the prideful manner eliminated Eli’s misunderstandings and prejudice about him, and Eli accepted his proposal.Those two opposite attitudes reflect females pursue of

independent personality and equality.I think Elizabeth has personality ethic which caused her independent idea about love and marriage and in consequence she earned a happy life.There’re also Eli’s sisters’ love stories served as contrasts to the female subject’s ideal marriage, such as Charlotte and Collin’s life: they do had a luxury life, but there’s noreal love between them and this kind of marriage is surely a tragedy of society.(_270_ Words)

Author’s Statement

The undersigned hereby warrants that the reading report is original and that he/she is the author of the reading report.Signature: ______________

第五篇：百年孤獨(dú)英文讀書報(bào)告

讀書報(bào)告

——讀《百年孤獨(dú)》

寒假期間我讀了兩本書，一本是關(guān)于企業(yè)家馬云的，一本是加西亞馬爾克斯的《百年孤獨(dú)》，下面我來(lái)談一下我對(duì)《百年孤獨(dú)》的理解。

《百年孤獨(dú)》是曾獲得過(guò)諾貝爾獎(jiǎng)的一部作品，加西亞馬爾克斯為我們描述了一個(gè)孤獨(dú)的家族，這個(gè)家族從開始的興盛到末期的沒(méi)落，為我們構(gòu)造了一個(gè)十分現(xiàn)實(shí)和真實(shí)的世界。從開始的一無(wú)所有，只有兩個(gè)人的布恩迪亞家族發(fā)展到兒孫滿堂，家族興盛，達(dá)到家族的興盛時(shí)期，再由興盛走向滅亡。

小說(shuō)的情節(jié)離奇令人迷惘。在小鎮(zhèn)馬貢多，布恩地亞家族上演著百年的興衰史。這個(gè)家族由衰轉(zhuǎn)盛，又由盛轉(zhuǎn)衰，一百年的歷程，轉(zhuǎn)來(lái)轉(zhuǎn)去，又回到原來(lái)的樣子，一切都逃不出一個(gè)詛咒?；簟ぐⅰげ级鞯貋喤c表妹烏蘇拉近-親結(jié)婚，阿蘇拉擔(dān)心會(huì)像姨媽和姨父近-親結(jié)婚那樣生出長(zhǎng)豬尾巴的孩子而拒絕與霍·阿·布恩地亞同房。布恩地亞于鄰居發(fā)生口角的時(shí)候，布恩地亞因?yàn)猷従映靶λ粸跆K拉拒絕同房而殺了鄰居。結(jié)果死者的鬼魂攪得布恩地亞一家日夜不寧，布恩地亞家族被-迫遷移到小鎮(zhèn)馬貢多。起初布恩地亞家族人丁興旺，但是隨著內(nèi)戰(zhàn)的爆發(fā)和外敵的入侵，布恩地亞氏的命運(yùn)急轉(zhuǎn)直下，一代不如一代，甚至奧雷良諾·布恩地亞上校領(lǐng)導(dǎo)的32次土著居民起義都以失敗而告終。到了第六代奧雷良諾·布恩地亞的時(shí)候，因?yàn)榕c姑媽烏

蘇拉通婚，結(jié)果生下一個(gè)帶尾巴的女嬰，正好應(yīng)驗(yàn)了一百年前吉普賽人用梵語(yǔ)在羊皮紙上寫下的密碼，而這個(gè)密碼的破譯者就是第六代奧雷良諾·布恩地亞上校自己。這個(gè)無(wú)疑充滿了諷刺的意味。而這個(gè)帶尾的女嬰，被螞蟻咬爛以后拖入了蟻穴。隨后，小鎮(zhèn)馬貢多消失在一陣颶風(fēng)中。

作為拉美魔幻現(xiàn)實(shí)主義文學(xué)的代表，《百年孤獨(dú)》以復(fù)雜的背景和離奇的情節(jié)鶴立于拉美文學(xué)史之林，作品充滿了理想的光輝。遙遠(yuǎn)的馬貢多小鎮(zhèn)上發(fā)生著離奇的事情：奧雷良諾領(lǐng)導(dǎo)了32次起義結(jié)果都失敗;第六代奧雷良諾布恩地亞在晚年不斷地織裹尸布;奧雷良諾第二則是不斷地修理門窗;俏姑娘雷梅苔絲每天要洗好幾次澡;小鎮(zhèn)馬貢多一場(chǎng)驟然而至的雨持續(xù)下了四年十一個(gè)月又兩天，此后十年，馬貢多滴雨未下;布恩地亞家族的人對(duì)美爾加德斯的磁鐵癡迷不已并且反復(fù)上當(dāng);第七代奧雷良諾是一個(gè)出生就有尾巴女嬰，卻被螞蟻咬爛后拖進(jìn)蟻穴;隨后一場(chǎng)颶風(fēng)吹走了馬貢多小鎮(zhèn)，吹走了一切，比那場(chǎng)持續(xù)四年十一個(gè)月有兩天的暴雨帶走的更多??讀起來(lái)總是給人很虛幻很縹緲如此不真切的感覺(jué)。

