第一篇：《純真年代》我的讀后感

[《純真年代》我的讀后感]《純真年代》我的讀后感2011-02-27 23：27編者按，【錦江歲月】里《純真年代-懷念八十年代錦江》一文所反映的昔日單純美好的猶如世外桃源般三線(xiàn)生活和913廠(chǎng)廠(chǎng)友們童年的經(jīng)歷是相通的，《純真年代》我的讀后感。故把這篇文章的讀后感歸類(lèi)到913昔日生活點(diǎn)滴欄目。作者：913棋王讀《純真年代-懷念八十年代錦江》一文，作者文字質(zhì)樸生動(dòng)，短短數(shù)語(yǔ)就能把我們帶入到了一個(gè)，我們也曾經(jīng)感受過(guò)的那段單純的、無(wú)憂(yōu)無(wú)慮的三線(xiàn)生活歲月。我相較《純真年代-懷念八十年代錦江》一文的作者作者是79年的而言還要大上好幾歲，從出生年份上說(shuō)作者基本上可以歸納到80后的群體，相對(duì)來(lái)說(shuō)我們童年時(shí)的物質(zhì)豐富度比之作者還要差一點(diǎn)。從作者回憶自己經(jīng)歷的純真的八十年代看，那時(shí)的生活單純而充滿(mǎn)樂(lè)趣。譬如這段那時(shí)人們的娛樂(lè)生活比較簡(jiǎn)單。廠(chǎng)里會(huì)放電影，大人買(mǎi)兩毛錢(qián)的奶油瓜子，帶著我們一起去。小一點(diǎn)的時(shí)候，我們也看不懂，就和其他小朋友在外面瘋，制造噪音。夏天最棒，有壩壩電影，我就在媽媽坐的藤椅上爬來(lái)爬去。，還有這段夏天傍晚我們就到山上去采野果子，捉蚱蜢。冬天會(huì)下雪，上學(xué)的路上我們從屋檐上摘下個(gè)冰柱舔一舔，或是用白白的雪捏成一串糖葫蘆，咬幾口。，這樣生動(dòng)的文字無(wú)疑是很富有感染力的。在文章中我也注意到了兩個(gè)不好的小現(xiàn)象，即作者上幼兒園時(shí)某些阿姨就會(huì)把好的玩具分給當(dāng)官的孩子，作者就玩不到自己羨慕很久的玩具，還有就是錦江二村住工人，作者小時(shí)候的感覺(jué)是停電好像也總先停二村的。進(jìn)入到九十年代后作者隨家搬到了新都，學(xué)校的老師上課不講普通話(huà)大約就是一個(gè)開(kāi)始變化的信號(hào)，作者開(kāi)始察覺(jué)到人與人的關(guān)系開(kāi)始變淡了，眼看著大人們整天忙碌著下海，作者直觀地感到九十年代失去了八十年代那般單純美好、猶如世外桃源般的小幸福。其實(shí)我認(rèn)為九十年代的不美好是源自于八十年代的緩慢積累，所謂量變引起了質(zhì)變。以作者童年經(jīng)歷里玩不到喜歡的玩具和二村先停電實(shí)的例子，就可以從中發(fā)現(xiàn)一點(diǎn)蛛絲馬跡。這就好比職工從享有老大哥地位到最后淪為了弱勢(shì)一樣，完成這一步并非是突然而至，顯然是一步一步地緩慢變化而來(lái)的，只不過(guò)最開(kāi)始的變化尚未引人注目而已。難能可貴的是，作者從豐富的物質(zhì)生活中看到了精神生活卻變貧瘠起來(lái)，從錦江不好的變化中樸素地看到了造成這些丑陋現(xiàn)象的來(lái)源是這個(gè)時(shí)代，這反映出一個(gè)錦江青年人的獨(dú)立思考和成熟?？傊酒恼虏粏螁酒鹞覀冎匦禄貞浧鹞羧杖€(xiàn)生活的美好，同時(shí)也引起我們對(duì)時(shí)代變遷的思考，的確是一篇好文章！附錄原文：純真年代--懷念八十年代的錦江作者：莊艷八十年代，提起自己是錦江人，倍感自豪。那是一個(gè)團(tuán)結(jié)奮進(jìn)，朝氣蓬勃的年代。那里有我父母揮灑的青春，有我無(wú)比懷念的童年生活。那時(shí)的錦江廠(chǎng)，就如世外桃源，培養(yǎng)出來(lái)的人都非常優(yōu)秀，讀后感《《純真年代》我的讀后感》。而我當(dāng)時(shí)的結(jié)論是認(rèn)為錦江廠(chǎng)的水不一樣，喝了就會(huì)變聰明。為什么會(huì)有人講普通話(huà)，上海話(huà)，四川話(huà)呢，我那時(shí)想是因?yàn)樗麄兂缘氖瞧胀垼虾ｏ埡退拇?。廠(chǎng)里住宅分一村、二村和三村。感覺(jué)上三村住的大部分是上海人和當(dāng)官的，一村住的也是很多當(dāng)官的，二村住工人，停電好像也總先停二村的。