第一篇：紀念艾米麗的一朵玫瑰花教案

紀念艾米麗的一朵玫瑰花 教學目標： [知識與能力]

1、學生閱讀小說，注意小說人物活動的社會背景 了解故事發(fā)生的社會環(huán)境。

學生通過學習，結(jié)合自己的閱讀體驗，在了解文章大意的基礎上，把握基本的故事情節(jié)，從而體會作者行文敘事的寫作特色。

學生注意把握小說通過環(huán)境描寫塑造人物形象，營造氣氛推動情節(jié)發(fā)展的基本手法。[過程與方法] 閱讀感悟、小組探討 [情感態(tài)度與價值觀] 通過對艾米麗形象的理解，引導學生樹立正確的人生觀、價值觀。[教學重點與難點] 了解環(huán)境對人物思想性格的形成和發(fā)展所起的作用，了解環(huán)境與主題的關系。

預習任務：

請同學們結(jié)合相關的歷史知識了解1870年至1930年間美國南方社會的歷史圖景或向歷史老師請教。

課時安排：2課時 教學過程： 第一課時 導入：

祥林嫂之所以不幸地死去，是因為魯鎮(zhèn)，如果她生活在沈從文筆下的湘西，也許會有另外一種命運；而魯四老爺也必須待在魯鎮(zhèn)，如果讓他移民美國，他也許會過得很不愉快。環(huán)境會怎樣影響一個人呢，現(xiàn)在我們一起來看看《紀念艾米麗的一朵玫瑰花》，也許你會有更深刻的體會。

資料卡（多媒體展示）

1、作者

威廉·卡斯伯特·?？思{是美國“南方文學”代表作家，1949年獲得諾貝爾文學獎。作品有長篇小說《喧嘩與騷動》、《圣殿》、《押沙龍，押沙龍！》等?！都o念艾米麗的一朵玫瑰花》被譽為其最負盛名的短篇小說。

2、背景（知人論世）

生存環(huán)境:生于美國密西西比州,出生于一個有名的莊園主家庭其曾祖父是南北戰(zhàn)爭中一位頗有影響的南軍將領,富有傳奇性的經(jīng)歷,在當?shù)貜V為流傳對他影響很大.隨后，在家庭敗落的過程中，他產(chǎn)生了無限傷懷。正是他對家鄉(xiāng)、對像他那樣的由盛而衰的家庭的熟悉與了解，使他看上南方，因為這里有他用不完的素材，有他消失了的夢，也孕育著他對未來的期待。社會環(huán)境:南北戰(zhàn)爭，這場決定雙方命運的戰(zhàn)爭，南方吃盡了敗仗，南方的小農(nóng)的自耕農(nóng)理想和種植園主的土地貴族的理想都瓦解了。特別是種植園經(jīng)濟的崩潰，蓄奴制顯貴的迅速敗落，北方資本侵入南方，南方新的資產(chǎn)階級的出現(xiàn)，這一切迫使以?？思{為代表的南方作家都無法擺脫一種歷史的重負。隨著“舊南方”的崩潰，“新南方”的到來，他們情不自禁地以昔日南方蓄奴顯貴的情懷，來追思既往、冷對現(xiàn)實，以一種難言的憂傷和深沉的眷戀，唱一曲深切懷念往日的“莊園之歌”。初次通讀課文，把握基本的故事情節(jié)和主要的人物關系.思考討論以下問題：

學生個人通讀全文，理解文意

小組合作，概括故事大意，選代表發(fā)言。

3、簡要分析艾米麗的人物形象。

4、把握基本的故事情節(jié)，思考作者如此安排行文敘事有何特點。明確：

1、《紀念愛米麗的一朵玫瑰花》講述了一位沒落的南方貴族小姐親手殺死自己的愛人，然后陪伴其尸身并在古屋中隱居四十之久的具有哥特式神秘、恐怖意味的故事。南方淑女愛米麗小姐是舊貴族的象征，對于她的紀念是作為南方作家的?？思{對于逝去的舊南方的無限緬懷之情。但另一方面，愛米麗的最終死亡也喻示了一座紀念碑的倒下，表明了作者對于最終湮沒的南方社會既眷念熱愛又批判其沉淪罪惡的矛盾心態(tài)。

