第一篇：Rebecca 蝴蝶夢(mèng) 讀后感 觀后感 SUMMARY

Rebecca

The introduction of writer:

Daphne du Maurier(1907-1989)has been called one of the great shapers of popular culture and the modern imagination.Among her famous works are Jamaica Inn, The Scapegoat, Rebecca, and the short story “The Birds,” all of which were subsequently made into films, the latter two were directed by Alfred Hitchcock.The introduction of film director:

Alfred Hitchcock(1899-1980), an English director.He has learned engineering at London University.Then he began to produce a film in 1920 and direct his first work 6 years later.He is acknowledged as one of the most incomparable master in the history of film because of advanced technology and completed details.The Thirty-nine Steps(1935)and The Lady Vanishes(1938)are the English film under his direction.The film Rebecca(1940)is his a American work and win the bid for the Oscar prize in that year.Later, he has directed the film Phycho(1960), The Birds(1963)and Frenzy(1972).The Ubiquitous Rebecca

I spent the majority of this film thinking about how lucky M.Olivia really was.To be able to wrap his arms around Joan Fontaine and kiss her.She's one of the most beautiful women I've ever seen.She's also absolutely perfect in the role of the second Mrs.DeWinter, taking a character that could have transformed her into a sympathetic and interesting figure.The movie, on the whole, is similarly amazing, capturing the spirit and the tone of those great Gothic romances.Watching Rebecca, I reminded pleasantly of his other films I have seen, such as The Rear Window, just for Grace Kelley.I love her wonderful show in this film.Actually, I like all the films she was in.And It is a pity that she departed Hollywood and was willing to marry a king in reality.I must assume that the guiding hand of Hitchcock played no small role in１

recreating the feel of a Gothic romance.There are very few that would be able to take a love story, infusing it with such gloom, with such a sense of Gothic scary, and still manage to create something that ends happily.I'd also like to draw everyone's attention to the incredibly moving section of the film that occurs between the arrival of the second Mrs.DeWinter at Manderly.The emotional change on the Joan Fontaine character is so palpable which pains me to watch.I feel hurt along with her.Few other movies affect me so deeply in emotion.On a cliff of south France, she meets an odd, grieved, but glamour man by mistake.Maxim De Winter has lost her wife several years ago.Apparently, he is in blue mood because his wife was drawn herself and even he wants to commit suicide for frustrated love.But the true fact is that Maxim has killed his wife and he could not escape the feeling of evil, and he is in scary everyday.That spirit of Rebecca is wander in Manderly.Then Mr.Winter fall in love with that lovely and kind-hearted girl and propose to her when she is going to leave with her master.So, they come back together to Manderly.Mrs.Danvers has never shown her emotion in the house.She is a woman filled of mystery.Her ramble represent in the room will make you can not breath and quicken your rate of heart.She always representing in where she should have not and with the statue of higher position.It seems that Mrs.Danvers is a Rebecca.In this film ,the photographer has never paned the camera to Mrs.Danvers to display her coming, but make the music and sound go faster than her.Under her caution arrangement in the house, a sense of horrible feeling is flooded into the young lady.Mrs.Winter is trapped in uneasy state now.Of course, she eagers to blend with the family life well with the other people.But anything she could find suggests that her husband still love Rebecca.Therefore she planted to wear the new dress like the oil painting in the room so that to make her husband happy and love her more.What is she never can know is that the women in dress on the oil painting is Rebecca, which disclose a murder case many years ago!When Mr.Winter has seen her dress, he is extremely angry.His bad temper and odd manner let her feel hurt.In order to save her heart, he admits that he killed Rebecca, that immoral, heartless and evil-minded

woman.Mrs.Winter nearly commits suicide under the huge press coming form Mrs.Danvers.The dead woman, Rebecca, has so much mystery upon her.At this time, the sunken ship with the body of Rebecca is found on the sea and her cause to death allure curiosity.Later, the winter couple knows that Rebecca has infected heavy cancer before her death, and she took advantage of this to revenge Mr.Winter.Mrs.Danvers burn Manderly with herself accounting for she can not receive the result, the Rebecca in reality.They contrive sincere and affection love forms each other after they know the fact of all things.I have never known the looks of Rebecca, but felt her Ubiquitous in the room.Mr.Winter and his wife live in the room filled of the letter R, which represent the ex-wife of Mr.Winter, Rebecca, the hostess in Manderly.The film Rebecca has never forgotten to make exaggerated additions to the handkerchief, bed sheet and clothes.And this not existing Rebecca promote the development in this story and affect everyone once has went along with her.It seems like Mrs.Danvers is another Rebecca.And I see a strong and existing form her speech and smile.This typical style to shoot a film is out of the ordinary and imitated by people in the following days to film mystery movies.

