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      《家》讀后感:束縛與反抗

      時(shí)間:2019-05-15 16:16:34下載本文作者:會(huì)員上傳
      簡(jiǎn)介:寫寫幫文庫(kù)小編為你整理了多篇相關(guān)的《《家》讀后感:束縛與反抗》,但愿對(duì)你工作學(xué)習(xí)有幫助,當(dāng)然你在寫寫幫文庫(kù)還可以找到更多《《家》讀后感:束縛與反抗》。

      第一篇:《家》讀后感:束縛與反抗

      《家》讀后感:束縛與反抗

      陳子靈

      巴金先生的《家》,是我一直想讀卻又未曾去讀的,記得九年級(jí)有一篇文章叫做《家的序和跋》。我們的語(yǔ)文老師在學(xué)習(xí)到這篇文章時(shí),便將《家》的大致情節(jié)講給了我們聽(tīng),她說(shuō)的是那樣吸引人,不禁讓我立刻捧起這本書來(lái)讀。現(xiàn)在,暑假到了,我終于是有時(shí)間去讀這本書了。

      這本書講的是一個(gè)封建大家庭中的各種事。有快樂(lè)的,悲傷的,令人痛苦的和不合常理的。各種令人憤怒的事件的起因都是這個(gè)家庭中很多成員的腐朽落后。特別是由于高家祖父的一切所作所為和太太們的煽風(fēng)點(diǎn)火。讀了這本書我才明白原來(lái)當(dāng)年的封建禮教是那樣可怕,以至于把人逼向死地。其實(shí)高覺(jué)新的內(nèi)心并不壞,只是他不敢反抗家里長(zhǎng)輩的命令,可以說(shuō)親手害死了自己所愛(ài)的人和自己的妻子。即便后來(lái)他有所悔改,但事情都已過(guò)去了,后悔也來(lái)不及。

      其實(shí)我所一直認(rèn)為的家是可愛(ài)的,溫馨的,而不是像書本中描寫的那樣,束縛、順從、壓迫,那簡(jiǎn)直是太可怕了。書中從頭至尾唯一一個(gè)具有先進(jìn)的思想并為之付出行動(dòng)的人,當(dāng)然,高覺(jué)民也是如此,但那是后來(lái)的,是他在快要失去最親的人的情況下。我認(rèn)為既然是要反抗,就一定要是一開(kāi)始,而不是非等到被逼無(wú)奈的境地后,再去反抗,到那時(shí),即使為時(shí)不晚,但給自己、別人不免付出很多痛苦。那么就來(lái)談?wù)劯哂X(jué)新好了。

      高覺(jué)新作為思想進(jìn)步,但行為保守一類的代表,他的坎坷經(jīng)歷常使人感到心寒。首先,他因順從而被迫不能與自己親愛(ài)的人結(jié)婚,這導(dǎo)致兩人后來(lái)都痛苦不堪,所以導(dǎo)致后來(lái)的他的愛(ài)人因痛苦不堪加疾病纏身而最終去世。再到后來(lái),又因?yàn)槔献孀诘乃?,他?tīng)從家里各種太太的話不讓自己的妻子在家中生產(chǎn),最終導(dǎo)致妻子生下孩子便去世了。這是給他帶來(lái)的多么大的打擊??!也是從這以后,他開(kāi)始反抗了!其實(shí)高覺(jué)新的人物設(shè)定很巧妙,他既是擁有先進(jìn)思想的后一輩,又是代表封建勢(shì)力的老一輩,他是不敢與家中的各位姨太,太太還有叔叔們作斗爭(zhēng)的,因?yàn)樗袚?dān)的是一個(gè)一家之主的責(zé)任,所以他所承受的已經(jīng)夠多了,這個(gè)二十多歲的青年,已經(jīng)盡了他的所能了,但這也并不意味著我們不怪他,因?yàn)檫@個(gè)不敢忤逆大人的他,不知傷害了多少人。高覺(jué)新的事跡讓我們意識(shí)到我們有時(shí)需要放開(kāi)自己,雖不說(shuō)與家人唱反調(diào),但也要忠于自己。

      高覺(jué)民是一個(gè)進(jìn)步人物,但他的進(jìn)步還不夠明顯。他相對(duì)于高覺(jué)新,在行為上,思想上有了很大的進(jìn)步,但有時(shí),他也還是不能作出令人滿意的打算。他是一心一意的愛(ài)著琴,只是在有關(guān)自身利益的情況下,才站出來(lái)反抗,太不正義了!但是,轉(zhuǎn)念一想,難道人不應(yīng)該為了自己,為了自己所愛(ài)的人而去爭(zhēng)取嗎?我們也許又應(yīng)該原諒他??墒俏矣∠笾械母哂X(jué)民卻有些懦弱,有事,面對(duì)弟弟高覺(jué)慧的責(zé)罵及嗔怪,總選擇沉默,面對(duì)家中大人的建議,也選擇沉默,當(dāng)自己要被逼成親時(shí),選擇的依然是去找三弟商量,完全沒(méi)有自己的主見(jiàn),像是個(gè)無(wú)腦之人。其實(shí)也許應(yīng)該贊揚(yáng)他,要不是因?yàn)樗膱?jiān)持,也許高老太爺也不會(huì)那么大發(fā)慈悲的放過(guò)他。高覺(jué)民讓我們了解到自己是要為自己心愛(ài)的人所付出的,因此要敢于想家人或其他的人說(shuō)出自己的想法,學(xué)會(huì)反抗,而不是整天郁郁寡歡,像個(gè)被囚禁的犯人。

      高覺(jué)慧在書中就顯得較為厲害了,從頭到尾他都在不服不滿,都在反抗。他反抗祖父,反抗大哥,反抗叔叔嬸嬸,他的生活從來(lái)就只有反抗。哦,還有短時(shí)間內(nèi),鳴鳳帶給他的愛(ài)情的歡樂(lè)。覺(jué)慧他是一個(gè)永遠(yuǎn)都跟得上進(jìn)步思潮的人,不光是在思想上,更是在行動(dòng)上,我個(gè)人認(rèn)為他與他的大哥,二哥相比,進(jìn)步的不止是一點(diǎn)點(diǎn)。他會(huì)在祖父不允許他出門時(shí),悄悄地跑出門,會(huì)在全家人都同自己作對(duì)時(shí),也能冷著臉不理,在二哥覺(jué)民碰到難題時(shí),勇敢的幫他解決,即便他也曾嘲笑過(guò)他。而這么要強(qiáng)的他竟然也有過(guò)慘痛的一段經(jīng)歷,那就是鳴鳳的死,這痛苦對(duì)于覺(jué)慧來(lái)說(shuō)是巨大而又短暫的。之所以說(shuō)巨大,是因?yàn)樗類?ài)著這個(gè)少女,并且是因?yàn)樽约旱牟蛔⒁舛鴽](méi)能幫助這個(gè)少女而使他被迫跳湖致死。而短暫,便是因?yàn)樵诋?dāng)時(shí)的環(huán)境下,一個(gè)人的死,即便是自己愛(ài)的人,那也沒(méi)有什么,那是只夠人們傷心一段時(shí)間的。所以覺(jué)慧很快就投入到工作中去了。高覺(jué)慧的故事告訴我們,反抗比起嘴上說(shuō)說(shuō)更為重要,但是我們又是決不能將工作為軸心而不去顧自己所愛(ài)的人了,兩頭兼顧,才算得上精明了。