小說(shuō)的結(jié)局布恩地亞家族連同小鎮(zhèn)馬貢多消失在一陣颶風(fēng)中。作者對(duì)于落后和愚昧的態(tài)度是徹底否定的，于是安排了一場(chǎng)颶風(fēng)隊(duì)舊事物來(lái)了一次徹底的清理。“百年孤獨(dú)”，既是說(shuō)拉美落后的時(shí)間之長(zhǎng)，又從一個(gè)側(cè)面反映出作者的心態(tài)：對(duì)進(jìn)步和先進(jìn)的漫長(zhǎng)等待。百年孤獨(dú)，百年的等待。篇二：《百年孤獨(dú)》讀書報(bào)告

《百年孤獨(dú)》

作者加西亞〃馬爾克斯描寫的虛構(gòu)小鎮(zhèn)馬貢多的歷史與作者家鄉(xiāng)現(xiàn)實(shí)生活的歷史有著許多的類似之處。虛構(gòu)小鎮(zhèn)馬貢多的毀滅不僅是簡(jiǎn)單的故事的結(jié)束，同時(shí)也映射了現(xiàn)實(shí)生活中阿拉卡塔卡小鎮(zhèn)的衰敗。

《百年孤獨(dú)》在一定程度上也反映了整個(gè)拉丁美洲的政治思想。在現(xiàn)實(shí)生活中，加西亞〃馬爾克斯在政治上的態(tài)度明顯傾向于革命主義，但是他在小說(shuō)中對(duì)殘酷政權(quán)的刻畫說(shuō)明他雖然對(duì)革命主義抱有同情，但并沒(méi)有憐憫革命主義專制的統(tǒng)治。小說(shuō)通過(guò)描寫內(nèi)戰(zhàn)歷史、種植園以及勞工騷亂講述了一部哥倫比亞史，甚至從更廣泛的層次上說(shuō)，是講述一部有關(guān)拉丁美洲與殖民主義之間的斗爭(zhēng)史以及拉丁美洲向現(xiàn)代化發(fā)展的歷史。

《百年孤獨(dú)》所表達(dá)的主題之一就是歷史在輪回中循環(huán)往復(fù)。在小說(shuō)中，每一代人都注定要重復(fù)上一代的錯(cuò)誤，當(dāng)然也有快樂(lè)。作者給小說(shuō)的主人公們布恩地亞家族的男性都被命名為同一姓名，這樣也就突出了歷史在輪回在重復(fù)的主題。角色的性格特征和事件也反復(fù)出現(xiàn)，這說(shuō)明小說(shuō)沒(méi)有把過(guò)去、現(xiàn)在和未來(lái)明確地分割出來(lái)。在某些情況下，預(yù)見(jiàn)未來(lái)跟回憶過(guò)去一樣的簡(jiǎn)單。梅爾加德斯的語(yǔ)言證明了事件在時(shí)間中是持續(xù)發(fā)展的：在小說(shuō)的開頭，這個(gè)老吉普賽人就已經(jīng)預(yù)言了結(jié)尾，似乎不同的事件全都在同一時(shí)刻發(fā)生了。所以說(shuō)整部小說(shuō)的時(shí)間是混亂的，這樣寫也有助于表達(dá)歷史的輪回和重復(fù)的時(shí)間概念。

《百年孤獨(dú)》小說(shuō)中的人物意識(shí)到健忘是一種危險(xiǎn)，但是具有諷刺意味的是他們同時(shí)把記憶當(dāng)成了一種負(fù)擔(dān)。小說(shuō)中約半數(shù)人物均感受到了記憶的沉重壓力，然而另一些人物卻處于健忘的狀態(tài)。如死了丈夫的雷貝卡把自己與世隔絕起來(lái)，讓自己長(zhǎng)期生活在回憶之中。而在奧雷良諾上校的身上我們卻發(fā)現(xiàn)了與雷貝卡完全相反的性格特征，他幾乎喪失了所有的記憶，永無(wú)止境的生活在制作小金魚的循環(huán)往復(fù)的時(shí)間之中。布恩地亞家族染上的雙重疾?。簯雅f和健忘。倍受煎熬的布恩地亞家族注定要在時(shí)間的循環(huán)中往復(fù)，根本無(wú)法走向未來(lái)，直至生命耗費(fèi)殆盡。

作者以顛倒時(shí)間次序的敘事結(jié)構(gòu)模糊了記憶、歷史以及幻想之間的界限。但是記憶是被賦予歷史的權(quán)威性的，人們的健忘才是真正抹殺歷史的兇手。

