第一篇：蝴蝶夢(mèng)Rebecca觀后感(英語(yǔ))

Rebecca

I like this story’s heroine, the second Mrs.de Winter.Although she is so poor and doesn’t have an extremely pretty face, she has a very pure heart and she is also very kind-hearted.When she meets Mr.de Winter, her gentle and purity moves his heart deeply.Soon they fall in love with each other and even get married.Then they return to Mandalay, his large country estate.She is very sincere and kind to every servant.Mrs.Danvers, the housekeeper of Mandalay, resents her having taken the place of Rebecca, the former hostess.But the heroine politely says to her“I do hope we’ll be friends.You must be patient with me.This sort of life is new to me, and I do want to make a success of it.”And the heroine loves his husband very deeply, even though there are many troubles in their lives, her love doesn’t change all the time.I really like her goodness.I don’t like Mrs.Danvers, the housekeeper.She admires Rebecca the former hostess morbidly and even tries to make troubles to divide Mr.de Winter and the heroine.At last, she perishes together with

her cherished Rebecca myth.I think her action is very stupid.

第二篇：Rebecca 蝴蝶夢(mèng) 讀后感 觀后感 SUMMARY

Rebecca

The introduction of writer:

Daphne du Maurier(1907-1989)has been called one of the great shapers of popular culture and the modern imagination.Among her famous works are Jamaica Inn, The Scapegoat, Rebecca, and the short story “The Birds,” all of which were subsequently made into films, the latter two were directed by Alfred Hitchcock.The introduction of film director:

Alfred Hitchcock(1899-1980), an English director.He has learned engineering at London University.Then he began to produce a film in 1920 and direct his first work 6 years later.He is acknowledged as one of the most incomparable master in the history of film because of advanced technology and completed details.The Thirty-nine Steps(1935)and The Lady Vanishes(1938)are the English film under his direction.The film Rebecca(1940)is his a American work and win the bid for the Oscar prize in that year.Later, he has directed the film Phycho(1960), The Birds(1963)and Frenzy(1972).The Ubiquitous Rebecca

I spent the majority of this film thinking about how lucky M.Olivia really was.To be able to wrap his arms around Joan Fontaine and kiss her.She's one of the most beautiful women I've ever seen.She's also absolutely perfect in the role of the second Mrs.DeWinter, taking a character that could have transformed her into a sympathetic and interesting figure.The movie, on the whole, is similarly amazing, capturing the spirit and the tone of those great Gothic romances.Watching Rebecca, I reminded pleasantly of his other films I have seen, such as The Rear Window, just for Grace Kelley.I love her wonderful show in this film.Actually, I like all the films she was in.And It is a pity that she departed Hollywood and was willing to marry a king in reality.I must assume that the guiding hand of Hitchcock played no small role in１

recreating the feel of a Gothic romance.There are very few that would be able to take a love story, infusing it with such gloom, with such a sense of Gothic scary, and still manage to create something that ends happily.I'd also like to draw everyone's attention to the incredibly moving section of the film that occurs between the arrival of the second Mrs.DeWinter at Manderly.The emotional change on the Joan Fontaine character is so palpable which pains me to watch.I feel hurt along with her.Few other movies affect me so deeply in emotion.On a cliff of south France, she meets an odd, grieved, but glamour man by mistake.Maxim De Winter has lost her wife several years ago.Apparently, he is in blue mood because his wife was drawn herself and even he wants to commit suicide for frustrated love.But the true fact is that Maxim has killed his wife and he could not escape the feeling of evil, and he is in scary everyday.That spirit of Rebecca is wander in Manderly.Then Mr.Winter fall in love with that lovely and kind-hearted girl and propose to her when she is going to leave with her master.So, they come back together to Manderly.Mrs.Danvers has never shown her emotion in the house.She is a woman filled of mystery.Her ramble represent in the room will make you can not breath and quicken your rate of heart.She always representing in where she should have not and with the statue of higher position.It seems that Mrs.Danvers is a Rebecca.In this film ,the photographer has never paned the camera to Mrs.Danvers to display her coming, but make the music and sound go faster than her.Under her caution arrangement in the house, a sense of horrible feeling is flooded into the young lady.Mrs.Winter is trapped in uneasy state now.Of course, she eagers to blend with the family life well with the other people.But anything she could find suggests that her husband still love Rebecca.Therefore she planted to wear the new dress like the oil painting in the room so that to make her husband happy and love her more.What is she never can know is that the women in dress on the oil painting is Rebecca, which disclose a murder case many years ago!When Mr.Winter has seen her dress, he is extremely angry.His bad temper and odd manner let her feel hurt.In order to save her heart, he admits that he killed Rebecca, that immoral, heartless and evil-minded