2、愛米麗是作者筆下的典型人物 ,既是舊南方的象征 ,也是舊南方傳統(tǒng)觀念的犧牲品。怪異的舉止 ,孤傲的性格 ,近乎隱居的生活 ,歷來為傳統(tǒng)的評論家們批評的對象。他們普遍認為 ,愛米麗拒絕接受代表現(xiàn)代化的郵箱 ,拒絕交稅 ,即是拒絕接受社會的進步 ,接受時間的流逝 ,是她主動將自己和小鎮(zhèn)上的人們隔離 ,和社會分隔開來 ,也正是造成她悲劇的主要原因。但是 ,如果我們仔細地閱讀這篇小說 ,我們會發(fā)現(xiàn)其實不然。福克納對他筆下這位沒落貴族家庭的小姐充滿了同情 ,愛米麗小姐的悲劇并不全是她自己的過錯。

3、在小說當中，其最大的情節(jié)設置特色就是： A、時序顛倒的

以愛米麗之死為敘述的起點，站在杰斐遜鎮(zhèn)居民的視角上進行敘事，作者以倒敘的手法描述了愛米麗生前的幾個主要事件。在顛倒的時間順序中，首先敘述的是愛米麗拒絕納事稅件，然后是富有神秘氣息的尸臭事件，接著作者卻把時間往過去推進，則出現(xiàn)了父親之死，再接下來的與北方工頭荷默戀愛及他與愛米麗發(fā)生沖突后愛米麗去購買砒霜，緊接下來荷默的消失與愛米麗小姐長達四十年的隱居生活之謎在小說的最后一部分終于被揭開。而按照正常的時序則首先應是父親之死，然后是戀愛沖突與買砒霜，再是荷默的消失，尸臭事件與納稅事件都于此后發(fā)生，最后才是愛米麗的死亡。

作者故意打亂的時序仿佛向我們呈現(xiàn)了一個個組接的電影鏡頭，而這些電影鏡頭卻不是一片混亂，其內(nèi)在的邏輯關系將他們聯(lián)系起來，造成了情節(jié)上的跳躍與結(jié)構(gòu)上的奇突之感，更為重要的是其具有深化主題思想的藝術(shù)功效。這種打破時空界限的手法，把過去和現(xiàn)在直接放在一起，在他們之間形成鮮明的對照，從而使讀者深深地感到時代的變遷和傳統(tǒng)價值觀念的淪喪。

B、循環(huán)敘事

小說文本的敘事打破了線性時間發(fā)展的直線型模式，而是呈現(xiàn)出一個封閉的循環(huán)模式。整篇小說以愛米麗的死亡為支撐視點，將敘事呈現(xiàn)出一個不斷回退的過程。不同于傳統(tǒng)小說在倒敘手法的運用時將謎底置于篇首以制造懸念氣氛，我們在一開始并不知曉愛米麗于古屋之中竟藏有如此驚人之謎，作者正是在不斷回退的敘事中將正常的時序打亂從而增添了小說情節(jié)上的崎嶇之感。如尸臭事件于愛米麗購買砒霜及荷默的消失之間的錯位創(chuàng)設了讀者對于情節(jié)的期待心理。而小說的最后一部分則敘述了愛米麗的死亡與古屋之謎，最終從過去回退到了“現(xiàn)在”的愛米麗之死。這樣的寫法體現(xiàn)了作為現(xiàn)代主義作家的?？思{對于事件的觀點。作業(yè)：以最簡潔的語言概述文章內(nèi)容，完成在隨筆本上。教學后記

第二課時 回顧復習

選1---2名同學，將上節(jié)課布置的作業(yè)在課上和大家交流。

結(jié)合以前所學的有關小說的知識，回顧小說三要素的相關內(nèi)容。

二、導入新課

上節(jié)課我們了解了小說的主要人物和基本的故事情節(jié)，但是小說人物的活動需要有一定的空間，也正是在這個空間里，故事情節(jié)才能按照自有的節(jié)奏推進發(fā)展。今天我們就來繼續(xù)探討環(huán)境這個問題。

三、品讀與探討（小組合作、討論交流）

1、小說中的環(huán)境包含著廣泛的內(nèi)容，他既是人物活動的地域空間，也是時代的縮影。請同學們通讀整篇小說，說說這篇小說中的環(huán)境具體是指哪些“空間”、“縮影”。明確：艾米麗小姐生活的大木屋、小鎮(zhèn)（正在變化的美國南方的“縮影”）、以艾米麗的父親為中心的家庭環(huán)境。

2、請從小說中找到對以上環(huán)境進行具體描寫的文字，發(fā)現(xiàn)這些環(huán)境在作者筆下顯現(xiàn)出的特征以及作者描寫環(huán)境的一般手法。A、大木屋