可以說(shuō)其實(shí)馬貢多的發(fā)展史是一部寓言，它典型地再現(xiàn)了人類社會(huì)發(fā)展的軌跡。馬貢多是一個(gè)理想的共產(chǎn)主義者所向往的、烏托邦式的社會(huì)。但是當(dāng)馬貢多被動(dòng)的被卷入一場(chǎng)反抗政府殘酷統(tǒng)治的革命后，這種早期烏托邦式的生活便無(wú)法繼續(xù)下去。文章中曾經(jīng)指出武裝士兵的到來(lái)破壞了小鎮(zhèn)一直在享受的和平自治，為了恢復(fù)它而付出努力來(lái)推翻新的統(tǒng)治者，反而會(huì)使情況變得更糟。我認(rèn)為這個(gè)注釋已經(jīng)超越了小說(shuō)本身的虛構(gòu)世界，根據(jù)歷史背景和所查資料可以看出，作者同時(shí)批評(píng)了一些拉美國(guó)家諸如古巴和巴拿馬在二十世紀(jì)時(shí)期的獨(dú)裁統(tǒng)治。

在小說(shuō)中奧雷良諾〃特里建成了一條連接現(xiàn)代世界的鐵路，這條鐵路把馬貢多與現(xiàn)代化工業(yè)決然地聯(lián)系了起來(lái)。火車帶來(lái)的現(xiàn)代化給與世隔絕的馬貢多帶來(lái)了一段時(shí)間的繁榮，而這種繁榮恰恰掩蓋了布恩地亞家族本質(zhì)精神的衰落。在現(xiàn)代化來(lái)臨之后，小說(shuō)又明顯的反對(duì)權(quán)利的濫用和毫無(wú)意義的階級(jí)劃分，整部小說(shuō)對(duì)正統(tǒng)的宗教組織也持有懷疑態(tài)度，小說(shuō)也特意刻畫了一些不是正統(tǒng)天主教的信仰者，如霍塞〃阿卡迪奧〃布恩地亞嘲笑小鎮(zhèn)的牧師等。小說(shuō)依舊主張最理想的生活是人們能夠生活在生氣勃勃、無(wú)拘無(wú)束的狀態(tài)之中。

小說(shuō)中的政黨以及反抗斗爭(zhēng)史加西亞〃馬爾克斯母國(guó)哥倫比亞國(guó)內(nèi)政治斗爭(zhēng)虛化的化身。其潛在的含義是暗含了一部西方資本主義在拉丁美洲的殖民史。所以我們可以說(shuō)《百年孤獨(dú)》其實(shí)就是一部肩負(fù)著社會(huì)和文化責(zé)任重?fù)?dān)的小說(shuō)。

整部小說(shuō)中角色之間的感情是相對(duì)閉塞和變態(tài)的，這也是整部小說(shuō)揭示出來(lái)的、布恩地亞家族衰亡的主要原因：缺失的情感，內(nèi)向的性格顯然無(wú)法形成與社會(huì)的交流。小說(shuō)中忘記過(guò)去使社會(huì)和諧以及人與人之間的關(guān)系也受到了嚴(yán)重威脅。所以可以得出結(jié)論，作者認(rèn)為人們內(nèi)心的孤獨(dú)并不是真正可怕的事情，最可怕的是人類在不斷的繁衍輪回之中隨著時(shí)間的繼續(xù)而不進(jìn)行交流和進(jìn)步，這樣結(jié)果只有毀滅。就像作者所寫“家族的歷史??像一個(gè)轉(zhuǎn)動(dòng)的車輪，它將永不停止地轉(zhuǎn)動(dòng)下去，直至永遠(yuǎn)。它不僅僅是為了前進(jìn)而轉(zhuǎn)動(dòng)，而且輪軸的磨損是不能挽回的?！?/p>

馬貢多是一座由玻璃和鏡子建造而成的城市，它不僅折射了哥倫比亞的現(xiàn)實(shí)，拉丁美洲的現(xiàn)實(shí)，更折射了作者內(nèi)心世界中的現(xiàn)實(shí)。篇三：book report-one hundred years of solitude one hundred years of solitude this book was writed by gabriel garcía márquez, latin-american journalist, novelist and short story writer, a central figure in the so-called magic realism movement.he is considered one of the most significant authors of the 20th century.he was awarded the nobel prize in literature in 1982, and is the earliest winner of this prize to be still alive.one hundred years of solitude is an epic work: a long narrative fiction with a scope which holds up for our inspection a particular cultural moment in the history of a people.the novel is the history of the founding, development, and death of a human settlement, macondo, and of the most important family in that town, the buendias.reading though one hundred years of solitude, im impressed by the novels contact structure and in-depth description of humans character.the roles in the novel are so naive and primitive that the book reads like a magic show with a colorful background, and a bit childish.maybe i am at a very late age reading the novel.his is a story without love but yet romantic.everyone is using their own approach to resist solitude-participating in the revolution, repeating manual labour, addicting to lust and sex, reading and translating books......this book contains the all possible ways for human to resist solitude.t篇四：百年孤獨(dú)讀書報(bào)告