woman.Mrs.Winter nearly commits suicide under the huge press coming form Mrs.Danvers.The dead woman, Rebecca, has so much mystery upon her.At this time, the sunken ship with the body of Rebecca is found on the sea and her cause to death allure curiosity.Later, the winter couple knows that Rebecca has infected heavy cancer before her death, and she took advantage of this to revenge Mr.Winter.Mrs.Danvers burn Manderly with herself accounting for she can not receive the result, the Rebecca in reality.They contrive sincere and affection love forms each other after they know the fact of all things.I have never known the looks of Rebecca, but felt her Ubiquitous in the room.Mr.Winter and his wife live in the room filled of the letter R, which represent the ex-wife of Mr.Winter, Rebecca, the hostess in Manderly.The film Rebecca has never forgotten to make exaggerated additions to the handkerchief, bed sheet and clothes.And this not existing Rebecca promote the development in this story and affect everyone once has went along with her.It seems like Mrs.Danvers is another Rebecca.And I see a strong and existing form her speech and smile.This typical style to shoot a film is out of the ordinary and imitated by people in the following days to film mystery movies.

第三篇：蝴蝶夢(mèng)影評(píng)

《蝴蝶夢(mèng)》簡(jiǎn)評(píng)

電影剛開(kāi)始就通過(guò)大量的樹(shù)木與霧氣塑造一種清冷、驚悚的氣氛，從而奠下整個(gè)電影恐怖、懸疑的基調(diào)。毀壞的城堡的上空烏云密布、周圍枯藤昏樹(shù)，直觀的給人一種驚悚的感覺(jué)，這也預(yù)示著這座城堡經(jīng)歷過(guò)陰謀才釀造了最終的悲劇。驚濤拍浪的懸崖上，男主人公德文特?zé)o助的望著崖下的大海似乎想要自殺，這無(wú)形中就給了觀眾一種絕望的壓抑感，然后導(dǎo)演把這種壓抑感開(kāi)始貫穿整個(gè)電影。

緊接著開(kāi)始引出男女主人公的初識(shí)同時(shí)也表現(xiàn)著英國(guó)上層社會(huì)的奢華、享樂(lè)。當(dāng)女主人公一步一步與男主人公在一起之后，她搬去了男主人公德文特的城堡。這座城堡并不像想象中那么溫暖、舒適，雖然富麗堂皇。整個(gè)城堡都生活在一種陰影之下，所有的人好像都沒(méi)有一種時(shí)空感，重復(fù)著德文特已故妻子呂蓓卡生前就各自從事的工作，在他們心中呂蓓卡就好像沒(méi)死。所以女主人公在城堡中的生活并不那么愉快。城堡中到處保留著呂蓓卡的遺跡。丹維斯太太常常出其不意的出現(xiàn)，增加著女主人公的恐懼，同時(shí)也增加著整個(gè)電影的驚悚感。有一次，女主人公來(lái)到了海邊的一所房子看見(jiàn)了一個(gè)長(zhǎng)得相貌極其丑陋的人頓時(shí)就被嚇了一跳，這個(gè)相貌丑陋的人隱含著一絲陰謀，貌似想要揭發(fā)一些事情，這無(wú)形中就給觀眾增加了懸疑感，從后文的情節(jié)我們也能印證這些。呂蓓卡雖然已經(jīng)去世，但她又好像無(wú)處不在，女主人公似乎并不是電影的主角，這似乎一直起著一種陪襯的作用，為一切事情的澄清起一種輔助作用。

整個(gè)電影用的最多的一種藝術(shù)技巧就是虛寫，最典型就是呂蓓卡的形象。從城堡里面的各種擺設(shè)、各種配置再到仆人們的生活習(xí)慣，到處都在表現(xiàn)呂蓓卡生前的種種，雖虛卻實(shí)，各種虛寫在整體上就形成了一個(gè)實(shí)體，勾勒出呂蓓卡的形象。這種虛寫的技巧使得整部影片變得更加出色，更加有創(chuàng)新感。