      《家》是一篇震撼人心巨著,里面只是圍繞一個(gè)點(diǎn)來(lái)展開(kāi)進(jìn)行討論,但是卻讓人覺(jué)得自己身處其中,貌似任何一個(gè)人都與自己有關(guān),他們痛苦,自己也感到痛苦;他們快樂(lè),自己也感到快樂(lè)。所以這本書是由內(nèi)而外地?fù)艨辶宋?,和眾多像我一樣的讀者。

      何其慶幸,讀到這本書。

      第二篇:《苔絲》讀后感--反抗與軟弱

      Rebellion and Cowardice

      --------On Tess of the d’Urbervilles

      Thomas Hardy , novelist and poet, is one of the representatives of English critical realism at the turn of the 19th century.And Tess of the d’Urbervilles is one of his most successful novels.Hardy cannot solely be labeled as a Victorian novelist,nor can he only be categorized as a Moderist.As a traditional writer, Hardy was determined to explode the conventions of nineteenth-century literature and built a new kind of novel in its place.In many respects, Hardy was trapped in the middle ground between the nineteenth and twentieth centuries, between Victorian sensibilities and more modern ones, and between tradition and innovation.1.Brief Introduction Tess of the d’Urbervilles was published om 1891.It is generally regarded as Hardy’s tragic masterpiece, and certainly it is his most ambitious tragic novel.As a pure , loyal , intelligent, strikingly attractive young woman, Tess is the central character of the novel.At the begining of this story,Tess lived in a small village peacefully.Tess’s father was a poor countryside hawker , who was lazy and constantly excessive drinking.Tess’s mother was a dairymaid ,whose mind was very simple.They were pitiful creatures who were always feeling after the vanity.Just as such terrible parents became the setter of Tess’s tragedy.Incidently, Tess’s father discovered a link to the noble of the d’Urbervilled.Therefore, Tess was sent to work at the d’Urbervilles mansion.And then,Tess was seduced by a so-called gentleman----Alec.Unfortunatelly, her ideals cannot prevent her from sliding further and further into misfortune after she becomes pregnant.Forced by the gossips and the church’s blame, Tess thought she deserved nothing good.In order to get rid of the past, she decided to go to a distant diary farm but still thought she was of guilty.Maybe God didn’t approve of this, because the Lord gave her someone she loved with her whole heart----Angel Chare.They loved each other deeply.Somehow, Tess agreed to marry Angel.Soon after their wedding Angel confessed the crime he committed to a woman long time ago and asked for Tess’s forgiveness.Tess was not at all angry and forgave Angel at once;in fact she was rather happy and excited for she also had things to confess.She sat and told her past to Angel, and hoping to be forgiven.But she was wrong and Angel didn’t listen to her explanation at all.Without Angel’s love, nothing meant anything to her.Alec found Tess again and forced her to stay with him.At last, Tess couldn’t bear it and killed Alec.Everything was changed.Tess was arrested for her murder eventually.And this story was ended with the death of Tess.2.Tess’s rebellion

      Tess is a rebelled girl.First of all, she never yeilded to pressure from the society.The contest between corruption and innocence takes place not only in a field, but also in the human’s heart.In Tess’s life, there are two men----Alec and Angel.Both of them have a great influnence to change her fate.Tess is a pure girl tangled up to the tragedy web which is delineated by the imposed fate.That is too unfair to accept by anyone.But Tess never gives up.Alec is a devil young man who does everything he can to seduce Tess when she works for his family.And he does not try to hide his evil.At the begining of this book, he promises to provide for the family that brings Tess to “sell” herself to him.It is Alec who not only ruins Tess’s virginity, but also destroys her happy life.Alec is not only sensual, but also arrogant and physically strong.He believes that winning a woman requires force, not affection and love.Disregarding Tess’s revolution, Alec considers women as carnal objects rather than as equal human’s worthy of affection.Then, he believes he is different from the ancestors, since he has power over her while they do not but in fact he is just like them, using his power like a God although his is quite hollow.He promises empty advantages to her, like the wealth she eventually receives from him, that can never be more important than love.Facing Alec’s force, Tess trys her best to rebel him.And, after the seducing, Tess decided to leave Alec and work for a distant diary farm.She uses her action to prove her rebellion to the world.Secondly, Tess kills Alec at last.This thing shows her rebellion again.When Tess refuses to marry Alec despite the social advantage the match would give her, and refuses his offers of help because she does not sincerely love him, we see her as more than an unwitting victim: her integrity and courage make her heroic.Thus, in the latter part, as Angle returns with renewed loyalty and love for Tess, it becomes apparent that Alec’s trick has considerably broken down Tess’s loyalty to Angle.Torn apart, her shame and grief cause her violent side to explode;Tess now kills her lover in a murderous rage out of love for her husband.Whether intentional or not, Tess has fulfilled Angle’s proclamation that they cannot be together as long as Alec is alive.Her newfound activity may not save her;indeed, her punishment for the murder, presumably death by hanging, will snap her neck just like she snaps the necks of those pheasants.Nevertheless, it may be preferable to her earlier passivity, providing her with a nobler way to face her fate.In a word, Alec of the representatives of the bourgeoisie, he has a bourgeois state apparatus, law, and ethics, as a backup.Wealth can rely on the law and not easily bullied and on the playing Tess.Tess and his contradictions, it can also be said that the workers are oppressed and the specific performance of the entire capitalist social contradictions.Tess beginning of his attitude is very clear, she publicly declares his obnoxious.Later, at a farm, she puts up a struggle to him.Finally, she curses him to ruin her life.She ignores the bourgeois legality and morality, on the feelings of great anger to kill him.Her reaction is a heavy attack to the dark society.3.Tess’s cowardice Tess has a definitely rebeled charactor.at the same time, she is coward.This charactor is also showed on two aspects.First, her love for Angel.In great contract to Alec, Angel wins Tess’s heart by sweet words and kindness.In fact, he is a more complicated person.As a typical nineteenth century progressive representative, Angel rejects the values handed to him, and sets off in search of his own.His disdain for tradition which is an independent spirit contributes to his aura of charisma and general attractiveness.He thinks of this at the time of the British bourgeoisie humanitarian and historical conditions, bourgeois rule in a very brutal, very tragic life of the peasant class, a certain progress is meaningless.However, it must be pointed out is that he has not really jump out of his area against the old moral values, He has not really despised from the class prejudices.He decides to stand for the bourgeois ideology and his inevitable departure from the selfish interests.Although he goes to the farmers to learn farming techniques, but his real purpose is to the future.Although he claims to be independent judgment opinion, once the thing is a very crucial stage, he is still upholding the decadent bourgeois social customs and moral hypocrisy.Angel loves Tess because he thinks that she is sweet and pure.Tess’s denial of him shows she is concerned about her past.To Angel, her denial seems to signify that Tess is even more virtuous than he thinks of.Somehow Tess agrees to marry him.She is so afraid to lose her husband that makes her life restless all the time.Later on, when she knows a similar error in Angel’s past “eight-and forty hours” dissipation with a stranger in London, she securely makes her confession and hopes to get Angle’s forgiveness.Tess has thought although Angel didn’t find the letter under the carpet he can forgive her and then they will live a happy life together.But Angel, who proves himself more judgmental and inflexible than his parent, is blind by his failure to accept Tess for who she really is.He takes Tess’s transgression as a personal attack on him, which makes him unable to see her clearly.The idealized, pure vision of Tess is destroyed.Angel has the same past as Tess’s, but he cannot forgive Tess as Tess forgives him.He no longer sees the woman he once has seen and has married only hours ago.For him, the lover who’s beloved has been transformed in his mind from the embodiment of purity into the tarnished reality of a fallen woman.Second, her second stay with Alec also presents her cowardice.While enduring the abanded life, as Tess struggles with Alec’s temptation , her need for Angel, becomes more and more desparate.If Angel were to return to her and do his duty as her husband, her problems would greatly diminish.She writes to Angel and pleads that he not judges her on her irretrievable past.Tess’s situation thus makes her very vulnerable to Alec’s persuasions.She is obviously heartbroken and needs to be loved more than ever.She is also distraught by her family’s ever-worsening financial situation.Alec’s reasoning seems more valid to Tess than it has in the past.In a way, Tess and Alec are similar in that they have both fallen and ask for forgiveness for their indiscretions.After a long wait for Angel’s reply, but nothing, Tess begins to realize that Alec may be her only hope.She gives up all hopes and becomes Alec’s mistress for the sake of her family.Tess’ love is not given the spirit of transcendence and physical beauty, but with the loss of self-emaciated blind and miserable, unrealistic to imagine that there is no hope with the chessboard, and all are attributable to the self-destiny of the fate and helplessness.Her life is not worthwhile to an attachment that her man and this is a profound tragedy.When she feels the opinions of all the sacrifices so insignificant, as all acts of levity, finally decides to angrily rebel.Of course, Tess once expressed her plainness angrily by the last letter to Angel under a completely disappointed condition.4.Conclusion Tess of d’Urbervilles is a great work.Tess is one of Hardy’s most sympathetic protagonists.She is as likeable as a literary charactor found in all of English literature.Readers come to understand her plight and her acceptance of the seemingly inevitable things that happen to her.Not once during the novel does Tess exhibit any traits that take away from Hardy's portrayal of her as a good person.As a result, by the end of the novel, we wish for a happy ending for Tess and Angel, but we know that not all stories end on a positive note.Nowadays women’s situations have become much better.Some are because of the change of society and some are because of civilization.Just let those poor painful women like Tess be just a memory.