讀書報(bào)告

書名：《百年孤獨(dú)》

作者：加西亞.馬爾克斯

報(bào)告人：牛山青

班級(jí)：經(jīng)法學(xué)院11級(jí)法學(xué)二班

學(xué)號(hào)：111110046 參考資料：馬克思主義基本原理概論

（歷史唯物主義部分）

拉丁美洲，這片廣袤的土地，蘊(yùn)含著無(wú)窮的神秘，創(chuàng)造過(guò)輝煌的古代文明，自十九世紀(jì)中期到二十世紀(jì)七十年代的一個(gè)多世紀(jì)，這片神秘的土地經(jīng)歷了百年的風(fēng)云變幻? ? 從1830年至上世紀(jì)末的70年間，哥倫比亞爆發(fā)過(guò)幾十次內(nèi)戰(zhàn)，使數(shù)十萬(wàn)人喪生。本書以很大的篇幅描述了這方面的史實(shí)，并且通過(guò)書中主人公帶有傳奇色彩的生涯集中表現(xiàn)出來(lái)。政客們的虛偽，統(tǒng)治者們的殘忍，民眾的盲從和愚昧等等都寫得淋漓盡致。作家以生動(dòng)的筆觸，刻畫了性格鮮明的眾多人物，描繪了這個(gè)家族的孤獨(dú)精神。在這個(gè)家族中，夫妻之間、父子之間、母女之間、兄弟姐妹之間，沒(méi)有感情溝通，缺乏信任和了解。盡管很多人為打破孤獨(dú)進(jìn)行過(guò)種種艱苦的探索，但由于無(wú)法找到一種有效的辦法把分散的力量統(tǒng)一起來(lái)，最后均以失敗告終。這種孤獨(dú)不僅彌漫在布恩地亞家族和馬貢多鎮(zhèn)，而且滲入了狹隘思想，成為阻礙民族向上、國(guó)家進(jìn)步的一大包袱。作家寫出這一點(diǎn)，是希望拉美洲民眾團(tuán)結(jié)起來(lái)，共同努力擺脫孤獨(dú)。所以，《百年孤獨(dú)》中浸淫著的孤獨(dú)感，其主要內(nèi)涵應(yīng)該是對(duì)整個(gè)苦難的拉丁美洲被排斥現(xiàn)代文明世界的進(jìn)程之外的憤懣和抗議，是作家在對(duì)拉丁美洲近百年的歷史、以及這塊大陸上人民獨(dú)特的生命力、生存狀態(tài)、想象力進(jìn)行獨(dú)特的研究之后形成的倔強(qiáng)的自信。

一、主人公與其身處的社會(huì)

關(guān)鍵詞：人生發(fā)展 歷史事件 社會(huì)存在 重大影響

（一）主人公介紹 ●人生發(fā)展：何塞·阿爾卡蒂奧·布恩迪亞是西班牙的后裔，住在遠(yuǎn)離海濱的一個(gè)印第安人的村莊。他與烏爾蘇拉新婚時(shí)，由于害怕像姨母與叔父結(jié)婚那樣生出長(zhǎng)尾巴的孩子，烏爾蘇拉每夜都穿上特制的緊身衣，拒絕與丈夫同房。因此遭到鄰居普魯鄧希奧·阿基拉爾的恥笑，于是一次比賽中何塞·阿爾卡蒂奧·布恩迪亞殺死了普魯鄧希奧·阿基拉爾。從此，死者的鬼魂經(jīng)常出現(xiàn)在他眼前，鬼魂那痛苦而凄涼的眼神，使他日夜不得安寧。他們只好離開村子，外出尋找安身之所。經(jīng)過(guò)了兩年多的奔波，來(lái)到一片灘地上，由于受到夢(mèng)的啟示決定定居下來(lái)。后來(lái)又有許多人遷移至此，建立村鎮(zhèn)，這就是馬孔多。布恩迪亞家族在馬孔多的歷史由此開始。

何塞·阿爾卡蒂奧·布恩迪亞是個(gè)極富創(chuàng)造性的人，他從吉卜賽人那里看到磁鐵，便想用它來(lái)開采金子?？吹椒糯箸R可以聚焦太陽(yáng)光，便試圖研制出一種威力無(wú)比的武器。他從吉卜賽人那里得到航海用的觀像儀和六分儀，通過(guò)實(shí)驗(yàn)認(rèn)識(shí)到“地球是圓的，像橙子”。他不滿于自己所過(guò)的落后的生活，他向妻子抱怨說(shuō)：“世界上正在發(fā)生不可思議的事情，咱們旁邊，就在河流對(duì)岸，已有許多各式各樣神奇的機(jī)器，可咱們?nèi)栽谶@兒像蠢驢一樣過(guò)日子。”因?yàn)轳R孔多隱沒(méi)在寬廣的沼澤地中，與世隔絕。他決心要開辟出一條道路，把馬孔多與外界的偉大發(fā)明連接起來(lái)。他帶一幫人披荊斬棘干了兩個(gè)多星期，卻以失敗告終。后來(lái)他又沉迷煉金術(shù)，整天把自己關(guān)在實(shí)驗(yàn)室里。由于他的精神世界與馬孔多狹隘、落后、保守的現(xiàn)實(shí)格格不入，他陷入孤獨(dú)之中不能自拔，以至于精神失常，被家人綁在一棵大樹上，幾十年后才在那棵樹上死去。