《蝴蝶夢(mèng)》這部影片步步存疑、步步驚心，觀眾在觀看的時(shí)候既能感受強(qiáng)烈的上流社會(huì)氣息，卻也驚悚不斷、疑問(wèn)不斷，故事跌宕起伏，氣氛始終保持壓抑，讓觀眾甚至都不敢喘氣，一切沉寂在驚悚與懸疑中。所以，對(duì)于這部影片能獲得奧斯卡的殊榮，實(shí)在是實(shí)至名歸，這部影片也確實(shí)是值得推廣觀看的。

第四篇：《蝴蝶夢(mèng)》讀書筆記

《蝴蝶夢(mèng)》讀書筆記

《蝴蝶夢(mèng)》讀書筆記

讀完小說(shuō)的時(shí)候已是晚飯過(guò)后兩個(gè)鐘頭，也許是結(jié)局令我驚詫，我有好一會(huì)兒沒(méi)緩過(guò)勁來(lái)。想起要寫讀后感，噢天，我此刻一點(diǎn)兒思路沒(méi)有，旋轉(zhuǎn)在我腦海里的就是曼陀麗莊園、邁克西姆·德溫特、德溫特夫人、呂蓓卡、弗蘭克、丹弗斯太太??這些普通不普通的外國(guó)人名以及跌宕起伏的小說(shuō)通常給人留下的余味。

在曼陀麗莊園里，我第一次聽(tīng)聞了形形色色的花草：“紫陽(yáng)，它的花穗曾經(jīng)頗負(fù)盛名，但現(xiàn)在因?yàn)闊o(wú)人修剪照料，也成了野生植物。它的枝干高得出奇，卻無(wú)法開(kāi)出一朵花來(lái)，又黑又丑，如同左近那些無(wú)名的草木一樣”；“石砌的葡萄園在陽(yáng)光下光芒閃閃，紫茉莉花染著塵埃，泛出白色”；“石南花那樣紅，像鮮血一般，著實(shí)把我嚇了一跳。石南成團(tuán)成簇，茂盛得讓人驚疑不止，看不見(jiàn)葉子，也看不見(jiàn)枝干，只有一片象征殺戮的血紅色??”；“此外，還有泥土的苦澀味，多年苔鮮的清香，羊齒梗和扭曲入地的樹(shù)根的氣息”??不得不驚嘆作者扎實(shí)的寫作功底，可以把花草描寫得令我這個(gè)莫名其妙反感寫景散文的讀者不厭其煩地喜歡。突然想到錢鐘書的《圍城》，比喻什么的確實(shí)用得好甚至是絕妙，可未免太多了點(diǎn)，不免有賣弄的嫌疑，于是到底，我沒(méi)能將錢老的名作讀下去。那么達(dá)芙妮·杜穆里埃倒是抓獲了我的眼我的心。

曼陀麗莊園如果真實(shí)存在的話，我敢保證它是英國(guó)乃至全球少有的最令人向往的居住地之一。你能想象你家周圍既有玫瑰園每夜芬芳，又有“幸福谷”蜂蝶群群，不遠(yuǎn)處是樹(shù)林蔭郁，房后又是波濤陣陣嗎？若非有時(shí)濃霧讓人心神不寧，還有什么好挑剔的嗎？大膽地幻想一下吧，在那樣一個(gè)地方，吃過(guò)熏肉和咖啡早餐就去海灣走走，中午可以在栗子樹(shù)下用茶，吃點(diǎn)脆的薄餅或蛋奶酥，傍晚時(shí)分就喚上小狗杰斯珀到玫瑰園修修剪剪，最妙的當(dāng)數(shù)晚飯過(guò)后了，洗個(gè)澡然后在藏書室的壁爐旁看隨便哪本喜歡的書或當(dāng)天的報(bào)紙，累了就到窗邊遠(yuǎn)眺，夜幕下的海也不會(huì)令你失望，依稀的風(fēng)浪聲絕對(duì)勝過(guò)時(shí)下的流行曲。這樣的生活，不是不愜意而難以割舍的吧。當(dāng)然，如果你是女主人，又恰好喜歡高朋滿座，那么每年舉辦一次化裝舞會(huì)，定會(huì)令周圍鄰居感激而懷念。在曼陀麗莊園里，吟游詩(shī)人畫廊就足夠你欣賞或臨摩，那些幾百年前的作品，到今日仍光彩照人。