第二篇：蝴蝶夢(mèng)Rebecca觀后感(英語)

Rebecca

I like this story’s heroine, the second Mrs.de Winter.Although she is so poor and doesn’t have an extremely pretty face, she has a very pure heart and she is also very kind-hearted.When she meets Mr.de Winter, her gentle and purity moves his heart deeply.Soon they fall in love with each other and even get married.Then they return to Mandalay, his large country estate.She is very sincere and kind to every servant.Mrs.Danvers, the housekeeper of Mandalay, resents her having taken the place of Rebecca, the former hostess.But the heroine politely says to her“I do hope we’ll be friends.You must be patient with me.This sort of life is new to me, and I do want to make a success of it.”And the heroine loves his husband very deeply, even though there are many troubles in their lives, her love doesn’t change all the time.I really like her goodness.I don’t like Mrs.Danvers, the housekeeper.She admires Rebecca the former hostess morbidly and even tries to make troubles to divide Mr.de Winter and the heroine.At last, she perishes together with

her cherished Rebecca myth.I think her action is very stupid.

第三篇：《蝴蝶夢(mèng)》讀后感

蝴蝶夢(mèng)讀后感

作業(yè)寫完了，我閑著無聊，就翻開了了《蝴蝶夢(mèng)》這本書，它是我暑假時(shí)買的，到現(xiàn)在還一頁都沒動(dòng)。剛翻開蝴蝶夢(mèng)，看到第一句話，就仿佛又看到英國十九世紀(jì)古老的家族莊園，美麗又詭異的曼陀麗，那些人物瞬間鮮活起來。我仿佛就是書中的一角，深深的融入到了書中。

這本書是一部懸疑小說。

講的是“我”在一次與英國紳士德溫特的邂逅中，意外而有迅速的成為了曼陀麗這個(gè)古老莊嚴(yán)而又美麗的新任女主人，但“我'在前任女主人生前留下的女仆丹費(fèi)斯太太與情夫表哥的陰影下過的十分抑郁和恐懼，幾乎所有人都在暗示“我”,呂锫卡優(yōu)雅、美麗、風(fēng)度怡人、舉世無雙?！拔摇笨傆X得自己贏不了德溫特的愛。就在“我”覺得自己已經(jīng)完全被呂锫卡擊敗的時(shí)候，真相卻突然暴露：原來呂锫卡不是死于意外，她和德溫特乃情夫之間都沒有絲毫愛情。她是一個(gè)心態(tài)陰暗，放浪形骸的女人。更可怕的真相是，原來呂锫卡是被德溫特殺死的????

當(dāng)我讀到最后時(shí)，心中的疑團(tuán)才慢慢解開。這部懸疑小說讓我愛不釋手，作者通過呂锫卡放浪腐敗的生活以及她和德溫特之間的畸形婚姻，對(duì)當(dāng)是英國社

會(huì)享樂至上、窮奢極侈、勢(shì)力偽善等丑惡的社會(huì)現(xiàn)象作了生動(dòng)的揭露?！逗麎?mèng)》以一種神秘而詭異的筆觸，通過情影交融的手法，成功地渲染了一種纏綿悱側(cè)的懷舊情結(jié)，描繪了一種陰森壓抑的絕望，充滿了神秘的恐怖氣息。

不知不覺中，我又把自己當(dāng)成了呂锫卡，探索她的心理。想來也很好笑，正如《蝴蝶夢(mèng)》中所說：“一個(gè)人要是太敏感，太不世故，聽著看著一些其實(shí)很平常的言詞，就會(huì)從中辨出許多影射和挖苦的意思來”。

到最后的最后，到底是誰勝利了呢，是呂貝卡一直惡魔一樣的微笑著么，曼德琳最終還是毀滅了。“我”和邁克西姆恐怕也不是勝利者????

