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      小城女人讀后感

      時(shí)間:2019-05-15 16:06:02下載本文作者:會(huì)員上傳
      簡(jiǎn)介:寫(xiě)寫(xiě)幫文庫(kù)小編為你整理了多篇相關(guān)的《小城女人讀后感》,但愿對(duì)你工作學(xué)習(xí)有幫助,當(dāng)然你在寫(xiě)寫(xiě)幫文庫(kù)還可以找到更多《小城女人讀后感》。

      第一篇:小城女人讀后感

      小城女人讀后感

      (一)原 味 生 活

      ——讀余小偶《小城女人》有感

      任連巨

      余小偶女士囑我為其新近出版的小說(shuō)《小城女人》寫(xiě)一則評(píng)論,思忖良久始終沒(méi)能提筆,原因很多,其中最主要的原因有兩個(gè),一是自己從未寫(xiě)過(guò)文學(xué)評(píng)論,勉強(qiáng)為之怕貽笑大方,二是我知道每位作家的每部作品,都來(lái)源于作者多年的生活積淀,是融入了作者本人經(jīng)歷的各種酸甜苦辣才釀就的醇醪,個(gè)中滋味也只有作者自己體味的更深更透。作為一名讀者,我們對(duì)作品的品讀往往會(huì)帶著自己的生活經(jīng)歷,來(lái)做出自己判斷。正如一千個(gè)人的眼中會(huì)有一千個(gè)哈姆雷特,我怕自己的解讀有違于作者的原意,為此而惶恐,慎之又慎,久久不能落筆。但苦于盛情難卻,只能談一點(diǎn)粗淺的看法,不當(dāng)之處望與作者商榷。

      品讀書(shū)中的每一篇文章,在反觀書(shū)名,覺(jué)得作者小偶真可謂匠心獨(dú)運(yùn),全書(shū)突出了“小城”和“女人”兩個(gè)詞匯。

      先說(shuō)說(shuō)“小城”之小,作品是以一個(gè)小縣城為背景,寫(xiě)的是一個(gè)小小的生活圈里一些小小的生活畫(huà)面,逛街購(gòu)物、廚房烹調(diào)、家人小聚、夫妻情調(diào)。即沒(méi)有對(duì)世界風(fēng)云變換的關(guān)注,也沒(méi)有著眼國(guó)家的政事要聞,全書(shū)寫(xiě)的都是生活瑣事,柴米油鹽,可謂“鍋碗瓢盆交響曲”,但早已厭倦了喧囂與浮躁的人們,正是在這些小人物小事件里領(lǐng)悟了生活的真諦——最平凡的卻是最真實(shí)、最美好的。作品中體現(xiàn)出來(lái)的真摯純美的友情、包容和諧的愛(ài)情、溫馨幸福的情親,無(wú)不令人羨慕和感動(dòng)。是的,小偶沒(méi)有豪華的別墅,沒(méi)有名牌的轎車(chē),但比起那些丑聞爆屏的影視明星、體育明星來(lái),她的這些真實(shí)的、小小的幸福才是最令人艷羨的。

      小偶的作品突出地描寫(xiě)了一個(gè)小女人的普通生活。小偶是個(gè)職業(yè)女性,高級(jí)中學(xué)的一名普通教師,一個(gè)孩子眼中的“大人”但無(wú)論在“胖哥”丈夫眼里還是在父母公婆面前她都是一個(gè)小女人?!囤s早市》、《爭(zhēng)當(dāng)二把手》相較于丈夫的做事利落,霸道與粗放,小偶就顯示出小女人的瑣屑“屈就”和羞澀;《家庭批判會(huì)》寫(xiě)出了一個(gè)小女人小小的虛榮心;《吃涼面》,《又吃涼面》,《巧婦日記》,《萬(wàn)變水餃》,《醉蝦》、《大掃除》等篇文章里,一個(gè)居家的小女人形象呼之欲出,各種生活情趣更是表現(xiàn)的淋漓盡致。《回娘家》《婆婆媳媳過(guò)個(gè)年》《我的公公》描寫(xiě)了母親、公公和婆婆,個(gè)個(gè)形象都那么真實(shí)可感,那么“接地氣”.小偶作為一名高中教師是很敬業(yè)的,作為女兒、兒媳、妻子、母親也是很盡職的。

      小偶女士的作品要細(xì)細(xì)品讀,才能得真況味。

      構(gòu)思精巧,獨(dú)居匠心。書(shū)中的每一篇文章的篇幅都不長(zhǎng),看似行云流水,隨手拈來(lái),但卻都是作者精心構(gòu)思,布局謀篇的結(jié)果。如《夫妻情話》一文,丈夫好不容易陪妻子散步,妻子好像積累了好多話說(shuō),此刻妻子是傾訴者,丈夫便成了耐心的傾聽(tīng)者。雖然每個(gè)問(wèn)題丈夫只給出一個(gè)字的答案,幾個(gè)語(yǔ)氣詞,形容詞而已,但態(tài)度卻是鮮明的,妻子也是高興的。這樣的布局謀篇真是