聽(tīng)說(shuō)幼兒園老師為了方便我們上廁所，直接把我們放在痰盂上坐著，等爸爸媽媽來(lái)接我們的時(shí)候，我們一站起來(lái)，痰孟還在屁股上吊著。那時(shí)的某些阿姨就會(huì)把好的玩具分給當(dāng)官的孩子，我就從來(lái)沒(méi)有玩到過(guò)有些令我羨慕很久的玩具。社會(huì)的不平等早早的在這個(gè)時(shí)候就在我們幼小的心里埋下了種子。那時(shí)人們的娛樂(lè)生活比較簡(jiǎn)單。廠(chǎng)里會(huì)放電影，大人買(mǎi)兩毛錢(qián)的奶油瓜子，帶著我們一起去。小一點(diǎn)的時(shí)候，我們也看不懂，就和其他小朋友在外面瘋，制造噪音。夏天最棒，有壩壩電影，我就在媽媽坐的藤椅上爬來(lái)爬去。印象比較深的電影有大西洋底來(lái)的人，超人。那時(shí)沒(méi)有象現(xiàn)在的大型商店可逛，不過(guò)我們還是常常去郵電樓對(duì)面的礦貿(mào)店看看，再走遠(yuǎn)點(diǎn)，那就是去趕中和廠(chǎng)。偶爾能坐廠(chǎng)交通車(chē)去一趟成都，還可以買(mǎi)個(gè)娃娃頭、雪糕，那真是享受啊。上了小學(xué)后，還會(huì)懷念幼兒園的那個(gè)有滑梯和轉(zhuǎn)亭的小小游樂(lè)場(chǎng)，周日就和別的同學(xué)一起冒生命的危險(xiǎn)翻墻進(jìn)去玩。都不知道大人有多擔(dān)心。小學(xué)生活豐富多彩，每年六一兒童節(jié)是我最興奮的時(shí)候。我們班一年級(jí)跳的舞蹈七七號(hào)巡洋艦，二年級(jí)跳的鐵臂阿童木都得了全校一等獎(jiǎng)。三年級(jí)隔壁班有幾個(gè)男生自導(dǎo)自演的霹靂舞引起了全校轟動(dòng)。每年還有風(fēng)箏節(jié)，我爸爸幫我做的風(fēng)箏飛得最遠(yuǎn)，但是不高，還有一年有燈籠比賽，爸爸給我做了只小白兔燈籠，里面放的日光燈，白白的，真好看。印象中還經(jīng)常有各種體育比賽在俱樂(lè)部舉行。我們那時(shí)正刮學(xué)騎自行車(chē)的風(fēng)，成天在俱樂(lè)部的草地上騎。最羨慕的是有的小朋友有自行車(chē)，后輪兩邊各有兩個(gè)小輪，怎么騎都不會(huì)倒。夏天傍晚我們就到山上去采野果子，捉蚱蜢。冬天會(huì)下雪，上學(xué)的路上我們從屋檐上摘下個(gè)冰柱舔一舔，或是用白白的雪捏成一串糖葫蘆，咬幾口。改革開(kāi)放的春風(fēng)吹啊吹，終于還是吹進(jìn)了這世外桃源。大人們也忙著下海了。那時(shí)從二村走到俱樂(lè)部的一路上，都是麻辣燙，串串香。一毛錢(qián)一串的萵苣，在紅油鍋里涮一涮，拿出來(lái)后再裹上一層干海椒面，嗯，現(xiàn)在想起了還流口水呢。自由市場(chǎng)生意也很紅火，還記得有個(gè)賣(mài)日用品的老財(cái)迷嗎?自由市場(chǎng)對(duì)面有個(gè)蒸飯的大鍋爐，我們中午放學(xué)會(huì)去端飯，還要回家開(kāi)火門(mén)，不然等爸爸媽媽回來(lái)就做不成飯了。后來(lái)要搬新都了，印像中大概爸爸媽媽們就不會(huì)打麻將了，因?yàn)樗麄兠恐芸梢匀毠馑潞凸鸷珗@玩。心目中的新都，真是個(gè)金碧輝煌的地方。但是去了新都才發(fā)現(xiàn)我們進(jìn)了一個(gè)大社會(huì)。學(xué)校的老師上課居然不講普通話(huà)，害得我現(xiàn)在的普通話(huà)都不標(biāo)準(zhǔn)了。同學(xué)的背景各不相同，人和人之間的關(guān)系也變淡了。我就這樣離那純真年代越來(lái)越遠(yuǎn)?？墒嵌嗄暌院蠡仡^再看我們現(xiàn)實(shí)的錦江廠(chǎng)，她不知道什么時(shí)候也悄悄地變了，她也逃脫不了社會(huì)各種垃圾的污染。物質(zhì)生活變得豐富了，精神生活卻變貧瘠。人們忙忙碌碌，不知道要追求什么?，F(xiàn)在我已經(jīng)長(zhǎng)大成人，我為錦江廠(chǎng)失去那單純美好、猶如世外桃源般的小幸福，和她最終的沒(méi)落而惋惜。但這一切都是這個(gè)時(shí)代造就的。我將永遠(yuǎn)懷念八十年代的錦江廠(chǎng)。作者于2005年8月發(fā)自美國(guó)華盛頓州立大學(xué)