●歷史事件：《百年孤獨(dú)》反映和評(píng)價(jià)了哥倫比亞和拉丁美洲被西班牙征服以來(lái)的社會(huì)歷史事件。19世紀(jì)自由黨人與保守黨人之間的戰(zhàn)爭(zhēng)和20世紀(jì)不斷重演的暴力事件得到了生動(dòng)的描繪；它還詳細(xì)地記述了外國(guó)香蕉公司的發(fā)展與剝削導(dǎo)致的破壞與騷亂（有1928年果品聯(lián)合公司的罷工為依據(jù)）。

●哲學(xué)分析：

1、社會(huì)存在決定社會(huì)意識(shí)，社會(huì)意識(shí)是社會(huì)存在的反映。

（1）有什么樣的社會(huì)存在，就有什么樣的社會(huì)意識(shí)。

在布恩迪亞剛帶領(lǐng)家人初到馬孔多時(shí)，這片未開墾的處女地尚未命名，而這片新天地的主人，也從未想過(guò)要確立統(tǒng)治者來(lái)管理這里，他們過(guò)的是一種類似于自給自足的生活。

（2）社會(huì)存在的變化發(fā)展決定著社會(huì)意識(shí)的變化發(fā)展。

吉卜賽人的到來(lái)，打破了馬孔多與世隔絕的生活，當(dāng)布恩迪亞從吉卜賽人那里看到磁鐵、放大鏡、航海儀、六分儀等先進(jìn)儀器后，他就決心改變馬孔多落后、保守的現(xiàn)狀，決定開辟道路將馬孔多與外界文明連接起來(lái)。

2、社會(huì)意識(shí)具有相對(duì)的獨(dú)立性：社會(huì)意識(shí)有時(shí)會(huì)落后于社會(huì)存在，有時(shí)又會(huì)先于社會(huì)存在而變化。

起初，那些身處保守小鎮(zhèn)中的人們，以自己固步自封，墨守陳年舊俗，甚至于很多泯滅人性的落后風(fēng)俗，遠(yuǎn)遠(yuǎn)落后于外界文明社會(huì)的先進(jìn)文化；

然而，后來(lái)布恩迪亞的一系列科學(xué)舉措，雖不被族人認(rèn)可，但畢竟領(lǐng)先于整個(gè)馬孔多小鎮(zhèn)。

3、先進(jìn)的社會(huì)意識(shí)可以正確地預(yù)見(jiàn)社會(huì)發(fā)展的方向和趨勢(shì)，對(duì)社會(huì)發(fā)展起積極的推動(dòng)作用，落后的社會(huì)意識(shí)對(duì)社會(huì)發(fā)展起阻礙作用。

布恩迪亞提出的學(xué)習(xí)先進(jìn)科學(xué)技術(shù)，改革廢除封建陋習(xí)，正確推動(dòng)了馬孔多走出蒙昧，走向文明的發(fā)展進(jìn)程。與之相對(duì)應(yīng)的，那些即將被拋棄的落后思想，在馬孔多走向文明的道路上確實(shí)制造了許多障礙。例如，當(dāng)布恩迪亞提出地球其實(shí)是圓的，像顆橙子，整個(gè)村子的人都嘲笑他是瘋子。

●重大影響：布恩迪亞的一生受所處社會(huì)的影響，共有三個(gè)大的轉(zhuǎn)折點(diǎn)。第一、當(dāng)他與族人決斗后，因不堪忍受那人鬼魂的侵?jǐn)_而遠(yuǎn)走他鄉(xiāng)，終達(dá)馬孔多；第二、當(dāng)他結(jié)識(shí)了吉卜賽人并見(jiàn)識(shí)了他們的先進(jìn)儀器，從此決心潛心科學(xué)，并力圖改革；第三、當(dāng)他預(yù)感自己的行為是單純而無(wú)意義的，從此躲在實(shí)驗(yàn)室重復(fù)著同一種行為。（做好25條小金魚后，重熔再塑。）

二、主人公的本質(zhì)與社會(huì)歷史的關(guān)系

關(guān)鍵字：本質(zhì) 社會(huì)歷史

●主人公本質(zhì)： ●社會(huì)歷史：

1、勇敢，敢于掙脫桎梏；

1、諸多落后的習(xí)俗阻礙人們的正常生活；

2、具有創(chuàng)新精神；

2、吉卜賽人新進(jìn)文明的啟發(fā)；

3、革命精神（及其兒子）； 3、19世紀(jì)自由黨人與保守黨人之間的戰(zhàn)爭(zhēng)