第一節(jié)：婦女們······這幢房子-------神秘 第二節(jié)：房子雖已破敗······莊嚴不可侵犯的形象-------------擬人、象征、房子更是人的命運和某種腐朽了的時代氛圍的象征。第五節(jié)：（細節(jié)描寫）借參議員代表團拜訪艾米麗的機會展現(xiàn)了大木屋內(nèi)部的情況----------沒落、寂寥、頑固、保守、沉重、壓抑

第五十一：不訂門牌號，不設郵箱------于世隔絕 第57—61節(jié)：（細節(jié)描寫）大木屋的最后一個秘密房間------陰慘、專橫、冷酷、堅守一種陳腐的生活方式和價值觀念 B、艾米麗生活的南方小鎮(zhèn) 思考：

1、文中提到的小鎮(zhèn)為什說是美國南方的呢？試著找些依據(jù) 第2節(jié)----南北戰(zhàn)爭無名軍人墓第3節(jié)-----對黑人婦女下的令 第31、32節(jié)-----北方佬

2、小說對小鎮(zhèn)客觀環(huán)境的描寫極少，但我們能感受到濃郁的 風情，這種風情是通過什么傳達出來的呢？

是通過描寫小鎮(zhèn)上的人傳達出來的。而在小說中對人物的描寫始終 圍繞著中心人物---艾米麗，所以小鎮(zhèn)上的人對待艾米麗小姐的態(tài)度和方式以及小鎮(zhèn)的輿論構(gòu)成了一個艾米麗生活其中的大環(huán)境。

3、小鎮(zhèn)人對待艾米麗小姐的態(tài)度有沒有隨著時間和事件的推移而變化？這種變或者不變又意味著什么呢? 主要體現(xiàn)在三件事：納稅事件、氣味事件、艾米麗的婚事 主要事件

相關人物

對待艾米麗的態(tài)度 納稅事件

沙多里斯上校

敬畏、包容、袒護

第二代領導者

尊重傳統(tǒng)和遵從法律間，選擇了后者

氣味事件

法官斯蒂芬斯

尊敬大于法律

艾米麗婚事

小鎮(zhèn)的人們

一方面，于艾米麗不顧及南方貴族的身份與傳統(tǒng)的行為，大家不甘心這座傳統(tǒng)紀念碑的倒塌。另一方面，艾米麗終于放下貴族的架子，開始戀愛，更符合人性的行為，也是人們所期待的。

C、艾米麗是在什么樣的家庭環(huán)境中成長為這樣一個“紀念碑”的。思考：

1、第26----29節(jié)，以小鎮(zhèn)人的口吻敘述了艾米麗和她父親之間發(fā)生的一些事情，從這些敘述中，你能猜測出其父親的性格特征嗎？他父親的性格和對待她的方式對艾米麗一生有什么影響？文中兩次提到艾米麗父親的炭筆畫像，有什么特殊的意義嗎？ 明確：小鎮(zhèn)人把格爾里森一家看做一幅畫中的人物：“身段苗條??嵌住了他們倆的身影”也許人們認為：她父親的性格仿佛太惡毒、太狂暴，使她一生都平添波折。父親的專橫庇護使年輕的艾米麗失去了正常的情感生活，逐漸成長為孤傲專制的南方貴族傳統(tǒng)的標準繼承者。

2、第5節(jié)、第56節(jié)：兩次父親的畫像，讓我們感覺到，父親死之后，艾米麗依然在父親的目光下活著，以父親傳承給她的生活和思維方式活著，直至生命的盡頭。小結(jié)：（探討）

結(jié)合閱讀此篇小說的體會，分組探討并概括：小說中的環(huán)境一般有哪幾種？在描寫環(huán)境、營造氛圍的手法主要有哪些？

環(huán)境：人物活動的地點（如：居所、居所所在地）、人物周圍的人的行為方式、思考方式以及輿論所構(gòu)成的社會環(huán)境、特定的歷史階段的時代氛圍等。手法：對客觀環(huán)境直接進行細致的描寫，通過描寫中心人物周圍的人對待中心人物的態(tài)度和方式構(gòu)成人物生存的社會環(huán)境，用一個人物、一個地點甚至一個事件濃縮整個時代的特征。

第二篇：讀《紀念愛米麗的一朵玫瑰花》有感

讀《紀念愛米麗的一朵玫瑰花》有感

讀《紀念愛米麗的一朵玫瑰花》有感1

說實話，對于這篇文章，我是稀里糊涂的讀完的。甚至于連結(jié)尾都沒有反應過來，哦，原來結(jié)尾了啊。我不知道愛米麗是不是在她父親的強大的氣場下活得很壓抑。