第四篇：名著《蝴蝶夢(mèng)》讀后感

【悠悠讀名著】《蝴蝶夢(mèng)》讀后感

新人與舊人的較量

文/jydfy

主人公“我”

“我”與邁克西姆

“我”與范霍珀夫人

“我”與丹弗斯太太

讀《蝴蝶夢(mèng)》總讓我聯(lián)想起一度傳唱很廣的《新鴛鴦蝴蝶夢(mèng)》：

由來只為新人笑，有誰聽到舊人哭，名著《蝴蝶夢(mèng)》讀后感。

愛情兩個(gè)字，好辛苦。

是要問一個(gè)明白，還是要裝作糊涂。

知多知少難知足！

只不過，在這個(gè)故事中，作為新人的“我”卻無法笑，而作為舊人的呂蓓卡也并沒有哭。

《蝴蝶夢(mèng)》是英國女作家達(dá)夫妮·杜穆里埃的成名作，發(fā)表于1938年。

故事中的“我”是一名真誠而又帶著幾分幼稚的青年女子，是貴夫人范·霍珀夫人的“伴侶”（實(shí)質(zhì)是侍女之類的人）?！拔摇背錆M了同情心。一個(gè)名叫布萊茲的女裁縫因范·霍珀夫人在她那里做了三件上衣，想給“我”一百法郎表示感謝，“‘我’漲紅了臉，窘態(tài)畢露，說什么也不肯收錢?！币?yàn)椤拔摇蹦軌蛳胂蟮剿吧尾〉膬鹤右苍S就躺在她身旁的沙發(fā)上，且益憔悴下去。我甚至想象出女裁縫如何瞇縫著干澀的眼睛，穿針引線”。（第四章）

然而，對(duì)愛情的憧憬又是一切青年女子不可避免的沖動(dòng)。當(dāng)遇到差不多可以做“我”父親的邁克西姆（邁克斯·德溫特）時(shí)，戀愛的沖動(dòng)，很快讓兩人走到一起，并作為新婚燕爾回到美麗曼陀麗莊園。卻總是生活在邁克西姆已故夫人呂蓓卡的陰影中。

呂蓓卡作為已去死的人，在小說中始終沒有出現(xiàn)，但又始終是無處不在甚至連她那條心愛的狗杰斯珀都時(shí)時(shí)在提醒著呂蓓卡的曾經(jīng)存在，讀后感《名著《蝴蝶夢(mèng)》讀后感》?！八帽亲有崃艘魂嚕l(fā)覺我不是它等待的那個(gè)人，于是就咕嚕了一聲，把頭轉(zhuǎn)開，又盯著爐火出神去了”（第八章），也就更別說呂蓓卡曾經(jīng)用過的雨衣、曾經(jīng)生活過的房間了。生活在呂蓓卡陰影中的“我”是痛苦的。為了走出這片陰影，“我”作了努力，卻始終未能成功。直到在一個(gè)大霧天，有一條船在曼陀麗附近海域觸礁，從而引出藏著呂蓓卡尸體的那條沉船，最終發(fā)現(xiàn)由于忍受不了呂蓓卡荒淫無恥的生活，而致使邁克西姆開槍殺死呂蓓卡，并偽裝成呂蓓卡出海發(fā)生事故的真相。

對(duì)于呂蓓卡這種貴夫人放浪形骸的腐化生活，悠悠是憎惡的。她主張 “男女之間的情愛是場游戲……找男人，那是因?yàn)橛X得好玩！”（第二十四章）這樣的觀點(diǎn)無疑是荒唐透頂?shù)摹．?dāng)悠悠看到她的情人費(fèi)弗爾企圖以“邁克西姆殺死呂蓓卡”為由，向邁克西姆敲詐勒索，無恥地訛詐“兩三千鎊一年的進(jìn)款”時(shí)（第二十三章），悠悠真想嘔心得吐出來，悠悠真正地替呂蓓卡感到悲哀。一個(gè)要求別人“把妻子拿出來與人共享”、信奉“面目姣好的娘兒們可不比一個(gè)汽車輪胎，俏娘兒們不會(huì)用就成了舊貨。你越是跟她相好，她就變得越加?jì)趁膭?dòng)人”的無恥之徒，一個(gè)嗜好賭如命的家伙，又有什么值得喜歡的。從費(fèi)弗爾的身上，我們可以看到呂蓓卡無疑也是一丘之貉，看到她們或他們這些寶貴人士，在衣食無憂之后，對(duì)性的畸形的、變態(tài)的追求。