      巧思,不得不佩服小偶對(duì)文字的駕馭能力。

      細(xì)膩精致,如春風(fēng)細(xì)雨自然溫潤(rùn)。作者以一位知識(shí)女性的感悟,對(duì)待生活,美化生活。不管日子是清貧時(shí)代,還是已初步步入小康,作者都已一種快樂(lè)而真摯的感情,以一種寵榮不驚的心態(tài)來(lái)對(duì)待每一天、每一件事。這種心態(tài),不僅僅是表現(xiàn)在一個(gè)個(gè)“吃”的場(chǎng)景、情節(jié)上,還表現(xiàn)在對(duì)人物心理的把握上。父母子女之間,夫妻之間,兄弟姐妹之間,親朋好友之間,心中都有自己的“小小九”,因此善意的“謊言”、無(wú)公害的“欺騙”在所難免。不管是“小城女人”對(duì)丈夫“哄弄”,還是“小城男人”對(duì)女人的“做戲”,都刻畫(huà)的仔細(xì)入微。在打麻將中,諸位晚輩想“欺負(fù)”作者是“生手”,于脈脈親情中又耍著小聰明,“妄圖”以自己嫻熟的技藝來(lái)“宰”一下在外邊混世界“有錢(qián)人”一下,不想偷雞不成蝕把米,作者接二連三的“胡”,他們的“嘴臉”就暴露出來(lái)了——很不樂(lè)意,氣憤填膺!作者把幾位小“賭友”的心理,通過(guò)他們的話語(yǔ)和動(dòng)作,淋漓盡致地表現(xiàn)了出來(lái),一個(gè)形象栩栩如生,讓人忍俊不禁。凡此種種,一方面體現(xiàn)了作者的獨(dú)到的細(xì)膩而敏銳的觀察力,一方面又凸顯了作者不凡的文字功底。

      由小見(jiàn)大,讓愛(ài)浸透于人生。我早已知道“余小偶”文學(xué)功底了得,她的一些短文我在網(wǎng)上看過(guò),一些文友們談其她也是贊譽(yù)有加,但我與她真正接觸確是在參與縣作協(xié)工作之后。她的真名“孫玉芳”,是一位高級(jí)英語(yǔ)教師。2015年10月我有幸聽(tīng)到

      過(guò)她給學(xué)生講授的一堂“文學(xué)”輔導(dǎo)課,不凡的氣度,風(fēng)趣的談吐,廣博的知識(shí)層面,幽默的英漢穿插,讓一百多位學(xué)生如癡如醉,課堂氣氛十分火爆而又井然有序。從同學(xué)們的表情和語(yǔ)氣中,我看出小偶是深受學(xué)生喜愛(ài)的老師。她獲得學(xué)生的認(rèn)可和擁戴,與她的一位女性“純天然”的愛(ài)是分不開(kāi)的,這在《小城女人》中占據(jù)了相當(dāng)一部分篇幅的文章中,盡情地展露出來(lái)。如《我的公公》一文,把公公與兒媳之間,爺爺與孫子之間那種感情都表現(xiàn)得相當(dāng)細(xì)膩而溫情。一般在農(nóng)村,兒媳與公公之間是很少有“共同語(yǔ)言”的,也很少有心靈的溝通。一個(gè)知識(shí)女性,之所以得到公公的認(rèn)可和關(guān)心,只能是自己的真心和真情使然。天長(zhǎng)日久,相互理解,相互體諒,相互關(guān)心,才能真正融到一家人的生活中。形成命運(yùn)共同體。當(dāng)她興沖沖地拿出給公公的新毛衣時(shí),公公卻不像往常那樣“高興”,或佯裝“不高興”,而是懶洋洋的。后來(lái)婆婆告訴她公公已經(jīng)病了三天了,她不由“心疼”了,埋怨婆婆讓公公干活累的。這種感情,是發(fā)自內(nèi)心的,是真情實(shí)感的流露。沒(méi)有自己的生活體驗(yàn),就沒(méi)有生活的真諦。因此在《回娘家》《婆婆媳媳過(guò)個(gè)年》《故鄉(xiāng)的大門(mén)》《姑奶奶兒陪靈》《爹說(shuō)娘說(shuō)我說(shuō)》等等,都浸透著濃濃的親情。愛(ài)殷殷,情切切,似一根生命線,把小偶的情感世界貫穿于工作、生活、交友中,讓人感覺(jué)到春天的和煦,陽(yáng)光的溫暖,生活的原味,生命的意義。

      語(yǔ)言輕靈歡快,別具風(fēng)格?!缎〕桥恕窙](méi)有長(zhǎng)篇大論,沒(méi)有夸夸其談。都是生活小事,平凡得不能再平凡。但作者對(duì)自己的所思所做,對(duì)他人他物的描寫(xiě),都是寥寥數(shù)語(yǔ),言簡(jiǎn)意賅,語(yǔ)言簡(jiǎn)短而又靈動(dòng),活潑而不失幽默。這可能是《小城女人》一書(shū)有別于其他作者,而又魅力四射,讓人愛(ài)不釋手的原因之一吧。