這篇小說的作者是美國的?？思{的名作之一。它的社會意義什么的`我就不說了，網(wǎng)上的很多讀后感有詳析。我只想說說我自己的一點感受。

愛米麗屬于貴族階級。她有一個家族等級觀念深固的父親。她活在她父親的掌控之下。

當愛米麗的父親死后，小說是這樣描述鎮(zhèn)上人的感覺的“父親死后，傳說留給她的全部財產(chǎn)就是那座房子，人們倒也有點感到高興。到頭來，他們可以對愛米麗表示憐憫之情了?！睘槭裁葱℃?zhèn)上的人們會感到高興？因為人們覺得擁有貴族身份、高貴象征的愛米麗終于有可憐的、需要別人同情的時候了。不是嗎？愛米麗終于有比那些處在下層的人們有不足之處了。小鎮(zhèn)上的人們此刻的心理終于有了一絲“平衡”了。而因此在全篇小說在出現(xiàn)最頻繁的字句就是“可憐的愛米麗”。

愛米麗愛上了一個男人，叫荷默。小說中并沒有過多描寫他們之間的愛，所以，當知道愛米麗選擇用一種極端的方式——殺了這個男人，讓這個男人永遠地屬于自己時。很驚訝，她居然要以此來維護自己的尊嚴，愛的尊嚴。我并不知道愛米麗究竟是否真的深受著荷默。

“高貴寧靜、無法逃避、無法接近、怪僻乖張”。這是小鎮(zhèn)上的人們對愛米麗的描述。我認為，愛米麗更像是一只優(yōu)雅的刺猬。全身長滿刺，但卻還優(yōu)雅地邁著舞步。

讀《紀念愛米麗的一朵玫瑰花》有感2

說真話，針對本文，我是糊里糊涂的念完的。甚至是連末尾也沒有反映回來，哦，原先末尾了啊。我也不知道愛米麗是否在她爸爸的強勁的氣質(zhì)下活得很壓抑感。這篇小說集的作者是英國的?？思{的名篇之一。它的社會發(fā)展實際意義什么的朋友就不多說了，在網(wǎng)上的'許多讀書筆記有詳析。我只想介紹我自己的一點體會。愛米麗歸屬于皇室階層。她有一個大家族級別意識深固的爸爸。她活在她爸爸的操控之中。

當愛米麗的爸爸人死之后，小說集是那樣敘述鎮(zhèn)子人的覺得的“爸爸人死之后，傳說故事交給她的所有資產(chǎn)便是那座房屋，大家倒也有點兒非常高興。終究，她們能夠?qū)勖惐砻魍橹榱??！睘楹涡℃?zhèn)上的大家會非常高興？由于大家感覺有著皇室真實身份、高雅代表的愛米麗總算有可伶的、必須他人憐憫的情況下了。不是嗎？愛米麗總算有比這些處于下一層的大家有存在的不足了。

小鎮(zhèn)上的大家此時的心理狀態(tài)總算擁有一絲“均衡”了。而因而在全文小說集在出現(xiàn)最經(jīng)常的詞句便是“可伶的愛米麗”。愛米麗愛上了一個男人，叫荷默。小說集中并沒有過多描繪她們中間的愛，因此，當了解愛米麗挑選用一種極端化的方法——殺了這個男人，讓這個男人始終地歸屬于自身時。很詫異，她竟然要為此來維護保養(yǎng)自身的自尊，愛的自尊。我并不了解愛米麗到底是不是確實備受著荷默。“高雅平靜、沒法躲避、沒法貼近、怪僻乖張”。它是小鎮(zhèn)上的大家對愛米麗的敘述。我覺得，愛米麗更好像一只優(yōu)雅的刺猬。全身上下爬滿刺，但卻還雅致地踏著舞步。

第三篇：《獻給艾米麗的玫瑰花》及《一桶白葡萄酒》文學評論

Review of a Rose for Emily

A Rose for Emily is a very popular short story because of its style, climax, and plot.The author, William Faulkner, was a Southern writer from Oxford, Mississippi.Faulkner bases this story on the tale of Oxford's aristocracy Miss Mary Neilson.She married Captain Jack Hume, the charming Yankee foreman of a street-paving crew, over her family's shocked protests.The style of this story is false romance.Miss Emily's father, before his death, would run off every man that tried to court her.Because of this, she felt any man she loved would leave her.After falling in love with Homer Baron, she feared he would run off like the others.To keep this from happening, she poisoned him and kept his body upstairs in the bedroom.The climax focuses on the room where the corpse was found.After Miss Emily's death, the town people were cleaning up the house and found a room that was locked.They had to break down the door.To their surprise, they found Homer Baron's corpse lying in the bed dressed in a night shirt.As the story progresses there is no indication that he had died.When they found the toilet things sitting on the dresser with initials H.B., it was well known that the corpse was Homer Baron.I first thought it was her father in the bed, but I realized that her father was