即便如此，悠悠認(rèn)為，邁克西姆也無權(quán)殺死呂蓓卡。

也許是為了替邁克西姆開脫，作者安排呂蓓卡生晚期癌癥，并向邁克西姆撒謊說懷了情人的孩子，以此要挾繼承曼陀麗莊園，以激怒邁克西姆開槍，以求早日擺脫病痛折磨。然而，這并不能成為邁克西姆不獲罪的理由，對(duì)邁克西姆不判刑是不對(duì)的，呂蓓卡畢竟是他開槍殺死的。在情與法之間，感情不能為犯罪者開脫。

倒是作為呂蓓卡忠實(shí)仆人的丹弗斯太太，卻多少讓人有些同情。在丹弗斯的眼里，德溫特太太只能是呂蓓卡，其他任何人都無法替代?！拔摇钡牡絹恚瑹o疑讓她感到萬分的不如意、不習(xí)慣。于是想方設(shè)法地想讓邁克西姆，讓莊園內(nèi)的所有人，受到呂蓓卡陰魂的折磨，最終在看到自己的一切努力失敗之后，就放火燒了曼陀麗莊園，自己也隨之葬身火海。

對(duì)于丹弗斯太太的執(zhí)著、忠誠，悠悠倒是認(rèn)為著實(shí)不易。

悠悠覺得，小說寫得很有看頭，曲折動(dòng)人，懸念不斷，絲絲入扣，層層推進(jìn)，簡潔精練，又能引人入勝，全無拖沓松垮之痕跡。小說創(chuàng)造的手法也是如此成熟，“我”與呂蓓卡，一個(gè)明，一個(gè)暗，一個(gè)虛，一個(gè)實(shí)，交錯(cuò)著推進(jìn)，吸引著讀者，感動(dòng)著讀者。無怪乎自小說問世以來，風(fēng)靡一時(shí)。

2011年12月2日星期五晚九時(shí)半

第五篇：謎一樣的女人蝴蝶夢(mèng)讀后感

謎一樣的女人——《蝴蝶夢(mèng)》讀后感

周口店中學(xué) 吳山丹《蝴蝶夢(mèng)》是英國著名女作家達(dá)夫妮·杜穆里埃的成名作。書中以第一稱的手法，描寫了出生平民，作為范·霍珀夫人的陪侍的“我”，在法國蒙特卡洛意外邂逅了英國富豪邁克西姆—著名的曼陀麗莊園的主人?！拔摇迸c邁克西姆彼此在交往中逐步產(chǎn)生了感情，隨即邁克西姆和“我”結(jié)婚，并把“我”帶回了曼陀麗莊園。然而出生貧寒的“我”在曼陀麗四處碰壁，受到了管家丹弗斯太太的百般刁難，更讓人無法接受的是，“我”發(fā)現(xiàn)“我”時(shí)時(shí)刻刻生活在邁克西姆死去的前妻呂倍卡的陰影下，無法融入曼陀麗，在曼陀麗“我”不像一位女主人，倒像是一位來曼陀麗參觀的客人。周圍的人都在談?wù)搮伪犊ㄉ暗拿利?、高貴、聰明，使“我”在與呂倍卡的比較中自形慚穢，甚至對(duì)自己和邁克西姆的感情產(chǎn)生了懷疑，認(rèn)為邁克西姆仍然愛著呂倍卡。不久，在曼陀麗附近的海灣找到了呂蓓卡的沉船，在船上發(fā)現(xiàn)了呂蓓卡的尸體，這時(shí)邁克西姆向“我”說出了事情的真相：原來在呂蓓卡是個(gè)蕩婦，邁克西姆多次告誡她，她卻不聽，反而變本加厲。邁克西姆一怒之下將其殺死并沉尸海底。事情的真相消除了一直以來呂蓓卡在“我”心頭造成的陰影，“我”更加堅(jiān)信與邁克西姆的愛情，我們心靈相通了。法院最后認(rèn)定呂蓓卡是自殺而死。但呂蓓卡的表哥費(fèi)爾想趁機(jī)勒索一筆錢財(cái)，拿出了呂蓓卡死前留給他的便條作為證據(jù)，要為呂蓓卡伸冤。而后來的調(diào)查中，找到了呂蓓卡生前給她看過病的貝克醫(yī)生，才知道呂蓓卡得了癌癥，這就更加證明呂蓓卡有自殺的動(dòng)機(jī)。費(fèi)弗爾失敗了。