以及因不滿外國(guó)香蕉公司的剝削而領(lǐng)導(dǎo)的罷工。

4、孤獨(dú)性； 4、19世紀(jì)之前拉丁美洲的封閉性。

三、主人公的人生價(jià)值

關(guān)鍵字：自我價(jià)值 社會(huì)價(jià)值

（一）人生價(jià)值評(píng)價(jià)的根本尺度，是看一個(gè)人的人生活動(dòng)是否符合社會(huì)發(fā)展的客觀規(guī)律，是否通過(guò)實(shí)踐促進(jìn)了歷史的進(jìn)步。

（二）人生價(jià)值評(píng)價(jià)的基本尺度，是勞動(dòng)以及通過(guò)勞動(dòng)對(duì)社會(huì)和他人做出的貢獻(xiàn)，這是社會(huì)評(píng)價(jià)一個(gè)人的人生價(jià)值的普遍標(biāo)準(zhǔn)。

● 社會(huì)價(jià)值：

（一）領(lǐng)導(dǎo)族人開拓新的家園；

（二）改革封建陋習(xí)；

（三）學(xué)習(xí)先進(jìn)科學(xué)技術(shù)，給人們的生活注入新的生機(jī)；

（四）與其兒子一起領(lǐng)導(dǎo)被壓迫工人舉行罷工，反抗剝削。

● 自我價(jià)值：

（一）被族人推舉為領(lǐng)袖人物；

（二）一些先進(jìn)技術(shù)也給自己帶來(lái)了商機(jī)與財(cái)富；

（三）能力得到政府贊賞并給予嘉獎(jiǎng)。

● 二者的關(guān)系：

人的價(jià)值就在于創(chuàng)造價(jià)值，就在于對(duì)社會(huì)的責(zé)任和貢獻(xiàn)，人既是價(jià)值的創(chuàng)造者又是價(jià)值的享受者

布恩迪亞為族人做的一切，有目共睹，使人民走出蒙昧，走向富裕，為人們打開一扇通向科學(xué)世界的大門，同時(shí)自己也贏得了相應(yīng)的榮譽(yù)和聲望。

因此，我們把社會(huì)價(jià)值和自我價(jià)值統(tǒng)一起來(lái)，在對(duì)社會(huì)的貢獻(xiàn)中實(shí)現(xiàn)自身的價(jià)值。

四、主人公對(duì)社會(huì)歷史的作用

關(guān)鍵字：英雄人物 社會(huì)歷史

●英雄人物對(duì)歷史的作用：

列寧說(shuō)“歷史上任何一個(gè)階級(jí)如果不能推舉出自己善于組織運(yùn)動(dòng)好而領(lǐng)導(dǎo)運(yùn)動(dòng)的政治領(lǐng)袖和先進(jìn)代表就不可能取得統(tǒng)治地位。

領(lǐng)袖一般比普通人站得高、看得遠(yuǎn)，解決歷史任務(wù)的愿望比一般人強(qiáng)烈。他所提出的思想能夠成為社會(huì)變革的先導(dǎo)，能夠?yàn)槿罕娭该鞲锩窢?zhēng)方向。

（一）是一定歷史任務(wù)的倡導(dǎo)者和發(fā)起者：

人民群眾是歷史創(chuàng)造者，但需要一定的智力支持和精神保障來(lái)完成歷史任務(wù)，而英雄人物憑借其出色的思想來(lái)倡導(dǎo)和發(fā)起運(yùn)動(dòng)； 馬孔多的人民創(chuàng)造了全新的馬孔多，但是在布恩迪亞智慧英勇的率領(lǐng)下完成的，布恩迪亞對(duì)這場(chǎng)革新運(yùn)動(dòng)發(fā)揮了其智慧和領(lǐng)導(dǎo)的作用。

（二）是重大歷史事件的組織者與參與者：

人民群眾是歷史的創(chuàng)造者，但就具體個(gè)人而言，卻是分散的不能完成重大歷史事件，而英雄人物憑借其社會(huì)影響力來(lái)完成重大歷史事件；

布恩迪亞憑借其領(lǐng)袖的號(hào)召力，在廣大族人的熱情參與下，才使馬孔多獲得新生。

（三）其重大決策往往對(duì)歷史進(jìn)程有重大的促進(jìn)作用，加速了歷史任務(wù)的解決： 若沒(méi)有布恩迪亞的重要決策，短時(shí)間內(nèi)就不會(huì)爆發(fā)這么轟轟烈烈的拓荒革新運(yùn)動(dòng)，加速了整個(gè)族人社會(huì)的發(fā)展進(jìn)程。

●其作用受社會(huì)發(fā)展規(guī)律制約：

不管什么樣的歷史人物，在歷史上發(fā)揮什么樣的作用，都要受到社會(huì)發(fā)展客觀規(guī)律的影響，而不能決定和改變歷史發(fā)展的總進(jìn)程和總方向。布恩迪亞雖然領(lǐng)導(dǎo)族人開展了一系列的革新運(yùn)動(dòng)，確實(shí)推動(dòng)了整個(gè)馬孔多的發(fā)展進(jìn)程，但仍擺脫不了馬孔多由落后走向文明這一段波動(dòng)式前進(jìn)，螺旋式上升的曲折過(guò)程，最后臨終還是帶著遺憾離開，馬孔多真正走向文明還有很長(zhǎng)一段路要走。篇五：百年孤獨(dú)讀書報(bào)告