already buried.I then knew it had to be her lover.I cringed on the thought of what she did while she was lying next to the corpse.Finally, the end of this story surrounds a woman's life from her mid twenties until her death at the age of seventy-four.It describes a prominent lady of a town who led a private life.I learned, while reading this story that this woman is crazy and had the mind of a child.She seemed to lose everything she loved.But I still have a question.The question is “Where is the rose in the A Rose for Emily?” Emily was never given a rose, even when she died there was no mention of a rose.In the story the only time a scented thing was mentioned was lime to cover a smell.Emily like the insinuated rose is never present in the story.Even when Emily has a line of dialog it is spoken thought the filter of the narrator’s perspective.The narrator or the town is concerned with what role Emily is playing, although since Emily is not present in the story, but through hearsay, the reader has to decipher between the roll assigned to her by the narrator and actuality of the role Emily fulfills.Everyone went to Emily’s funeral.No one went to the funeral out of respect for the dead.Emily became a person known only though hearsay between town folk.No one knew Emily.“Women went out of curiosity to see the inside of her house.” The women went to the funeral to fill a gap.In a time where entertainment wasn’t prevalent, Emily became the late night drama and sole topic of conversation for the town.The town did not morn, the person, Emily they mourned the personified topic of conversation.The town paid respect to the topic that took up time in their conversations.The town saw Emily as inseparable from what she was.The town saw Emily as, “…a small, fat woman in black…” as opposed to a woman with a small skeleton.The town could not separate the Emily they knew from the Emily that was present.The juxtaposition was fused into the town’s notion of Emily.The druggist must have seen a hint of Emily’s shift in personality.The druggist either did not care about Emily or wanted her dead.The druggist gave her the poison thinking the probability that she was going to kill herself was likely.The druggist didn’t even consider another possibility before spreading the rumor to the town.The druggist would not have given up the poison to Emily before her father died, but now Emily was the same one the town sighed, “…Poor Emily…” for.Emily was a lady when her father was alive.Emily is only a lady, because of who her father was.She is a lady out of only legacy.The narrator knows what Emily did, yet the narrator sympathies with Emily up till the end trick the reader into sympathizing along with the story.In the end the reader and the narrator know Emily is a lady no longer, not

only because she is now dead but because she killed and kept a corpse for cuddling.Ladies don’t cuddle with corpses, but up until the discovery of the corpse Emily remained a lady in the eyes of the town.“They waited until Miss Emily was decently in the ground before…” the town opened the door to the room Emily was keeping her corpse.The town waited because they knew they were going to find something off kilter in that room.Something which could and eventually force change on their opinion of Emily, the town did not wanted to keep what they knew about Emily while she was alive separate from what they knew about her when she was dead.Upon the discovery of the body the fused juxtaposition the town carried with them was removed from their notion of Emily.Neither, the reader or the narrator can relate the Emily at the end of the story to the Emily that existed to hinted ideas of who Emily was before events of the story.There is no reconciliation between the two Emily’s.They share different traits.The first, being the lady, the father’s daughter.The second Emily being an off kilter person struggling with craziness the only way she knows how.But because the story is not written from Emily’s perspective the reader cannot see the shift into craziness directly until the end and is left wondering with the narrator what caused Emily to defy my notion of what a lady is supposed to be?

In the end the “Rose” for Emily is just as absent from the story as Emily herself.Emily is portrayed in flickers between the town folk’s skewed options about her, about her house, about her life style and about her choice in bed room arrangements.The lady Emily reveals two things about herself though out the story, she doesn’t like to pay taxes, and she is willing to kill and keep a corpse around.Creating an option based upon what Emily reveals about herself, it’s safe to say Emily was never a lady, and never thought of herself as a lady.Reference Brooks, Cleanth and Roert Penn Warren.Understanding Fiction, 2nd ed.New York: Appleton-Century-Crofts, Inc, 1959:351 Roberts, Diane.Faulkner and Southern womanhood, Athens and London: The University of Georgia Press, 1994:158 Olga W.Vicky.The Novels of William Faulkner: A Critical Appraisal [M].Baton Rouge: Louisiana State University Press, 1964