      有人說(shuō),文若其人。我與小偶接觸中,感覺(jué)她是一個(gè)性情中人,頭腦反應(yīng)靈敏,說(shuō)話的語(yǔ)速快,相比她的生活、工作的節(jié)奏也是很快,很講究實(shí)效的。我想一個(gè)平時(shí)生活中拖泥帶水,拖拖沓沓的人,是不會(huì)寫(xiě)出這種充滿“靈氣”的作品的。

      總而言之,我粗讀《小城女人》,感覺(jué)到這是“小城女人,大胸懷,大手筆”.但愿今后的小偶把自己放到更大的環(huán)境中,更大的世界里,讓自己的筆鋒更多觸及社會(huì)各個(gè)層面,讓更多的人物和事物在她的文章中得到盡情展現(xiàn),為人們的生活帶來(lái)美妙享受,讓人們感受到世界的更多精彩。

      小城女人讀后感

      (二)至真至性方顯美

      張淑春

      ——讀余小偶散文集《小城女人》有感

      以從未有過(guò)的速度一氣呵成讀完余小偶的散文集《小城女人》。盡管多數(shù)篇章之前曾經(jīng)拜讀,但那些信手拈來(lái)的生活片斷依舊能輕易引爆我的笑點(diǎn)。

      這是一部突出紀(jì)實(shí)性兼具靈活性與趣味性的文學(xué)讀物。文章或長(zhǎng)或短,或詩(shī)或文,均取材于作者自身或者身邊人的真實(shí)經(jīng)歷。小偶文字多帶有自嘲自?shī)食煞?,但更具分享價(jià)值——讓讀者分享自己的快樂(lè)與感動(dòng),以及無(wú)處不在的生活感悟。

      在這部散文集中,作者以詼諧幽默的語(yǔ)言,輕松活潑的文風(fēng),記錄那些偶然劃過(guò)腦海的人物或事件?;虮磉_(dá)一份的莫名的感動(dòng),或?qū)σ患乱惶庯L(fēng)景乃至一句話有所頓悟。當(dāng)這些蕩漾于作者心底的生活微瀾如汩汩流水從容瀉于筆端時(shí),平日里那些紛繁瑣碎的生活細(xì)節(jié)也變得生動(dòng)鮮活起來(lái)。

      讀著《萬(wàn)變水餃》,簡(jiǎn)直被眼前這位家庭煮婦的烹調(diào)爛技給折服了。當(dāng)然由此還讓我想起了當(dāng)年姐姐初學(xué)縫紉時(shí)的類似遭遇:本來(lái)打算做一件長(zhǎng)袖襖的,結(jié)果布剪壞了便改成短袖、接著又改成馬夾,最后衣服做不成了便直接縫成了小褥子。

      而《小偶砍價(jià)記》則讓我想起那次陪小偶買(mǎi)西瓜的經(jīng)歷。那天我們?cè)谝恢写箝T(mén)口發(fā)現(xiàn)一賣(mài)西瓜的。小偶提議“過(guò)去看看的”.我說(shuō)散步呢,買(mǎi)啥西瓜呀。小偶說(shuō):“不見(jiàn)得真買(mǎi),咱先砍砍價(jià)?!碧炷?,我最怵的就是砍價(jià)了,居然還有這嗜好。要不趁這機(jī)會(huì)跟小偶學(xué)學(xué)?于是隨小偶來(lái)到西瓜攤前。問(wèn)完價(jià)錢(qián)后,小偶故作吃驚狀:

      “?。咳思叶假u(mài)五毛,你咋賣(mài)八毛?五毛賣(mài)吧?”

      “切,批發(fā)都六毛,能賣(mài)五毛?我這是因?yàn)樘旌诹瞬疟阋速u(mài)的,平時(shí)賣(mài)一塊呢?!辟u(mài)西瓜的小伙子一臉委屈。

      “再便宜點(diǎn)兒吧大哥(其實(shí)小伙子年齡真不大),你在俺大門(mén)上賣(mài),按說(shuō)得收你攤位費(fèi)呢!”

      “那就七毛吧,不能再便宜了?!?/p>

      “七毛太貴了,再便宜點(diǎn)兒吧哥,我身上錢(qián)不多。”

      “已經(jīng)夠便宜了,你去別處問(wèn)問(wèn)有這價(jià)么?”

      “這位大哥咋這么難說(shuō)話呢,再便宜點(diǎn)兒便宜點(diǎn)兒……”

      當(dāng)然最后也沒(méi)買(mǎi),小偶還忿忿不平:“費(fèi)這么多口舌才打下這么點(diǎn)兒,太讓我沒(méi)成就感了!”