許多年前，當(dāng)我站在爺爺?shù)谋着赃?，死的冰涼凍結(jié)了我的眼淚時(shí)，卻沒(méi)有想到二十年后的今天，看到年少的奧雷良諾第一次見(jiàn)識(shí)冰塊，用手觸摸時(shí)，原來(lái)冰塊竟然熱得燙手。

《百年孤獨(dú)》這本書，就這樣勾起了我對(duì)童年的回憶。在我讀過(guò)的小說(shuō)中，沒(méi)有一本小說(shuō)有過(guò)如此強(qiáng)烈的體驗(yàn)。在我列出的最愛(ài)讀的十本書中，《百年孤獨(dú)》位居第二。其理由是：“此書想象奇特，意象豐富，大量運(yùn)用荒誕和魔幻手法，就象是從哈哈鏡和魔鏡的角度反映了一個(gè)斑駁陸離的南美洲，折射了拉丁美洲傳統(tǒng)文化和現(xiàn)代西方文明之間的沖突。這是一個(gè)家族的百年滄桑史。和《紅樓夢(mèng)》一樣，書中也寫到了一位老人烏蘇拉，就象《紅樓夢(mèng)》中的賈母一樣。兩人亡故后，家族迅速衰敗下去了”。正如墨爾基阿德斯拽著兩塊磁鐵錠：“挨家串戶地走著，大伙兒驚訝地看鐵鍋、鐵盆、鐵鉗、小鐵爐紛紛從從原地落下，木板因鐵釘和鏍釘沒(méi)命地掙脫出來(lái)而嘎嘎作響，甚至連那些遺失很久的東西，居然也從人們尋找多遍的地方鉆了出來(lái)，成群結(jié)隊(duì)地跟在墨爾基阿德斯那兩塊魔鐵后面亂滾”。馬爾克斯的文字卻比磁鐵更具有吸引力，它賦于了文字一切的魔力和靈性，把讀者的情感、思想、夢(mèng)境和個(gè)人的經(jīng)歷，以及對(duì)這個(gè)世界的看法完全來(lái)了一個(gè)徹底的顛覆：任何東西都有生命，關(guān)鍵是如何喚醒它們的靈性。很顯然，磁鐵是無(wú)法吸附金子的，所以，當(dāng)奧雷良諾*阿卡迪奧用它尋找金子一無(wú)所獲時(shí)，而馬爾克斯卻用有魔力的文字喚醒了我們比金子更寶貴的歲月記憶，讓我們像那些鐵鍋、鐵盆、鐵鉗一樣，跟在它的身邊旋轉(zhuǎn)，曾經(jīng)遺忘的那些童年往事，像隱藏在房間陰暗角落里那些木板中的鐵釘，抹去時(shí)光的蛛網(wǎng)，抖掉歲月的塵埃，被這種充滿磁性的神奇文字吸引出來(lái)而“嘎嘎作響”，紛紛復(fù)活。本書第一章，以一句精彩絕倫的句子開頭：“許多年以后，面對(duì)行刑隊(duì)，奧雷良諾*布恩迪亞上校將會(huì)回想起，他父親帶他去見(jiàn)識(shí)冰塊的那個(gè)遙遠(yuǎn)的下午”。作者唐山采薇在《馬爾克斯的時(shí)間餡餅》中寫道：“馬爾克斯先生寫在《百年孤獨(dú)》中開頭的一句，創(chuàng)造出一個(gè)時(shí)間奇跡。它帶給讀者的震撼和新鮮感勝過(guò)易安居士‘只恐雙溪蚱蜢舟，載不動(dòng)許多愁’。清照的高明在于她讓抽象的“愁”有了一種重量感。馬爾克斯先生的更高明處在于，他讓比“愁”更抽象難解的“時(shí)間”有了一種空間感?！蔽磥?lái)，過(guò)去和現(xiàn)在，被這句話全部涵蓋其中。實(shí)際上，作者只是用一個(gè)文字魔術(shù)跟大家玩了一個(gè)時(shí)間上的障眼法：用未來(lái)“面對(duì)行刑隊(duì)”和過(guò)去“認(rèn)識(shí)冰決”兩件事，掩蓋了現(xiàn)在正在發(fā)生的事。也就是說(shuō)，現(xiàn)在被忽略不計(jì)了。那么現(xiàn)在正在發(fā)生什么呢？ 馬貢多是一個(gè)原始的村落，清澈的河水急急的流過(guò)，河中有恐龍蛋似的巨石，用泥巴和蘆葦蓋成的房子就排在河邊。“這塊天地如此之新，許多東西尚未命名，人們提起它們還得用手指指點(diǎn)點(diǎn)?！弊詮募召惾藖?lái)了之后，打破了這里的寧?kù)o?；羧?阿卡迪奧*布恩迪亞用磁鐵尋找金子，結(jié)果找遍了整個(gè)地區(qū)，唯一發(fā)掘出來(lái)的就是從河底撈起了一副十五世紀(jì)的生了銹的盔甲；他用放大鏡發(fā)明陽(yáng)光戰(zhàn)術(shù)，把自己置身于太陽(yáng)光的焦點(diǎn)之下，結(jié)果自己被灼傷；他還用墨爾基阿德斯送給他的觀象儀、羅盤和六分儀進(jìn)行研究，結(jié)果計(jì)算出“地球是圓的，像橘子一樣”，當(dāng)他一本正經(jīng)地向家人宣布這個(gè)偉大的發(fā)現(xiàn)時(shí)，卻被他的老伴烏蘇拉大聲斥責(zé)“你要發(fā)神經(jīng)病，就一個(gè)人去發(fā)”，后來(lái)，他率著村里的男人去尋找大陸和另一個(gè)世界的文明，卻被一片大海困住，只好又重新返回。這些吉晉塞人帶來(lái)的最新發(fā)明和西方文化讓村里的男人興奮不已，而女人卻激烈反對(duì)。男人充滿好奇探險(xiǎn)精神，而女人大多固守傳統(tǒng)，安 于現(xiàn)狀。