不得不提通向莊園的那條長(zhǎng)長(zhǎng)的車道，兩旁是密集的樹(shù)木，樹(shù)枝在空中交接，仿佛這里是一通隧道。夏天的時(shí)候，樹(shù)杈上或別的什么地方會(huì)有鳥巢吧，多少鳥兒在此度過(guò)了難忘歲月，難道不令人感覺(jué)自豪？秋天葉落之時(shí)，來(lái)這里走一走，踩在層層疊疊的樹(shù)葉上，難道不會(huì)忍不住歡喜雀躍嗎？也許冬天是冷了些，也無(wú)法滑雪，但是堆雪人還是可以玩得盡興吧，盡管我更愿意在壁爐邊看書，手旁有杯白蘭地，如果我會(huì)喝酒的話。

是的，一定有人想知道這里頭講了一個(gè)什么樣的故事，毫無(wú)疑問(wèn)，有人對(duì)此發(fā)生了興趣。本書原名叫《呂蓓卡》，而呂蓓卡是原曼陀麗莊園的女主人，也是創(chuàng)造者，是她讓曼陀麗莊園變得遠(yuǎn)近馳名。在一般人看來(lái)，呂蓓卡是位完美女性，她健康活潑，善良慷慨，熱情勇敢，不僅把莊園打理得井井有條，還在空閑時(shí)駕船出海，每年還參加郡里舉辦的船艇競(jìng)賽。她看起來(lái)是多么精力充沛，膽識(shí)過(guò)人，卻死于一次海上意外，令德溫特難受到要離家出走，而在法國(guó)南部的蒙特卡洛遇見(jiàn)并娶了“我”，一個(gè)類似個(gè)人助理的角色。隨后，小說(shuō)開(kāi)始使出渾身解數(shù)，令人感覺(jué)撲朔迷離，不管是針對(duì)呂蓓卡還是處處使“我”難堪的丹弗斯太太，或是邁克西姆．德溫特先生，迷團(tuán)一個(gè)接一個(gè)，轉(zhuǎn)機(jī)卻也適時(shí)出現(xiàn)。這就是我為什么會(huì)讀得津津有味的最大原因了。

作為一個(gè)中年喪妻的成功人士，如何會(huì)在相識(shí)個(gè)把月后就娶了“我”，一個(gè)每年僅僅收入九十英鎊的私人助理，以及才二十出頭的“我”，如何會(huì)不顧尊卑地愛(ài)上那個(gè)擁有古宅子的可作自己父親的男人，這些都令我感覺(jué)妙不可言，可惜作者并未對(duì)此多加著墨。

起初，我并不理解小說(shuō)為何更名為“蝴蝶夢(mèng)”，直至看到最后一段我明白了：

“只有在冬天才能看到北極光，是嗎？”我說(shuō)，“夏天看不到吧？”

“那不是北極光，”他說(shuō)，“那是曼陀麗?！?/p>

我瞥了他一眼，他的臉，他的眼睛，我看得清清楚楚。

“邁克西姆，”我說(shuō)，“邁克西姆，發(fā)生了什么事？”

他把車開(kāi)得更快，全速疾駛。汽車翻上前面的那座山頭，我們看見(jiàn)蘭因就在我們腳下的一片凹地里躺著。我們的左方是一條銀帶似的大河，河面逐漸開(kāi)闊，伸展著通向六英里外克里斯處的河口。我們面前，通往曼陀麗的大道向前延伸。我們頭頂是一片漆黑的夜空，沒(méi)有月光。但地平線那兒的天空卻截然不同，那兒是一片血一樣的猩紅，咸澀的海風(fēng)混雜著火炭灰，一陣一陣地向我們迎面吹來(lái)。

是的，達(dá)芙妮以這樣的描述告訴我們，曼陀麗莊園被無(wú)情地?zé)龤Я恕＞拖褚恢缓纳?，也曾絢爛卻總是短暫。而和莊園有關(guān)的所有人，當(dāng)某一天回想起它，只仿佛做了一場(chǎng)蝴蝶夢(mèng)，是與非，忠誠(chéng)與背叛，都不再值得提起。