      有時(shí)我在想,小偶輕松活潑的文風(fēng)可能得益于她愛(ài)湊熱鬧又擅長(zhǎng)表達(dá)的個(gè)性。散文本來(lái)就是世俗化文學(xué)嘛。張愛(ài)玲曾直言:“我喜歡聽(tīng)市聲。”小偶則毫不掩飾地說(shuō)自己喜歡看熱鬧。當(dāng)婆婆得知她這一“陋習(xí)”后,遇村里有紅白事便及時(shí)通知她:你不是愛(ài)看熱鬧么,爽快看看的吧!

      有段時(shí)間,我們晚上散步發(fā)現(xiàn)路上時(shí)常有交警查酒駕。()每遇交警攔截車(chē)輛時(shí),小偶都難掩激動(dòng)的心情上前打望,非要看看交警到底怎么處理那些“倒霉蛋兒”.小偶為文,常以細(xì)節(jié)打動(dòng)人,這該歸功于其善于發(fā)現(xiàn)的眼睛。如在《鄉(xiāng)居手記》一文里,與鄰家兄嫂的拉呱、鄉(xiāng)親的質(zhì)樸與善良、老娘的深懷歉疚、孩子的天真無(wú)邪甚至狗狗的動(dòng)作與神態(tài)在她眼里都成了故事。所有這一切,看似一地雞毛,可誰(shuí)又能說(shuō)這不是生活本身?!

      “四妹帶著三歲的龍龍來(lái)了,我把小汽車(chē)拿給他,他從兜里掏出一個(gè)橘子獎(jiǎng)勵(lì)我,后來(lái)可能覺(jué)得獎(jiǎng)品有點(diǎn)單薄,于是趁大家不注意,小家伙鄭重地對(duì)我說(shuō):‘你咋長(zhǎng)得這么俊啊?!’”這典型的偶式幽默讓我忍不住笑出聲來(lái)。

      “想起早上娘對(duì)我說(shuō):‘你給你爹買(mǎi)的那件大衣,是他最喜歡的,每年過(guò)年他都穿。穿完掛在大衣櫥,那件大衣我沒(méi)送人,也沒(méi)燒,我留下來(lái)做個(gè)紀(jì)念。’這些話在安靜的夜里竟像小刀似地割起我的心來(lái)。我蓋上被子,允許自己想起爹來(lái),我嗚嗚地哭了起來(lái)?!卑殡S著作者平和自然的敘事風(fēng)格,聯(lián)想到這個(gè)剛剛失去頂梁柱的家庭,那一瞬間,我的淚點(diǎn)也被輕易突破。

      綜觀小偶文章,大多飽含小女人情懷,偏向于女性的心理描寫(xiě)。像《趕早市》、《一個(gè)人的排場(chǎng)》、《夫妻情話》等等,在體現(xiàn)作者真性情的同時(shí),也讓女性慣用小伎倆及生活中淡淡的幽怨躍然紙上。其實(shí)正是這些飽含人間煙火味的生活細(xì)節(jié)才彰顯出女人有別于男人的柔軟感情和心理需求。在這方面,小偶表達(dá)方式可謂以小見(jiàn)大、以微知著。

      小偶散文以“真”取勝,真人真事真性情,算得上本色出鏡。對(duì)于散文之“真”,文學(xué)界一直有不同看法,有人以為散文當(dāng)以“美”為主,可虛可實(shí)。也有人認(rèn)為散文就當(dāng)寫(xiě)實(shí),“真”是散文的靈魂,否則與小說(shuō)無(wú)異??僧?dāng)小偶把內(nèi)心真實(shí)毫無(wú)保留地捧給讀者時(shí),又難免遭遇尷尬。因?yàn)閷?duì)于文章之“寫(xiě)實(shí)”,有時(shí)連親人也不能理解。也有朋友善意地提醒小偶:“偶姐姐呀,你咋啥都敢寫(xiě)?”.這讓小偶十分迷茫:難道只有突出高大上才算好文章?我本小人物,沒(méi)那么高尚,也不愿違心地堆砌一些虛假的文字來(lái)迎合大眾口味,我覺(jué)得散文首先要“真”,而且先要感動(dòng)自己或者自己覺(jué)得有趣有味才好拿來(lái)示人。

      記得小偶的《小城女人》剛收入《中短篇小說(shuō)選刊》時(shí),她曾向編輯提出異議:文章寫(xiě)我自己的能算上小說(shuō)?編輯笑了:以自己為原型的小說(shuō)更能打動(dòng)人!我也曾就此問(wèn)題試探過(guò)小偶:如果說(shuō)《小城女人》中的主人公以自己為原型的話,那《小城男人》里會(huì)不會(huì)也有胖哥影子?小偶坦言:何止胖哥,還得感謝XX也為我提供了創(chuàng)作的源頭活水呢!