Review of the Cask of Amontillado

The Cask of Amontillado is a daring story by the ever-famous Edgar Allen Poe that shows the pain of hate and desire for revenge.Remember always though to not forget the Golden Rule and that prideful reaping will only bring about to you a large and painful fall.Many people have wanted to gain revenge but for a man to say that he is to conduct his action of revenge with full intention of making justice in one’s own mind is an accusation of pure madness.But what could one possibly do to receive such hate from another? The question is a mystery but you can’t tell me you aren’t interested about Poe’s story so please sit back and let me tell you about why it is so good.Poe makes his point clear in the Cask of Amontillado by his amazing use of literary elements such as plot, setting, and foreshadowing.Poe uses one the very planning parts of a story to tell his tail in an amazing way through the literary element of plot.Stories can have very strong, light, and any combination of types of plots.The Cask of Amontillado has a strong plot.The Story lines up in the plot perfectly.There is an explanation of why the character is wanting to get revenge fills strongly to act upon the other character.Montresor the narrator is seeking revenge after Fortunato who is the other large character in the story.His introduction starts saying，“The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.” The intention of your main character is clearly stated although reason is not;you have no doubt from the vocabulary that he is greatly offended.Then actions that follow bring about ability to carry out, but can he struggle past himself in morality, and can he struggle against his adversary to achieve his objectives? Poe uses the knowledge he possesses to carry his idea to the max and then fall into the next part of the story giving succession and strong plot to follow.He doesn’t introduce you with a setting but in the actions and the climax he uses foreshadowing and setting to assist the conducting of his plot properly.With the use of his plot he also teaches you the theme of the story, that you ultimately reap what you sow.For a story to really teach a life lesson in the theme of the story the author has to stay focused on his message and the idea while he is carrying out the actual actions of the story.It takes the entire story working together for it to be a success, and to me a successful story cannot be written unless you have to pay attention to every aspect to fully understand it.The characters are realistic and there is a proven sense of seriousness throughout the story and Poe’s extensive understanding of plot and use of it proves all of this.If you are to see the revenge in a story you have to have a serious

mood, that of hate, at the beginning and on into the conflict.Then you see the madness created and the climax will show if the revenge is truly a success or a failure that all results of over flooded hatred.“Nemo me impune lacessit”, or in English no one attacks me with impunity could be a statement of assurance or a statement of ignorant pride.When you read The Cask of Amontillado remember to first look at the plot that is used Edgar Allen Poe.You can’t very well carry out a nursery rhythm in a dark mansion or a horror story in the sunny beautiful place that one would enjoy frolicking because setting is another vital part of an author’s success in his/her story.Poe is an author that fully understood this element and used it also wisely.If you think of revenge you think of dark sinister thoughts.A story of revenge has a setting of scary eeriness and one that would cause fear because revenge is not a warm cuddly area and in composing a short story Poe knew that where the story took place was a vital piece of the puzzle and you can see that from these quotes I would like to pull out of the story: ·

“..., bowed him through several suites of rooms to the archway that led into the vaults.I passed down a long and winding staircase, requesting him to be cautious as he followed.We came at length to the foot of the descent, and stood together upon the damp ground of the catacombs of the Montresors.”

·

“Its walls had been lined with human remains, piled to the vault overhead, in the fashion of the great catacombs of Paris...From the fourth side the bones had been thrown down, and lay promiscuously upon the earth, forming at one point a mound of some size...It seemed to have been constructed for no especial use within itself, but formed merely the interval between two of the colossal supports of the roof of the catacombs, and was back by one of their circumscribing walls of solid granite.”

Setting pulls you in the story, and make inferences, and gives you a sign of foreshadowing on the events to follow.Symbolism is a big element that lies right within the barriers of setting and gives symbolism of things to come.The settings presented in these two quotes of the story show you signs of death and evil by describing objects surrounding, colors, and even the setup of the setting itself.You can’t tell your story and have it make any sense if you don’t have the proper setting.Poe also uses foreshadowing along with his uses of plot and setting to bring across his message and to make this story one that you will read and enjoy.A well-written horror story has to have suspense or it just doesn’t give you that jumpy or that scared feeling.Poe brings to you in this story foreshadowing and that creepy suspenseful feeling.This is hard for a writer to do but Poe does it anyway with such a way that just makes his story much better.Look again at the setting quotes that I brought out of