      第三篇:自由與束縛

      自由與束縛

      我十分渴望自由,就像鳥(niǎo)兒一樣無(wú)憂無(wú)慮的生活。但我知道那是不可能的只是幻想罷了。像我這樣的孩子永遠(yuǎn)得生活在束縛下。

      我的煩惱有很多,三天時(shí)間也說(shuō)不完。更多的煩惱來(lái)自于家庭,也就是父母帶給我的煩惱。

      在他們眼中我永遠(yuǎn)是一個(gè)長(zhǎng)不大的小孩,這一點(diǎn)對(duì)于我來(lái)說(shuō)并沒(méi)有什么,但正因?yàn)檫@一點(diǎn),我在他們面前得不到尊重,得不到一個(gè)孩子應(yīng)有的尊重。

      我的話他們好像永遠(yuǎn)也不進(jìn)去,或者從一只耳朵進(jìn)去再?gòu)牧硪恢欢涑鋈?。從?jiǎn)簡(jiǎn)單單的小事就可而知。一次,媽媽拿水杯接水喝,但是飲水機(jī)卻沒(méi)水了。我對(duì)著她說(shuō):“水沒(méi)了,再去換一桶吧!”誰(shuí)知,她依然,把水杯放在飲水機(jī)下,按了下去,其結(jié)果可想而知。再如,前天我對(duì)爸爸說(shuō)讓他幫我往學(xué)生卡里充錢,可是好幾天他都有時(shí)間,但都忘了,我只好自己去充。我不知道是我的話說(shuō)不清楚還是父母沒(méi)聽(tīng)懂或者是不想聽(tīng),但我知道他們從來(lái)都不重視。

      我的能力在父母面前不管有多好,總是那么的微不足道。我做什么事情他們都不放心。如擦個(gè)桌子,掃地,洗個(gè)衣服,在我干完之后,他們總要搖搖頭,經(jīng)常要再干一遍,要不然啊,他們會(huì)心慌的。漸漸地我不再喜歡跟父母說(shuō)話,也不再幫助父母干活。我只是把自己分內(nèi)的事干好,免得找來(lái)幾句怨言。

      我的自由也常常受到控制。晚上出去轉(zhuǎn)轉(zhuǎn),和同學(xué)出去玩,去外面打打籃球,玩會(huì)電腦??這些事啊只有在特定的時(shí)間,特定的地點(diǎn),特定的安全下才可以進(jìn)行。而且十有八九是待在家里,不讓出去。如果想偷偷溜出去。哼,那就只能用天網(wǎng)恢恢疏而不漏一句理解了。

      我討厭在家長(zhǎng)的束縛下成長(zhǎng),但我也深刻的明白離開(kāi)家長(zhǎng)無(wú)疑是走向黑暗的深淵,無(wú)依無(wú)靠。就像是風(fēng)箏本來(lái)在線的牽引下飛翔,但有一天當(dāng)他追尋自由掙脫了線時(shí)他將會(huì)受盡分吹雨打,不知死活,或者垂向地面。

      但如果風(fēng)箏的線太重了,他依然會(huì)落下來(lái),而且會(huì)摔得更慘。

      北京石景山區(qū)石景山實(shí)驗(yàn)中學(xué)初一:埋藏

      第四篇:《苔絲》讀后感--反抗與軟弱(范文模版)