      其實(shí)散文之“真”也在性情之“真”.有作家言:散文就是讀者與作家的心靈對(duì)話,散文就是作家有意無(wú)意間透露的心靈囈語(yǔ)。從這一點(diǎn)來(lái)講,小偶她的確做到了。

      第二篇:小城故事讀后感

      小城故事

      ——讀《邊城》有感

      《邊城》出自《管子·度地》:“當(dāng)冬三月,天地閉藏,暑雨止,大寒起,萬(wàn)物實(shí)然,利以填塞空郄,繕邊城,涂郭術(shù)?!?漢桓寬《鹽鐵論·擊之》:“往者縣官未事 胡 越 之時(shí),邊城四面受敵,北邊尤被其苦?!?唐 杜甫《送高三十五書(shū)記十五韻》:“邊城有馀力,早寄從軍詩(shī)。”

      《邊城》,是沈從文先生最負(fù)盛名的代表作,被譽(yù)為“文學(xué)史上最純凈的一個(gè)小說(shuō)文本”,“小說(shuō)中飄逸不群的仙女”。

      小溪,白塔,墨竹,渡口,獨(dú)戶的人家??故事在靜美中拉開(kāi)序幕。

      開(kāi)篇描寫(xiě)小山城“茶峒”的地理位置,勾畫(huà)出一幅美輪美奐的山水畫(huà)。美麗安靜試著小山城的代名詞,淳樸熱情老實(shí)又是屬于山民的特性。老船夫兢兢業(yè)業(yè),翠翠、小黃狗和渡船是老船夫唯一的親人和朋友。老船夫不論晴雨,必守在船頭,老老實(shí)實(shí)的為公家干活,絕不收人錢(qián)財(cái)。翠翠老船夫心愛(ài)的孫女,為人天真活潑,乖巧伶俐。他們?cè)酒届o的生活在一次端午中,翠翠結(jié)識(shí)了順順家的二老儺送,又在兩年后的端午節(jié)認(rèn)識(shí)了天保。兩兄弟同時(shí)喜歡上了這個(gè)天真可愛(ài)的小女孩,但是一人怎么可以嫁兩個(gè)人呢?后因哥哥天保自知自己比不上弟弟的歌聲,退出了。本以為幸福唾手可及,誰(shuí)知老天爺愛(ài)開(kāi)玩笑。老大天保出了船難,老二以為是自己的錯(cuò),也離開(kāi)了。順順覺(jué)得翠翠害死老大,又害得老二離家,不肯再讓翠翠嫁入家中。老船夫在雷雨交加的夜里擔(dān)心翠翠今后婚事和生活中,安詳?shù)碾x去了。翠翠就在渡口等著儺送。

      魂?duì)繅?mèng)縈的人兒哪!也許永遠(yuǎn)回不來(lái)了!也許明天就回來(lái)。

      全文的結(jié)果,讓人可以隨意聯(lián)想,自由猜想。也許儺送回來(lái)了,和翠翠開(kāi)心的一起守在渡口上。也許儺送再也沒(méi)有回來(lái),翠翠只能傻傻守在渡口,直到死亡。不管什么結(jié)果,都會(huì)讓我們意猶未盡,還不如隨意聯(lián)想,由自己給個(gè)結(jié)局。

      “純粹的美”和“清潔的靈魂”,帶給我們恒定而久遠(yuǎn)的感動(dòng)?!哆叧恰肥谷讼嘈偶兦榈牧α?。

      一字一句包涵作者對(duì)湘西的喜愛(ài),對(duì)故鄉(xiāng)淳樸的世道民風(fēng)的贊美,一字一句仔細(xì)斟酌,仔細(xì)推敲,為我們展現(xiàn)出一幅幅或濃或淡的水墨畫(huà)。

      小城故事多。

      第三篇:白衣女人讀后感

      Plot, the Important Elements of a Story

      As far as I am concerned, the book The Woman in White is worthy of reading twice.It’s an interesting story.And what touched me most is the attractive plot.After finishing this book, I realize that the plot is one of the essential elements for a book to be a best seller.While I was reading The Women in White, I always guessed what would happen next, and I always failed to make the right conjecture.But it didn’t make me depressed.Instead of being dismayed, I became more and more interested in the book.In my opinion, a fascinating book has to keep its mystery from the first beginning to the end.And the readers never know what will happen next so that they will keep on their readings.For the book The Woman in White, when I first saw Percival Glyde, the baronet, Laura’s fiancé, I regarded him as a respective, smart, humorous gentleman.I fell in love with the characters at the first sight.I looked forward to his wedding with Laura, and I thought they will have a happy ending.But in the next page of the book, it showed that Mr.Percival was a bad guy.There were much evidence which are relevant to his crime so that I gradually accept the idea that Mr.Percival was involved in some guilty job, but again, it seemed that he was innocent and he was a good man.In order to find out the real character of Percival Glyde, I kept on reading and reading, and I