第二篇：純真年代英文讀后感

The Age of Innocence

The Age of Innocence is a novel by Edith Wharton.The story was happened in New York City's upper class in the 1870s, and told us a story of love triangle.One major character of this story, Newland Archer is a young, popular, successful lawyer.Before he meets Ellen Olenska, his life has never changed, and always has been filled with the old culture and customs of the old society.Ellen makes him find the new and wrong things in upper class.At one time, Newland had lost himself in his love to Ellen and wanted to elope with her.But after his wife’s pregnancy, Newland still surrenders to the society, find the “right” way to continue his own lift, and never out of loyalty to their marriage.Well, in the beginning of the story, Ellen has fled from her unhappy marriage, and has returned to America.She fell in love with Newland.However, because of she love he, Ellen drives an important decision.When she has heard the May's pregnancy, she immediately decides to disappear from his life and leave America.In my opinion, Ellen is a typical rebel of that society;she doesn’t know all the rules of Old New York’s upper-class.And, she hates all things in a boring life;the most important one is a marriage without love.However, those rules destined the impossibility between she and Newland’s love.They can't get rid of the bondage of the society, their love also have no place to survival.In a word, they think and consideration too much for each other.At last, they will miss each other.Another major character of this story, May Welland is different from the above two person.She is a great model of upper class.She smile all the time, always know what to do and how to do.At first, she follows and obeys and engaged to Newland.After the marriage, when she suspects Newland is Ellen's lover, May has always pretends to be happy before society.She always knew that her husband love with others, but She loves her husband.In the end she has used her unborn kid to keep her husband.May always think she will win in this love battle because of the whole society behind her.After reading this novel, I think that the poorest man is Newland.He

can’t follow his own heart to love the woman which he loves.He must be observing the rules of society.If he becomes like Ellen, he will lose everything that he has built his own foundations in upper class in New York.In the end, he is neither, nor is he himself.However, under this society, they are all victims, not only Newland but also May and Ellen.This is the biggest tragedy in the 1870s’ New York.Well, in the end of novel, Newland just look at the window and never go to upstairs.Young Ellen smiling in his memory.Then he finally realizes he always keep his best memory in the deep of his own heart.The love between him and Ellen is a kind of spirit and soul love.This kind of love will never disappear forever.