      Rebellion and Cowardice

      --------On Tess of the d’Urbervilles

      Thomas Hardy , novelist and poet, is one of the representatives of English critical realism at the turn of the 19th century.And Tess of the d’Urbervilles is one of his most successful novels.Hardy cannot solely be labeled as a Victorian novelist,nor can he only be categorized as a Moderist.As a traditional writer, Hardy was determined to explode the conventions of nineteenth-century literature and built a new kind of novel in its place.In many respects, Hardy was trapped in the middle ground between the nineteenth and twentieth centuries, between Victorian sensibilities and more modern ones, and between tradition and innovation.1.Brief Introduction Tess of the d’Urbervilles was published om 1891.It is generally regarded as Hardy’s tragic masterpiece, and certainly it is his most ambitious tragic novel.As a pure , loyal , intelligent, strikingly attractive young woman, Tess is the central character of the novel.At the begining of this story,Tess lived in a small village peacefully.Tess’s father was a poor countryside hawker , who was lazy and constantly excessive drinking.Tess’s mother was a dairymaid ,whose mind was very simple.They were pitiful creatures who were always feeling after the vanity.Just as such terrible parents became the setter of Tess’s tragedy.Incidently, Tess’s father discovered a link to the noble of the d’Urbervilled.Therefore, Tess was sent to work at the d’Urbervilles mansion.And then,Tess was seduced by a so-called gentleman----Alec.Unfortunatelly, her ideals cannot prevent her from sliding further and further into misfortune after she becomes pregnant.Forced by the gossips and the church’s blame, Tess thought she deserved nothing good.In order to get rid of the past, she decided to go to a distant diary farm but still thought she was of guilty.Maybe God didn’t approve of this, because the Lord gave her someone she loved with her whole heart----Angel Chare.They loved each other deeply.Somehow, Tess agreed to marry Angel.Soon after their wedding Angel confessed the crime he committed to a woman long time ago and asked for Tess’s forgiveness.Tess was not at all angry and forgave Angel at once;in fact she was rather happy and excited for she also had things to confess.She sat and told her past to Angel, and hoping to be forgiven.But she was wrong and Angel didn’t listen to her explanation at all.Without Angel’s love, nothing meant anything to her.Alec found Tess again and forced her to stay with him.At last, Tess couldn’t bear it and killed Alec.Everything was changed.Tess was arrested for her murder eventually.And this story was ended with the death of Tess.2.Tess’s rebellion

      Tess is a rebelled girl.First of all, she never yeilded to pressure from the society.The contest between corruption and innocence takes place not only in a field, but also in the human’s heart.In Tess’s life, there are two men----Alec and Angel.Both of them have a great influnence to change her fate.Tess is a pure girl tangled up to the tragedy web which is delineated by the imposed fate.That is too unfair to accept by anyone.But Tess never gives up.Alec is a devil young man who does everything he can to seduce Tess when she works for his family.And he does not try to hide his evil.At the begining of this book, he promises to provide for the family that brings Tess to “sell” herself to him.It is Alec who not only ruins Tess’s virginity, but also destroys her happy life.Alec is not only sensual, but also arrogant and physically strong.He believes that winning a woman requires force, not affection and love.Disregarding Tess’s revolution, Alec considers women as carnal objects rather than as equal human’s worthy of affection.Then, he believes he is different from the ancestors, since he has power over her while they do not but in fact he is just like them, using his power like a God although his is quite hollow.He promises empty advantages to her, like the wealth she eventually receives from him, that can never be more important than love.Facing Alec’s force, Tess trys her best to rebel him.And, after the seducing, Tess decided to leave Alec and work for a distant diary farm.She uses her action to prove her rebellion to the world.Secondly, Tess kills Alec at last.This thing shows her rebellion again.When Tess refuses to marry Alec despite the social advantage the match would give her, and refuses his offers of help because she does not sincerely love him, we see her as more than an unwitting victim: her integrity and courage make her heroic.Thus, in the latter part, as Angle returns with renewed loyalty and love for Tess, it becomes apparent that Alec’s trick has considerably broken down Tess’s loyalty to Angle.Torn apart, her shame and grief cause her violent side to explode;Tess now kills her lover in a murderous rage out of love for her husband.Whether intentional or not, Tess has fulfilled Angle’s proclamation that they cannot be together as long as Alec is alive.Her newfound activity may not save her;indeed, her punishment for the murder, presumably death by hanging, will snap her neck just like she snaps the necks of those pheasants.Nevertheless, it may be preferable to her earlier passivity, providing her with a nobler way to face her fate.In a word, Alec of the representatives of the bourgeoisie, he has a bourgeois state apparatus, law, and ethics, as a backup.Wealth can rely on the law and not easily bullied and on the playing Tess.Tess and his contradictions, it can also be said that the workers are oppressed and the specific performance of the entire capitalist social contradictions.Tess beginning of his attitude is very clear, she publicly declares his obnoxious.Later, at a farm, she puts up a struggle to him.Finally, she curses him to ruin her life.She ignores the bourgeois legality and morality, on the feelings of great anger to kill him.Her reaction is a heavy attack to the dark society.3.Tess’s cowardice Tess has a definitely rebeled charactor.at the same time, she is coward.This charactor is also showed on two aspects.First, her love for Angel.In great contract to Alec, Angel wins Tess’s heart by sweet words and kindness.In fact, he is a more complicated person.As a typical nineteenth century progressive representative, Angel rejects the values handed to him, and sets off in search of his own.His disdain for tradition which is an independent spirit contributes to his aura of charisma and general attractiveness.He thinks of this at the time of the British bourgeoisie humanitarian and historical conditions, bourgeois rule in a very brutal, very tragic life of the peasant class, a certain progress is meaningless.However, it must be pointed out is that he has not really jump out of his area against the old moral values, He has not really despised from the class prejudices.He decides to stand for the bourgeois ideology and his inevitable departure from the selfish interests.Although he goes to the farmers to learn farming techniques, but his real purpose is to the future.Although he claims to be independent judgment opinion, once the thing is a very crucial stage, he is still upholding the decadent bourgeois social customs and moral hypocrisy.Angel loves Tess because he thinks that she is sweet and pure.Tess’s denial of him shows she is concerned about her past.To Angel, her denial seems to signify that Tess is even more virtuous than he thinks of.Somehow Tess agrees to marry him.She is so afraid to lose her husband that makes her life restless all the time.Later on, when she knows a similar error in Angel’s past “eight-and forty hours” dissipation with a stranger in London, she securely makes her confession and hopes to get Angle’s forgiveness.Tess has thought although Angel didn’t find the letter under the carpet he can forgive her and then they will live a happy life together.But Angel, who proves himself more judgmental and inflexible than his parent, is blind by his failure to accept Tess for who she really is.He takes Tess’s transgression as a personal attack on him, which makes him unable to see her clearly.The idealized, pure vision of Tess is destroyed.Angel has the same past as Tess’s, but he cannot forgive Tess as Tess forgives him.He no longer sees the woman he once has seen and has married only hours ago.For him, the lover who’s beloved has been transformed in his mind from the embodiment of purity into the tarnished reality of a fallen woman.Second, her second stay with Alec also presents her cowardice.While enduring the abanded life, as Tess struggles with Alec’s temptation , her need for Angel, becomes more and more desparate.If Angel were to return to her and do his duty as her husband, her problems would greatly diminish.She writes to Angel and pleads that he not judges her on her irretrievable past.Tess’s situation thus makes her very vulnerable to Alec’s persuasions.She is obviously heartbroken and needs to be loved more than ever.She is also distraught by her family’s ever-worsening financial situation.Alec’s reasoning seems more valid to Tess than it has in the past.In a way, Tess and Alec are similar in that they have both fallen and ask for forgiveness for their indiscretions.After a long wait for Angel’s reply, but nothing, Tess begins to realize that Alec may be her only hope.She gives up all hopes and becomes Alec’s mistress for the sake of her family.Tess’ love is not given the spirit of transcendence and physical beauty, but with the loss of self-emaciated blind and miserable, unrealistic to imagine that there is no hope with the chessboard, and all are attributable to the self-destiny of the fate and helplessness.Her life is not worthwhile to an attachment that her man and this is a profound tragedy.When she feels the opinions of all the sacrifices so insignificant, as all acts of levity, finally decides to angrily rebel.Of course, Tess once expressed her plainness angrily by the last letter to Angel under a completely disappointed condition.4.Conclusion Tess of d’Urbervilles is a great work.Tess is one of Hardy’s most sympathetic protagonists.She is as likeable as a literary charactor found in all of English literature.Readers come to understand her plight and her acceptance of the seemingly inevitable things that happen to her.Not once during the novel does Tess exhibit any traits that take away from Hardy's portrayal of her as a good person.As a result, by the end of the novel, we wish for a happy ending for Tess and Angel, but we know that not all stories end on a positive note.Nowadays women’s situations have become much better.Some are because of the change of society and some are because of civilization.Just let those poor painful women like Tess be just a memory.Tess of d’Urbervilles is a great work.Tess is one of Hardy’s most sympathetic protagonists.She is as likeable as a literary charactor found in all of English literature.Readers come to understand her plight and her acceptance of the seemingly inevitable things that happen to her.Not once during the novel does Tess exhibit any traits that take away from Hardy's portrayal of her as a good person.As a result, from a deep underatand of the original works ,wo can by the end of the novel, we wish for a happy ending for Tess and Angel, but we know that not all stories end on a positive note.Nowadays women’s situations have become much better.Some are because of the change of society and some are because of civilization.Just let those poor painful women like Tess be just a memory.