      couldn’t move my eyes from the book until I reach the exactly result.Take Ann Cathreric, the woman in white, as another example.Ann was in white from the head to feet when she first appeared in the book, and she always dressed herself like that.Because of the book’s title—The Woman in White—I thought that, with no doubt, Ann was the heroine of the book.So I put much attention to her description.But as I moved my eyes from sentence to sentence, I gradually found that Ann isn’t the heroine.Then I was curious about the real heroine, and I looked forward to her debut.By the way, Ann took an important role in the story, anyway.And at the first sight of Ann’s description, I thought she was a pitiful woman who had suffered a lot of misery.I began to guess what had happened to the poor woman and I was in expectation of the author’s explanation of Ann’s bitter fate.But then I knew that Ann escaped form an asylum, and there’s no doubt that she has some medical problem.More or less, I lost my interest in Ann.when I read further, I found that she was lock in the asylum by baronet Percival because Ann knew his crime, andhe was afraid that she would let his secrete out of the back.Again, I am curious about Ann’s experiences, and wanted to figure out what happened to her.In the end, it turned out that Ann isn’t a lunatic.But finally, the poor woman died.In the process of reading, I am usually in confusion and in order to find out the truth, I have to continue my reading.So I think a successful book

      should be a mysterious book, and you can’t know the result until you put your eyes onto the last sentence.Think about that, there are two books—book A and book B.For book A, you can guess the ending of the story when you finish the first several chapters.While for book B, you can’t know the exactly ending until you finish the whole book.Then which book would you like? Book B is the better choice, definitely.班級(jí):09級(jí)英語(yǔ)師范5班姓名:鐘艷莉

      學(xué)號(hào):***

      第四篇:大城床和小城房讀后感

      關(guān)于《奇葩說(shuō)》大城床還是小城房一集的讀后感 首先是辯題的理解

      從支持大城床的角度,首先就要考慮,與小城市相比,大城市的優(yōu)勢(shì)是什么。

      第一,大城市的生活更加精彩,可以與來(lái)自五湖四海的人交朋友,認(rèn)識(shí)不同的人,見(jiàn)識(shí)不同的事,了解更多的資訊,即使自己的容身之處只有一張床,自己依然可以活得很精彩很充實(shí)。

      第二,為什么現(xiàn)在有那么多那么多人選擇了北漂,他們不知道在小城市里生活的更幸福嗎?不,不是,因?yàn)樗麄冎来蟪鞘谐錆M了更多的機(jī)遇,盡管會(huì)遇到更多的挑戰(zhàn),忍受更多的苦,但是在大城市里,你能成功的幾率遠(yuǎn)比比小城市更加高。

      第三,記得曾經(jīng)有個(gè)阿姨這樣和我說(shuō),年輕,沒(méi)有什么不可以,也許在大城市里拼搏不一定成功,但是相對(duì)于在小城市一眼可以望到頭的生活,當(dāng)我們有一天老去,我們可以很自豪的說(shuō),我曾經(jīng)努力過(guò)!

      從支持小城房的角度,第一,我們以為離開(kāi)小城市,去到大城市,失去了很多,也會(huì)得到更多,其實(shí)不是,失去的依然是失去了,但是得到的,依然不一定能得到。

      第二,在小城市里,我們也依然可以?shī)^斗,并不是說(shuō),在小城市里,就一定是混吃等死,我們也可以努力拼搏,努力過(guò)上更好的生活。

      第三,在小城市里有一套房,而在大城市只有一張床,所以相對(duì)于大城市,小城市的機(jī)會(huì)相對(duì)于你來(lái)說(shuō)更容易抓住。

      其次是辯論技巧的理解

      第一,發(fā)現(xiàn)選手在辯論的時(shí)候,基本上都會(huì)帶有肢體動(dòng)作,而且加上肢體動(dòng)作,會(huì)增加說(shuō)服力度。

      第二,辯論的時(shí)候,采取1.先駁回對(duì)方辯手上輪的說(shuō)法2.開(kāi)始講述自己的觀點(diǎn)3.總結(jié)我方辯手前幾輪的觀點(diǎn)并加以補(bǔ)充。這種辯論結(jié)構(gòu)更容易使大家信服