就在“我”以為一切都將結(jié)束，我們可以重回曼陀麗莊園開始的生活的時(shí)候，曼陀麗卻在一場大火中不復(fù)存在了。書中雖用第一稱的手法，以“我”的口吻去敘述的整個(gè)故事，然而書中真正的女主角并不是“我”，而是呂倍卡。在小說一開始她就已經(jīng)死去了。作者運(yùn)用側(cè)面描寫的手法，通過別人對(duì)呂倍卡描述，通過對(duì)呂倍卡遺物的描述去表現(xiàn)呂倍卡。在小說中“我”對(duì)呂倍卡的初知是來自于范·霍珀夫人的描述和呂倍卡送給邁克西姆書中那帥氣的簽名。此后在曼陀麗莊園中，“我”更是時(shí)時(shí)刻刻感覺到呂倍卡的存在。曼陀麗的房間是按呂倍卡生前要求裝飾、布置的。曼陀麗保留著呂倍卡生前的生活習(xí)慣，仆人們按照呂倍卡生前的習(xí)慣行事，甚至“我”吃的東西都是呂倍卡生前所喜歡的。曼陀麗還保留著呂倍卡生前的臥室、生前的各種用品?！拔摇背鲩T穿的雨衣是呂倍卡生前使用的，“我”寫信用的筆是呂倍卡生前使用的，甚至“我”使用的手絹也是呂倍卡生前使用的。周圍的人總是在談?wù)撝鴧伪犊ㄉ暗拿利?、高貴、聰明。在曼陀麗，呂倍卡雖死猶生，處處充滿著她的氣息，她就像一個(gè)幽靈控制著曼陀麗，橫亙?cè)谖液瓦~克西姆的中間，使我們無法心靈相同。而“我”雖無時(shí)無刻不感覺到她的存在，卻又無法和她見面，無法和她抗?fàn)?，因此小說中充滿著陰森、壓抑的氣氛。呂倍卡對(duì)“我”來說，是一個(gè)充滿著神秘色彩的謎一般的女人。隨著小說情節(jié)的展開，圍繞呂倍卡的謎進(jìn)一步加深。在小說中，潛水員為了幫助一只擱淺的船只，下到水里探察時(shí)，意外地發(fā)現(xiàn)了呂倍卡的船和她的尸體。由于導(dǎo)致船沉沒的洞，似乎像人為敲砸造成的，于是呂倍卡的死便成為一個(gè)謎。究竟是自殺，還是他殺？如果是自殺，有什么原因能夠讓這樣一名如

此美麗、高貴、聰明的女子去自尋短見。如果是他殺，那又是誰殺害了她呢？小說在成功制造這一懸念之后，借邁克西姆之口說出了事情的真相，也揭露了呂倍卡這個(gè)充滿神秘色彩女人所不為人知的另一面。原來呂倍卡是一個(gè)有著天使般面孔，魔鬼般心腸的女人。邁克西姆從未愛過她。她是一個(gè)十足的蕩婦。她自私、殘忍，從沒有愛過任何人。為了維護(hù)家族的榮譽(yù)，邁克西姆多次告誡她，她卻不聽，反而變本加厲。在一次與邁克西姆的談話中，她故意激起邁克西姆的憤怒，使邁克西姆在盛怒下，失去理智，殺死了她并沉尸海底。雖然關(guān)于呂倍卡的死亡之謎被揭開，然而小說圍繞關(guān)于呂倍卡的謎團(tuán)并沒有完全消散。隨著情節(jié)的發(fā)展，即將面臨謀殺指控的邁克西姆為了擺脫謀殺指控，必須找到導(dǎo)致呂倍卡自殺的證據(jù)，在調(diào)查中邁克西姆意外的發(fā)現(xiàn)，原來呂倍卡早就身患絕癥，那晚她故意激怒邁克西姆，想利用他殺死自己，來結(jié)束自己的痛苦。于是關(guān)于呂倍卡所有的謎都揭開了。

綜觀小說，作為小說的女主人公呂倍卡，作者并沒有從正面去描寫過她，而總是運(yùn)用側(cè)面描寫的手法，通過別人對(duì)呂倍卡描述，通過對(duì)呂倍卡的遺物去塑造呂倍卡這一形象，使得讀者只能通過想象、聯(lián)想去構(gòu)建呂倍卡這一形象，加上曲折的情節(jié)，使得呂倍卡這個(gè)人物充滿了神秘了色彩，成為一個(gè)謎一般的女人。