第三篇：純真年代英文讀后感2

The Age of Innocence

The Age of Innocence is a novel by Edith Wharton, and Edith Wharton was the first woman won the Pulitzer Prize.The story was happened in New York City's upper class in the 1870s, and told us a story of love triangle.Newland Archer is a young, popular, successful lawyer.Before he meets Ellen Olenska, his life has never changed, and always has been filled with the old culture and customs.But all of that have been changed.Ellen has fled from her unhappy marriage and has returned to America.But she fell in love with Newland.So Ellen makes him find the new and wrong things in upper class.At one time, Newland had lost himself in his love to Ellen and wanted to elope with her.But after his wife’s pregnancy, he immediately decides to disappear from his life and leave America.But Newland still surrenders to the society, find the “right” way to continue his own lift, and never out of loyalty to their marriage.Ellen is a typical rebel of that society;she doesn’t know all the rules of Old New York’s upper-class.And, she hates all things in a boring life;the most important one is a marriage without love.However, those rules destined the impossibility between she and Newland’s love.They can't get rid of the bondage of the society, their love also have no place to survival.They think and consideration too much for each other.At last, they will miss each other.Another major character of this story, May is different from the above two person.She smile all the time, always know what to do and how to do.At the first, she engaged to Newland.After the marriage, when she suspects Newland is Ellen's lover, May has always pretends to be happy before society.She always knew that her husband love with others, but she loves her husband.In the end she has used her unborn kid to keep her husband.May always think she will win in this love battle because of the whole society behind her.After reading this novel, I think that Newland is a poor guy.He can’t love the woman which he loves.He must be observing the rules of society.If he becomes like Ellen, he will lose everything that he has built his own foundations in upper class in New York.In the end, he is neither, nor is he himself.However, under this society, they are all victims, not only Newland but also May and Ellen.This is the biggest tragedy in the 1870s’ New York.I am very happy to born in this century, because I can choose my own love and I will cherish the happy time.

第四篇：純真年代英文讀后感

THE AGE OF INNOCENCE

The Age of Innocence is an unfading novel which has been regarded as the perfect one of Edith Wharton's.The author created the characters and refined the materials from her personal experience and familiar environment.Its theme was rooted in realism.In this novel, the clue of Beaufort's fate stood in contrast to the plotline of Archer's disastrous love, which had left the common love story with the profound social significance.In the 1870s, it was immoral for women to get a divorce in the American upper class.Ellen Olenska, a countess coming back to New York from Europe, was such a shameless woman.However, her coming back provoked a commotion in the lifeless upper class.Ellen's cousin, May Welland, was engaged to Newland Archer.Faced with all kinds of behaviours of Ellen after her coming back, Archer, unlike other high-society people who thought of her as a over-coquettish and loose woman , quite appreciated Ellen who had the courage to break the stereotypical image.He was never satisfied with such rigid rules that women couldn't express their feeling freely and catch other people's eyes.They couldn't divorce their husbands even though their marriage was unhappy.At this point, Ellen's appearance stirred up his rethinking of his own marriage, the freedom of women and even the deeply conservative society where he lived.Gradually, the appreciation that Archer showed for Ellen turned to love.At the same time, Ellen was slowly coming to accept Archer' love.However, Archer had many constraints from traditional etiquette that always reminded him that he could not run counter to what he had been given.He should stick to the old system to keep his engagement to May.He should do his best to preserve the honor of two families, which would not allow him to rebel against orthodoxy and do anything wilder.Finally, Archer married May under such mundane situation.But Archer soon began to lose himself with their marriage's bondage and more profoundly, he knew that the woman he really loved was Ellen.Archer could not cheat himself any more and decided to pour his heart out about his love to Ellen who was suffering equally.Although May already suspected that Acher had an affair with Ellen, she kept silent and told them that she was pregnant.Ellen realized that she might hurt May and her child if she continued to pursue happiness and love.Finally, she chose self-sacrifice and then left New York.Years later, Archer finally got the chance to meet Ellen.However, faced with Archer who had come a long way to visit her, Ellen just quietly closed the window that was open.This may be the perfect ending.The love triangle raised questions of duty, passion and morality and finally ended quietly.In my opinion, Ellen was the bravest woman among those characters for she always lived just like her desire.She, unlike other women who were afraid to cross secular and

traditional boundaries, had the courage to express her love and her final leaving proved her spirit of self-sacrifice.Another three novels:

Jane Eyreauthor: Charlotte Bronte

Emma

Pride and Prejudice

author: Jane Austen author: Jane Austen

班級(jí)：10英語(yǔ)教育

學(xué)號(hào)：201013061140

姓名：蔡加涵

第五篇：《純真年代》觀后感

《純真年代》

摘要:19世紀(jì)70年代的美國(guó)上流社會(huì)，年輕女子離婚是件很不道德的事情。而從歐洲回到紐約的女伯爵埃倫，恰是這樣一個(gè)“敗壞門(mén)風(fēng)”的人。埃倫的表妹梅已和律師紐蘭·阿切爾訂婚。紐蘭雖然處事中規(guī)中矩但內(nèi)心極端蔑視這個(gè)社會(huì)虛偽的道德準(zhǔn)則。事實(shí)上青春時(shí)代的紐蘭既已暗戀過(guò)埃倫，多年后再次相遇，使他的內(nèi)心波瀾起伏。紐蘭為抑制自己的情感，向梅求婚，端莊嫻靜的梅內(nèi)心玲瓏剔透，早已察覺(jué)未婚夫情感有異，但卻不動(dòng)聲色，二人結(jié)婚了。紐蘭很快便發(fā)現(xiàn)自己在婚姻的束縛下漸漸失去了自我，并深刻地明白了：自己真正愛(ài)的人是埃倫。紐蘭無(wú)法再欺騙自己，終于向同樣備受煎熬的埃倫傾吐了心中的愛(ài)，并決心去歐洲找埃倫。但此時(shí)，妻子梅平靜地告訴他：自己已懷孕，并且告訴了埃倫。世俗的規(guī)則終于成功地拆散了埃倫和紐蘭。多年后，已屆老年并已喪妻的紐蘭終于有機(jī)會(huì)見(jiàn)到埃倫，然而他只是在樓下遙望著埃倫的窗口，年輕時(shí)代的埃倫燦爛的笑容在紐蘭的心中如鮮花綻放??

關(guān)鍵詞： 文化背景 文化差異 英美文化 跨文化

在影視欣賞選修課的第一次作業(yè)就是電影《純真年代》觀后感?？吹谝槐榈臅r(shí)候只覺(jué)得劇幕設(shè)置很精致，92年上映十幾年后看卻依然華麗。影片背景為十九世紀(jì)的上流社會(huì)，服裝、佳肴、豪宅裝潢、人物舉止談吐皆十分考究?？赐暾縿?，卻又禁不住想要看一看原著。在網(wǎng)絡(luò)上搜索，才知道是美國(guó)女作家伊迪絲·華頓的作品?！都冋婺甏繁徽J(rèn)為是 伊迪絲·華頓 結(jié)構(gòu)技巧最為完美的一部小說(shuō)，并使她成為了歷史上第一個(gè)獲得普立策文學(xué)獎(jiǎng)的女性作家。故事的發(fā)生地紐約是華頓出生的地方，在那里她度過(guò)了自己的青少年時(shí)代和最初幾年的婚姻時(shí)光。她從自己親身經(jīng)歷與熟悉的環(huán)境中提煉素材，塑造人物，將作品題材根置于深厚的現(xiàn)實(shí)土壤之中。

看完《純真年代》，這個(gè)片子看下來(lái)感覺(jué)慢慢的，挺幽雅的。

冠冕堂皇后掩蓋著不為人知的心理斗爭(zhēng)，片里每個(gè)人都是偉大的，因?yàn)樗麄儍?nèi)心是高貴的，在不溫不火的節(jié)奏下面隱含著一顆火熱的心。每個(gè)人都在這種節(jié)奏下追求著或保護(hù)著自己的幸福。主人公梅施是美麗，善良的，她用她自己的“純真”保護(hù)了自己的愛(ài)情。

貴族們每天都把生活演繹的如此絢麗，其實(shí)他們內(nèi)心中隱含的苦悶是外界很難發(fā)覺(jué)的，他們不能夠表露，因?yàn)榱餮则阏Z(yǔ)會(huì)使的他們很難堪，他們默默的承受著內(nèi)心的孤寂。其實(shí)人都是平等的，每個(gè)人都要碰到“放棄”與“抉擇”的時(shí)刻。

故事發(fā)生于19世紀(jì)70年代末至20世紀(jì)初，主要描寫(xiě)上流社會(huì)的風(fēng)俗。小說(shuō)的情節(jié)并不復(fù)雜。在紐約的一個(gè)歌劇院里，一位年輕的律師，出生于正宗上流社會(huì)的紐蘭·阿切爾，正在等待他的未婚妻梅·韋蘭。梅是一位教養(yǎng)極好、頗受紐約上流社會(huì)欣賞的年輕女子。梅的表姐埃倫· 奧蘭斯卡伯爵夫人也來(lái)到了歌劇院。關(guān)于埃倫有許多負(fù)面議論，她公然藐視上流社會(huì)的規(guī)則，為紐約上流社會(huì)所不能容忍。整個(gè)故事看似講述男主人公阿切爾與埃倫的情感糾葛。實(shí)際上，隨著兩人關(guān)系的發(fā)展，先是友誼，后是愛(ài)情，男主人逐漸看到了紐約社會(huì)中性別之間的不平等與社會(huì)習(xí)俗中最淺薄的部分。