the story and you can see the coming of death and misery but you aren’t able to see the result of the conflict because while he gives you sign of the defiant success of the main character Poe doesn’t let you know quite yet because he throws in shadows of doubt and questioning.In Poe’s use of foreshadowing he also used the plot to aid the device by letting some of the major rising action be direct foreshadowing events to use the two device as one and enlighten ideas of mystery.You read the story trying to break it apart because you want to know if Montressor will succeed in quest of receiving revenge, but you just can’t see for it to happen or to not happen.You can see how just in these three elements I mentioned that Poe molded together and let each literary device hold up the other.But why would an author feel so strongly to write a story of revenge and it was just an act of justice? Edgar Allen Poe lived a very short and tragic life that was compiled by attributes of dislike, loneliness, and death of the few people that he allowed himself to get close to and love.Poe had to experience a lot of self-conflict that defiantly pushed him to his all and all.He had a list problems compelled that consisted of gambling, drugs, alcohol, and constant depression because he could not take revenge on the thing that caused him the most pain and that was fait itself.Everyone he loved was taken by the incurable(at the time)disease of tuberculosis.I believe that this story was Poe’s way of saying he didn’t know how to

deal with the inability to take revenge on his opposing force, which was fait.He seemed to hurt himself to an unreal level by taking into his life things like gambling(which he probably might have at a time was what he compared to life), drinking(to probably forget his pain), and maybe drugs(because he would probably seek a realm that had to be better than the reality that he lived in).He begins this story, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.” I don’t know the approximate time that Edgar Allen Poe wrote this story but it was probably a time that he may had thought of suicide or even before he was found dead with alcohol in his system on a street corner.It seems that Poe could obviously not take revenge on fate and had no one to blame so he took out the bubbling hurt and made himself his own source of source of pain which would be his life itself and his own identity his outlet because he felt shut out from others because everyone he had loved left him in death.Some authors seek an inspiration for their writings but I believe that Poe just expressed his life and experiences and that is why he is notorious for his horror stories, scary isn’t it.I have given and supported my opinion to you as best to my ability and I know that when you read this story you will enjoy.Remember when you read to get the message that something is trying to teach you and after you enjoy a piece break it down in your mind.Poe used his ability to

express himself in this story through the use of the literary element devices of setting, plot, and foreshadowing made it the story for me.I give The Cask of Amontillado my ballot and would venture to say that it is an example of how a short story should be written.Reference Benton, Richard P.“Poe's 'The Cask of Amontillado': Its Cultural and Historical Backgrounds.” Poe Studies 29.1(June 1996): 19-27.Bonaparte, Marie.The Life and Works of Edgar Allan Poe: A Psycho-Analytic Interpretation.London: Hogarth, 1971.Davidson, Edward Hutchins.Poe, A Critical Study.Cambridge: Harvard University Press, 1957.

第四篇：從《獻給艾米麗的一朵玫瑰》看?？思{作品中貴族的沒落

英語專業(yè)全英原創(chuàng)畢業(yè)論文，是近期寫作，公布的題目可以用于免費參考《魯濱遜漂流記》中魯濱遜的性格分析功能對等理論在法律英語翻譯中的應用淺析華茲華斯詩歌中的美——人性、語言、意象英漢顏色詞的文化對比及其翻譯策略對杰克倫敦作品《海狼》男主角海狼拉森的人物分析《格列佛游記》和《鏡花緣》中的理想國比較不屈的反抗，悲劇的結(jié)局——蓓基和嘉莉妹妹的命運對比淺析電影《當幸福來敲門》中“美國夢”的圓夢模式論《嘉莉妹妹》中的女性主義[畢業(yè)論文](英語系經(jīng)貿(mào)英語)企業(yè)家個人品牌在企業(yè)營銷中的作用薇拉?凱瑟《我的安東妮亞》中的成長主題黑人女性身份的建構(gòu) —《寵兒》的后殖民主義解讀羅伯特弗羅斯特詩歌的人生哲學研究從祥林嫂和苔絲比較中西悲劇女性形象論凱特?肖邦《覺醒》中艾德娜的覺醒過程哈代小說中的宗教觀——以《苔絲》為研究中心艾米莉迪金森對宗教的矛盾態(tài)度闡釋廣告翻譯的目的性原則—以汽車廣告為例艾米莉狄金森詩歌中的死亡和永生馬丁路德金《我有一個夢想》的語言學特征從跨文化交際的角度關于中英酒文化的解析體態(tài)語在中學英語教學中的應用奧斯卡最佳英語電影片名漢譯的價值取向研究夏洛特?柏金斯?吉爾曼《黃色墻紙》中的象征手法《喜福會》中女性地位與形象的解讀“立足文化兼顧考試導向”的詞匯教學模式英漢空間隱喻對比分析——以英語“up-down”和漢語的“上-下”為例語境在英語聽力理解中的作用與分析論《嘉莉妹妹》中美國夢的追尋與迷失《推銷員之死》中主人公威利洛曼之死的研究

