第一篇:第二冊(cè)復(fù)習(xí)資料
VThe Romantic Period
The romantic period began in 1798 the publication of Wordsworth and Coleridge’s
In it, emotion over reason, spontaneous emotion, a change from the outer world of social civilization to the inner world of the human spirit, poetry should be free from all rules, imagination, nature, commonplace.Two major novelists of the Romantic period are Jane Austen(realistic)and Walter Scott(romantic).“The Lake Poets”湖畔詩(shī)人,who lived in the lake district.it is the first generation of poets in romantic period.William Wordsworth;Samuel Taylor Coleridge;Robert Southey
1.William Wordsworth威廉?華茲華斯1770~1850(與柯?tīng)柭芍?、騷塞同被稱(chēng)為“湖畔派”詩(shī)人。The Lake Poets)
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Theme:1.Nature embodies human beings in their diverse circumstance.It is nature that give him “strength and knowledge fullof peace”
2.It is bliss to recolled the beauty of nature in poet mind while he is in solitude.Comment:The poet is very cheerful with recalling the beautiful sights.In the poem on the beauty of nature, the reader is presented a vivid picture of lively and lovely daffodils(水仙)and poet’s philosophical ideas and mystical thoughts.③ Lines Composed A Few Miles Above Tintern Abbey ④ The Solitary Reaper孤獨(dú)的割麥女 ②
2.Samuel Taylor Coleridge塞繆爾?泰勒?科爾律治1772~1834 The Lake Poets
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Artistic features: mysticism, demonism with strong imagination, a strange territory
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3.George Gordon Byron喬治?戈登?拜倫1788~1824
(拜倫式英雄Byronic heroes孤傲、狂熱、浪漫,卻充滿(mǎn)了反抗精神。內(nèi)心充滿(mǎn)了孤獨(dú)與苦悶,卻又蔑視群小。恰爾德·哈羅德是拜倫詩(shī)歌中第一個(gè)“拜倫式英雄”。)“Byronic hero”is a proud, mysterious rebel figure of noble origin, against tyrannical rules or moral principles.①
4.Persy Bysshe Shelley波西?比希?雪萊1792~1822
① Poetic Drama:
解放了的普羅米修斯
Theme: the drama celebraies man’s victory over tyranny and oppression ②
Theme: The author express his eagerness to enjoy the boundless freedom from
the reality.Compare the west wind to destroyer of the old who drives the last signs of life from the trees, and preserver of the new who scatter the seads shich sill come to life in the spring.This is a poem about renewal, about the wind blowing life back into dead things, implying not just an arc of life(which would end at death)but a cycle, which only starts again when something dies.Comment: Percy Bysshe Shelley's “Ode to the West Wind” is written in iambic
pentameter.It contains five sonnet length stanzas, each with a closing couplet.The rhyming scheme form is aba bcb cdc ded ee.The tone is poignant.Many will agree that this poem is an invocation for an unseen force to take control and revive life.Artistic features:
Using rerza rima(三行詩(shī)aba bcb cdc ded efe …)
約翰?濟(jì)慈1795~1821
(“美即是真,真即是美”是他的著名詩(shī)句。)
① Four great odes:
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Theme:The theme of John Keats' poem, “To Autumn”, is that change is both natural
and beautiful.The poem praises the glories of the fall season by using almost every type of imagery to both charm and appeal to the reader.Comment: The speaker in the poem acknowledges that time passes by, but also asserts
that this change usually yields something new and better than what came before.Each of the poem's three stanzas represents the evolving of two different types of change.One type of change shown in the poem is the change of periods in a day.6.Jane Austen簡(jiǎn)?奧斯丁 She compared her works to a fine engraving upon a literary piece of ivory only inches squire.①
傲慢與偏見(jiàn)(chapter I)
【Elizabeth Bennet & Darcy】in the end false pride is humbled and prejudice dissolved 【Collins & Charlotte Lucas】see the reality of marriage as a necessary step if a woman is to avoid the wretchedness of aging spinsterhood
【Lydia & Wickham】shown the dangers of feckless relationships unsupported by money.【Mr.&Mrs.Bennet, Mr.Collins, Lady Catherine de Burgh】comic characters
勸導(dǎo) 沃爾特?斯科特1771~1832 (歷史小說(shuō)之父”)Father of history novels ① VIThe Victorian Period 1832-1900 Common sense and moral propreity, again became the predominant preoccupation.Critical realists were all concerned about the fate of the common people and everyday events.1.Charles Dickens查爾斯?狄更斯1812~1870(批判現(xiàn)實(shí)主義小說(shuō)家)critical realist writer ① ⑥ ⑧ 雙城記(London & Paris)⑨ ⑩ 是英國(guó)19世紀(jì)小說(shuō)繁榮時(shí)期最杰出的代表作家,影響遍及歐美以及世界各國(guó)。他那富有社會(huì)批判意義的現(xiàn)實(shí)主義小說(shuō)不僅使英國(guó)文壇煥然一新,而且對(duì)世界文學(xué)的發(fā)展也產(chǎn)生了深遠(yuǎn)的影響。 2.William Makepeace Thackeray威廉?麥克匹斯?薩克雷1811~1863 ① 3.Charlotte Bronte夏洛蒂?勃朗特1816~1855 ① Jane Eyre, a plain little orphan, was sent to Lowood, a charity school.There she suffer a lot and 8 years later she left school and became a boverness at Thornfield Hall.There she falls in love with the master,Mr.Rochester.It is noted for its sharp criticism of the existing society, e.g.charity institution such as Lowood School It is a successful introduction to the first governess heoine in the English novel, whom represents those middle-class working women struggling for recognition of their basic rights and equality as a human being.② 教師 4.Emily Bronte艾米莉?勃朗特1818~1854 ① < ts>呼嘯山莊 A story about two familie and an intruding stranger.【TheEarnshaw Family】Mr.Earnshaw, his wife, the son Hindley, the daughter Catherine, Heathcliff 【The Linton Family】Mr.Linton, his wife, son Edgar, daughter Isabella ② < Old Stoic> 5.George Eliot喬治?艾略特1819~1880 ① 6.Alfred Tennyson阿爾弗萊德?丁尼生1809~1892(維多利亞時(shí)代最具代表性的偉大詩(shī)人)Poet Laureate(桂冠詩(shī)人)① < In Memoriam>悼念 To memorialize his friend ② < Break, Break, Break> ③ < Idylls of the King>國(guó)王敘事詩(shī) 7.Robert Browning羅伯特?白朗寧1812~1889 ① < My Last Dutchess>我已故的公爵夫人 ② < Home Thoughts From Abroad>海外鄉(xiāng)思 Elizabeth Barrett Browing: ① 8.Robert Louis Stevenson ① 托馬斯?