影視的主人公刻畫(huà)得入木三分，細(xì)致入微，通過(guò)對(duì)人物豐富的心理活動(dòng)的描寫(xiě)，揭示了人物鮮明的個(gè)性特征。故事主要圍繞阿切爾，梅和表姐埃倫之間展開(kāi)。雖然梅是阿切爾的未婚妻，感情的主線(xiàn)卻在自己的丈夫與表姐之間展開(kāi)。

我最喜愛(ài)的角色還是梅·韋蘭。維諾娜·賴(lài)德扮演的梅安靜，端莊，美麗，極其符合我的審美觀。對(duì)梅這個(gè)角色給與了更多的關(guān)注。一個(gè)完美的妻子，不折不扣地遵循著所有上流社會(huì)的傳統(tǒng)，純真卻又乏味。為了保有自己的婚姻，在得知阿切爾與埃倫之間的愛(ài)情后，她保持一種調(diào)和的態(tài)度，裝出幸福的樣子，給上流社會(huì)一種婚姻完美的假象。直至梅去世之后，丈夫阿切爾才得知自己的妻子自始至終都知道他與埃倫相愛(ài)。

或許可以說(shuō)梅破壞了阿切爾和埃倫之間的真摯的愛(ài)情，但實(shí)際上她保護(hù)了自己的丈夫。深受上流社會(huì)的教育，她明白一旦阿切爾和埃倫在一起將會(huì)遭受多大的輿論壓力。像用韁繩勒住懸崖邊的馬一樣，梅用責(zé)任綁住自己的丈夫?；蛟S她不能理解，對(duì)于阿切爾來(lái)說(shuō)，能和埃倫在一起，就算是掉進(jìn)懸崖也是幸福的；但我不能否認(rèn)她的愛(ài)情觀，她依靠自己對(duì)愛(ài)的理解來(lái)保護(hù)自己的丈夫，維護(hù)自己的家庭。不同于埃倫的激情澎湃，梅的愛(ài)情猶如她的外貌一樣沉靜而端莊?？床灰?jiàn)，聽(tīng)不到，但是你卻能細(xì)細(xì)體會(huì)。被埃倫激烈的愛(ài)情所深深吸引的阿切爾恐怕是不能理解的。彌留之際，梅告訴兒子達(dá)拉斯，可以永遠(yuǎn)信賴(lài)自己的父親，因?yàn)闉榱怂麄兊幕橐觯⑶袪柗艞壛藢?duì)他生命來(lái)說(shuō)最重要的東西。這是梅的方式，她用一輩子的時(shí)間來(lái)記住丈夫的犧牲。