《呼嘯山莊》中希斯克利夫雙重性格分析

影視字幕英漢翻譯分析

《呼嘯山莊》人物形象解讀

淺析約翰斯坦貝克《菊花》的象征藝術(shù)

《簡?愛》中哥特寫作手法的闡釋

鄉(xiāng)鎮(zhèn)初中英語課堂教學有效性探究

中式英語研究

中英文動物習語的情感差異研究——以“狗”為例

從前景化欣賞《傲慢與偏見》

漂泊的靈魂——從馬斯洛層次需要理論剖析瑪格麗特·勞倫斯《潛水鳥》中邊緣文化人的抗爭與迷失

霍華德·雅各布森《芬克勒問題》的節(jié)奏研究

對聯(lián)翻譯策略-以《紅樓夢》對聯(lián)翻譯為例

《綠野仙蹤》和《愛麗絲漫游仙境》的比較

隱忍 反抗 順從 自立：《出獄》中女主人公的救贖之路 對《永別了，武器》的分析 淺析《純真年代》中服飾的象征意義 《飄》中女主人公的女性意識分析 中美電影中的跨文化現(xiàn)象分析 英漢政治演講語篇中人稱指稱對比分析 任務型教學法在初中英語閱讀教學中的運用 漢語中的間接言語行為研究 淺析商務談判中的語用失誤及策略 從倫理學角度分析狄更斯作品中的女性形象 淺析托妮?莫里森《最藍的眼睛》中的生態(tài)女性主義 從電影《饑餓游戲》看美國人的競爭與合作意識 簡奧斯汀作品中的女性主義分析 從美國節(jié)日文化對中國青年的影響看全球化下中國青年對中國傳統(tǒng)節(jié)日文化的缺失 十二生肖的翻譯及相關動物成語 商標翻譯的重要性中西方葬禮文化的對比 酒神與日神的對話－－哈姆雷特性格分析 話語理論在林紓《黑奴吁天錄》中的運用 《麥田里的守望者》霍爾頓的轉(zhuǎn)變分析 從需求層次理論解析《嘉莉妹妹》中嘉莉的人生觀 淺析《了不起的蓋茨比》中的美國夢的破滅及原因 《麥田里的守望者》的成長主題分析 西方吸血鬼文化與中國僵尸文化的異同比較 從語用學的角度分析美國情景喜劇《老友記》中的言語幽默 論商務談判中的語言溝通技巧 “三美”理論視角下楊譯《紅樓夢》中金陵判詞的翻譯研究 中英餐桌禮儀的比較 《呼嘯山莊》中的哥特式惡棍形象分析 社會的諷刺－－從奧斯卡?王爾德《認真的重要性》中阿爾杰農(nóng)?芒克瑞福的眼看 詩歌翻譯中不可譯現(xiàn)象研究 《等待戈多》和《禁閉》的比較研究 《名利場》中語言偏離現(xiàn)象的語用分析 奧斯卡?王爾德《道連?格雷的畫像》中人物間的相互影響 政治與商業(yè)演講中概念隱喻語言特色的比較分析 從美國醫(yī)保改革淺析美國政治博弈 淺析《飄》中斯嘉麗愛情觀的形成和發(fā)展 馬丁伊登的理想與現(xiàn)實的矛盾 論商標翻譯中的翻譯原則 電影字幕翻譯研究 英語廣告的語言特色分析及其翻譯 文化因素對商標翻譯的影響 英文電影片名的翻譯原則和策略

朱生豪與梁實秋莎劇譯本的對比分析

口譯過程中信息缺失分析及應對策略研究

《霧都孤兒》的寫作風格

從《獻給艾米麗的一朵玫瑰》看福克納作品中貴族的沒落

從全球本土化理論的視角比較《美國偶像》與《超級女聲》

中學英語教學中的文化教學

凱瑟琳?安?波特的女性意識

交互閱讀模式在中學英語中的應用

雅思考試與大學英語等級考試的比較研究

論《弗蘭肯斯坦》的社會意義

英語in介詞短語的功能和意義

論《好人難尋》中的暴力與死亡

從美國主流媒體話語看中國企業(yè)的國際形象－－以批判性話語分析為視角

第五篇：一朵玫瑰花的短篇詩歌范文

一朵玫瑰花

做完作業(yè)，我走進媽媽的房間，我把一朵玫瑰花插在媽媽的花瓶里。

媽媽，您上班了一天，肯定累了，好好休息一下吧！

作業(yè)我會自己檢查，復習也讓我自己來完成吧。

媽媽，您辛苦了，好好休息一下吧！

愿玫瑰花的花香消除您的疲勞。