      第五篇:作文:叛逆與束縛

      作文:叛逆與束縛(2013年3月廈門市高三質(zhì)檢作文題)

      閱讀下面的材料,根據(jù)要求作文。

      有人說(shuō):真正成功的人,本質(zhì)上流著叛逆的血,擺脫一切限制。也有人說(shuō):一支筆,可以畫,可以寫,但必須讓一只手握住。

      對(duì)上述說(shuō)法,你有何感悟和思考?請(qǐng)自選角度,自定立意,自擬題目,寫一篇不少于800字的議論文或記敘文。

      要求:①必須符合文體要求;②不得抄襲,不得套作。范文示例

      叛逆不是狂歡

      隨著時(shí)代的變遷,隨著越來(lái)越多呼吁言說(shuō)的聲音出現(xiàn),人們不再屈從于懦弱,而是在叛逆中獲取精神的滿足于愉悅。于是有人說(shuō):“真正成功的人,本質(zhì)上留著叛逆的血,擺脫一切限制。”然而,這般不受任何限制的叛逆真的對(duì)嗎?克爾凱郭爾曾嘆:“人們最大的悲哀不是軟弱,而是過(guò)于強(qiáng)大,乃至于漠視上帝?!?/p>

      誠(chéng)然,叛逆是一個(gè)時(shí)代進(jìn)步的必須條件。正如《家》中覺(jué)慧的叛逆,讓他走出封建禮教的罪惡,走向新生。社會(huì)更需要這樣不合時(shí)宜的舉措,來(lái)抨擊那些隱藏在面具之下的罪惡。

      只是,當(dāng)叛逆之聲愈演愈烈,演變成全民的狂歡盛宴,當(dāng)擺脫限制被當(dāng)成漠視一切秩序,這樣的叛逆,便偏離了社會(huì)需要的軌跡,倒成了一場(chǎng)空喊口號(hào)的鬧劇。

      叛逆少年們自認(rèn)為活得精彩而輕視法律,落得終生悔恨的下場(chǎng);網(wǎng)絡(luò)憤青們自視時(shí)代的新聲音,毫無(wú)理智只知以為抨擊,當(dāng)期待異聲成了只余罵聲,把叛逆當(dāng)做狂歡的人們,正如伏爾泰所言,“手持圣旗,滿面紅光走向罪惡?!?/p>

      相比之下,新諾獎(jiǎng)得主莫言,便獲得了一場(chǎng)“沉默著的勝利”,許多人不滿他的極少反抗,不似魯迅等所謂愛(ài)國(guó)志士們?cè)谑澜缑媲皳P(yáng)眉吐氣。但難道莫言不是叛逆的嗎?他的作品中充斥著太多對(duì)社會(huì)現(xiàn)象的無(wú)情揭露,而在生活中卻謹(jǐn)遵叛逆精神的實(shí)質(zhì)嗎,不讓其失去控制,只剩下狂歡般熱鬧過(guò)后的一片空白。

      因此,于我,叛逆是可以的,甚至是必須的,但不受限制、漠視秩序的一類卻不再有益?!耙恢ЧP,可以畫,可以寫,但必須讓一只手握住?!蔽覀兛梢匝哉f(shuō)己見(jiàn),可以身體力行斥責(zé)不公,但這一切都應(yīng)有理智,有公德,而不是一味隨波逐流,而不是一味嘩眾取寵。

      面對(duì)國(guó)王的儀仗隊(duì),貝多芬站在路邊不屑一顧,歌德卻畢恭畢敬施禮。叛逆者們自是無(wú)盡推崇貝多芬,咬牙切齒對(duì)歌德,卻未曾想過(guò)全社會(huì)都無(wú)視禮法只知忤逆,那么倒真是天下大亂一片災(zāi)禍了。從這個(gè)層面來(lái)說(shuō),時(shí)代需要貝多芬,時(shí)代更需要歌德。所以當(dāng)辜鴻銘留著辮子上課被北大學(xué)子斥責(zé)時(shí),他一番“我的辮子是有形的,在頭上;你們的辮子是無(wú)形的,在心里。”不應(yīng)只讓當(dāng)場(chǎng)學(xué)生沉默,我們更應(yīng)該意會(huì)到叛逆的意義正是在于由內(nèi)而外、勇敢而不失理智的反抗。

      切不可拿叛逆做狂歡,讓珍貴的異聲成為一場(chǎng)空娛樂(lè)。

      隨心到達(dá),一江清明

      哲學(xué)先賢尼采在超人論中提到人生三境界:駱駝獅子?jì)牒?。駱駝忍辱?fù)重,埋頭前行有如握在手中的筆;獅子不懼艱辛咆哮著掙扎鐵鏈,流著叛逆的血;嬰孩以黑白眼辨渾濁世界最難得。我并不想評(píng)出此三者的上中下等,人們或匍匐于世,或仰頭望天,都只是匆匆的行者,到達(dá)本就是一種姿態(tài)。