看完電影，使我感慨良多。情不自禁之下，讓我想到了曹雪芹的《紅樓夢(mèng)》，同樣是描述一段發(fā)生在舊時(shí)上層社會(huì)的“三角戀情”，同樣的感人至深，也同樣的屬于不完美結(jié)局。從時(shí)間上來(lái)看，甚至讓我忍不住懷疑，《純真年代》的作者是否也曾拜讀過(guò)曹雪芹的巨著，從而有感而發(fā)，結(jié)合自己國(guó)情改編而成此劇。當(dāng)然，這似乎也無(wú)考證的必要，因?yàn)橹浪鼈兌际遣恍嗟慕?jīng)典就足矣。本以為只有舊中國(guó)才有魯迅先生所說(shuō)“吃人的禮教”，不曾想過(guò)十九世紀(jì)七十年代的美國(guó)也一樣存在，且有過(guò)之而無(wú)不及，因?yàn)樗鼈兩聿卦谏狭魃鐣?huì)的典雅華貴的外表之下，更不易被人發(fā)現(xiàn)。它深深扎根于人們的思想觀念中，早已成為一種約定俗成人人必須遵守的生活法則，被一代代人奉為圭臬！這個(gè)故事用衛(wèi)道士的話(huà)來(lái)說(shuō)就是他懸崖勒馬，終被納入正軌；而她總算學(xué)乖，退出江湖，成全了一個(gè)“幸福美滿(mǎn)”的家庭。而在我看來(lái)，卻是——一段純真的愛(ài)生生地被世俗禮教扼殺了！May代表上流社會(huì)最美的一面，雪膚花貌，溫柔嫻靜，高貴優(yōu)雅，恪守禮教。儼然是一個(gè)西方版金發(fā)碧眼的“寶釵”。她射箭時(shí)箭箭中靶心，也毫無(wú)驕矜之色；明知丈夫心有所屬，也照樣純真無(wú)邪，只三兩下手勢(shì)，就將危機(jī)化解于無(wú)形。相比于真寶釵，可謂青出于藍(lán)更勝于藍(lán)。正如寶玉不能選擇自己的新娘，Newland也無(wú)力拒絕May而選擇自己所愛(ài)，因?yàn)樗麄兌忌钤谝粋€(gè)被束縛的世界，他們無(wú)力掀起上流社會(huì)精致的面具——眾人不惜一切代價(jià)維護(hù)的精致面具。而Ellen又恰是另一個(gè)多情的“林妹妹”，她風(fēng)情萬(wàn)種、惹人憐愛(ài)、不甘于世俗禮教的束縛、敢于追求屬于自己的幸福，卻一再被命運(yùn)之神捉弄，不被“主流社會(huì)”所接受。她不明白，為什么這里的人是不哭的？為什么她要寂寞地住在這些人當(dāng)中，戴著面具過(guò)活？為什么她只是嫁錯(cuò)了人，就仿佛給按上了不潔的印記？但最終在現(xiàn)實(shí)的教育下，她也只能選擇屈服，被迫遵守所謂上流社會(huì)的那套規(guī)則。她比柔弱的林妹妹有優(yōu)勢(shì)的是，面對(duì)輿論洶洶，她其實(shí)可以選擇自私任性一點(diǎn)，離開(kāi)這令人窒息的地方，與心愛(ài)的人雙宿雙飛。但她沒(méi)有。所以，從來(lái)道德和規(guī)矩只是讓表面遵守的人獲利，造就了一批雖無(wú)過(guò)

犯、但言語(yǔ)無(wú)味、面目可憎的衛(wèi)士，而內(nèi)心純凈無(wú)私、對(duì)自身更加苛嚴(yán)之人反而倍受詬病。影片中有一幕，他去找她，她在海邊看夕陽(yáng)，帆影點(diǎn)點(diǎn)，他沒(méi)有驚動(dòng)她。站在她的背后，悄悄許下諾言，如果她在那帆船開(kāi)過(guò)以前回頭，他就勇敢地走上前去。帆船緩緩移動(dòng)，金光閃閃中，她兀自不動(dòng)，像一幅畫(huà)，空余夕陽(yáng)下一個(gè)絕美的背影，一個(gè)蒼涼的手勢(shì)。帆船終于開(kāi)過(guò)了，他失望地轉(zhuǎn)身走回去。她沒(méi)有回頭，無(wú)論是否知道他就在身后，因?yàn)樗缫阎浪麄円巡豢赡堋Ｔ谖铱磥?lái)，他們的愛(ài)情就只能像那一刻的場(chǎng)景一樣，安靜、唯美，只存在與藝術(shù)家的畫(huà)布上。此情此景，唯有寶玉在遠(yuǎn)處偷看黛玉葬花的場(chǎng)景可與之媲美，伊人背影，楚楚動(dòng)人，孤寂落寞。他們都想改變現(xiàn)狀，沖破世俗的束縛，追求屬于自己的幸福，卻又都無(wú)能為力。他們的愛(ài)被純真的社會(huì)微笑著剝奪了。不怪聰明絕頂又明白事理的May，也不怪生活在那個(gè)圈子里奉禮教為圭臬的的男人和女人們，他們只不過(guò)是合理的利用規(guī)則維護(hù)自己的利益罷了。如果誰(shuí)都沒(méi)有錯(cuò)，要怪就怪那個(gè)年代吧，因?yàn)樗K究不是一個(gè)純真的年代！

我們還可以回想一下這樣的場(chǎng)景：夕陽(yáng)照在海面上波光粼粼，閃爍著金黃的光芒??遠(yuǎn)遠(yuǎn)地，紐倫看見(jiàn)艾倫站在海堤邊望著大海，他給自己一個(gè)機(jī)會(huì)，如果船駛過(guò)燈塔時(shí)，她回頭，那他就過(guò)去找她。船直直地駛過(guò)燈塔時(shí)，她始終沒(méi)回頭。