一種是極其落后，一種是極為先進(jìn)，這種跨越式的發(fā)展，省去了中間環(huán)節(jié)的過(guò)渡，是從原古到現(xiàn)代的直接沖撞，就像是本文開頭的那一句，是從過(guò)去到未來(lái)的直接對(duì)話，必然在時(shí)間上給人造成眩暈，在空間上給人帶來(lái)混亂。在這種矛盾的生活中，自然鬧出許多笑話。曾經(jīng)看過(guò)一部電影〈古今大戰(zhàn)秦俑情〉：由張藝謀飾演的古代衛(wèi)士騎著馬追逐火車，去尋找他相愛(ài)的一個(gè)宮女（鞏俐飾演），結(jié)果在火車上看到一個(gè)護(hù)士給化身成現(xiàn)代女性的“宮女”打針，他搶過(guò)針頭，好奇地問(wèn)：“這是什么暗器？”全場(chǎng)頓時(shí)笑成一片。當(dāng)我看到阿卡迪奧*布恩迪亞說(shuō)出“地球是圓的，就像橘子一樣”時(shí)，也不禁樂(lè)翻了天。類似這種笑話，滿篇皆是。生長(zhǎng)在熱帶地區(qū)的馬貢多居民，沒(méi)有冬天，水晶般清澈的激流從未結(jié)冰。所以，當(dāng)馬貢多在經(jīng)過(guò)了一系列的折騰之后，末尾又有了一個(gè)驚人的發(fā)現(xiàn)。這個(gè)發(fā)現(xiàn)與本文開頭相呼應(yīng)。當(dāng)吉普賽人給他們帶來(lái)冰決時(shí)，從未見(jiàn)過(guò)冰塊的他們竟然不知其為何物，奧雷良諾的父親說(shuō)那是鉆石。而奧雷良諾第一次觸摸冰塊時(shí)，竟然像是在摸一塊被太陽(yáng)曬得發(fā)燙的石頭。他說(shuō)：“煮開著呢！”冰塊竟然像開水一樣沸騰，這種感受奇妙又荒誕。我們感到奇怪，冷和熱，兩種截然不同甚至尖銳對(duì)立的感覺(jué)，為什么會(huì)發(fā)生在同一件物體——冰塊上面呢？ 聯(lián)想到開頭的那句話，過(guò)去和未來(lái)的直接面對(duì)，我們恍然大悟：原來(lái)灼熱和冰涼這兩種感覺(jué)，也是可以互相轉(zhuǎn)化的。馬爾克斯，僅僅用兩句話，就把這個(gè)世界給“和諧”了，從而引發(fā)了我們對(duì)這個(gè)世界更多的思考：生和死，嬰兒和老人，男人和女人，熱愛(ài)和仇恨，過(guò)去和未來(lái)??男人和女人做愛(ài)結(jié)合為一；生和死的距離縮短為零；熱愛(ài)和仇恨集于一身；過(guò)去和未來(lái)直接面對(duì)?！吧頍o(wú)彩鳳雙飛翼，心有靈犀一點(diǎn)通”，愛(ài)情消除了隔膜，讓心靈相通：“渡盡劫波兄弟在，相逢一笑泯恩仇”，兄弟反目，但終將握手言和；“海內(nèi)存知己，天涯若比鄰”友情濃縮了空間的距離；“萬(wàn)物一府，生死同狀”（莊子），生與死雖然遙遠(yuǎn)，一個(gè)是起點(diǎn)，一個(gè)是終點(diǎn)，但它們劃出了一個(gè)共同的圓。