      第三,說(shuō)話時(shí)可以在關(guān)鍵部分加強(qiáng)語(yǔ)氣,有停頓,會(huì)引起大家的注意。

      第四,在辯論開(kāi)始之前要揣測(cè)對(duì)方會(huì)用到什么例子,可以更加好的應(yīng)對(duì)。以子之矛攻子之盾。

      第五,在討論他人漏洞的時(shí)候可以用詼諧的語(yǔ)氣先說(shuō),但是在提出自己的觀點(diǎn)的時(shí)候,一定要嚴(yán)肅

      第六,在發(fā)言的時(shí)候,說(shuō)到重點(diǎn)部分的時(shí)候語(yǔ)速不能快。

      第七,發(fā)表自己論點(diǎn)的時(shí)候用問(wèn)句有時(shí)帶來(lái)的效果比陳述句要好。

      第八,用自身經(jīng)歷來(lái)作為論點(diǎn)有好處,自己親身經(jīng)歷更具說(shuō)服力,而且對(duì)方不可以事先預(yù)料。

      第五篇:白衣女人讀后感英文版

      本書(shū)講述了青年畫(huà)師沃爾特應(yīng)聘到費(fèi)爾利家當(dāng)家庭教師。月夜路遇一個(gè)從瘋?cè)嗽禾映鰜?lái)的白衣女人。沃爾特有兩個(gè)學(xué)生:一個(gè)是主人費(fèi)爾利長(zhǎng)兄菲利普的女兒勞拉,另一個(gè)是勞拉同母異父的姐姐瑪麗安。瑪麗安確認(rèn)白衣女人是安妮·凱瑟里克。沃爾特愛(ài)上了勞拉,但勞拉的父親臨終前已將她許給了珀西瓦爾·格萊德從男爵,這時(shí)白衣女人突然出現(xiàn)試圖阻止格萊德娶勞拉,但沒(méi)有成功,沃爾特黯然離去?;楹箸晡魍郀栐萎吢?,帶迫勞拉交出全部財(cái)產(chǎn)的處置權(quán)。這時(shí)白衣女人再次出現(xiàn)要揭露珀西瓦爾的致命秘密,但因被勞拉的姑父福斯科伯爵發(fā)現(xiàn)而逃走。伯爵為珀西瓦爾策劃以撈取勞拉的財(cái)產(chǎn)。他們制造了勞拉死亡的騙局,而把受驚嚇而死的安妮當(dāng)作勞拉埋葬,把勞拉麻醉后送進(jìn)了瘋?cè)嗽?,冒稱逃走的是安妮?,旣惏矎寞?cè)嗽壕瘸隽藙诶騽诶瓎适в洃洘o(wú)法證明身份而陷入困境。此時(shí),沃爾特回國(guó),決心為勞拉雪奇冤。經(jīng)過(guò)艱苦的調(diào)查終于弄清事實(shí)真相,恢復(fù)了勞拉合法的繼承人身份。珀西瓦爾在場(chǎng)大火中喪生,福斯科被暗殺。沃爾和勞拉結(jié)合了。