沒(méi)回頭，他轉(zhuǎn)身離去。后來(lái)，她告訴他，她是故意不回頭，她認(rèn)得他的馬車(chē)聲，她才去海邊的。她不能回頭，她知道在她身后有一雙深情期盼的雙眼等待她回頭；她不能回頭，可她的心早已千萬(wàn)次地回頭了！

紐倫為抑制自己的情感，向梅求婚，端莊嫻靜的梅內(nèi)心玲瓏剔透，早已察覺(jué)未婚夫情感有異，但卻不動(dòng)聲色，二人結(jié)婚了。

紐倫很快便發(fā)現(xiàn)自己在婚姻的束縛下漸漸失去了自我，并深刻地明白了：自己真正愛(ài)的人是埃倫。紐倫去找艾倫，他看見(jiàn)綠樹(shù)叢的亭臺(tái)上立著一把粉紅的小陽(yáng)傘，他以為是艾倫的傘，情不自禁拿起來(lái)?yè)嶂?xì)長(zhǎng)的傘柄閉上眼放在嘴邊吻著??正當(dāng)他沉浸在對(duì)艾倫的思念中時(shí)，身后傳來(lái)腳踩在樹(shù)葉上的沙沙聲，他深情地轉(zhuǎn)身，原來(lái)不是艾倫，而是屋主的女兒來(lái)拿傘，他感覺(jué)象是一下子從云端跌到地上！紐倫無(wú)法再欺騙自己，終于向同樣備受煎熬的埃倫傾吐了心中的愛(ài)，并決心去歐洲找埃倫。但此時(shí)，妻子梅平靜地告訴他：自己已懷孕，并且告訴了埃倫。

世俗的規(guī)則終于成功地拆散了埃倫和紐倫。

紐倫把他的愛(ài)藏在心里三十幾年，回憶如鬼魅般的哀痛和尖刻！他是老派的，對(duì)家庭是有責(zé)任心的，他是個(gè)好父親好丈夫，他走不出自己性格的陰影。她是他失去的一切！

多年后，已屆老年并已喪妻的紐倫終于有機(jī)會(huì)見(jiàn)到埃倫，到了她的樓下，他告訴兒子他不要坐電梯要走樓梯上去見(jiàn)她。多年沉淀的激情使他微微地震顫，他坐在她窗外樓下的長(zhǎng)椅上，望著那扇有遮陽(yáng)棚的窗戶(hù)，風(fēng)吹動(dòng)窗門(mén)玻璃反射出耀眼的光芒晃到他的雙眼，他再一次產(chǎn)生幻覺(jué)，仿佛望見(jiàn)當(dāng)年的她站在海邊不斷轉(zhuǎn)身，回頭微笑??

光線(xiàn)又一晃，他睜開(kāi)雙眼眨眨，看見(jiàn)一個(gè)白發(fā)的老人關(guān)上那扇窗戶(hù)（我想他的心情不是文字所能夠描述出來(lái)的），他不會(huì)去見(jiàn)她了。他又坐了一會(huì)兒，緩緩地起立，轉(zhuǎn)過(guò)身緩緩地走向停在街角的馬車(chē)。

一陣風(fēng)過(guò)，吹落一些枯黃的葉子在街角的地上飛舞??

太精美了，蒼涼，沉重卻又微妙而美麗，一個(gè)個(gè)鏡頭猶如一幅幅精美的油畫(huà)。

紐倫黑色燕尾服的衣襟上的一朵美麗潔白的花，艾倫身穿一件紅色晚禮服，手拿一把黑羽絨扇子，肌膚上的網(wǎng)狀衣飾，頸脖周?chē)幕棧俳z扣結(jié)，紗扇，極細(xì)的半長(zhǎng)柄的小陽(yáng)傘，精致的查維拿.喬治二世的碟子，東印度雕花的盤(pán)子，銀餐具中各種誘人的食物??

黑色的背景中被壁爐的火光照得忽明忽暗的臉，在微妙的眼神與對(duì)話(huà)中隱藏著一種暗流??存在于距離與壓抑中的愛(ài)，讓人動(dòng)容。

每個(gè)人的愛(ài)都不同，梅·韋蘭的愛(ài)讓人感覺(jué)很安全。