哈代1840~1928 (小說(shuō)多以農(nóng)村生活為背景;自然主義小說(shuō)家。Wessex novels;novels of character and environment) ?Novels ① < Tess Of The D’Urbervilles>德伯家的苔絲 Theme:experience is as to intensity, and not as to duration ② < Jude The Obscure>無(wú)名的裘德 ③ < Under The Greenwood Tree>綠蔭下 ④ 遠(yuǎn)離塵囂 ⑤ < The Mayor Of Casterbridge>卡斯特橋市長(zhǎng) ⑥< The Return of the Native>還鄉(xiāng) ?Poems Wessex Poems And Other Verses Poems Of The Past And Present The Dynasts 列國(guó) VII1900~1950 The 20th Century Playwrights ① Oscar Wilde ② George Bernard Shaw 1.Oscar Wilde奧斯卡?王爾德1856~1900 (The Aesthetic Movement: Art for Art’s Sake) ①4 Comedies: 一個(gè)無(wú)足輕重的女人 2.George Bernard Shaw喬治?伯納?蕭1856~1950 (英國(guó)杰出的批判現(xiàn)實(shí)主義劇作家)critical realistic dramatist ?Plays ①Plays Unpleasant 匹格瑪利翁 圣女貞德 Novelists(Realists) 1.Joseph Concrad ① 1.Why the book’s title is Heart of Darkness? The story happened in Congo, the heart of Africa, and the color of people’s skin in there is black.Most important point about the title is to the evil in humans’ heart.2.What is the symbolism of black and white 【Black / dark-】death, evil, ignorance, mystery, savagery, uncivilized Middle Ages, when science and knowledge was suppressed, as the Dark Ages.According to Christianity, in the beginning of time all was dark and God created light.According to Heart of Darkness, before the Romans came, England was dark.In the same way, Africa was considered to be in the “dark stage”.【W(wǎng)hite / light】life, goodness, enlightenment, civilized, religion.Yet, in Concrad, the usual pattern is reverse and darkness means truth(The truth within, therefore dark and obscure.), whiteness means falsehood.This contrast tells a political truth about colonialism in the Congo.The contrast also suggests a psychological truth about Marlow and the Europeans mind.White also suggests any number of unpleasant moral truths.The trade in ivory is white and dirty.Kurtz the white man is totally corrupt 3.Comment The book implies that civilizations are created by the laws and codes that encourage men to achieve higher standards.The law acts as a buffer to prevent men from reverting back to their darker tendencies.Civilization, however, must be learned.London itself, in the book a symbol of enlightenment, was once “one of the darker places of the earth” before the Romans forced civilization upon the Britons.But civilized society does not get rid of primeval savage tendencies which lurk in the background.This savagery is seen in Kurtz.Marlow meets Kurtzand he finds a man that has totally thrown off the restraint of civilization and has de-evolved into a primitive state.4.Character 【Kurtz】 represents what every man will become if left to his own intrinsic desires without a protective, civilized environment.