      叛逆,不應(yīng)是作秀,不應(yīng)是為博人眼球,而是太過(guò)空靈與世難容的玻璃球;束縛也應(yīng)是為自己畫下的牢籠,它活血是橡樹(shù)桿上的鐵圈,你層層撕扯著皮肉包裹它,又因?yàn)榕c它的抗?fàn)幍玫礁鼜?qiáng)大的免疫能力,在殺死同伴的病魔手中活下。

      對(duì)于中國(guó)人,是不缺只看見(jiàn)鞭影的老馬的,或許是兩千年的封建帝制,或許是國(guó)民從眾的劣根性,我們習(xí)慣了對(duì)異類的圍堵。然而,那被世人熱捧的喬布斯、扎克伯格,哪一個(gè)不是曾經(jīng)叛逆的異類。他們中途輟學(xué),不顧他人阻撓,瘋狂地追逐一個(gè)“烏托邦”時(shí),我們可曾流露出一絲對(duì)如此叛逆的贊賞?再看才女張愛(ài)玲繁華前世寂寞后生,男人們是不敢靠近,甚至不喜歡她的。她的叛逆冷冽尖銳,已經(jīng)“虛無(wú)到了邊緣”,她是成熟的叛逆,卻因褪去中國(guó)人以為女子該有的委婉與天真的愚蠢不為平凡的世界所挽留。首先,中國(guó)人該有叛逆的骨氣。

      不過(guò)時(shí)下也有一些年輕人,提倡“裸游”這一理念,即沒(méi)有工作沒(méi)有家庭,拋去一切經(jīng)濟(jì)與時(shí)間限制,游遍大江南北。似乎是個(gè)美好的詞語(yǔ)可惜對(duì)現(xiàn)實(shí)的這點(diǎn)反抗太過(guò)蒼白。不知道有多少人真正懂得無(wú)業(yè)后的空虛與不安,不是每一個(gè)人都可以做馬良神筆天馬行空,你有資格“裸游”嗎?如果不能,何方暫時(shí)做根被握住的筆,至少在方格與宣紙間留下墨痕。由此可見(jiàn),任何叛逆都該有底氣,如果只是一把筆,便該積蓄力量,同時(shí)在一方天地里努力精彩。

      其實(shí)回到起點(diǎn),成功并不是一身輕松,更不是肆意妄為,也不意味著只能屈居人下,悲凄地取暖,每一個(gè)真正成功的人都有自己的人生意義,他們將生命融入追求的過(guò)程,并讓這意義與個(gè)性共放異彩。

      事實(shí)上幼年時(shí)讀到孔子“隨心所欲”總是不解,長(zhǎng)大了我看到于丹的“所謂局限,是格局大小,為其所限。”便突然明白,成功不可定義,生命自有長(zhǎng)短,那么一個(gè)在地獄中可以創(chuàng)造天堂的人,對(duì)他來(lái)說(shuō),無(wú)所謂掙脫束縛,佛曰,心之所向,便已到達(dá)。月影支離,一江清明。

      獨(dú)立與良知,乃鑄大師

      《百年孤獨(dú)》作者馬爾克斯說(shuō):“我把獨(dú)立分為兩種,學(xué)術(shù)上的獨(dú)立和人格上的獨(dú)立?!睙o(wú)論何種獨(dú)立,都必須擺脫一切限制,并且真正的大師還不僅在學(xué)術(shù)領(lǐng)域卓有成就,更需要有精神體積和生命業(yè)績(jī)的綜合考量。為此,一個(gè)成功者,須以叛逆的鮮血擺脫諸身心的限制,以獨(dú)立與良知開(kāi)拓境界。反抗強(qiáng)權(quán)的限制與守衛(wèi)良知是并行不悖的,大師身上的強(qiáng)權(quán)首先是權(quán)威、政治,而良知?jiǎng)t是為人類幸福所負(fù)的責(zé)任。梁漱溟在一次政協(xié)會(huì)議上為農(nóng)民的艱苦境況提出“九天九地”說(shuō),公然頂撞毛澤東,他為人民出聲音而義無(wú)反顧。索爾仁尼琴更是左右開(kāi)弓,用《古拉格群島》揭露斯大林體制的黑暗,還攻擊美國(guó)虛偽的民主。這些在權(quán)力者眼中的“叛逆者”,以其超越政治眼光的文化眼光,超越民族思維的普世思維,成為人格上的獨(dú)立為人和人類的良心。

      榮格說(shuō)過(guò):“學(xué)術(shù)的最高成就就是人格成就?!倍?dú)立的人格便是打破一切不合理、非理性的因素,特別是成為不被某一只手握住的人。那么,難道今天就沒(méi)有“獨(dú)立之精神,自由之思想”,心懷民族命運(yùn)的大師嗎?

      隨著社會(huì)浮躁化與功利化,知識(shí)分子中除了極少數(shù)之外紛紛甘于淪為“犬儒主義者”和政治的服用。錢理群筆下的“于丹現(xiàn)象”便是一例?!?論語(yǔ)>心得》忽略了儒家批評(píng)者的一面,在社會(huì)現(xiàn)實(shí)巨大矛盾中避而不談?wù)?zé)任,弱化社會(huì)與政治承諾的重要性。這種甘于被權(quán)勢(shì)收編,對(duì)人民現(xiàn)狀坐而不理,“倒掛式的修身”心態(tài),又如何成就大師?

      由此觀之,所謂大師者,首先要有浩瀚的精神世界,豐富的生命行為,和擺脫束縛的勇氣。尼采曾言:“一切文化都是非政治的?!币蚨谶@個(gè)時(shí)代,鑄就獨(dú)立人格的大師首先必須“去政治化”、“去體制話”。然而這并不意味著他們于社會(huì)毫無(wú)約束,而是開(kāi)放一個(gè)空間使之看清人民、社會(huì),成為真正的社會(huì)的風(fēng)向標(biāo)。

      黑格爾曾言:“一個(gè)民族有些關(guān)注天空的人,才有希望;一個(gè)民族若只是關(guān)注腳下,注定沒(méi)有未來(lái)。”把握住大師的手放開(kāi),使之超越束縛二獨(dú)立,不僅是人民的福祉,更是一個(gè)社會(huì)走向理性的標(biāo)志。

      懷律己之心,修獨(dú)立之思

      有人說(shuō):成功的人本質(zhì)上流著叛逆的血;也有人說(shuō):成功的人是真正守住規(guī)則的人;而我認(rèn)為,一面追求一面哭泣,背叛的是陳規(guī)陋習(xí),緊握的是人類與自由簽下的契約,這才是真正成功的人。

      “心中有猛虎,在細(xì)嗅著薔薇”,英國(guó)詩(shī)人所言極是?!懊突ⅰ笔菍?duì)于墨守成規(guī)的離棄,而細(xì)處的“薔薇”則是成功的人超越世俗時(shí)不可違背的邊境。試想當(dāng)傳承千年的禮義之規(guī)逐漸消散,傳統(tǒng)美德和人類規(guī)則底線無(wú)人問(wèn)津,空余為名為利不斷破壞自由契約而潛心經(jīng)營(yíng)的蠅營(yíng)狗茍,那么這個(gè)民族真正的自由又有意?試想當(dāng)條條框框圈住欲騰飛的獨(dú)立思想,世俗的壓迫已成為人類靈魂的桎梏,那么這個(gè)民族離明哲保身的茍且偷生還有多遠(yuǎn)?