作者達(dá)芙妮·杜穆里埃受十九世級(jí)以神秘、恐怖等為主要特點(diǎn)的哥特派小說(shuō)影響較深，所以給我的們帶來(lái)了如此曲折離奇的小說(shuō)經(jīng)典。值得學(xué)習(xí)的是，“作者塑造的‘呂蓓卡’形象除在倒敘段落中提到外，從未在書中出現(xiàn)，但卻時(shí)時(shí)處處音容宛在，而故事敘述者‘我’，雖是個(gè)喜怒哀樂(lè)俱全的大活人，實(shí)際上卻處處起著烘托呂蓓卡的作用，這是種以‘實(shí)有’陪襯‘虛無(wú)’的手法?！?/p>

總之，《蝴蝶夢(mèng)》絕對(duì)是值得一看的小說(shuō)，相對(duì)它來(lái)說(shuō)，《挪威的森林》就不那么吸引人了。

如果有機(jī)會(huì)，我會(huì)再重溫此作。也希望將來(lái)能接觸到更多更好的英國(guó)現(xiàn)代小說(shuō)。

是為讀后感。

第五篇：《蝴蝶夢(mèng)》讀后感

蝴蝶夢(mèng)讀后感

作業(yè)寫完了，我閑著無(wú)聊，就翻開(kāi)了了《蝴蝶夢(mèng)》這本書，它是我暑假時(shí)買的，到現(xiàn)在還一頁(yè)都沒(méi)動(dòng)。剛翻開(kāi)蝴蝶夢(mèng)，看到第一句話，就仿佛又看到英國(guó)十九世紀(jì)古老的家族莊園，美麗又詭異的曼陀麗，那些人物瞬間鮮活起來(lái)。我仿佛就是書中的一角，深深的融入到了書中。

這本書是一部懸疑小說(shuō)。

講的是“我”在一次與英國(guó)紳士德溫特的邂逅中，意外而有迅速的成為了曼陀麗這個(gè)古老莊嚴(yán)而又美麗的新任女主人，但“我'在前任女主人生前留下的女仆丹費(fèi)斯太太與情夫表哥的陰影下過(guò)的十分抑郁和恐懼，幾乎所有人都在暗示“我”,呂锫卡優(yōu)雅、美麗、風(fēng)度怡人、舉世無(wú)雙?！拔摇笨傆X(jué)得自己贏不了德溫特的愛(ài)。就在“我”覺(jué)得自己已經(jīng)完全被呂锫卡擊敗的時(shí)候，真相卻突然暴露：原來(lái)呂锫卡不是死于意外，她和德溫特乃情夫之間都沒(méi)有絲毫愛(ài)情。她是一個(gè)心態(tài)陰暗，放浪形骸的女人。更可怕的真相是，原來(lái)呂锫卡是被德溫特殺死的????

當(dāng)我讀到最后時(shí)，心中的疑團(tuán)才慢慢解開(kāi)。這部懸疑小說(shuō)讓我愛(ài)不釋手，作者通過(guò)呂锫卡放浪腐敗的生活以及她和德溫特之間的畸形婚姻，對(duì)當(dāng)是英國(guó)社

會(huì)享樂(lè)至上、窮奢極侈、勢(shì)力偽善等丑惡的社會(huì)現(xiàn)象作了生動(dòng)的揭露?！逗麎?mèng)》以一種神秘而詭異的筆觸，通過(guò)情影交融的手法，成功地渲染了一種纏綿悱側(cè)的懷舊情結(jié)，描繪了一種陰森壓抑的絕望，充滿了神秘的恐怖氣息。

不知不覺(jué)中，我又把自己當(dāng)成了呂锫卡，探索她的心理。想來(lái)也很好笑，正如《蝴蝶夢(mèng)》中所說(shuō)：“一個(gè)人要是太敏感，太不世故，聽(tīng)著看著一些其實(shí)很平常的言詞，就會(huì)從中辨出許多影射和挖苦的意思來(lái)”。

到最后的最后，到底是誰(shuí)勝利了呢，是呂貝卡一直惡魔一樣的微笑著么，曼德琳最終還是毀滅了?！拔摇焙瓦~克西姆恐怕也不是勝利者????