【Marlow】 represents the civilized soul that has not been drawn back into savagery by a dark, alienating jungle.5.Narrative Structure In Heart of Darkness, we have an outside narrator telling us a story he has heard from Marlow.The story Marlow tells centers around Kurtz.However, most of what Marlow knows about Kurtz, he has learned from others.They have good reason for not being truthful to Marlow.Therefore Marlow has to piece together much of Kurtz’s story.2.William Somerset Maugham 3.Edward Morgan Foster(E.M.Foster) Modernists ?3 Novelists ① James Joyce ② David Herbert Lawrence ③ Virgirnia Woolf 1.David Herbert Lawrence戴維?赫伯特?勞倫斯1885~1930 ① 【Paul Morel】depends heavily on his mother’s love and help to make sense of the world around him.He struggle to free from his mother’s influence, but he failed.After his mother has died and he is left alone, in despair.Theme: Lawrence was one of the first novelists to introduce themes of psychology into his works.He believed that the healthy way of the individual’s psychological development lay in the primacy of the life implulse, or in another term, the sexual impulse.huaman sexuality was, to Lawrence, a symbol of life force.by presenting the psychological experience of indivudual human life and of human relationships, Lawrence has opened up a wide new territory to the novel Oedipus Complex is a thematic feature of D.H.Lawrence’s Sons and Lovers ② ③ ④ 詹姆斯?喬伊斯1882~1941(愛(ài)爾蘭小說(shuō)家,意識(shí)流小說(shuō)的代表人物)stream-of-consciousness 一個(gè)青年藝術(shù)家的肖像 3.Virginia Woolf弗吉尼婭?沃爾芙1882~1941(意識(shí)流小說(shuō)的代表人物)stream-of-consciousness ①Novels 達(dá)洛維夫人 ?2 Poets ① W.B.Yeats(William Butler Yeats)② T.S.Eliot(Thomas Sterns Eliot) 威廉?勃特勒?葉茨1865~1939 (愛(ài)爾蘭詩(shī)人,劇作家; The Irish nationalist movement 愛(ài)爾蘭獨(dú)立運(yùn)動(dòng); The Irish Literary Revival 愛(ài)爾蘭文藝復(fù)興;The Irish Literary Theater, or the Abbey Theater 愛(ài)爾蘭民族劇團(tuán))?collections ① 2.Thomas Sterns Eliot(詩(shī)人,劇作家,批評(píng)家)?Poems ① 初中語(yǔ)文簡(jiǎn)答、默寫(xiě)復(fù)習(xí)資料匯編 第二冊(cè)部分 ?? ?? 1.在《紀(jì)念白求恩》中毛澤東號(hào)召中國(guó)共產(chǎn)黨人要做一個(gè)高尚的人,一個(gè)純粹的人,一個(gè)有道德的人一個(gè)脫離了低級(jí)趣味的人,一個(gè)有益于人民的人。?? 2陳毅的《梅嶺三章》:體現(xiàn)視死與敵抗戰(zhàn)到底的句子:投身革命既為家,血雨腥風(fēng)應(yīng)有涯。取義成仁今日事,人間遍種**。?? 3.①陶淵明的《桃花源記》:表現(xiàn)了漁人是在迷路的情況下偶然發(fā)現(xiàn)桃花源的幾個(gè)句子:緣溪行,忘路之遠(yuǎn)近。忽逢桃花林,夾岸數(shù)百步,中無(wú)雜樹(shù),芳草鮮美,落英繽紛,漁人甚異之;復(fù)前行,欲窮其林。②文中描繪桃花林中草美花繁的語(yǔ)句是芳草鮮美,落英繽紛。③文中是什么吸引漁人“欲窮其林”的?忽逢桃花林,夾岸數(shù)百步,中無(wú)雜樹(shù),芳草鮮美,落英繽紛,④文中描寫(xiě)了桃花源美好的自然環(huán)境的句子 土地平曠,屋舍鏟然,有良田、美池、桑竹之屬。⑤文中描寫(xiě)了桃花源社會(huì)環(huán)境的安寧的句子 阡陌交通,雞犬相聞,其中往來(lái)種作,男女衣著,悉如外人。黃發(fā)垂髻。并怡然自樂(lè)。⑥文中描寫(xiě)了桃花源人民安居樂(lè)業(yè)、和平幸福的境況(或:描寫(xiě)老人和小孩神情)的句子黃發(fā)垂髻。并怡然自樂(lè)。⑦本文最能體現(xiàn)桃花源人熱情好客、民風(fēng)淳樸的句子有:a.便要還家,設(shè)酒殺雞作食。村中聞?dòng)写巳?,咸?lái)問(wèn)訊。b.馀人各復(fù)廷至其家,皆出酒食。⑧文中第三段描寫(xiě)了桃花源人社會(huì)風(fēng)尚的哪兩個(gè)方面?(簡(jiǎn)答):生活幸福;民風(fēng)淳樸。⑨本文的哪兩件事能說(shuō)明桃花源是虛構(gòu)的理想社會(huì)?尋向所志,遂迷,不復(fù)得路;未果,尋病終。⑩本文“此人一一為具言所聞,皆嘆惋。”桃花源人為何嘆惋不已?問(wèn)今何世,乃不知有漢,無(wú)論魏晉。