      且看梵高為藝術(shù)掙脫世俗的禁錮,血一般的玫瑰紅,濃郁的鈷藍(lán),耀眼的檸檬黃,一一直指靈魂深處,破處心靈枷鎖。梵高對(duì)世俗的背叛,沖破藝術(shù)的陳規(guī),追求自由藝術(shù)之巔不正是超越一切的桎梏從而獲得靈魂高度的背叛嗎?

      再看左拉當(dāng)國(guó)家聚集起的烏云籠罩著一百多年前法國(guó)人權(quán)的天空,一句擲地有聲的“我控訴”擺脫漠視人權(quán)的法國(guó)大地。左拉的身上流著叛逆的血,這是對(duì)陳規(guī)的叛逆,是對(duì)陋習(xí)的掙脫。

      是的,若無(wú)這些在槍林彈雨中致力于擺脫框條桎梏的仁人志士,那么那些“識(shí)時(shí)務(wù)者為俊杰”的膽怯者還將退在角隅里瑟瑟發(fā)抖至何時(shí)?然而,掙脫一切限制并不意味著可以隨心所欲,肆意妄為,而是在撕裂陋習(xí)的同時(shí),與自由簽下契約,有所節(jié)制有所約束。

      “真正的自由是有邊界的自由”,蕭翰說(shuō)道。誠(chéng)如斯言,擺脫限制爭(zhēng)取的自由,是應(yīng)符合自由法則的自由。反光當(dāng)今,愛(ài)國(guó)憤青們?yōu)樗^“獨(dú)立自由國(guó)權(quán)”而肆意搶砸同胞們的日貨車;美國(guó)為所謂的“言論自由”開(kāi)演《穆斯林的無(wú)知》而使其中東政策走向迷茫之點(diǎn);毒奶粉、染色饅頭為所謂“自由逐利”竟肆加違禁品??這些都不是真正擺脫限制爭(zhēng)自由,反而是對(duì)于法規(guī)和文明良心的漠視。

      常懷律己之心,守住自由的契約;常修獨(dú)立之思,掙脫靈魂的桎梏。

      踽踽而行的溯流者

      “生命是對(duì)宇宙意識(shí)的全然叛離,沒(méi)有忤逆,生命便不能成其為生命?!?我不知道木心在寫這句話時(shí),他見(jiàn)到了哪些踽踽而行的溯流者。歷史長(zhǎng)河浩浩湯湯,正如《云圖》中多個(gè)時(shí)代的轉(zhuǎn)換拼接中,永遠(yuǎn)都有身上烙有自由流星的孤獨(dú)的清醒者,在生存平等、音樂(lè)獨(dú)立、思想自由的召喚之下背離著世界行走。

      他們是少數(shù)的英雄。世界上總有那么一些人,他們對(duì)抗某種不公與謬誤甚至愿意站起來(lái)與大多數(shù)人抗?fàn)?,而有時(shí)甚至是神與信仰?!八枷氲膼耗А蹦岵涉倚τ凇翱鞓?lè)的科學(xué)”對(duì)日益空虛的基督信仰進(jìn)行強(qiáng)烈抨擊,他是上帝的叛徒,他敢懷疑本應(yīng)毋庸置疑的力量。因此當(dāng)他高喊“上帝死了”時(shí),他正孤獨(dú)地逆流而上。如今現(xiàn)人崇他贊他,而悲哀的是時(shí)間并沒(méi)有維度。叛逆者因破壞與反傳統(tǒng)而有著常人無(wú)法理解的孤獨(dú),雖然熱愛(ài)卻無(wú)法言說(shuō)。

      圣西門曾在《一個(gè)日內(nèi)瓦居民給當(dāng)代人的信》中贊揚(yáng)叛逆者“是人類理性發(fā)展的根源”,而從這個(gè)層面上看這些思想“叛”者的存在更像是某種意義上的啟蒙。當(dāng)代社會(huì)困于意識(shí)形態(tài)之時(shí)他們卻同樣第一個(gè)覺(jué)醒。上帝說(shuō)“要有光”,于是光亮降臨大地。叛逆者很多便像那光,身先士卒,照亮黑暗的一隅一角。

      但是,破壞和反傳統(tǒng)并不是目的。叛逆的目的是為了挑戰(zhàn)傳統(tǒng)并加以質(zhì)問(wèn),審視傳統(tǒng)中的某些成分是否仍具有其時(shí)代意義,與“人”這個(gè)名詞背道而馳。正像金庸在《神雕俠侶》后記對(duì)于楊過(guò)的評(píng)價(jià),他是一個(gè)江湖的叛逆者的形象存在,而其存在并非只是為了贊揚(yáng)叛逆,而是其對(duì)于封建禮教的否定與反叛。真正的英雄逆徒,往往具有高于常人的才華與責(zé)任感,他們是“方楔子里的圓木塊”,是特立獨(dú)行的人,是最為真實(shí)的人。

      但很多時(shí)候我們還是沉默的大多數(shù),對(duì)于這些叛逆,我們始終只能仰望而無(wú)法并肩。而社會(huì)之所以為社會(huì),卻恰是少數(shù)與多數(shù)的包容體。逆與不逆,叛與不叛,在二者皆有正當(dāng)性時(shí)應(yīng)得到社會(huì)的寬容與善待。踽踽而行的溯流者像是對(duì)于集體的反叛。誠(chéng)然,社會(huì)是人的集合,卻也因“人”的個(gè)體意義而立體可感。現(xiàn)今我想對(duì)于叛逆者更多的是一種包容,人類社會(huì),才能在孤獨(dú)、集群、自由、平等、獨(dú)立之中,緩緩向前,生生不息。

      自由為文,束縛如質(zhì)

      智慧之書《論語(yǔ)》中有一言:文勝于質(zhì)則過(guò),質(zhì)勝于文則囿。于是,我們明白,文與質(zhì)不偏不倚,相輔相成才能使其大放光彩。一如文與質(zhì),自由使人沖破心靈的牢框,而束縛令其不致太過(guò)鋒芒。自由為文,束縛如質(zhì),文質(zhì)相稱,相得益彰。