      This book narrated young artist Walter responds to a call for recruits to the Fairly family belongings tutor.The moonlit night meets on the way the white clothing woman who runs away from the insane asylum.Woll unique two students: One is master Fairly eldest brother Philip's daughter Laura, another is Laura with mother different father's elder sister Marianne.Marianne confirmed that the white clothing woman is Anne · triumphant Chinese zither Ricker.Walter has fallen in love with Laura, but before Laura's father just before the end, her Xu Gei Percivall · standard Lyde from the baron, by now the white clothing woman suddenly presented attempts to prevent standard Lyde to marry Laura, but has not succeeded, Walter departs low-spirited.After marriage Percivall reveals one's true colors, the belt compels Laura to hand over the entire fortune the right of disposal.By now the white clothing woman appeared once more must expose Percivall's fatal secret, but because by Laura's Uncle the Fox branch count was discovered that runs away.The count plans for Percivall fishes for Laura's property.They have made the fraud which Laura dies, but receives Anne who frightens dies to treat as Laura to bury, anaesthetized the evacuation Laura to enter the insane asylum, the one who claimed falsely runs away was Anne.Marianne has rescued Laura from the insane asylum, but because Laura loses the memory to be unable to prove that the status falls into the difficult position.this time, Walter returns to homeland, to be determined for the Laura snow wonderful injustice.Gets the facts straight finally after the difficult investigation the truth, restored Laura's legitimate successor status.In the Percivall fire on the scene got killed, the Fox branch is assassinated.Woll and Laura unified.The Woman in White in a detective novel written by Wilkie Collins.It's said that this novel is one of his best novels.And the words he wanted on his gravestone is ‘a(chǎn)uthor of The Woman in White and other works'.So we can see how much the author liked this work.Walter Hartright was the art teacher of Laura and Marian,who had the same mother but different fathers.For all their special relationship,Marian and Laura had a very close affection towards each other and Marian was like an angle ,who was always with Laura however difficult the situation was.Walter fell in love with Laura almost at the first sight of her,so did Laura.But the problem was that Laura had promised her father that she would marry Sir Percival before her father died,who was twenty years older than her and had a high position in the society and high reputation.Before the meeting with Percival,Laura received a warning that told her that the man she would marry actually was a very aweful person.According to the description of the gardener who sent the warning to Laura,Walter immediately realized that it is the same person he met the day before he came to Limmeridge House where the two sisters lived.She was the woman in white.She told Walter that she was the friend of Mrs Farlie,the mother of the two sisters,and loved she very much the night of their meeting.Walter didn't know that the lady that the woman in white referred to is the mother of his students.He didn't know either that from that moment his future and that of Laura's had been tied together.Though both Laura and Walter had a deep emotion towards each other,Laura didn't allow herselt to break the promise she had made to her father.Marian told everthing to Walter about her sister's promise and marriage and suggested that he leave before both of them had trapped too much.Walter left with great sorrow.And Laura married Sir Percival as arranged.But there was one thing that confused Laura's lawyer was that Percival insisted that the twenty thousand dollars which Laura's father had left Laura should go to him if Laura died before him.While Laura insisted that the money should be left to her sister.Then the loyal lawyer had to turn to Laura's uncle,who was now the master of the Limmerig House,for help.Her uncle was a very self-centered person,who only kept his health in mind and cared nothing else.So the lawyer had to agree the request of Sir Percival.Laura was very reluctant to be married with Sir Percival and her misery began since then.As the warning said,her husband treated her badly.To her relief,Marian lived with her and shared the burden and misery that she suffered from her devil husband.One day accidentally Laura met a woman who looked like her very much and was almost another Laura after an illness.Because she seemed paler and weaker than Laura.Actually she was that woman in white,Anne,the daughter of Mrs Catherick.Both the mother and the daughter knew the secret of Sir Percival,once the secret gave out ,it would destroy him completely.That's why Sir Percival was afraid of Anne very much and tried his best to make others believe that Anne had some mental problems and sent her to an asylum.So nobody would believe the words of a mad woman.It's lucky that Anne had escaped.She intended to tell Laura the secret,but before she could do that she was found by Percival's friend,Count Fosco.So she had to postpone the meeting with Laura and save herself.Sir Percival changed into another person after his marriage.He kept forcing Laura to sign on a document so that the money would be transferred into his name.Because Marian had heard his plot by accident and she warned Laura about her husband's plot,so Laura refused which made him very angry.While the bigger plot was waiting for them.After the night that Marian heard the conversation of Sir Percival and Count Fosco in the rain,she was badly ill and stayed in bed for days.From the conversation she knew the real purpose that Sir Percival married Laura was that Laura was the holder of twenty thousand dollars.He wanted to use this amount of money to pay his debt.Laura was ill too after some days of taking care of Marian.She fainted.After she woke up,she could't find her sister.And she was told that Marian had been taken by Fosco to London for improvement of her health.At first,Laura couldn't believe it because she was sure her beloved sister wouldn't leave her alone to deal with all the troubles.While indeed she couldn't find her sister so she left for London.The poor girl didn't know all of this was a swindle.After she arrived at London ,after a cup of tea that Fosco gave her ,she not only saw her sister,but knew nothing about it until she found herself in the asylum.The truth was that Marian wasn't sent to London,she was just transfered to another place in the house.Afer she recovered,the first news she heard was Laura's death from heart disease.She was very upset.Besides she was very regret of having asked Walter to leave her sister before they both trapped too much,she felt guilty of her sister's unhappiness.She returned to the Limmerige House.There her uncle showed her a letter from Fosco informing him to be careful.Fosco said that they had found Anne and sent her back to asylum again.She got worse by keeping claiming herself as Laura.Fosco just reminded her uncle not to believe any information that Laura was still alive.Marian felt very strange at such a letter.She wanted to what happened on earth.The result surprised Marian very much because the so-called Anne was actually her sister,Laura.The reason why Fosco succeeded in deceiving everybody was the similarity between Laura and Anne.And in the last few part of the novel we know that they were actually sisters.They had the same father.Marian tried her best to help Laura out of the asylum.While Laura had changed to a different person.Before marriage,she always smiled and was lovey and happy.But now you could see no change of expressions from her face.The devil husband almost destroyed her.Because of the letter that Fosco sent to Mr Farlie,their uncle refused to accept her as his neice.The servants couldn't recognise Laura either due to her so great changes.So they had to leave the place where they had spent their happiest life.Before leaving,Laura insisted to see their mother's grave.There they met Walter who just came back from the expedition to central America.Later on they figured out what happened on earth.Fosco and Percival caught Anne and because of her bad health,Anne died immediately after she was caught.The took her body as Laura's and make everybody believe that Laura had died.By doing this,Percival could get the property from Laura to pay his debts.All the plot ,troubles and tragedy were due to money.What a pity!

      The secret that may destroy Percival was that he committed the forgery by adding the record of his parents' marriage himself.At that time ,forgery was a very serious

      crime.Once discovered,he would be punished severely.After he knew that Walter had known his secret,he hurried to the church in hope of destroying the proof.In a hurry,he upset the lantern and locked himself in the fire and never came out again.What moved me very much was that at that time Walter tried to save him and forgot that he was his enemy.What was in his mind was only that he was a human being who was caught in fire and needed help

      .Maybe that's why people can master the world ,not any other animals.Human beings have some unique characters which may not be found even by themselves.Once disaster comes,they will explode and produce unbelievable power.After all, the story had a happy ending.Laura and Walter got married and had a son,who became the master of Limmerig House after Mr Farlie's death.Kindness is the most treasurable character in the world,I think.Never never give up the chance of sticking to your kindness.

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