(11)本文虛構(gòu)了一個(gè)理想的社會(huì),從總體上描繪了這一世外桃源生活圖景的是:土地平曠,屋舍鏟然,有良田、美池、桑竹之屬。阡陌交通,雞犬相聞,其中往來(lái)種作,男女衣著,悉如外人。黃發(fā)垂髻。(12).出自本文有些成語(yǔ)一直沿用至今,請(qǐng)寫(xiě)出來(lái):世外桃源;落英繽紛;豁然開(kāi)朗;老死不相往來(lái);怡然自樂(lè);雞犬相聞;無(wú)人問(wèn)津。(13)各用一句話(huà)概括本文四段的大意:①發(fā)現(xiàn)桃花源、②訪(fǎng)問(wèn)桃花源、③離開(kāi)桃花源、④再尋找桃花源(14)文中作者理想的社會(huì)是:土地平曠,屋舍鏟然,有良田、美池、桑竹之屬。阡陌交通,雞犬相聞,其中往來(lái)種作,男女衣著,悉如外人。黃發(fā)垂髻。并怡然自樂(lè)。?? 4.《口技》中口技表演者有一段時(shí)間同時(shí)發(fā)出許多聲音,描寫(xiě)這些聲音的文字有:中間力拉崩倒之聲,火爆聲,呼呼風(fēng)聲,百千齊作;又夾百千求救聲,曳屋許許聲,搶奪聲,潑水聲?!犊诩肌分袕膫?cè)面描寫(xiě)口技表演效果的句子有:滿(mǎn)坐賓客無(wú)不伸頸,側(cè)目,微笑,默嘆,以為妙絕; 賓客意少舒,稍稍正坐。;于是賓客無(wú)不變色離席,奮袖出臂,兩股戰(zhàn)戰(zhàn),幾欲先走。?? 5.出自《資治通鑒》的《孫權(quán)勸學(xué)》的成語(yǔ) : 吳下阿蒙 刮目相待(原句:士別三日,即更刮目相待)。?? 6.①《傷仲永》中的哪些句子介紹了仲永才能發(fā)展變化的三個(gè)階段?并簡(jiǎn)要分析造成這種變化的原因。第一階段:仲永生五年,未嘗識(shí)書(shū)具,忽啼求之。父異焉,借旁近與之,即書(shū)詩(shī)四句,并自為其名。其詩(shī)以養(yǎng)父母、收族為意,傳一鄉(xiāng)秀才觀之。自是指物作詩(shī)立就,其文理皆有可觀者。第二階段:十二三矣。令作詩(shī),不能稱(chēng)前時(shí)之聞。第三階段:又七年,還自揚(yáng)州,復(fù)到舅家問(wèn)焉。曰:“泯然眾人矣。” 造成這種變化的原因:父利其然也,日扳仲永環(huán)謁于邑人,不使學(xué)。②《傷仲永》中最后一段的議論講的道理:就方仲永的事例,說(shuō)明人的天資與后天學(xué)習(xí)的關(guān)系,強(qiáng)調(diào)后天學(xué)習(xí)對(duì)成才的重要性。?? 7.《愚公移山》:①愚公移山的原因是:懲山北之塞,出入之迂也 ②移山的目的是:指通豫南,達(dá)于漢陰 ③愚公移山面對(duì)的困難是:曾不能損魁父之丘,如太行、王屋何?且焉置土石? ④ 愚公移山解決方法是:投諸渤海之尾,隱土之北。⑤愚公是怎樣開(kāi)始工作:遂率子孫荷擔(dān)者三夫,叩石墾壤,箕畚運(yùn)于渤海之尾。⑥文段中表現(xiàn)愚公移山深得人心的一處典型細(xì)節(jié)是:鄰人京城氏之孀妻有遺男,始齔,跳往助之。⑦愚公自信能移山的理由是:子子孫孫無(wú)窮匱也,而山不加增。(或:“雖我之死,有子存焉;子又生孫,孫又生子;子又有子,子又有孫。子子孫孫,無(wú)窮匱也,而山不加增,何苦而不平?”)⑧愚公移山的最終結(jié)果是冀之南,漢之陰,無(wú)隴斷焉《愚公移山》中智叟自作聰明勸愚公改變主意的句子是甚矣,汝之不惠!以殘年余力,曾不能毀山之一毛,其如土石何? ⑨出自本文的成語(yǔ): 愚公移山 ?? 8.①《陋室銘》一文作者認(rèn)為陋室不陋的原因:斯是陋室,唯吾德馨 ②文章點(diǎn)明全文主旨的句子是斯是陋室,唯吾德馨。③文中描寫(xiě)“陋室”環(huán)境恬靜、雅致,令人賞心悅目的語(yǔ)句是苔痕上階綠,草色入簾青。表現(xiàn)陋室主人交往之雅的句子是談笑有鴻儒,往來(lái)無(wú)白丁。用比喻贊美“陋室”的句子是南陽(yáng)諸葛廬,西蜀子云亭??鬃釉疲汉温校?。④《陋室銘》一文中為突出主旨而引用孔子的一句話(huà)是孔子云:何陋之有? ⑤作者在文中結(jié)尾提到古代賢士,并且引孔子的話(huà),表現(xiàn)出了他的高尚情趣。提到古代賢士的一句話(huà)是:孔子云:何陋之有? ⑥《陋室銘》中與“時(shí)人莫小池中水,淺處無(wú)妨有臥龍”意思相近的句子是:水不在深,有龍則靈。?? 9.①周敦頤《愛(ài)蓮說(shuō)》:(體現(xiàn)不與世同流合污)詠蓮名句:予獨(dú)愛(ài)蓮之出淤泥而不染,濯清漣而不妖,中通外直,不蔓不枝,香遠(yuǎn)益清,亭亭靜植,可遠(yuǎn)觀而不可褻玩焉。②公園花展,觀賞牡丹的人總比觀賞其它花的人多,用《愛(ài)蓮說(shuō)》中的話(huà)來(lái)說(shuō),就是:牡丹之愛(ài),宜乎眾矣。表現(xiàn)主人不受世俗羈絆,對(duì)世俗生活厭棄的句子是蓮之愛(ài),同予者何人? ③描寫(xiě)蓮美好形象的句子是:出淤泥而不染,濯清漣而不妖,中通外直,不蔓不枝,香遠(yuǎn)益清,亭亭靜植。④與“近朱者赤,近墨者黑”相對(duì)比,集中表現(xiàn)蓮高潔品質(zhì),現(xiàn)在人們常用來(lái)比喻某些人不與世俗同流合污而又潔自好的句子是:出淤泥而不染,濯清漣而不妖。⑤比喻君子美名遠(yuǎn)揚(yáng)的語(yǔ)句是:香遠(yuǎn)益清。最能概括蓮花高貴品質(zhì)的句子是:蓮,花之君子者也。⑥文中作者把“蓮”比作君子,作者認(rèn)為君子應(yīng)該是:品德高尚的人 的人。寫(xiě)君子行為方正,通達(dá)事理,不攀附權(quán)貴的句子是:中通外直,不蔓不枝。?? 10.王勃《送杜少府之任蜀州》:寫(xiě)送別的地點(diǎn)和友人要去的地方的詩(shī)句:城闕輔三秦,風(fēng)煙望五津;勸慰友人不要哀傷,表達(dá)出詩(shī)人豁達(dá)、爽朗的胸懷的詩(shī)句:與君離別意,同是宦游人; 把對(duì)朋友的真摯感情升華為哲理,寫(xiě)出四海之內(nèi)有知心朋友,就是在天涯海角也還是近鄰一樣的親近,說(shuō)明知心朋友聲息相通的兩句詩(shī):海內(nèi)存知己,天涯若比鄰。?? 同窗好友將隨父去西藏就讀,請(qǐng)選擇古詩(shī)名句贈(zèng)別留念。以示萬(wàn)水千山隔不斷真摯友誼:海內(nèi)存知己,天涯若比鄰?!疤瞥扆斆伞秳e離》詩(shī)中有”丈夫非無(wú)淚,不灑離別間“的詩(shī)句。由此可聯(lián)想到王勃《送杜少府之任蜀州》的兩句詩(shī)是:海內(nèi)存知己,天涯若比鄰。?? 