      凌波曾言:“若心靈失去根基,心靈雖生猶死?!备谌艘蝗缢隰~(yú),在渴望自由之時(shí)不忘攜束縛上路,讓前行的道路上始終有理性的陽(yáng)光照耀。在《飄》那個(gè)動(dòng)蕩的年代,斯嘉麗挺身而出,為自由而搏,為理想而斗,然而“精神的孤獨(dú)是心靈無(wú)處安放的寂寞”,越飄泊越企求心靈的束縛,企求回歸大地的懷抱。與斯嘉麗迥異,對(duì)于久在飄零的昆德拉而言,這看似無(wú)拘無(wú)束的游移卻是所不能承受的生命之重。一如克萊爾所道:“為什么一個(gè)人的時(shí)候會(huì)流淚?為什么脫離人群時(shí)會(huì)失去思考能力?因?yàn)檫@樣我們不必為責(zé)任和義務(wù)思考和煩憂。”

      追求自由無(wú)可厚非,試圖掙脫一切限制的勇氣值得敬佩,而現(xiàn)實(shí)并非理想主義所構(gòu)的“理想國(guó)”,烏托邦的鐘聲固然誘人,還需有甘于接受束縛之心。

      對(duì)于少年而言,現(xiàn)實(shí)就如同一部魔幻劇,那些血?dú)夥絼偟纳倌耆绾文茉诂F(xiàn)實(shí)的委屈和困境中甘心偏安?追尋自由的腳步如何能在荒誕的故事里停歇?自由者如同周云蓬。17歲的他,坐上開(kāi)往另一座城市的列車開(kāi)始向世界發(fā)出了挑戰(zhàn)。這個(gè)盲小孩選擇依隨跳動(dòng)著的叛逆的鮮血,在無(wú)情滄浪之上泛船游移,釣回的不是悠悠似水年華,只是一傷蒼涼作伴。當(dāng)初那個(gè)不甘偏安,執(zhí)意前行的周云蓬才發(fā)現(xiàn)世界不容庸人自擾,義無(wú)反顧追隨自由的心經(jīng)不起歲月的摧殘。于是最終選擇被縛于安定,生活也逐漸安心。

      我們的時(shí)代有太多的附屬品,那些燈紅酒綠、紙醉金迷的生活,那些從不停歇、追逐名利的人生,都得使我們一步步想要逃離束縛去忠于自由與理想。而若只是金圣嘆夏日淤來(lái)紅盤里切綠沉西瓜的隨意和恬淡,切格瓦拉前往古巴去享受他的“百年孤獨(dú)”,何嘗不是一種快樂(lè),又何嘗不是對(duì)自由與束縛的一種深刻理解?

      似《隱言經(jīng)》所啟示:“靈性之子啊,我使你來(lái)生高貴,你卻日趨卑賤。為著你的創(chuàng)生,你要挺身奮起?!蔽矣c你共勉,以自由為文,束縛為質(zhì),習(xí)得權(quán)衡之心,讓自由與束縛并存,大放光彩。

      成功源自叛逆

      成功有保守的一面也有開(kāi)創(chuàng)性的元素,我想成功更多源自叛逆,正如羅曼·羅蘭所說(shuō):“是叛逆激發(fā)了人類心中大自然賦予的力量?!?/p>

      心理學(xué)上,叛逆是基于束縛的擺脫,是自我積壓的釋放。我們一生都處于盧老所言的枷鎖之中,然而這些限制都應(yīng)被沖破才能成功?不可一概而論之。藝術(shù)創(chuàng)作的叛逆讓新的世界得以開(kāi)創(chuàng);文學(xué)研究的叛逆讓新思想得以激發(fā);科技研制中叛逆推動(dòng)了人類認(rèn)識(shí);法律軍規(guī)下叛逆為你帶來(lái)陰暗潮濕的“獄中人生”。

      藝術(shù)創(chuàng)作讓叛逆成為吹醒萌芽的春風(fēng)。莫奈于中世紀(jì)寫實(shí)油畫勝出之際大膽叛逃于種種畫派之外,開(kāi)始創(chuàng)作當(dāng)時(shí)視為異類的印象畫法,成為印象派開(kāi)山鼻祖;顧愷之勇于革新畫風(fēng)畫法于晉代自成一家之風(fēng);雷杜德叛離了歐洲畫風(fēng)主流,不論你是拿破侖的宏大政治或是一戰(zhàn)二戰(zhàn)血雨腥風(fēng),他依舊畫玫瑰,并且一生只畫玫瑰,讓玫瑰畫作登上世界之巔。

      文學(xué)研究讓叛逆成為滋潤(rùn)花朵的源泉。李贄大膽叛離于儒家世界公然質(zhì)疑,在他看來(lái)儒學(xué)出自“先生臆度,父兄稱誦,小子學(xué)之,有如一犬吠而群犬吠之”,使明末思想界開(kāi)放出一束光陰;熊十力自稱十力,即超出世間的十種力量,叛出傳統(tǒng)禪學(xué)理論;艾利稱自己文學(xué)創(chuàng)作的成功源自內(nèi)心叛逆常規(guī)的血液;錢鐘書打破一貫傳統(tǒng)學(xué)派的寫法,創(chuàng)作出《圍城》《管錐編》等不朽名篇。

      科技上的叛逆成為承載果實(shí)的綠陰。波爾顛覆了宏觀論開(kāi)創(chuàng)了微觀世界,讓量子力學(xué)成為一門尖端學(xué)科;沃森與克里克叛離了遺傳物質(zhì)為蛋白質(zhì)的一貫認(rèn)識(shí),發(fā)現(xiàn)并證實(shí)了DNA的成分和地位;戰(zhàn)機(jī)的雙翼反長(zhǎng),這一不可思議的大手筆讓俄國(guó)人研發(fā)出性能當(dāng)時(shí)無(wú)幾的金雕戰(zhàn)機(jī)。

      然而叛逆需要勇氣。如今,社會(huì)流行于復(fù)制模仿,追其本源是缺少叛逆的勇氣與信心,只有具備這股勇氣才能革故鼎新,才能不一味模仿西方,讓復(fù)制業(yè)退出中國(guó)舞臺(tái),讓中國(guó)制造變?yōu)橹袊?guó)智造。

      叛逆更需要水平。并非像如今的青年逃學(xué)就可以成為下一個(gè)比爾蓋茨,并非一味叛逆就能獲取成功的桂冠,只有擁有水平抓住機(jī)遇,叛逆才不會(huì)成為幼稚成為落敗的引橋。

      教育上正缺乏這方面的引導(dǎo),社會(huì)也應(yīng)該有正確的認(rèn)識(shí)才能使思想開(kāi)放,使成功綻放。

      自己的命運(yùn)應(yīng)握在自己手中,叛逆背后是自立,自立之后是成功,個(gè)人叛逆是成功之源,民族“叛逆”引領(lǐng)人類文明。

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