11.崔顥的《黃鶴樓》:以寫(xiě)景出名的詩(shī)句是 晴川歷歷漢陽(yáng)樹(shù),芳草萋萋鸚鵡洲; 表現(xiàn)游子的悲苦心情的詩(shī)句是:日暮鄉(xiāng)關(guān)何處是,煙波江上使人愁; 與此詩(shī)句有相同意境的《天凈沙·秋思》中的句子是:夕陽(yáng)西下,斷腸人在天涯。?? 12.劉禹錫的《酬樂(lè)天揚(yáng)州初逢席上見(jiàn)贈(zèng)》:表達(dá)詩(shī)人豁達(dá)的胸懷和奮發(fā)向上、努力進(jìn)取的精神(或:喻含新事物不斷涌現(xiàn)的理趣)的詩(shī)句是:沉舟側(cè)畔千帆過(guò),病樹(shù)前頭萬(wàn)木春。?? 13.杜牧的《泊秦淮》:表現(xiàn)詩(shī)人憂(yōu)患意識(shí)的詩(shī)句是:商女不知亡國(guó)恨,隔江猶唱《后庭花》。?? 14.李商隱的《夜雨寄北》:君問(wèn)歸期未有期,巴山夜雨漲秋池。何當(dāng)共剪西窗燭,卻話(huà)巴山夜雨時(shí)。?? 15.曹操的《龜雖壽》:最能體現(xiàn)詩(shī)人曹操慷慨激昂,壯懷激烈的情感的詩(shī)句(含比喻)是:老驥伏櫪,志在千里。烈士暮年,壯心不已。?? 16.杜甫的《石壕吏》:詩(shī)中可以判定老婦人后來(lái)的確被抓走了的詩(shī)句是:天明登前途,獨(dú)與老翁別?!妒纠簟匪鶖⒌墓适掳l(fā)生在唐朝有名的 安史之亂 這一歷史事件中,詩(shī)中寫(xiě)”吏“與”婦“尖銳矛盾的詩(shī)句是吏呼一何怒,婦啼一何苦。?? 17.李煜的《相見(jiàn)歡》:詞中“剪不斷,理還亂,是離愁。別是一般滋味在心頭”一句用巧妙地比喻寫(xiě)”愁"。?? 18.朱熹的《觀書(shū)有感》:表現(xiàn)作者哲理性思考的句子是問(wèn)渠那得清如許,為有源頭活水來(lái)。?? 19.辛棄疾的《清平樂(lè)》:寫(xiě)小兒頑皮淘氣的句子是:最喜小兒亡賴(lài),溪頭臥剝蓮蓬。 語(yǔ)文復(fù)習(xí)計(jì)劃 一、復(fù)習(xí)要求 1、依據(jù)新課程標(biāo)準(zhǔn),結(jié)合學(xué)生實(shí)際,有計(jì)劃地進(jìn)行字、詞、句及聽(tīng)、說(shuō)、讀、寫(xiě)的綜合復(fù)習(xí),幫助學(xué)生歸類(lèi)整理學(xué)過(guò)的知識(shí),查漏補(bǔ)缺,扎實(shí)基礎(chǔ)知識(shí)和基本技能的訓(xùn)練,達(dá)到鞏固知識(shí)、掌握規(guī)律、發(fā)展思維、提高能力的目的。 2、復(fù)習(xí)方法要靈活多樣,運(yùn)用好復(fù)習(xí)課教學(xué)模式,鼓勵(lì)學(xué)生創(chuàng)新。70%基本題,增加:①自由度(自由選擇題),不同占分題;②創(chuàng)新能力題;③實(shí)踐能力題。例:擴(kuò)詞,能擴(kuò)出3個(gè)就全對(duì),多擴(kuò)加分。 二、復(fù)習(xí)要點(diǎn) 1、準(zhǔn)確認(rèn)讀550個(gè)生字,掌握漢字的基本筆畫(huà),能按筆順在田字格里書(shū)寫(xiě)、會(huì)寫(xiě)250個(gè)生字。 2、能有感情朗讀課文,背誦指定課文,要求讀得正確、流利,能讀出陳述,疑問(wèn),感嘆等不同的語(yǔ)氣,會(huì)分角色朗讀對(duì)話(huà)。提高學(xué)生朗讀水平。會(huì)復(fù)述課文做到語(yǔ)句連貫。能理解常用詞語(yǔ)和句子的意思,能想象課文所描述的情景,知道課文大意。 3、重視寫(xiě)字指導(dǎo),學(xué)習(xí)正確的執(zhí)筆方法,做到書(shū)寫(xiě)正確、規(guī)范,姿勢(shì)端正,卷面整潔,提高寫(xiě)字能力。 4、重視聽(tīng)說(shuō)訓(xùn)練,利用每個(gè)練習(xí)中聽(tīng)說(shuō)訓(xùn)練的內(nèi)容,有計(jì)劃地進(jìn)行指導(dǎo),既要重視說(shuō)話(huà)能力的培養(yǎng),又要重視聽(tīng)話(huà)能力的培訓(xùn),從而提高說(shuō)寫(xiě)能力。 三、復(fù)習(xí)措施 1、先進(jìn)行單元復(fù)習(xí),再進(jìn)行歸類(lèi)復(fù)習(xí),最后綜合復(fù)習(xí)和檢測(cè)。第一單元:識(shí)字1―語(yǔ)文園地一 1、會(huì)正確讀生字表 (一)中的生字 2、能聽(tīng)寫(xiě)以下詞語(yǔ):千萬(wàn)百萬(wàn)丁冬冬天齊全說(shuō)話(huà)聽(tīng)說(shuō)電話(huà)笑話(huà)朋友友人親人親自春天高興長(zhǎng)高爺爺節(jié)日春節(jié)歲月幾歲你的不行行動(dòng)古人聲母聲音處處知了百花齊 放紅花綠草年年歲歲親朋好友千方百計(jì)天天向上萬(wàn)水 千山古色古香 3、音近字比較:有()聲()只 ()東()花()友()生()知()冬()畫(huà)() 4、成語(yǔ)積 累:萬(wàn)眾一心、萬(wàn)無(wú)一失、桃紅柳綠、泉水丁冬、百花齊放、萬(wàn)水千 山、百發(fā)百中、年過(guò)半百、百鳥(niǎo)爭(zhēng)鳴、五顏六色、點(diǎn)點(diǎn)滴滴、不慌不 忙、冰天雪地、小題大做、歡歌笑語(yǔ)、古色古香、年年歲歲、親朋好 友 5、照樣子說(shuō)一說(shuō):例:春雨和小草說(shuō)話(huà)了,說(shuō)著說(shuō)著,小草 醒了。例:春雨是(),因?yàn)榇河?/p> 落在(),()。例:鄧 小平爺爺親手栽種的柏樹(shù)已經(jīng)長(zhǎng)大了。例:春雨給柳樹(shù)洗澡。第二單元: 識(shí)字2―語(yǔ)文園地二 1、會(huì)正確讀生字表 (一)中的生字 2、能聽(tīng)寫(xiě)以下詞語(yǔ):洗手洗 衣認(rèn)真掃地打掃真正父母母親爸爸完全關(guān) 門(mén)寫(xiě)完家里看著看見(jiàn)畫(huà)家畫(huà)畫(huà)開(kāi)會(huì)關(guān)心 會(huì)合高興笑聲說(shuō)話(huà)媽媽奶奶奶牛中午午飯放羊開(kāi)放收回女子太陽(yáng)空氣早上回去過(guò)去天亮亮光明亮百花齊放 十全十美千家萬(wàn)戶(hù)年過(guò)半百 千變?nèi)f化一干二凈一分為二 3、形近字組詞:讓?zhuān)ǎ╆P(guān)()看()氣()認(rèn)()開(kāi)()著()汽() 4、音近字比較:真()完()星()和()亮()正 ()玩()興()合()量() 5、成語(yǔ)積累: 父老鄉(xiāng)親、少先隊(duì)員、無(wú)精打采、沒(méi)完沒(méi)了、十全十 美、歡天喜地、千家萬(wàn)戶(hù)、不足為奇、脫口而出、眼明手快、目 不轉(zhuǎn)睛、家家戶(hù)戶(hù)、漫山遍野 6、多音字組詞:看著樂(lè) 7、你能用以下詞語(yǔ)說(shuō)句寫(xiě)句嗎?什么怎么暖和溫暖 8、反義詞:晚()黑()來(lái)()開(kāi)()少()分()第三單元:識(shí)字3―語(yǔ)文園地三 1、會(huì)正確讀生字表 (一)中的生字 2、能聽(tīng)寫(xiě)以下詞語(yǔ):和氣和風(fēng)千萬(wàn)李子香 水語(yǔ)文秀氣聽(tīng)見(jiàn)說(shuō)唱連忙遠(yuǎn)方一定方向以 后主意更大先生干凈起來(lái)明白同意工人專(zhuān) 心才子年級(jí)小隊(duì)趕來(lái)歡唱目光總是聽(tīng)說(shuō)明亮 趕快鳥(niǎo)語(yǔ)花香萬(wàn)水千山三心二意七上八下一心一意 3、形近字組詞:語(yǔ)()李()趕()認(rèn)()先 ()話(huà)()香()起()隊(duì) ()失() 4、音近字比較:和()向()主 ()以()趕()禾()像()注()已()干()靜 ()對(duì)()同()名()凈()隊(duì)()童()明() 5、照樣子 說(shuō)一說(shuō): 例:我仿佛聽(tīng)見(jiàn)鳥(niǎo)兒的歡唱。例: 天忽然暗了下來(lái),很快就下雨了。例:如 果明天不下雨,老師就和我們一起去登山。 例:下了雨以后,花兒更紅了。例:我們 準(zhǔn)備明天去春游。例:明白明明白白鳥(niǎo)蛋涼涼的涼涼的鳥(niǎo)蛋第四單元:識(shí)字4―語(yǔ)文園地四 1、會(huì)正確讀生字表 (一)中的生字 2、能聽(tīng)寫(xiě)以下詞語(yǔ): 螞蟻前 后古詩(shī)天空房子上網(wǎng)兒童黃瓜關(guān)閉立正林業(yè)不是花朵多美我們?nèi)~子飛 機(jī)她們送來(lái)過(guò)去有時(shí)讓開(kāi)去吧蟲(chóng)子來(lái)往很多好嗎起得早河水姐姐借東西哪 里走呀前面一朵云什么黃牛美好綠葉 一條河正在方向童話(huà)空中 3、形近字組詞:視()過(guò)()惜()很()往()送() 閉()機(jī)()時(shí)()借()跟()住()過(guò)()問(wèn)() 4、音近字比較:?jiǎn)幔ǎ┝ⅲǎ?/p> 往()同()多()河()螞()力 ()網(wǎng)()童()朵()和()每()那()吧()牙()是()美()哪()把()呀()事() 5、照樣子說(shuō)一說(shuō): 例:荷葉是小水珠的搖籃。荷葉是()的()。例:這里有很美很美的荷花。這里有很()很()的()例:花 蝴蝶一邊唱歌一邊跳舞。例: 小朋友在學(xué) 校力學(xué)習(xí)。例:游來(lái)游去()來(lái) ()去青青的假山()的()第五單元:識(shí)字五―語(yǔ)文園地五 1、會(huì)正確讀并 聽(tīng)寫(xiě)“誰(shuí)――照” 2、能聽(tīng)寫(xiě)下列詞語(yǔ):跟從園長(zhǎng)園 丁涼快重量因?yàn)樾δ橁?yáng)光可是石頭辦法找朋友許多別人到處那邊哪邊哪里嚇跑再 見(jiàn)再會(huì)大象對(duì)象好像做作業(yè)點(diǎn)頭照片為 什么害怕光明別處 3、形近詞組詞: 許()量() 為()石()午()重()辦 ()右() 4、音近詞組詞:多()因() 陽(yáng)()象()都()音()樣()像()做()坐()那()到()在()作()座()哪()倒()再() 5、照樣子說(shuō) 一說(shuō):例:我最喜歡()例:一只烏 鴉口渴了,到處找水喝。例:瓶子里的水漸 漸升高了。例:官員們一邊看,一邊議論。例:大象的腿像四根柱子。第六單元:識(shí)字6―語(yǔ)文園地六 1、會(huì)正確讀生字表 (一)中的生字 2、能聽(tīng)寫(xiě)以下詞語(yǔ):沙 子大海木橋竹林軍隊(duì)禾苗井水家鄉(xiāng)上面忘記想念王子從 來(lái)這邊進(jìn)去道路寶貝原來(lái)男女可愛(ài)小 蝦跑去吹風(fēng)大地快樂(lè)老師風(fēng)吹雨打念 念不舍 3、音近字比較:到()原()元() 嚇()樂(lè)()道()員() 園()蝦()熱()地() 快()進(jìn)()的()塊() 近() 4、照樣子說(shuō)一說(shuō): 例:把字句改成被字句。例:王二小常常一邊放牛,一邊放哨。 (藍(lán)藍(lán)的)大海。 例:我很想念在北京工作的爸爸。例:例:(找找)朋友。 新概念英語(yǔ)第二冊(cè) 第68課詞組(2013-02-20 23:14:19) 轉(zhuǎn)載▼ 分類(lèi): 新概念英語(yǔ)第2冊(cè)輔導(dǎo) 本課重點(diǎn):在若干動(dòng)詞及詞組后的動(dòng)名詞(ing) 一、詞組 no matter how 不管怎樣 wave to=signal to 打招呼, 招手 just in time 剛好,不遲不早=only just insist on 堅(jiān)持 prevent…form 避免 follow around 跟著轉(zhuǎn) there(be)plenty 有不少…… 二、跟ing的動(dòng)詞及詞組 avoid meeting him 避開(kāi)他 come running 跑過(guò)來(lái) it was no use pretending 假裝沒(méi)有用 enjoy meeting him 喜歡見(jiàn)他 insist on coming 堅(jiān)持要來(lái) (be)busy doing… 忙著干 (would you)mind opening 你是否介意打開(kāi)……(請(qǐng)你打開(kāi)……)finish speaking 講完了 fancy meeting 真想不到見(jiàn)著…… it’s not worth worrying 不值得擔(dān)心 I can’t stand shouting 不能容忍大叫大嚷 smell(something)burning 聞到什么燒焦味 go dancing(swimming,shopping)去跳舞(游泳, 購(gòu)物)forgive(somebody)for being rude 原諒別人鹵莽 三、come和現(xiàn)在分詞連用表示“來(lái)”的方式:come十ing wind came blowing 風(fēng)吹來(lái) letters of thanks came pouring in 感謝信不斷涌來(lái) she came hurrying in 她匆忙趕回來(lái) 小學(xué)校英語(yǔ) 可行性研究報(bào)告是在招商引資、投資合作、政府立項(xiàng)、銀行貸款等領(lǐng)域常用的專(zhuān)業(yè)文檔,主要對(duì)項(xiàng)目實(shí)施的可能性、有效性、如何實(shí)施、相關(guān)技術(shù)方案及財(cái)務(wù)效果進(jìn)行具體、深入、細(xì)致的技術(shù)論證和經(jīng)濟(jì)評(píng)價(jià),以求確定一個(gè)在技術(shù)上合理、經(jīng)濟(jì)上合算的最優(yōu)方案和最佳時(shí)機(jī)而寫(xiě)的書(shū)面報(bào)告。 客戶(hù)需要知悉,部分可行性研究報(bào)告的編寫(xiě)單位需要具備特殊資格,所以我們將可行性研究報(bào)告按用途主要分4種: (1)用于企業(yè)融資、對(duì)外招商合作的可行性研究報(bào)告。這類(lèi)研究報(bào)告通常要求市場(chǎng)分析準(zhǔn)確、投資方案合理、并提供競(jìng)爭(zhēng)分析、營(yíng)銷(xiāo)計(jì)劃、管理方案、技術(shù)研發(fā)等實(shí)際運(yùn)作方案。 (2)用于國(guó)家發(fā)展和改革委(以前的計(jì)委)立項(xiàng)的可行性研究報(bào)告、項(xiàng)目建議書(shū)、項(xiàng)目申請(qǐng)報(bào)告、資金申請(qǐng)報(bào)告,該文件是根據(jù)《中華人民共和國(guó)行政許可法》和《國(guó)務(wù)院對(duì)確需保留的行政審批項(xiàng)目設(shè)定行政許可的決定》而編寫(xiě),是大型基礎(chǔ)設(shè)施項(xiàng)目立項(xiàng)的基礎(chǔ)文件,發(fā)改委根據(jù)可研報(bào)告進(jìn)行核準(zhǔn)、備案或批復(fù),決定某個(gè)項(xiàng)目是否實(shí)施。另外醫(yī)藥企業(yè)在申請(qǐng)相關(guān)證書(shū)時(shí)也需 要編寫(xiě)可行性研究報(bào)告。 (3)用于銀行貸款的可行性研究報(bào)告,商業(yè)銀行在貸款前進(jìn)行風(fēng)險(xiǎn)評(píng)估時(shí),需要項(xiàng)目方出具詳細(xì)的可行性研究報(bào)告,對(duì)于國(guó)家開(kāi)發(fā)銀行等國(guó)內(nèi)銀行,若該報(bào)告由甲級(jí)資格單位出具,通常不需要再組織專(zhuān)家評(píng)審,部分銀行的貸款可行性研究報(bào)告不需要資格,但要求融資方案合理,分析正確,信息全面。另外在申請(qǐng)國(guó)家的相關(guān)政策支持資金、工商注冊(cè)時(shí)往往也需要編寫(xiě)可研報(bào)告,該文件類(lèi)似用于銀行貸款的可研。 (4)用于境外投資項(xiàng)目核準(zhǔn)的可行性研究報(bào)告、項(xiàng)目申請(qǐng)報(bào)告,企業(yè)在實(shí)施走出去戰(zhàn)略,對(duì)國(guó)外礦產(chǎn)資源和其他產(chǎn)業(yè)投資時(shí),需要編寫(xiě)可行性研究報(bào)告或項(xiàng)目申請(qǐng)報(bào)告、報(bào)給國(guó)家發(fā)展和改革委或省發(fā)改委,需要申請(qǐng)中國(guó)進(jìn)出口銀行境外投資重點(diǎn)項(xiàng)目信 貸支持時(shí),也需要可行性研究報(bào)告和項(xiàng)目申請(qǐng)報(bào)告。 在上述四種可研中,第(2)(4)準(zhǔn)入門(mén)檻最高,需要編寫(xiě)單位擁有工程咨詢(xún)資格,該資格由國(guó)家發(fā)展和改革委員會(huì)頒發(fā),分 為甲級(jí)、乙級(jí)、丙級(jí)三個(gè)等級(jí)。 本公司持有乙級(jí)工程咨詢(xún)資格。另外預(yù)可研類(lèi)似于可行性研究報(bào)告,只是在詳細(xì)程度方面有差別。 我們的優(yōu)勢(shì) ★依托十幾年來(lái)累積的豐富產(chǎn)業(yè)研究和市場(chǎng)研究經(jīng)驗(yàn),以及從國(guó)內(nèi)外眾多咨詢(xún)項(xiàng)目中獲得的寶貴經(jīng)驗(yàn)及專(zhuān)業(yè)知識(shí),洞悉行業(yè)、市場(chǎng)及企業(yè)的內(nèi)部機(jī)制,協(xié)助客戶(hù)認(rèn)識(shí)可能面對(duì)的挑戰(zhàn),為客戶(hù)探索新的商業(yè)發(fā)展機(jī)會(huì),并協(xié)助解決實(shí)踐中遇到的問(wèn)題,提供 我們的知識(shí)、信息和經(jīng)驗(yàn)。 ★我們的研究咨詢(xún)領(lǐng)域,既包括項(xiàng)目的投資、申報(bào)、立項(xiàng)、論證、建設(shè),又包括從原料、中間體到商品,從產(chǎn)品、技術(shù)到設(shè)備,在廣泛的領(lǐng)域?yàn)榭蛻?hù)提供研究咨詢(xún)服務(wù)。迄今為止,已經(jīng)為國(guó)內(nèi)外各類(lèi)工商企業(yè),不限企業(yè)的規(guī)模和業(yè)種,提供了可行性研究 咨詢(xún)服務(wù)。此外,對(duì)政府、非營(yíng)利組織等也提供了研究咨詢(xún)服務(wù)。 ★我們的研究報(bào)告,遵循獨(dú)特的按系統(tǒng)、結(jié)構(gòu)、學(xué)科、資源、功能、應(yīng)用的微觀的分析方法,快速、高效、準(zhǔn)確地為相關(guān)產(chǎn)業(yè) 領(lǐng)域和產(chǎn)業(yè)鏈上的各類(lèi)企業(yè)提供高度專(zhuān)業(yè)化的咨詢(xún)顧問(wèn)服務(wù)第二篇:初中語(yǔ)文簡(jiǎn)答、默寫(xiě)復(fù)習(xí)資料 第二冊(cè)部分
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